FOR IMMEDIATE RELEASE
Wayne Static Guitar Tech Voices Support for Matt Zane Documentary and Shares Personal Perspective on Wayne Static’s Legacy
Erik Fincher, who worked as a guitar and bass technician for Static-X from the 2001 Machine tour through the 2009 Cult of Static tour and maintained a longtime professional relationship with the late Wayne Static , has publicly expressed support for filmmaker Matt Zane ’s unauthorized documentary centered on Wayne Static and Tera Wray .
According to Fincher, his experiences working closely with Wayne over the years shaped his views regarding who should help preserve and present Wayne’s personal and creative legacy.
Fincher also disputed public characterizations suggesting a close friendship between Wayne Static and Edsel Dope , who currently performs as Xer0 in the modern incarnation of Static-X.
“From my personal experience working alongside Wayne for many years, I did not witness the kind of close friendship that has been publicly described,” Fincher stated.
Fincher further expressed his belief that individuals who worked directly with Wayne during his solo years and later career are in a stronger position to help document that chapter of his life and artistic vision.
During his time with Wayne Static, Fincher handled stage equipment, instruments, and in-ear monitor systems while accompanying the band throughout multiple touring cycles. He also pointed to Matt Zane’s documented involvement with Wayne’s post-Static-X creative projects, including Pighammer . Zane has previously stated that Wayne and Tera encouraged him to document aspects of their lives and careers beginning in the late 2000s.
“The fans deserve the opportunity to experience Wayne’s work and creative history,” Fincher said. “I believe preserving that legacy matters.”
Fincher additionally stated that he respects the rights of the surviving and former members of Static-X to continue performing the band’s music, while emphasizing the importance of distinguishing personal recollections and opinions from official historical narratives.
About Erik Fincher
Erik Fincher served as a guitar and bass technician and member of the touring support crew for Static-X for more than a decade. He worked closely with Wayne Static during multiple album and touring cycles and was present throughout significant periods of the band’s career.
Stay connected:
https://www.instagram.com/lordzane/
/>
https://metaldevastationradio.com/thebeast/blog/29008/wayne-static-guitar-tech-voices-support-for-matt-zane-documentary-and-shares-personal-perspective-on-wayne-statics-legacy?utm_source=dlvr.it&utm_medium=blogger
Metal Devastation Radio Blog
Tuesday, May 19, 2026
GODS & PUNKS ANNOUNCE NEW ALBUM “A SHRINE BY THE SEA” OUT JULY 3RD, 2026 VIA ELECTRIC VALLEY RECORDS - @thebeast
FOR IMMEDIATE RELEASE
GODS & PUNKS ANNOUNCE NEW ALBUM A SHRINE BY THE SEA OUT JULY 3RD, 2026 VIA ELECTRIC VALLEY RECORDS
Brazilian heavy psych quartet Gods & Punks return with their most ambitious release to date, unveiling the sprawling new album A Shrine By The Sea , arriving July 3rd, 2026 through Electric Valley Records on digital platforms and vinyl.
Known for blending crushing stoner riffs, doom-soaked atmosphere, and progressive songwriting into immersive sonic journeys, Gods & Punks continue pushing deeper into uncharted waters with a record designed to be experienced as a complete voyage.
Formed by:
Alexandre C. – Vocals
Pedro C. – Bass
Rodrigo B. – Guitars
Gabriel S. – Drums
the band has steadily built a reputation within the underground heavy scene through six studio albums that fuse psychedelic exploration with thunderous groove and emotional weight.
A TWO-TRACK ODYSSEY
A Shrine By The Sea is structured around two monumental compositions:
“The Lighthouse” (Side A)
“Poseidon” (Side B)
Each track runs exactly 21 minutes and 12 seconds, creating a vinyl experience rooted in classic album-oriented storytelling while embracing modern accessibility.
To make the release streaming-friendly, both compositions were also divided into four individual “waves,” allowing listeners to experience the album in chapters without losing the larger narrative arc.
The first single, “The Lighthouse – Second Wave,” was released alongside the album pre-order on May 1st. The second single, “Poseidon – Third Wave,” arrives June 19th ahead of the full album release.
BAND STATEMENT
“We’ve always wanted to do an album like this and, after releasing 5 full-length albums, the time was right. A Shrine By The Sea features two tracks we worked really hard on, and that reflect different approaches to our sound. This is, perhaps, the record we felt most proud of, after recording.”
FOR FANS OF
Fans of towering riffs, hypnotic atmosphere, and expansive songwriting in the spirit of Black Sabbath , Elder , and Uncle Acid and the Deadbeats will find plenty to sink into throughout A Shrine By The Sea .
PRODUCTION DETAILS
Music by Gods & Punks
Lyrics by Alexandre C.
Mixed and Mastered by André Leal and Kleber Mariano at Estúdio Jukebox
Guitars and drums recorded in Rio de Janeiro, Brazil
Bass recorded in Santos, Brazil
Vocals recorded in Paris, France
Artwork by Alexandre C.
Released by Electric Valley Records
PRE-ORDER, STREAM & FOLLOW
Bandcamp:
https://godsandpunks.bandcamp.com/album/a-shrine-by-the-sea
/>
Pre-save / HyperFollow:
https://artists.landr.com/991043625117
/>
Watch the video:
Connect:
https://linktr.ee/gods_and_punks
/>
Contact:
Alexandre C.
canhetti@live.com
https://metaldevastationradio.com/thebeast/blog/29007/gods-punks-announce-new-album-a-shrine-by-the-sea-out-july-3rd-2026-via-electric-valley-records?utm_source=dlvr.it&utm_medium=blogger
GODS & PUNKS ANNOUNCE NEW ALBUM A SHRINE BY THE SEA OUT JULY 3RD, 2026 VIA ELECTRIC VALLEY RECORDS
Brazilian heavy psych quartet Gods & Punks return with their most ambitious release to date, unveiling the sprawling new album A Shrine By The Sea , arriving July 3rd, 2026 through Electric Valley Records on digital platforms and vinyl.
Known for blending crushing stoner riffs, doom-soaked atmosphere, and progressive songwriting into immersive sonic journeys, Gods & Punks continue pushing deeper into uncharted waters with a record designed to be experienced as a complete voyage.
Formed by:
Alexandre C. – Vocals
Pedro C. – Bass
Rodrigo B. – Guitars
Gabriel S. – Drums
the band has steadily built a reputation within the underground heavy scene through six studio albums that fuse psychedelic exploration with thunderous groove and emotional weight.
A TWO-TRACK ODYSSEY
A Shrine By The Sea is structured around two monumental compositions:
“The Lighthouse” (Side A)
“Poseidon” (Side B)
Each track runs exactly 21 minutes and 12 seconds, creating a vinyl experience rooted in classic album-oriented storytelling while embracing modern accessibility.
To make the release streaming-friendly, both compositions were also divided into four individual “waves,” allowing listeners to experience the album in chapters without losing the larger narrative arc.
The first single, “The Lighthouse – Second Wave,” was released alongside the album pre-order on May 1st. The second single, “Poseidon – Third Wave,” arrives June 19th ahead of the full album release.
BAND STATEMENT
“We’ve always wanted to do an album like this and, after releasing 5 full-length albums, the time was right. A Shrine By The Sea features two tracks we worked really hard on, and that reflect different approaches to our sound. This is, perhaps, the record we felt most proud of, after recording.”
FOR FANS OF
Fans of towering riffs, hypnotic atmosphere, and expansive songwriting in the spirit of Black Sabbath , Elder , and Uncle Acid and the Deadbeats will find plenty to sink into throughout A Shrine By The Sea .
PRODUCTION DETAILS
Music by Gods & Punks
Lyrics by Alexandre C.
Mixed and Mastered by André Leal and Kleber Mariano at Estúdio Jukebox
Guitars and drums recorded in Rio de Janeiro, Brazil
Bass recorded in Santos, Brazil
Vocals recorded in Paris, France
Artwork by Alexandre C.
Released by Electric Valley Records
PRE-ORDER, STREAM & FOLLOW
Bandcamp:
https://godsandpunks.bandcamp.com/album/a-shrine-by-the-sea
/>
Pre-save / HyperFollow:
https://artists.landr.com/991043625117
/>
Watch the video:
Connect:
https://linktr.ee/gods_and_punks
/>
Contact:
Alexandre C.
canhetti@live.com
https://metaldevastationradio.com/thebeast/blog/29007/gods-punks-announce-new-album-a-shrine-by-the-sea-out-july-3rd-2026-via-electric-valley-records?utm_source=dlvr.it&utm_medium=blogger
SWEETLAND REIGNITE ATTENTION ON PARIAH EP — OUT NOW PSYCHEDELIC DOOM RELEASE RETURNS TO THE SPOTLIGHT - @thebeast
FOR IMMEDIATE RELEASE
SWEETLAND REIGNITE ATTENTION ON PARIAH EP — OUT NOW PSYCHEDELIC DOOM RELEASE RETURNS TO THE SPOTLIGHT
Sweetland are circling back to the underground with renewed focus on their 2025 release Pariah EP , a dense slab of Psychedelic Doom Metal that continues to earn attention well beyond its initial drop.
Originally released November 4, 2025, Pariah EP is not a comeback or a reinvention. It’s a reminder. Heavy, slow, and deliberately unpolished, the record sits in that thick space between collapse and clarity, pulling influence from the crushing dynamics of Melvins , the hypnotic weight of Monolord , and the expansive, genre bending scope often associated with Devin Townsend .
Now, with fresh promotion and renewed push through the underground circuit, Sweetland are giving the EP a second life, aiming it at new listeners who may have missed it the first time around.
Recorded, mixed, and mastered by Zach Thomas, the production stays intentionally raw and immersive, letting the riffs breathe, drag, and collapse exactly how they were meant to.
Band Statement
“We never saw Pariah as something that had an expiration date. Doom doesn’t age out. It just waits. This is us pulling it back into the light for the people who weren’t there the first time.”
Release Details
Band: Sweetland
Release: Pariah EP
Status: Out Now (Originally Released November 4, 2025)
Genre: Psychedelic Doom Metal
Production: Recorded, Mixed, Mastered by Zach Thomas
Label: None
Sweetland aren’t chasing hype. They’re letting the record speak louder the second time around. And Pariah EP still hits like it was carved out of stone and left in a storm.
Connect:
Facebook:
https://www.facebook.com/profile.php?id=61576643562169
/> Instagram:
https://www.instagram.com/sweetlandmusic/
/> Bandcamp:
https://sweetland.bandcamp.com
/>
Contact: sweetlanddoom@gmail.com
https://metaldevastationradio.com/thebeast/blog/29006/sweetland-reignite-attention-on-pariah-ep-out-now-psychedelic-doom-release-returns-to-the-spotlight?utm_source=dlvr.it&utm_medium=blogger
SWEETLAND REIGNITE ATTENTION ON PARIAH EP — OUT NOW PSYCHEDELIC DOOM RELEASE RETURNS TO THE SPOTLIGHT
Sweetland are circling back to the underground with renewed focus on their 2025 release Pariah EP , a dense slab of Psychedelic Doom Metal that continues to earn attention well beyond its initial drop.
Originally released November 4, 2025, Pariah EP is not a comeback or a reinvention. It’s a reminder. Heavy, slow, and deliberately unpolished, the record sits in that thick space between collapse and clarity, pulling influence from the crushing dynamics of Melvins , the hypnotic weight of Monolord , and the expansive, genre bending scope often associated with Devin Townsend .
Now, with fresh promotion and renewed push through the underground circuit, Sweetland are giving the EP a second life, aiming it at new listeners who may have missed it the first time around.
Recorded, mixed, and mastered by Zach Thomas, the production stays intentionally raw and immersive, letting the riffs breathe, drag, and collapse exactly how they were meant to.
Band Statement
“We never saw Pariah as something that had an expiration date. Doom doesn’t age out. It just waits. This is us pulling it back into the light for the people who weren’t there the first time.”
Release Details
Band: Sweetland
Release: Pariah EP
Status: Out Now (Originally Released November 4, 2025)
Genre: Psychedelic Doom Metal
Production: Recorded, Mixed, Mastered by Zach Thomas
Label: None
Sweetland aren’t chasing hype. They’re letting the record speak louder the second time around. And Pariah EP still hits like it was carved out of stone and left in a storm.
Connect:
Facebook:
https://www.facebook.com/profile.php?id=61576643562169
/> Instagram:
https://www.instagram.com/sweetlandmusic/
/> Bandcamp:
https://sweetland.bandcamp.com
/>
Contact: sweetlanddoom@gmail.com
https://metaldevastationradio.com/thebeast/blog/29006/sweetland-reignite-attention-on-pariah-ep-out-now-psychedelic-doom-release-returns-to-the-spotlight?utm_source=dlvr.it&utm_medium=blogger
MEPHISTO ODYSSEY RELEASES 2026 REMASTER OF THE ICONIC “CRUCIFIED DUB” MIX OF STATIC-X’S “PUSH IT” — WAYNE STATIC’S FIRST CREATIVE COLLABORATION WITH MIKAEL JOHNSTON — IN CELEBRATION OF THE TRACK’S RIAA GOLD CERTIFICATION - @thebeast
FOR IMMEDIATE RELEASE
MEPHISTO ODYSSEY RELEASES 2026 REMASTER OF THE ICONIC “CRUCIFIED DUB” MIX OF STATIC-X’S “PUSH IT” — WAYNE STATIC’S FIRST CREATIVE COLLABORATION WITH MIKAEL JOHNSTON — IN CELEBRATION OF THE TRACK’S RIAA GOLD CERTIFICATION
Dark, driving rework of the original 1999 maxi-single returns with renewed sonic force and brand-new visuals as Static-X’s industrial-dance anthem officially reaches Gold status
San Francisco Bay Area / Los Angeles, CA — May 19, 2026 — In celebration of Static-X’s groundbreaking 1999 single “Push It” from the platinum-certified album Wisconsin Death Trip receiving its first-ever RIAA Gold certification on April 21, 2026, Mephisto Odyssey founder Mikael Johnston has released a powerful 2026 remaster of the legendary “Crucified Dub” mix.
Originally featured on the official Push It maxi-single, the dark, hypnotic reinterpretation now returns with fully updated mastering from Johnston’s Pop Twist Studios, alongside a new visual presentation directed by Matt Zane.
This release carries significant artistic and historical weight. The original 1999 “Crucified Dub” marked the first collaboration between Mikael Johnston and late Static-X frontman Wayne Static. At the time, Wayne actively participated in the creative process and expressed strong enthusiasm for the final version. That initial connection sparked a long-running creative partnership that went on to include the co-written track “CRASH,” featured on the Batman Beyond: Return of the Joker soundtrack with a Len Wiseman-directed music video starring both Wayne and Mikael, as well as Mephisto Odyssey’s official remix of Static-X’s “Cold,” among additional collaborations.
“This was the first thing Wayne Static and I ever worked on together,” says Johnston. “He gave input during its creation and really loved the final result. That moment set everything in motion for our later collaborations, including ‘CRASH,’ my remix of ‘Cold,’ and more.”
The 2026 remaster preserves the raw industrial energy and dance-floor pulse of the original while enhancing clarity, depth, and impact for modern systems and audiences. It arrives as part of Mephisto Odyssey’s ongoing 2026 catalog revival, reintroducing pioneering San Francisco industrial-electronic works to a new generation.
Watch the official 2026 music video:
Stream / Info: Available now on YouTube with new visuals by Matt Zane. Additional catalog re-releases and new Mephisto Odyssey vault material will continue rolling out throughout 2026.
Mephisto Odyssey, led by Mikael Johnston, has been a defining force in West Coast electronic and industrial music since 1993. With official remixes for Static-X, Jane’s Addiction, and others, along with soundtrack placements including Hostel and releases on Warner Bros., the project’s deep connection to Wayne Static and the nu-metal/industrial era makes this remaster both a historical milestone and a heartfelt tribute.
Connect:
YouTube:
https://www.youtube.com/@mephistoodysseyofficial
/> FaceBook:
https://www.facebook.com/share/g/1DP1xEeGBh/
/> Instagram:
https://www.instagram.com/mephistoodysseyofficial/
/>
Photo Credit: Michael Olszewski
https://metaldevastationradio.com/thebeast/blog/29004/mephisto-odyssey-releases-2026-remaster-of-the-iconic-crucified-dub-mix-of-static-xs-push-it-wayne-statics?utm_source=dlvr.it&utm_medium=blogger
MEPHISTO ODYSSEY RELEASES 2026 REMASTER OF THE ICONIC “CRUCIFIED DUB” MIX OF STATIC-X’S “PUSH IT” — WAYNE STATIC’S FIRST CREATIVE COLLABORATION WITH MIKAEL JOHNSTON — IN CELEBRATION OF THE TRACK’S RIAA GOLD CERTIFICATION
Dark, driving rework of the original 1999 maxi-single returns with renewed sonic force and brand-new visuals as Static-X’s industrial-dance anthem officially reaches Gold status
San Francisco Bay Area / Los Angeles, CA — May 19, 2026 — In celebration of Static-X’s groundbreaking 1999 single “Push It” from the platinum-certified album Wisconsin Death Trip receiving its first-ever RIAA Gold certification on April 21, 2026, Mephisto Odyssey founder Mikael Johnston has released a powerful 2026 remaster of the legendary “Crucified Dub” mix.
Originally featured on the official Push It maxi-single, the dark, hypnotic reinterpretation now returns with fully updated mastering from Johnston’s Pop Twist Studios, alongside a new visual presentation directed by Matt Zane.
This release carries significant artistic and historical weight. The original 1999 “Crucified Dub” marked the first collaboration between Mikael Johnston and late Static-X frontman Wayne Static. At the time, Wayne actively participated in the creative process and expressed strong enthusiasm for the final version. That initial connection sparked a long-running creative partnership that went on to include the co-written track “CRASH,” featured on the Batman Beyond: Return of the Joker soundtrack with a Len Wiseman-directed music video starring both Wayne and Mikael, as well as Mephisto Odyssey’s official remix of Static-X’s “Cold,” among additional collaborations.
“This was the first thing Wayne Static and I ever worked on together,” says Johnston. “He gave input during its creation and really loved the final result. That moment set everything in motion for our later collaborations, including ‘CRASH,’ my remix of ‘Cold,’ and more.”
The 2026 remaster preserves the raw industrial energy and dance-floor pulse of the original while enhancing clarity, depth, and impact for modern systems and audiences. It arrives as part of Mephisto Odyssey’s ongoing 2026 catalog revival, reintroducing pioneering San Francisco industrial-electronic works to a new generation.
Watch the official 2026 music video:
Stream / Info: Available now on YouTube with new visuals by Matt Zane. Additional catalog re-releases and new Mephisto Odyssey vault material will continue rolling out throughout 2026.
Mephisto Odyssey, led by Mikael Johnston, has been a defining force in West Coast electronic and industrial music since 1993. With official remixes for Static-X, Jane’s Addiction, and others, along with soundtrack placements including Hostel and releases on Warner Bros., the project’s deep connection to Wayne Static and the nu-metal/industrial era makes this remaster both a historical milestone and a heartfelt tribute.
Connect:
YouTube:
https://www.youtube.com/@mephistoodysseyofficial
/> FaceBook:
https://www.facebook.com/share/g/1DP1xEeGBh/
/> Instagram:
https://www.instagram.com/mephistoodysseyofficial/
/>
Photo Credit: Michael Olszewski
https://metaldevastationradio.com/thebeast/blog/29004/mephisto-odyssey-releases-2026-remaster-of-the-iconic-crucified-dub-mix-of-static-xs-push-it-wayne-statics?utm_source=dlvr.it&utm_medium=blogger
INSCRIBED Announce Debut Full-Length Album Upon the Twisted Throne Out June 19, 2026 via Awakening Records | Single “Machinery of War” Out Now - @thebeast
FOR IMMEDIATE RELEASE
INSCRIBED Announce Debut Full-Length Album Upon the Twisted Throne Out June 19, 2026 via Awakening Records | Single “Machinery of War” Out Now
Pre-order:
CD:
https://awakeningrecordscn.bigcartel.com/product/inscribed-upon-the-twisted-throne-cd
/> Digital:
https://awakeningrecordscn.bandcamp.com/album/upon-the-twisted-throne
/>
Miami, Florida death/thrash metal trio INSCRIBED are set to unleash their highly anticipated debut full-length album, Upon the Twisted Throne , on June 19, 2026 via Awakening Records. The album marks a major step forward for the band, expanding their razor sharp, progressive death/thrash attack into even more ambitious and extreme territory.
Drawing influence from legendary acts such as Atheist, Hellwitch, Sadus, Cynic, and Nocturnus, INSCRIBED deliver a blistering fusion of technical precision, chaotic riffing, and progressive songwriting rooted firmly in the spirit of early 90s Florida death metal. Despite the members’ young ages, the band continues to push a sound that feels both classic in spirit and ferociously forward-looking in execution.
Formed in 2021 by bassist Evie Austin and drummer/vocalist Lucas Moore, INSCRIBED quickly carved out a name in the South Florida underground with their 2022 demo and 2024 debut EP In Silent Oblivion . After recruiting guitarist Mario Alvarez, the trio tightened into a relentless live force across Florida, sharpening the material that would become Upon the Twisted Throne .
The new album pushes their progressive death/thrash formula into deeper extremes, balancing intricate musicianship with raw aggression and strong, memorable songwriting. A bass-driven compositional approach gives the record a distinct identity, with Evie Austin’s lightning-fast runs and fingerstyle precision cutting through Mario Alvarez’s razor-edged guitar work and Lucas Moore’s punishing drumming and vocal delivery.
“ Upon the Twisted Throne acts as a bold step forward for Inscribed, continuing the progressive death-thrash style the band debuted with In Silent Oblivion into an even more intense direction,” says the band. “The album sees us expanding our range of influences while pushing technical ability and melodic dynamics further than before.”
The album’s lead single and video, “Machinery of War,” is out now. A longtime live staple, the track opens with a chaotic technical bassline before erupting into a high-velocity assault of progressive death and thrash metal precision. Written collaboratively by all three members, the song explores the disturbing fate of a mecha pilot trapped inside a dying war machine, drawing on themes of war, mortality, and human suffering.
Other standout tracks include “On the Stage of Death,” an ambitious multi-section piece inspired by Kentaro Miura’s Berserk , which examines religious extremism through shifting emotional and sonic landscapes, and “Still Time Passes,” a haunting, mid-paced composition exploring the psychological horror of perceived eternal isolation and the fragility of consciousness.
Upon the Twisted Throne features:
Evie Austin — Bass Guitar
Lucas Moore — Drums & Vocals
Mario Alvarez — Guitar
Additional lead guitar by Fernando Calero.
The album was engineered and mixed by Ferny Coipel at The Shack North, with guitar and bass tracking by John Sample at Sathanas Studios. Mastering was handled by Chris Barcia. Artwork was created by Stephanie D-Sorensen, with additional design contributions from Raphael Sanchez, Deborah Moore, Beatriz Freire, Gabriel Caggiano, and Arioch.
Upon the Twisted Throne will be released June 19, 2026 via Awakening Records.
For fans of Atheist, Hellwitch, Sadus, Cynic, Nocturnus.
Watch the video:
Follow INSCRIBED online:
Facebook:
https://www.facebook.com/inscribedofficial/
/> Instagram:
https://www.instagram.com/inscribedofficial
/> YouTube:
https://www.youtube.com/@inscribedofficial
/> Bandcamp:
https://inscribedofficial.bandcamp.com/
/> Spotify:
https://open.spotify.com/artist/3WGErsqyfSzjSUecAY2VPk
/>
Label Information:
Awakening Records
Website:
https://www.awakeningrecords.cn
/> Bandcamp:
https://awakeningrecordscn.bandcamp.com
/> Big Cartel:
https://awakeningrecordscn.bigcartel.com
/> Facebook:
https://facebook.com/awakeningrecordscn
/> Instagram:
https://instagram.com/awakeningrecordscn
/>
Contact:
Lucas Moore
inscribedofficial@gmail.com
https://metaldevastationradio.com/thebeast/blog/29003/inscribed-announce-debut-full-length-album-upon-the-twisted-throne-out-june-19-2026-via-awakening-records-single-machinery?utm_source=dlvr.it&utm_medium=blogger
INSCRIBED Announce Debut Full-Length Album Upon the Twisted Throne Out June 19, 2026 via Awakening Records | Single “Machinery of War” Out Now
Pre-order:
CD:
https://awakeningrecordscn.bigcartel.com/product/inscribed-upon-the-twisted-throne-cd
/> Digital:
https://awakeningrecordscn.bandcamp.com/album/upon-the-twisted-throne
/>
Miami, Florida death/thrash metal trio INSCRIBED are set to unleash their highly anticipated debut full-length album, Upon the Twisted Throne , on June 19, 2026 via Awakening Records. The album marks a major step forward for the band, expanding their razor sharp, progressive death/thrash attack into even more ambitious and extreme territory.
Drawing influence from legendary acts such as Atheist, Hellwitch, Sadus, Cynic, and Nocturnus, INSCRIBED deliver a blistering fusion of technical precision, chaotic riffing, and progressive songwriting rooted firmly in the spirit of early 90s Florida death metal. Despite the members’ young ages, the band continues to push a sound that feels both classic in spirit and ferociously forward-looking in execution.
Formed in 2021 by bassist Evie Austin and drummer/vocalist Lucas Moore, INSCRIBED quickly carved out a name in the South Florida underground with their 2022 demo and 2024 debut EP In Silent Oblivion . After recruiting guitarist Mario Alvarez, the trio tightened into a relentless live force across Florida, sharpening the material that would become Upon the Twisted Throne .
The new album pushes their progressive death/thrash formula into deeper extremes, balancing intricate musicianship with raw aggression and strong, memorable songwriting. A bass-driven compositional approach gives the record a distinct identity, with Evie Austin’s lightning-fast runs and fingerstyle precision cutting through Mario Alvarez’s razor-edged guitar work and Lucas Moore’s punishing drumming and vocal delivery.
“ Upon the Twisted Throne acts as a bold step forward for Inscribed, continuing the progressive death-thrash style the band debuted with In Silent Oblivion into an even more intense direction,” says the band. “The album sees us expanding our range of influences while pushing technical ability and melodic dynamics further than before.”
The album’s lead single and video, “Machinery of War,” is out now. A longtime live staple, the track opens with a chaotic technical bassline before erupting into a high-velocity assault of progressive death and thrash metal precision. Written collaboratively by all three members, the song explores the disturbing fate of a mecha pilot trapped inside a dying war machine, drawing on themes of war, mortality, and human suffering.
Other standout tracks include “On the Stage of Death,” an ambitious multi-section piece inspired by Kentaro Miura’s Berserk , which examines religious extremism through shifting emotional and sonic landscapes, and “Still Time Passes,” a haunting, mid-paced composition exploring the psychological horror of perceived eternal isolation and the fragility of consciousness.
Upon the Twisted Throne features:
Evie Austin — Bass Guitar
Lucas Moore — Drums & Vocals
Mario Alvarez — Guitar
Additional lead guitar by Fernando Calero.
The album was engineered and mixed by Ferny Coipel at The Shack North, with guitar and bass tracking by John Sample at Sathanas Studios. Mastering was handled by Chris Barcia. Artwork was created by Stephanie D-Sorensen, with additional design contributions from Raphael Sanchez, Deborah Moore, Beatriz Freire, Gabriel Caggiano, and Arioch.
Upon the Twisted Throne will be released June 19, 2026 via Awakening Records.
For fans of Atheist, Hellwitch, Sadus, Cynic, Nocturnus.
Watch the video:
Follow INSCRIBED online:
Facebook:
https://www.facebook.com/inscribedofficial/
/> Instagram:
https://www.instagram.com/inscribedofficial
/> YouTube:
https://www.youtube.com/@inscribedofficial
/> Bandcamp:
https://inscribedofficial.bandcamp.com/
/> Spotify:
https://open.spotify.com/artist/3WGErsqyfSzjSUecAY2VPk
/>
Label Information:
Awakening Records
Website:
https://www.awakeningrecords.cn
/> Bandcamp:
https://awakeningrecordscn.bandcamp.com
/> Big Cartel:
https://awakeningrecordscn.bigcartel.com
/> Facebook:
https://facebook.com/awakeningrecordscn
/> Instagram:
https://instagram.com/awakeningrecordscn
/>
Contact:
Lucas Moore
inscribedofficial@gmail.com
https://metaldevastationradio.com/thebeast/blog/29003/inscribed-announce-debut-full-length-album-upon-the-twisted-throne-out-june-19-2026-via-awakening-records-single-machinery?utm_source=dlvr.it&utm_medium=blogger
Monday, May 18, 2026
MY DARK FATE, NOCTURNAL CEREMONY, HELLRAZOR, KUF, SUGAR VIRUS, EVERYPERSON, MACHINE CULT RITUAL & SELIAS FEATURED IN NEW ISSUE OF ROCK HARD MAGAZINE - @thebeast
METAL DEVASTATION PR CLIENTS DOMINATE NEW ISSUE OF ROCK HARD MAGAZINE
Metal Devastation PR is proud to announce that several of our clients have been featured, interviewed, and reviewed in the latest issue of legendary European publication Rock Hard Magazine, with journalist Michele Martini shining a spotlight on a wide range of underground heavy music from groove metal and death metal to industrial darkness and horror punk madness.
This latest wave of coverage showcases the strength and diversity of the Metal Devastation PR roster, proving once again that underground metal is alive, evolving, and louder than ever.
MY DARK FATE FEATURED IN “SYMPHONY IN BLACK”
Austrian groove metal force My Dark Fate opened up about rebuilding after tragedy, lineup changes, and finding renewed artistic freedom following the loss of their studio and rehearsal space in a devastating fire.
“2024 was a tough year. Our studio and rehearsal space were lost in a fire, and some long-time members left for personal reasons,” said Andreas. “Christian and I restarted the project with Stefan and Marina, focusing on rebuilding My Dark Fate.”
Discussing their recent cover of the Rolling Stones classic Paint It, Black, Andreas explained:
“We wanted to reinterpret the song while keeping its essence intact, adding modern elements and our own dark, groovy touch.”
The band also discussed themes behind recent singles Frightened to the Core and Whiteout, tackling media-driven fear, isolation, and emotional numbness while pushing into new sonic territory without abandoning their groove-metal roots.
NOCTURNAL CEREMONY RETURN FROM THE SHADOWS
Norwegian death metal act Nocturnal Ceremony were featured in a deep interview surrounding their return album Obsidian after decades of silence.
Thomas Madsen reflected on the band’s resurrection:
“We started writing new music in 2022, rebuilding from scratch, logo, graphics, and songs, as if beginning anew.”
On the evolution of the songwriting process, Madsen revealed:
“Now we compose with a clear purpose, structuring tracks almost like complete pieces. We aim for music that leaves a lasting impression.”
Their lyrical themes now focus less on fantasy horror and more on real psychological darkness:
“Back then we wrote about imaginary demons and devils. Now we write about real ones, the darkness and shadows that dwell in everyone’s mind.”
HELLRAZOR DISCUSS THEATRICS, TRANSFORMATION, AND WINGS OF DELIVERANCE
Canadian heavy metal duo Hellrazor discussed the philosophical concepts and cinematic inspiration behind their latest album Wings of Deliverance.
Kasey Haze explained the band’s masked identity:
“The masks help us focus attention on the music and message rather than our faces.”
The album itself was inspired by disturbing real-world events:
“I was watching a documentary about Jim Jones and wrote the album inspired by that tragedy. It’s about manipulation and loss of identity.”
Darrin Evil added:
“We’ve always mixed theatrical elements with metal. Our live shows are immersive, and we draw inspiration from cinema and literature.”
KUF RETURN WITH CHAPTER I
American hard rock and doom-influenced band KUF discussed their rebirth and creative evolution surrounding the release of Chapter I.
Todd Leclaire reflected on the band’s return:
“At one point, external pressures made us lose control of the project. I moved to Virginia and rediscovered a sense of freedom.”
Discussing vocalist Twilly’s role in the band’s rebirth, Todd added:
“Her voice was perfect from the start. She brought emotional intensity and a theatrical dimension that fit our sound naturally.”
Twilly summarized the emotional mission of the band perfectly:
“The goal is to create a space where listeners can connect deeply, not just with melodies but with the feelings behind them.”
ROCK HARD REVIEWS AND SCORES
Sugar Virus – Kill the Messenger
Score: 7.5/10
Rock Hard praised Sugar Virus for delivering a powerful blend of horror punk, doom influence, and dark cinematic atmosphere.
“The result is effective, coherent, and exaggerated, a work rooted in a glorious tradition yet still modern and relevant.”
The review highlighted the band’s “thunderous, twilight-toned sonorities” and compared the spirit of the record to classic Misfits-inspired horror punk infused with heavier doom textures.
Everyperson – Fathoms
Score: 7.5/10
The mysterious solo project Everyperson earned praise for originality and emotional depth.
“Fathoms consists of eight varied tracks blending melodic modern metal tension with rougher, groove-driven elements and a distinct electronic edge.”
Rock Hard called the album “a solid, imaginative work that distinguishes itself from the crowd.”
Machine Cult Ritual – Occult Mechanics
Score: 7/10
Industrial doom project Machine Cult Ritual received recognition for crafting a uniquely oppressive and immersive debut album.
“The album’s layered structure feels original, defining a unique artistic vision.”
The magazine praised the record’s industrial textures, doom rhythms, death metal vocals, and avant-garde atmosphere that “draw the listener into a strange yet captivating sonic universe.”
Selias – Headshot
Score: 5/10
While the review for Selias was more critical, Rock Hard acknowledged the band’s ambition in blending death metal and groove influences, though the publication felt the songwriting needed stronger structure and direction moving forward.
THE UNDERGROUND CONTINUES TO RISE
From Austrian groove metal to Norwegian death metal, industrial experimentation, theatrical heavy metal, doom rock, and horror punk, this month’s Rock Hard coverage proves that independent metal artists continue pushing boundaries worldwide.
Metal Devastation PR congratulates all featured artists for their hard work, dedication, and relentless commitment to underground heavy music.
Stay tuned. More chaos is coming.
#MetalDevastationPR #RockHardMagazine #MyDarkFate #NocturnalCeremony #Hellrazor #KUF #SugarVirus #Everyperson #MachineCultRitual #Selias #HeavyMetal #DeathMetal #GrooveMetal #IndustrialMetal #HorrorPunk #UndergroundMetal #MetalNews #MetalCommunity
https://metaldevastationradio.com/thebeast/blog/29002/my-dark-fate-nocturnal-ceremony-hellrazor-kuf-sugar-virus-everyperson-machine-cult-ritual-selias-featured-in-new-issue-o?utm_source=dlvr.it&utm_medium=blogger
Metal Devastation PR is proud to announce that several of our clients have been featured, interviewed, and reviewed in the latest issue of legendary European publication Rock Hard Magazine, with journalist Michele Martini shining a spotlight on a wide range of underground heavy music from groove metal and death metal to industrial darkness and horror punk madness.
This latest wave of coverage showcases the strength and diversity of the Metal Devastation PR roster, proving once again that underground metal is alive, evolving, and louder than ever.
MY DARK FATE FEATURED IN “SYMPHONY IN BLACK”
Austrian groove metal force My Dark Fate opened up about rebuilding after tragedy, lineup changes, and finding renewed artistic freedom following the loss of their studio and rehearsal space in a devastating fire.
“2024 was a tough year. Our studio and rehearsal space were lost in a fire, and some long-time members left for personal reasons,” said Andreas. “Christian and I restarted the project with Stefan and Marina, focusing on rebuilding My Dark Fate.”
Discussing their recent cover of the Rolling Stones classic Paint It, Black, Andreas explained:
“We wanted to reinterpret the song while keeping its essence intact, adding modern elements and our own dark, groovy touch.”
The band also discussed themes behind recent singles Frightened to the Core and Whiteout, tackling media-driven fear, isolation, and emotional numbness while pushing into new sonic territory without abandoning their groove-metal roots.
NOCTURNAL CEREMONY RETURN FROM THE SHADOWS
Norwegian death metal act Nocturnal Ceremony were featured in a deep interview surrounding their return album Obsidian after decades of silence.
Thomas Madsen reflected on the band’s resurrection:
“We started writing new music in 2022, rebuilding from scratch, logo, graphics, and songs, as if beginning anew.”
On the evolution of the songwriting process, Madsen revealed:
“Now we compose with a clear purpose, structuring tracks almost like complete pieces. We aim for music that leaves a lasting impression.”
Their lyrical themes now focus less on fantasy horror and more on real psychological darkness:
“Back then we wrote about imaginary demons and devils. Now we write about real ones, the darkness and shadows that dwell in everyone’s mind.”
HELLRAZOR DISCUSS THEATRICS, TRANSFORMATION, AND WINGS OF DELIVERANCE
Canadian heavy metal duo Hellrazor discussed the philosophical concepts and cinematic inspiration behind their latest album Wings of Deliverance.
Kasey Haze explained the band’s masked identity:
“The masks help us focus attention on the music and message rather than our faces.”
The album itself was inspired by disturbing real-world events:
“I was watching a documentary about Jim Jones and wrote the album inspired by that tragedy. It’s about manipulation and loss of identity.”
Darrin Evil added:
“We’ve always mixed theatrical elements with metal. Our live shows are immersive, and we draw inspiration from cinema and literature.”
KUF RETURN WITH CHAPTER I
American hard rock and doom-influenced band KUF discussed their rebirth and creative evolution surrounding the release of Chapter I.
Todd Leclaire reflected on the band’s return:
“At one point, external pressures made us lose control of the project. I moved to Virginia and rediscovered a sense of freedom.”
Discussing vocalist Twilly’s role in the band’s rebirth, Todd added:
“Her voice was perfect from the start. She brought emotional intensity and a theatrical dimension that fit our sound naturally.”
Twilly summarized the emotional mission of the band perfectly:
“The goal is to create a space where listeners can connect deeply, not just with melodies but with the feelings behind them.”
ROCK HARD REVIEWS AND SCORES
Sugar Virus – Kill the Messenger
Score: 7.5/10
Rock Hard praised Sugar Virus for delivering a powerful blend of horror punk, doom influence, and dark cinematic atmosphere.
“The result is effective, coherent, and exaggerated, a work rooted in a glorious tradition yet still modern and relevant.”
The review highlighted the band’s “thunderous, twilight-toned sonorities” and compared the spirit of the record to classic Misfits-inspired horror punk infused with heavier doom textures.
Everyperson – Fathoms
Score: 7.5/10
The mysterious solo project Everyperson earned praise for originality and emotional depth.
“Fathoms consists of eight varied tracks blending melodic modern metal tension with rougher, groove-driven elements and a distinct electronic edge.”
Rock Hard called the album “a solid, imaginative work that distinguishes itself from the crowd.”
Machine Cult Ritual – Occult Mechanics
Score: 7/10
Industrial doom project Machine Cult Ritual received recognition for crafting a uniquely oppressive and immersive debut album.
“The album’s layered structure feels original, defining a unique artistic vision.”
The magazine praised the record’s industrial textures, doom rhythms, death metal vocals, and avant-garde atmosphere that “draw the listener into a strange yet captivating sonic universe.”
Selias – Headshot
Score: 5/10
While the review for Selias was more critical, Rock Hard acknowledged the band’s ambition in blending death metal and groove influences, though the publication felt the songwriting needed stronger structure and direction moving forward.
THE UNDERGROUND CONTINUES TO RISE
From Austrian groove metal to Norwegian death metal, industrial experimentation, theatrical heavy metal, doom rock, and horror punk, this month’s Rock Hard coverage proves that independent metal artists continue pushing boundaries worldwide.
Metal Devastation PR congratulates all featured artists for their hard work, dedication, and relentless commitment to underground heavy music.
Stay tuned. More chaos is coming.
#MetalDevastationPR #RockHardMagazine #MyDarkFate #NocturnalCeremony #Hellrazor #KUF #SugarVirus #Everyperson #MachineCultRitual #Selias #HeavyMetal #DeathMetal #GrooveMetal #IndustrialMetal #HorrorPunk #UndergroundMetal #MetalNews #MetalCommunity
https://metaldevastationradio.com/thebeast/blog/29002/my-dark-fate-nocturnal-ceremony-hellrazor-kuf-sugar-virus-everyperson-machine-cult-ritual-selias-featured-in-new-issue-o?utm_source=dlvr.it&utm_medium=blogger
EATEN BY SHARKS DROP NEW SINGLE “CAPSIZED” MAY 30 . PRE-SAVE NOW LIVE . NEW ALBUM THE UNDERTOW OF HATE ARRIVES JULY 17 VIA CDN RECORDS - @thebeast
FOR IMMEDIATE RELEASE
EATEN BY SHARKS DROP NEW SINGLE “CAPSIZED” MAY 30 . PRE-SAVE NOW LIVE . NEW ALBUM THE UNDERTOW OF HATE ARRIVES JULY 17 VIA CDN RECORDS
Pre-save “Capsized” now:
https://distrokid.com/hyperfollow/eatenbysharks1/capsized
/>
Canada’s rising extreme metal force Eaten By Sharks are preparing to unleash their most ambitious and punishing material to date with the release of their new single “Capsized” on May 30, 2026. The track serves as the first glimpse into the band’s upcoming full-length album The Undertow Of Hate, arriving July 17, 2026 via CDN Records.
Blending progressive death metal, technical precision, crushing groove, and deathcore aggression, Eaten By Sharks continue evolving beyond the sound established on their 2022 release Eradication. With The Undertow Of Hate, the band embraces a more composition-focused and cinematic approach, building a dark conceptual journey rooted in nautical horror and psychological collapse.
“Capsized” marks the beginning of that descent.
The single captures the exact moment where calm waters give way to total chaos, setting the tone for an album built around transformation, destruction, and irreversible change at sea. Musically, the track showcases the band’s signature blend of polyrhythmic riffing, odd time signatures, relentless groove, and controlled aggression, all tied together with a strong sense of flow and atmosphere.
The band comments:
“Eaten By Sharks follow up their 2022 release, Eradication, with a more refined and fully realized record in The Undertow Of Hate. This album reflects a deeper understanding of who we are as artists. We took time to fully immerse ourselves in the writing process and build a cohesive concept rooted in a single cinematic moment of horror.
The record follows a journey that begins in calm, descends into chaos at sea, and ultimately returns to where it started, transformed into something darker and irreversible.
Throughout the album, subtle thematic details and visual elements tie directly into the overarching concept, creating a unified experience between the music and the artwork. Musically, we push further into the sound we’ve become known for, blending polyrhythms, odd time signatures, and crushing grooves while always prioritizing flow and momentum between ideas.
Working again with producer Christian Donaldson helped tighten the performances and bring out the best in the material. The Undertow Of Hate represents some of our most focused and punishing work to date. It is heavy, groovy, and constantly evolving without losing coherence.”
Produced by Eaten By Sharks and Christian Donaldson, and engineered, mixed, and mastered by Donaldson, The Undertow Of Hate delivers a calculated balance of technical brutality and memorable songwriting. Every track feeds into the album’s overarching narrative while pushing the band further into new territory without sacrificing heaviness.
For fans of Fit For An Autopsy, Gojira, and Cattle Decapitation, The Undertow Of Hate is shaping up to be one of 2026’s must-hear extreme metal releases.
Release Details:
Single: “Capsized”
Release Date: May 30, 2026
Album: The Undertow Of Hate
Album Release Date: July 17, 2026
Label: CDN Records
Check out this teaser and get ready!
Connect With Eaten By Sharks:
Website:
https://linktr.ee/eatenbysharks
/> Facebook:
https://www.facebook.com/eatenbysharksband/
/> Instagram:
https://www.instagram.com/eatenbysharksmetal/
/> Twitter/X:
https://x.com/EatenbySharks00
/> YouTube:
https://www.youtube.com/@EatenBySharksVideo
/> Bandcamp:
https://eatenbysharks.bandcamp.com/album/eradication
/> Spotify:
https://open.spotify.com/artist/0y0jhJGgy98Whl3y5PsikD
/> Apple Music:
https://music.apple.com/us/artist/eaten-by-sharks/1482997266
/> TikTok:
https://www.tiktok.com/@eatenbysharksband
/>
https://metaldevastationradio.com/thebeast/blog/29001/eaten-by-sharks-drop-new-single-capsized-may-30-pre-save-now-live-new-album-the-undertow-of-hate-arrives-july-17-via-c?utm_source=dlvr.it&utm_medium=blogger
EATEN BY SHARKS DROP NEW SINGLE “CAPSIZED” MAY 30 . PRE-SAVE NOW LIVE . NEW ALBUM THE UNDERTOW OF HATE ARRIVES JULY 17 VIA CDN RECORDS
Pre-save “Capsized” now:
https://distrokid.com/hyperfollow/eatenbysharks1/capsized
/>
Canada’s rising extreme metal force Eaten By Sharks are preparing to unleash their most ambitious and punishing material to date with the release of their new single “Capsized” on May 30, 2026. The track serves as the first glimpse into the band’s upcoming full-length album The Undertow Of Hate, arriving July 17, 2026 via CDN Records.
Blending progressive death metal, technical precision, crushing groove, and deathcore aggression, Eaten By Sharks continue evolving beyond the sound established on their 2022 release Eradication. With The Undertow Of Hate, the band embraces a more composition-focused and cinematic approach, building a dark conceptual journey rooted in nautical horror and psychological collapse.
“Capsized” marks the beginning of that descent.
The single captures the exact moment where calm waters give way to total chaos, setting the tone for an album built around transformation, destruction, and irreversible change at sea. Musically, the track showcases the band’s signature blend of polyrhythmic riffing, odd time signatures, relentless groove, and controlled aggression, all tied together with a strong sense of flow and atmosphere.
The band comments:
“Eaten By Sharks follow up their 2022 release, Eradication, with a more refined and fully realized record in The Undertow Of Hate. This album reflects a deeper understanding of who we are as artists. We took time to fully immerse ourselves in the writing process and build a cohesive concept rooted in a single cinematic moment of horror.
The record follows a journey that begins in calm, descends into chaos at sea, and ultimately returns to where it started, transformed into something darker and irreversible.
Throughout the album, subtle thematic details and visual elements tie directly into the overarching concept, creating a unified experience between the music and the artwork. Musically, we push further into the sound we’ve become known for, blending polyrhythms, odd time signatures, and crushing grooves while always prioritizing flow and momentum between ideas.
Working again with producer Christian Donaldson helped tighten the performances and bring out the best in the material. The Undertow Of Hate represents some of our most focused and punishing work to date. It is heavy, groovy, and constantly evolving without losing coherence.”
Produced by Eaten By Sharks and Christian Donaldson, and engineered, mixed, and mastered by Donaldson, The Undertow Of Hate delivers a calculated balance of technical brutality and memorable songwriting. Every track feeds into the album’s overarching narrative while pushing the band further into new territory without sacrificing heaviness.
For fans of Fit For An Autopsy, Gojira, and Cattle Decapitation, The Undertow Of Hate is shaping up to be one of 2026’s must-hear extreme metal releases.
Release Details:
Single: “Capsized”
Release Date: May 30, 2026
Album: The Undertow Of Hate
Album Release Date: July 17, 2026
Label: CDN Records
Check out this teaser and get ready!
Connect With Eaten By Sharks:
Website:
https://linktr.ee/eatenbysharks
/> Facebook:
https://www.facebook.com/eatenbysharksband/
/> Instagram:
https://www.instagram.com/eatenbysharksmetal/
/> Twitter/X:
https://x.com/EatenbySharks00
/> YouTube:
https://www.youtube.com/@EatenBySharksVideo
/> Bandcamp:
https://eatenbysharks.bandcamp.com/album/eradication
/> Spotify:
https://open.spotify.com/artist/0y0jhJGgy98Whl3y5PsikD
/> Apple Music:
https://music.apple.com/us/artist/eaten-by-sharks/1482997266
/> TikTok:
https://www.tiktok.com/@eatenbysharksband
/>
https://metaldevastationradio.com/thebeast/blog/29001/eaten-by-sharks-drop-new-single-capsized-may-30-pre-save-now-live-new-album-the-undertow-of-hate-arrives-july-17-via-c?utm_source=dlvr.it&utm_medium=blogger
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