DROID KILLER ANNOUNCES NEW FULL-LENGTH ALBUM 2030 JIHAD - @thebeast

FOR IMMEDIATE RELEASE

DROID KILLER ANNOUNCES NEW FULL-LENGTH ALBUM 2030 JIHAD

Antarctica-Based Sci-Fi Metal Cult Act Unleashes Title Track Ahead of May 2027 Album Release

FFO: Megadeth, White Zombie, Six Feet Under

Black Halo

The new era of Droid Killer begins.

Antarctica-based Sci-Fi Metal force Droid Killer has officially announced its highly anticipated new full-length album, 2030 JiHad , the epic sequel to the band's 2023 debut album, The Terminator vs. The Preacher . The magnum opus is set for release May 21, 2027 via Black Halo , with the album's explosive title track, "2030 JiHad," available now following its release on September 11, 2026.

"The new era of Droid Killer begins! Droid Killer announces full length album 2030 JiHad, the highly anticipated sequel to The Terminator vs. The Preacher. The Droid Killer magnum opus 2030 Jihad is coming! Welcome to The Apocalypse."

Droid Killer is the definitive Sci-Fi Metal experience, based in Antarctica and chronicling a human/machine war apocalypse in real time. As the glaciers of Antarctica melt, something ancient and imprisoned beneath the subterranean ice is unleashed. Humanity has become enslaved by its own technology, and resistance rises as soulless death machines wage war against organic life.

With 2030 JiHad , Droid Killer takes the saga deeper into its apocalyptic universe.

The story began with the band's debut EP, The Hive , introducing a grim future where demonic machines begin cleansing the world of human life. That story expanded with Droid Killer's 2023 debut full-length, The Terminator vs. The Preacher , which explored the origins of the machine war and followed The Preacher as he travels through time from the Old West into the future to confront the machines.

Now, 2030 JiHad moves the story onto the battlefield of the future.

The remnants of conscious, living humanity fight for their very existence on a death-star planet where mind-controlled zombies wage war against conscious human life and artificial intelligence feeds upon human souls. Each Droid Killer full-length album is accompanied by a companion Sci-Fi novel , expanding the band's mythology beyond the music and further developing its apocalyptic universe.

At its core, Droid Killer chronicles the timeless battle between good and evil, life and death, the synthetic and the organic , while exploring the mythology of creation rising against its creator. The band's music serves as the soundtrack to a world where technology, prophecy, humanity and destruction collide.

Musically, Droid Killer describes its sound as Death Metal / Doom Metal / Life Metal , combining a distinctive "electric voodoo" guitar style with Death Metal that moves like classic rock and the crushing weight of Doom Metal. The result is a future-primitive sound built around molten riffs, subterranean arena anthems and a relentless celebration of the human spirit.

The production team behind 2030 JiHad includes Brian J. Sienkevich on mixing and production, with legendary mastering engineer Ted Jensen handling mastering. The album artwork was created by Zachary Jackson Brown , photography comes from Trevor Bexon , and the Droid Killer logo was created by Ross Sewage .

2030 JiHad arrives May 21, 2027 , with the companion novel and merchandise also slated for May 2027.

The title track "2030 JiHad" is available now.

I AM HUMAN!

Droid Killer is your lifeline during the human/machine war apocalypse as the future unfolds.

2030 JIHAD


Droid Killer
Black Halo
Release Date: May 21, 2027

Title Track: "2030 JiHad" - Out Now

2030 JiHad by Droid Killer



Connect:
https://linktr.ee/droidkiller />
Contact: droidkillermilitia@disciples.com


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PEELING FLESH ANNOUNCE SELF-TITLED SOPHOMORE ALBUM, UNLEASH “MURDEROUS INTENT” FEATURING MIKE RYAN OF MISSING LINK - @thebeast

PEELING FLESH ANNOUNCE SELF-TITLED SOPHOMORE ALBUM, UNLEASH “MURDEROUS INTENT” FEATURING MIKE RYAN OF MISSING LINK


Oklahoma slam outfit return with their most brutal release yet, featuring collaborations with Sanguisugabogg, Stabbing, Extermination Dismemberment and more


Oklahoma's slam machine Peeling Flesh are back, and they're bringing an absolutely filthy new record with them.

The band has officially announced their sophomore full-length, Peeling Flesh , due November 27, 2026 via Unique Leader Records . Along with the announcement, the band has unleashed the album's first single, “Murderous Intent,” featuring Mike Ryan of Missing Link .

Stream or pre-order Peeling Flesh:

https://orcd.co/PEELINGFLESH />
Watch the “Murderous Intent” video:




Built on crushing slam riffs, death metal brutality, hardcore aggression, and the band's unmistakable hip-hop influence, Peeling Flesh promises to push the Oklahoma outfit's already punishing sound even further.

Vocalist Damonteal Harris describes the album as a project the band has poured everything into over the past year.




“This has been our baby for the last year. An insane mixture of drop G and Drop F songs that are some of our favorite and craziest songs we've written to date and we're extremely stoked to get them out finally.”




As for “Murderous Intent,” Harris keeps things appropriately blunt, calling the track “ruthless and vicious” while highlighting the collaboration with Mike Ryan as a way of solidifying the Oklahoma/New York connection.

And if the first single is any indication, Peeling Flesh aren't exactly planning on easing listeners into this thing.

A STACKED LINEUP OF COLLABORATORS


The guest list on Peeling Flesh is loaded with familiar names from across the modern extreme-metal underground.

The album features Devin Swank of Sanguisugabogg , JayWay , Bridget Lynch of Stabbing , and Extermination Dismemberment , alongside Mike Ryan of Missing Link.

Peeling Flesh Track Listing:





Crash Out

Murderous Intent feat. Mike Ryan of Missing Link

Wig Split feat. Devin Swank of Sanguisugabogg

Lethal Interjection feat. JayWay

T.D.C.U.

Crackology

No Alibi feat. Bridget Lynch of Stabbing

Find Around Fuck Out

Full Clip

It's Goin Down Part 2 feat. Extermination Dismemberment

〈Bottom Text〉



FROM THE G CODE TO A NEW ERA OF PEELING FLESH


Formed in 2021, Peeling Flesh quickly established themselves as one of the most recognizable names in the modern slam and death metal underground.

Their 2024 debut full-length, The G Code , helped put the Oklahoma quintet firmly on the radar, earning praise from Blabbermouth , which described the band's approach as a “full-throttle” assault.

The band followed that momentum with last year's PF Radio 2 EP, further expanding their signature collision of slam, death metal, hardcore, and hip-hop.

Their sound has become just as recognizable for its personality as its sheer heaviness. Hip-hop samples, crushing low-tuned guitars, a charismatic frontman, and an increasingly relentless songwriting output have helped Peeling Flesh carve out a lane that is distinctly their own.

That reputation has also translated to the road. The band has shared stages with heavyweights including Lorna Shore, The Black Dahlia Murder, and Sanguisugabogg , while collaborations with artists such as Svdden Death, YVM3, and NIMDA have continued to demonstrate the band's willingness to cross genre lines without sacrificing their brutality.

Now they're taking the next step with Peeling Flesh .

PEELING FLESH HIT THE ROAD THIS OCTOBER


Before the new album arrives in November, Peeling Flesh will embark on a massive U.S. headlining run throughout October.

The tour features Grounds For Assault, Snuffed On Sight, Mongrel, Gridiron, Outta Pocket, Fatal Realm, Final Resting Place, and Two-Piece on select dates.

The trek kicks off October 1 in Los Angeles and runs through October 30 in Jacksonville, with stops across the United States.

PEELING FLESH TOUR DATES


Oct. 1 – Los Angeles, CA @ 1720
Oct. 2 – Sacramento, CA @ Aftershock *
Oct. 3 – San Diego, CA @ House Of Blues
Oct. 4 – Fresno, CA @ Strummers
Oct. 6 – Portland, OR @ Hawthorne Theatre
Oct. 7 – Seattle, WA @ El Corazon
Oct. 9 – Boise, ID @ Treefort Music Hall
Oct. 10 – Salt Lake City, UT @ Soundwell
Oct. 11 – Denver, CO @ Red Rocks *
Oct. 13 – Des Moines, IA @ Wooly's
Oct. 14 – Chicago, IL @ Metro
Oct. 15 – Pittsburgh, PA @ Preserving
Oct. 16 – Worcester, MA @ The Palladium
Oct. 17 – Albany, NY @ Empire Live
Oct. 18 – Brooklyn, NY @ Warsaw
Oct. 20 – Baltimore, MD @ Soundstage
Oct. 21 – Charlotte, NC @ The Underground
Oct. 22 – Atlanta, GA @ The Masquerade (Heaven)
Oct. 23 – New Orleans, LA @ House Of Blues
Oct. 24 – Fort Worth, TX @ Sick New World *
Oct. 25 – Corpus Christi, TX @ House Of Rock
Oct. 27 – Pensacola, FL @ Vinyl Music Hall
Oct. 28 – Tampa, FL @ Orpheum
Oct. 29 – West Palm Beach, FL @ The Banyan Live
Oct. 30 – Jacksonville, FL @ Albatross

* Peeling Flesh only

With Peeling Flesh arriving November 27, the band is setting up a two-month stretch that puts their new material directly in front of audiences across the country before unleashing the full album.

For a band that has built its reputation on relentless live performances and an unapologetically heavy sound, that's a pretty damn effective way to roll into a new record.

The new era of Peeling Flesh officially begins with “Murderous Intent.”

And judging by that title, they aren't exactly here to make friends.

Peeling Flesh is:

Mychal Soto – Guitars
Damonteal Harris – Vocals
Joe Pelletier – Drums
Jason Parrish – Guitars
Chip Smith – Bass

Peeling Flesh Online:

Instagram:
https://www.instagram.com/peelingfleshok /> Facebook:
https://www.facebook.com/PeelingFleshOK /> Spotify:
https://open.spotify.com/artist/40DbKvYvADTiks7hZIUPHG />
Photo credit: Frances Koehn


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THY LEGACY Unleash Debut Album The Call Through Nameless Graves Records - @thebeast

THY LEGACY Unleash Debut Album The Call Through Nameless Graves Records


Greek Heavy Metal Newcomers Draw From Manowar, Omen, Eternal Champion, Battleroar and the Ancient Spirit of True Metal


There is something about the Greek metal underground that continues to produce bands with a deep respect for the foundations of the genre. From epic heavy metal to traditional and extreme metal, Greece has developed a reputation for keeping the old flame burning while adding its own distinctive character.

Now, a new name has entered the ranks.

Hailing from Crete, Greece, THY LEGACY have officially unleashed their debut album, The Call , through independent label Nameless Graves Records . Released September 11, 2026, the eight-track album is a full-throttle celebration of traditional heavy metal, drawing heavily from the classic Greek and Italian epic metal traditions alongside the high-energy attack of US Power Metal.

For listeners who believe heavy metal should still sound like heavy metal, The Call arrives with plenty of ammunition.

The band's influences include legendary acts such as Manowar, Omen, Eternal Champion, Battleroar, Wrathblade and other champions of epic and traditional metal. Rather than chasing modern trends, THY LEGACY have devoted themselves to what they describe as the preservation of True Metal , building their sound around driving riffs, majestic guitar harmonies, powerful vocals and the kind of larger-than-life atmosphere that has defined epic heavy metal for generations.

From the opening attack of "Heavy Metal Rising" to the charging riffs of "Metal Legion," The Call is built around momentum. The songwriting favors strong melodies, commanding vocals and guitar work designed to sound equally at home on a battle standard or blasting through a pair of battered speakers in a metalhead's garage.

The album's title track, "The Call," serves as a brief atmospheric centerpiece before the band launches back into the heavy metal charge. Tracks such as "Holy Storm," "Chasing Glory" and "Seven Witches" continue the album's epic journey, while the closing "The Road to Helheim" brings the record to its conclusion with its longest track.

At just over 32 minutes, The Call doesn't overstay its welcome. Instead, THY LEGACY deliver a compact dose of steel that gets in, makes its presence known and leaves the listener ready to hit play again.

The album's visual identity also fits perfectly with its musical mission. The cover artwork was created by Mars Triumph , known for his work with the Greek epic metal band Triumpher , further connecting THY LEGACY's debut to the modern Greek traditional metal scene.

Behind the recording are Giannis Pratikakis , who handled recording of guitars, bass and drums, Nikos Trialonis , who recorded vocals and handled mixing, and Bart Gabriel , who handled mastering.

The Call Tracklisting





Heavy Metal Rising - 05:47

The Call - 01:57

Metal Legion - 04:20

Holy Storm - 03:42

Chasing Glory - 04:26

The Amulet - 01:51

Seven Witches - 03:34

The Road to Helheim - 06:41



Total Running Time: 32:18

THY LEGACY


Nikos Frantzeskakis - Bass
Babis Antaloudakis - Drums
A.D. Guillotine - Rhythm Guitars
Jim Ritsopoulos - Vocals, Guitars

With The Call , THY LEGACY are planting their flag firmly in the territory of epic and traditional heavy metal. There are no shortage of bands looking backward for inspiration, but the real challenge is turning those influences into something that feels alive rather than simply nostalgic.

THY LEGACY clearly understand the assignment.

The result is an unapologetically metal debut built around riffs, melodies, soaring vocals and the timeless spirit of epic steel. For anyone who still believes in leather, denim, big riffs and songs that sound like they were written for battle rather than algorithms, The Call deserves a place on the listening list.

THY LEGACY's journey has only just begun.

The Call is available now through Nameless Graves Records and is streaming across major platforms.

The Call by Thy Legacy


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WHAT WEAPONS BRING WAR UNLEASH “CROWN OF BLOOD” FEATURING DEVIN SWANK OF SANGUISUGABOGG - @thebeast

WHAT WEAPONS BRING WAR UNLEASH “CROWN OF BLOOD” FEATURING DEVIN SWANK OF SANGUISUGABOGG


Connecticut Death Metal Outfit Builds Toward October Release of Crown of Blood / Noose Rot


FOR IMMEDIATE RELEASE

Connecticut death metal outfit What Weapons Bring War have unleashed their latest single, “Crown of Blood,” featuring Devin Swank of Sanguisugabogg , delivering a brutal and psychologically charged descent into nihilism, human agency, and the consequences of choice.

Released September 10, 2026, “Crown of Blood” serves as the first chapter of What Weapons Bring War's upcoming two-song digi-pack EP, Crown of Blood / Noose Rot , now scheduled for release October 5, 2026 .

“Crown of Blood” presents a reimagining of the death of God at the hands of one man, then turns its attention toward the aftermath. Having confronted his choices and discovered the immense power and agency he possesses, the protagonist is left to reckon with what that realization means.

Rather than offering easy answers, What Weapons Bring War plunge directly into the existential fallout.

The song paints a bleak and nihilistic portrait of humanity while challenging listeners to consider some of existence's deepest questions: What gives life meaning? What happens when passion becomes obsession? How much agency does an individual truly possess, and what are the consequences of discovering that power?

Caught somewhere between revelation and destruction, “Crown of Blood” exists within a “bloodlust surreal,” where violence, existence, and meaning become increasingly difficult to separate.

The track features Devin Swank of Sanguisugabogg , bringing additional death metal firepower to What Weapons Bring War's latest assault.

The accompanying music video premiered through Slam Worldwide on September 10 , coinciding with the single's release and providing a visual counterpart to the track's dark conceptual foundation.

Now, What Weapons Bring War are using the weeks ahead to build momentum toward the full release of Crown of Blood / Noose Rot . The two-song digi-pack EP will arrive October 5, 2026 , giving the band and label additional time to expand the campaign and complete new visual material, including an upcoming visualizer.

With “Crown of Blood,” What Weapons Bring War aren't interested in offering comfortable answers. They leave the listener standing in the wreckage, staring directly into the consequences of choice, power, mortality, and existence.

The bloodlust has only begun.

“Crown of Blood” featuring Devin Swank of Sanguisugabogg is out now.



Crown of Blood / Noose Rot
Two-song digi-pack EP
October 5, 2026

WHAT WEAPONS BRING WAR


Death Metal | Connecticut, USA

“Crown of Blood” featuring Devin Swank of Sanguisugabogg
Released September 10, 2026

Music Video: Premiered via Slam Worldwide, September 10, 2026



Listen / Follow:


https://www.facebook.com/whatweaponsbringwar />
https://www.instagram.com/whatweaponsbringwar />
https://whatweaponsbringwar.bandcamp.com />
Contact: whatweaponsbringwar@gmail.com


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RED VINTER SINK THE SUMMER WITH FESTIVAL SPECTACLES, RADIO SUPPORT, AND LIVE CRUSHING - @thebeast

RED VINTER SINK THE SUMMER WITH FESTIVAL SPECTACLES, RADIO SUPPORT, AND LIVE CRUSHING


Minnesota Doom/Death Metal Force Continues Momentum Behind Ghost In The Fog


St. Paul, Minnesota – Minnesota doom/death metal force Red Vinter are keeping the underground burning with a summer run of festival appearances, international radio support, and growing attention surrounding their latest full-length album, Ghost In The Fog .

Following the release of Ghost In The Fog , Red Vinter have been taking the album's crushing combination of doom, death metal, and industrial darkness to stages across the Midwest. The band recently delivered a set at Northern Wisconsin Metalfest , and now a live video clip from the performance captures Red Vinter bringing the full weight of their sound to the festival stage.

The live footage arrives on the heels of another standout festival appearance at Sparta Metal Fest on August 22nd , where Red Vinter's set was described as "massively crushing." The performance made such an impression that the band was immediately invited back for the 5th Annual Sparta Metal Fest .





While the band's live presence continues to grow, Ghost In The Fog is also finding its way into metal radio programming on both sides of the Atlantic.

The track "Swampflesh" has been spotlighted by High Speed Hangover , a metal radio show based in London, bringing Red Vinter's swampy, crushing brand of doom/death to an international audience.

Listen to the High Speed Hangover episode featuring "Swampflesh":


https://podomatic.com/podcasts/high-speed-hangover/episodes/2026-08-30T10_27_20-07_00 />
Meanwhile, "Kill The Sun" , also from Ghost In The Fog , has received spotlight treatment from Here There Be Dragons , the metal radio show on KMSU .

With multiple tracks from the new album now receiving radio attention and the band continuing to land festival appearances, Red Vinter are steadily expanding the reach of Ghost In The Fog while building their reputation onstage.

Recorded at the legendary 14:59 Studios in Minneapolis , Ghost In The Fog was co-produced by vocalist/bassist Mike Bullock and engineer Will Maravelas , continuing the creative partnership established on Red Vinter's debut release, Lumbering Menace .

Across eight tracks, Ghost In The Fog delivers massive riffs, bleak atmosphere, death metal brutality, and industrial influence, creating a sound that is as punishing as it is immersive.

The album has also received praise from Frank Rini of Teeth of the Divine , who highlighted Red Vinter's doom/death foundation alongside influences from Winter, Skin Chamber, and Godflesh , ultimately describing Ghost In The Fog as the band's "best release" and praising its memorable, heavy songwriting.

Now, with live festival footage surfacing and tracks from Ghost In The Fog continuing to receive airplay, Red Vinter are proving that the record was built for more than headphones. It was built to be played loud.

LISTEN TO GHOST IN THE FOG



https://redvinter.bandcamp.com/album/ghost-in-the-fog">
https://redvinter.bandcamp.com/album/ghost-in-the-fog />
READ THE TEETH OF THE DIVINE REVIEW



https://www.teethofthedivine.com/reviews/red-vinter-ghost-in-the-fog/ />
RED VINTER


Doom / Death Metal
St. Paul, Minnesota

Ghost In The Fog is available now.




https://redvinter.bandcamp.com/album/ghost-in-the-fog">
https://redvinter.bandcamp.com/album/ghost-in-the-fog />




For more information, music, and updates, visit:


https://redvinter.com />

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TEMPLUM SILVA CHALLENGE THE ACCEPTANCE OF SUFFERING ON NEW ALBUM TO LEAVE BEHIND THE GIVEN - @thebeast

FOR IMMEDIATE RELEASE

TEMPLUM SILVA CHALLENGE THE ACCEPTANCE OF SUFFERING ON NEW ALBUM TO LEAVE BEHIND THE GIVEN

Bulgarian Metal Project Delivers a Philosophical Collision of Melodic Death, Progressive, and Post-Metal


Templum Silva invite listeners to question the realities they have been taught to simply accept with the release of their new album, To Leave Behind the Given , released August 20, 2026. Blending melodic death metal, progressive metal, and post-metal , the album presents a dark and introspective exploration of suffering, despair, existence, and the human tendency to rationalize the circumstances of life.

Written and recorded entirely by Yovan Parlikov , To Leave Behind the Given is built around a conceptual framework and additional lyrics contributed by Denislav Nedyalkov . Rather than treating suffering and misery as unavoidable components of some predetermined universal order, Templum Silva challenge the idea that human beings should simply accept the uglier aspects of existence because they are considered necessary or inevitable.

The album's central philosophy confronts a familiar human tendency: to explain difficult events by convincing ourselves that they happened for a reason, or that things unfolded exactly as they were supposed to. While such thinking can provide a sense of order, To Leave Behind the Given questions whether accepting that supposed order actually allows us to overcome suffering, or simply teaches us to swallow it.

"Reality is not a shared totality and is not predetermined by it."

That concept sits at the heart of Templum Silva's latest work. To Leave Behind the Given asks listeners to reconsider the assumptions placed upon existence and to recognize that suffering does not necessarily need to be justified simply because it exists.

Musically, the album's combination of melodic death metal, progressive elements, and post-metal atmosphere provides a fitting foundation for those themes, moving between heaviness, complexity, and darker expansive passages. The result is an album that approaches extreme metal not simply as an outlet for aggression, but as a vehicle for confronting difficult questions about existence and the ways people make peace with things they perhaps should not accept.

The album was mastered at Silent Observer Studio by Tomáš Svoboda , with artwork created by Nini Taneva .

To Leave Behind the Given Credits


Artist: Templum Silva
Album: To Leave Behind the Given
Release Date: August 20, 2026
Genre: Melodic Death / Progressive / Post-Metal
Music & Recording: Yovan Parlikov
Conceptual Framework & Additional Lyrics: Denislav Nedyalkov
Mastering: Tomáš Svoboda, Silent Observer Studio
Artwork: Nini Taneva

Listen Now


YouTube:


For listeners drawn to metal that combines crushing heaviness with progressive structures, atmospheric weight, and deeper philosophical themes, To Leave Behind the Given offers an opportunity to step outside the assumptions that define existence and question what we have simply been told to accept.

To Leave Behind the Given by Templum Silva



Connect: 

Linktree:

https://linktr.ee/TemplumSilva />
Contact: templumsilva@gmail.com


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CHRIS MARAGOTH REVISITS HIS MUSICAL BEGINNINGS WITH CINEMATIC NEW SINGLE “THE ENTRANCE (RENASCENTIA)” - @thebeast

FOR IMMEDIATE RELEASE

CHRIS MARAGOTH REVISITS HIS MUSICAL BEGINNINGS WITH CINEMATIC NEW SINGLE “THE ENTRANCE (RENASCENTIA)”

German Solo Artist Unveils First Chapter From Upcoming Album Bonds of Grief on September 25


Presave:
https://distrokid.com/hyperfollow/chrismaragoth/the-entrance-renascentia-feat-sanya-smileska?ref=release />
Release Date: September 25, 2026
Genre: Cinematic Gothic / Symphonic Metal
For Fans Of: Apocalyptica, Dark Sanctuary, Nightwish
Location: Dessau, Germany

DESSAU, GERMANY — German solo artist Chris Maragoth is set to release The Entrance (Renascentia) on September 25, 2026, introducing the first chapter of his forthcoming album Bonds of Grief . Blending cinematic gothic and symphonic metal with baroque-inspired classical elements, the instrumental single revisits one of Maragoth’s earliest compositions and transforms it through a dramatically expanded musical vision.

Originally composed in 2019 as an instrumental piece, The Entrance (Renascentia) represents both a return to Maragoth’s musical roots and a reflection of how far his artistic approach has evolved. Rather than simply reproducing the original composition, the new version reinterprets its foundation through richer orchestration, heavier guitars, refined production and a broader dynamic range.

The track begins with the delicate interplay of harpsichord and string quartet , establishing an atmosphere steeped in classical elegance before gradually giving way to heavy guitars, sweeping orchestral arrangements and expressive live strings. Entirely instrumental, the composition allows its cinematic arrangement to carry the emotional narrative, creating a dark and immersive soundscape where gothic melancholy meets symphonic grandeur.

Adding an unmistakably human dimension to the production are returning collaborators Sanya Smileska of North Macedonia on viola and Polina Faustova of Ukraine on cello . Both musicians have previously contributed to Maragoth’s work, and their performances continue an international musical collaboration that brings warmth, depth and organic character to the orchestral arrangements.

The title itself, The Entrance (Renascentia) , reflects the song’s role within the larger project. It serves as the gateway into Bonds of Grief , an upcoming album centered around instrumental storytelling, cinematic atmosphere and emotionally driven compositions.




“Revisiting one of my earliest instrumental compositions from 2019, the new version transforms the original into a cinematic blend of gothic and symphonic metal enriched by baroque-inspired elements,” says Chris Maragoth. “It is the first single from my upcoming album Bonds of Grief .”




The single also reflects Maragoth’s deliberate commitment to traditional, human-driven artistry. The Entrance (Renascentia) was created entirely without generative AI. From composition and orchestration to recording, artwork and visual promotion, every creative decision was made by human artists, emphasizing craftsmanship, collaboration and authenticity.

Mixed and mastered by Joker Tone Studio in Minden, Germany , the new production gives the composition the clarity and scale necessary to bridge its classical foundation with the weight and atmosphere of modern gothic and symphonic metal.

With The Entrance (Renascentia) , Chris Maragoth opens the door to Bonds of Grief , offering listeners the first glimpse into a larger musical journey built on emotion, orchestration, collaboration and cinematic storytelling.

The Entrance (Renascentia) will be available September 25, 2026.



Listen / Follow Chris Maragoth


Single Landing Page:

https://song.link/CM-TheEntrance />
Official Website:

https://www.maragoth.info/ />
Instagram:

https://www.instagram.com/chris_maragoth/ />
Media Contact:
Chris Maragoth
chris@maragoth.net


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