Sunday, May 24, 2026

Rick Rozz Talks Left To Die, Early DEATH Demos, Chuck Schuldiner Memories, And The New Album Initium Mortis - @thebeast

Rick Rozz Talks Left To Die, Early DEATH Demos, Chuck Schuldiner Memories, And The New Album Initium Mortis


Death Metal history is alive and well in 2026, and legendary guitarist Rick Rozz is right in the middle of it.

During a recent appearance on The Zach Moonshine Show on Metal Devastation Radio, the original DEATH and MASSACRE guitarist opened up about Left To Die’s upcoming release Initium Mortis , the resurrection of early Mantas and DEATH demo material, working alongside Terry Butler, Matt Harvey, and Gus Rios, and the legacy of Chuck Schuldiner that still echoes through the underground Metal scene decades later.

For longtime fans of Scream Bloody Gore , Leprosy , and the earliest days of Florida Death Metal, this conversation was pure gold.

Left To Die Revives The Earliest DEATH And Mantas Material


Unlike a standard tribute act, Left To Die digs directly into the roots of Death Metal itself. The band features original DEATH alumni Rick Rozz and Terry Butler alongside Matt Harvey of EXHUMED / GRUESOME and Gus Rios of GRUESOME.

Their upcoming album Initium Mortis , arriving July 17, 2026 via Relapse Records, focuses heavily on the obscure 1983 and 1984 Mantas and DEATH demo era material that many fans only experienced through generations of worn-out cassette tape trading.

According to Rozz, much of the credit for reconstructing those songs belongs to Matt Harvey.




“Matt relearned all the songs from all the old demos. He literally went down the rabbit hole and pulled all those old tunes together.”




Rozz repeatedly praised Harvey throughout the interview, emphasizing how much work went into preserving the authenticity of the original material while making it powerful enough for modern listeners.




“The songs are probably 90% like they were back then. It’s basically a modern sounding demo.”




That approach is exactly why the newly released single “Archangel” feels so unique. The song carries all the raw aggression and primitive chaos of early DEATH recordings while benefiting from modern production clarity.

“Archangel” Captures The Spirit Of Early Death Metal


When asked about the newly released version of “Archangel,” Rozz explained that the mission was never to modernize the songs beyond recognition.

Instead, the goal was preservation.




“Those old Mantas and DEATH demos were recorded on a jam box outside the garage with a towel over it.”




Fans familiar with the earliest DEATH recordings will immediately recognize the influence of Slayer, Venom, and the primitive Thrash roots that helped shape Death Metal itself.

Rozz laughed while discussing how surprising it feels hearing those riffs fully realized decades later.




“I haven’t heard these songs in forever. There’s so much Slayer and Venom influence, it’s crazy.”




The end result sounds less like a nostalgia project and more like an alternate-universe DEATH album finally receiving the production it always deserved.

Rick Rozz Discusses His Classic Death Metal Guitar Tone


For guitar players and gear fanatics, the interview also delivered plenty of insight into Rick Rozz’s iconic tone.

Rozz broke down the exact amp settings and pedal combinations he has used for decades, explaining that his overall setup has remained surprisingly consistent throughout his career.




“Presence all the way up on 10. Treble around two o’clock. Mids scooped completely out. Bass all the way up and gain all the way up.”




He also discussed the impact of vintage BC Rich guitars equipped with onboard preamps, particularly during the From Beyond era with MASSACRE.




“That preamp gave it that extra sizzle.”




Despite experimenting with newer gear over the years, Rozz admitted he always ends up returning to his classic Boss Super OverDrive setup.

Old-school Death Metal players everywhere immediately nodded in approval.

Because some things simply do not need fixing.

Chuck Schuldiner Memories And Life On The Road


While many fans hoped for outrageous tour stories from the early DEATH days, Rozz kept things grounded and honest.

According to him, the reality was far less glamorous and far more human.




“There’s no crazy stories, man. It was just silly kid stuff.”




Instead of destruction and chaos, Rozz shared memories of jokes, hotel room antics, and the tight friendships formed during the earliest years of DEATH and MASSACRE.

One particularly hilarious memory involved Chuck Schuldiner climbing into a baby crib inside a hotel room while the band laughed hysterically.




“Why was there a baby crib in the hotel room with four dudes? I still have the picture.”




The interview revealed a side of the early DEATH era that often gets lost beneath the mythology: young musicians simply having fun while unknowingly creating an entirely new genre.

Left To Die Continues Touring Worldwide


Beyond the album release, Left To Die is also preparing for major international touring throughout 2026.

Rozz confirmed upcoming European festival appearances and South American tour dates scheduled for later this year.




“We’re going to Europe in July and South America in September.”




Demand for the new material already appears massive, with multiple vinyl editions reportedly selling out quickly through Relapse Records shortly after announcement.

For longtime fans of classic Florida Death Metal, the response proves there is still enormous hunger for the roots of the genre.

The Legacy Of DEATH Still Lives


Throughout the interview, Rozz consistently returned to one central idea: respect for Chuck Schuldiner and the original spirit of DEATH.




“It’s all out of respect for Chuck.”




That respect radiates throughout Initium Mortis . Rather than simply replaying old songs, Left To Die is preserving foundational Death Metal history for both longtime maniacs and newer generations discovering these riffs for the first time.

And judging by the reaction to “Archangel,” fans are absolutely ready for it.

Initium Mortis arrives July 17, 2026 via Relapse Records.

Stay tuned to Metal Devastation Radio for more exclusive interviews, underground Metal coverage, and pure sonic devastation.

STAY LOUD.

Buy the record here at this link :
https://www.relapse.com/pages/left-to-die-initium-mortis />
Full Show Track List: 

Battle Of The Bands Top Six Winners: 

1 - Trivan - Abyss Of Crawling Shadows - (5,135,523 votes)
2 - La Paille - Aeon Dissector - (2,961,562 votes)
3 - Another Demon - Drawn and Quartered feat. James Murphy (Testament, Death, Obituary) - (1,671,781 votes)
4 - NIKOLA'S CAGE - RASCAL - (477,724 votes)
5 - Heidbekka - Völva - (73,940 votes)
6 - Soul Of Sheol - Paradise Is Not For Us - (28,447 votes)

The Zach Moonshine Intro

7 - Ozzy Osbourne feat Type O Negative - Pictures Of Matchstick Man
8 - Dimmu Borgir - AS SEEN IN THE UNSEEN
9 - Violence System - Endmother

LEFT TO DIE - Interview featuring Archangel

10 - Death - Zombie Ritual/Pull The Plug
11 - Inhuman Condition - Executioner's Tax (Swing Of The Axe)/Whiplash
12 - Six Feet Under - Mister Blood and Guts/Deathklaat/This Suicide
13 - Tyrant - Between the Dirt and The Sky
14 - Nervosa - Ghost Notes
15 - Iron Wings - Snake eater
16 - FROLIC - CELESTIAL AVENTUS
17 - The Phoenix Within - Meat Bags
18 - Vessel of Light - Dead Flesh And Bone
19 - Primal - Infernal Nightmare
20 - VOIDMAKER - The Post Human Emergence
21 - Symphony of Destiny - The Riddle
22 - Algebra - Resuscitation (Live at RKC)
23 - Sweetland - Pariah
24 - INSCRIBED - Machinery of War
25 - Gravehuffer - Custom Of The Sea - (Live)
26 - Anderwelt - Transanimalism
27 - NetherDred - Spellbound
28 - Webb Of Deceit - Hellswithin (Feat. Dave Frost & Jason Aaron Wood)
29 - Burnt Witch - Bastard
30 - Gods & Punks - The Lighthouse

Full show streaming on Mixcloud: 





Also check out the interview segment on YouTube, Spotify etc







Super massive shout out to the 331,317 metal maniacs from around the world that tuned in to the live broadcast Friday night! 


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Friday, May 22, 2026

Violence System Announces New Album The Hollowing Featuring Crushing First Single “Endmother” - @thebeast

FOR IMMEDIATE RELEASE

Violence System Announces New Album The Hollowing Featuring Crushing First Single “Endmother”

Atlanta, Georgia melodic death metal wrecking crew Violence System are preparing to unleash their newest full-length assault, The Hollowing , arriving August 7th on all major streaming platforms.

Leading the charge is the already released first single, “Endmother,” a punishing statement of intent that showcases the band’s evolving sound: razor-sharp precision, suffocating atmosphere, and sheer unrelenting aggression. Combining the brutality of Thy Art Is Murder with the technical ferocity of Decapitated and the dark cinematic scope of Dimmu Borgir , Violence System continue carving out a lane entirely their own.

Since forming in 2015, the Atlanta-based outfit has steadily built a reputation for blending melodic depth with crushing heaviness, creating music that feels both massive and emotionally devastating. With The Hollowing , the band pushes further into darker territory, delivering a record packed with punishing riffs, haunting textures, and apocalyptic intensity.

“Endmother” offers listeners a glimpse into the themes explored throughout the album, touching on decay, existential collapse, and the fragility buried beneath human nature. The track has already begun turning heads among fans of extreme modern metal and signals a bold new chapter for the band.

Known for their explosive sonic production and immersive songwriting, Violence System continue to refine the formula that has earned them a loyal underground following. The Hollowing promises to be their most ambitious and devastating release to date.

Fans can stream “Endmother” now and prepare for the arrival of The Hollowing on August 7th.
https://open.spotify.com/artist/4wE9grWmR6adR4mvqjuenS">
https://open.spotify.com/artist/4wE9grWmR6adR4mvqjuenS />
 For more information, promo requests, or to arrange an interview, please contact: zach@metaldevastationradio.com





  Follow the band and label at these links:


https://facebook.com/ViolenceSystemOfficial />
https://violencesystemga.bandcamp.com/ />
https://open.spotify.com/artist/4wE9grWmR6adR4mvqjuenS">
https://open.spotify.com/artist/4wE9grWmR6adR4mvqjuenS />
https://www.facebook.com/DarkSailsEntertainment />

https://metaldevastationradio.com/thebeast/blog/29026/violence-system-announces-new-album-the-hollowing-featuring-crushing-first-single-endmother?utm_source=dlvr.it&utm_medium=blogger

Rob Hussey And Cyanide Ignite Las Vegas With New Hard Rock Anthem “Get Up And Dance” - @thebeast

FOR IMMEDIATE RELEASE


Rob Hussey And Cyanide Ignite Las Vegas With New Hard Rock Anthem “Get Up And Dance”


Las Vegas, NV, May 15th 2026

Las Vegas has a new rock anthem shaking the neon skyline. Cyanide , fronted by powerhouse musician, producer, and extreme video creator Rob Hussey , have officially dropped their latest single and music video, “Get Up And Dance,” and it is already making serious noise across the rock scene.

Released at 9 PM Pacific, the official video hit YouTube like a late-night detonation and immediately set off a wave of attention from fans, playlists, and the Las Vegas rock community. Within hours, the track was already gaining traction on streaming platforms, proving once again that when Cyanide moves, the scene feels it.

A Full-Throttle Arena Rock Statement


“Get Up And Dance” is pure, no brakes, arena rock energy. Big guitars, bigger hooks, and a rhythm built to shake the floorboards. This is not background music. This is grab-you-by-the-collar, turn-it-up-to-11 rock and roll.

Rob Hussey’s fingerprints are all over the track. Sharp songwriting, tight production, and a performance style that hits like jet fuel in a closed room. The result is a song that feels built for packed rooms, flashing lights, and fists in the air.

The Video Turns Up The Heat


The official music video raises the stakes even higher. Featuring special guest appearance Keith Robert War , the visual is a full sensory blast of flashing lights, crowd energy, and high voltage performance shots.

It pulls from the golden era of hard rock visuals but filters it through a modern, gritty Las Vegas edge. Loud, chaotic, and unapologetic, it is exactly the kind of video that reminds you rock is not dead. It just relocated to places like Sin City.

Vegas Energy, Global Reach


Cyanide are not just representing Las Vegas. They are exporting it. The band’s latest release feels like a statement piece, a reminder that real rock still thrives where it always has, in sweat, volume, and attitude.

This is music made for the stage, not the sidelines. It is built for movement, for crowds, and for anyone who forgot what a real rock anthem feels like.

Read more about the release and full interview coverage here:
Ghostwriter Las Vegas Feature

Final Word


“Get Up And Dance” is not just a single. It is a declaration. A celebration. A full-volume reminder that Las Vegas still knows how to build real rock and roll.

Cyanide is not asking for attention. They are kicking the door in and taking it.

Rock never left. It just got louder in Vegas.

Stream “Get Up and Dance” here:

https://distrokid.com/hyperfollow/cyanide9/get-up-and-dance-feat-keith-robert/ />
Watch the official music video here:





 Connect: 


https://linktr.ee/Cyanide.21Gun />
Contact: cyanidelv2003@gmail.com


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RIFTPATROL DESCENDS DEEPER INTO DARKNESS WITH NEW SINGLE “SPLITTER IN DER HAUT” - @thebeast

FOR IMMEDIATE RELEASE

RIFTPATROL DESCENDS DEEPER INTO DARKNESS WITH NEW SINGLE “SPLITTER IN DER HAUT”


Riftpatrol, the boundary-pushing project formed in 2025, continues expanding its cinematic universe with the release of their new single “Splitter in der Haut,” available now on all major platforms.

Built as more than just a music project, Riftpatrol fuses modern heavy music with cinematic storytelling and an ever-growing visual world inspired by manga and webtoon aesthetics. The sound moves between alternative rock, goth, metal, and atmospheric layers, focusing on emotional contrast, immersive narrative, and a dark, unmistakable visual identity.

At the center of the Riftpatrol universe is The Captain, a detective navigating fractured realities, emotional collapse, and disturbing cases where perception and truth constantly blur. Each release acts as another chapter in this unfolding story, where music and visual storytelling evolve together and feed into one another.

“Splitter in der Haut” marks one of the project’s darkest and most emotionally charged releases to date. Drawing inspiration from Neue Deutsche Härte and cold wave influenced goth rock, the track is built on heavy guitars, icy synth textures, and haunting vocal delivery that locks the listener into a hypnotic, melancholic atmosphere.

Lyrically, the song explores emotional pain, internal conflict, and the weight of scars that sit deeper than the surface. It captures that quiet, lingering damage that never fully fades, even long after the moment has passed.

Unlike earlier multilingual releases, “Splitter in der Haut” fully embraces the intensity of the German language, sharpening the track’s emotional impact and giving its atmosphere a colder, more direct edge.

Riftpatrol continues to evolve as a collaborative and immersive creative force, blending music, storytelling, and visual art into a connected universe built from global influences and shared artistic vision. The goal is not to fit into a scene, but to build one from the ground up.

“Splitter in der Haut” is out now.

Stream it here:

https://distrokid.com/hyperfollow/riftpatrol/splitter-in-der-haut />
About Riftpatrol


Riftpatrol is a 2025-born multimedia music project blending heavy music genres with cinematic storytelling, visual narrative, and cross-cultural collaboration.



  Connect: 


https://www.instagram.com/riftpatrol/ />
Contact: riftpatrol@gmail.com 


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IRON WINGS UNLEASH NEW HEAVY/THRASH METAL ASSAULT “ALPHA & OMEGA” OUT NOW - @thebeast

FOR IMMEDIATE RELEASE

IRON WINGS UNLEASH NEW HEAVY/THRASH METAL ASSAULT “ALPHA & OMEGA” OUT NOW

Riga, Latvia, April 24, 2026 — Latvian heavy/thrash metal force Iron Wings has officially released their crushing new full-length album, Alpha & Omega , available now on all major streaming platforms and Bandcamp.

Blending the melodic power of classic heavy metal with the aggressive precision of thrash, Iron Wings continue to sharpen their own identity with a record that hits hard both musically and lyrically. Fans of Lamb Of God , Machine Head , and Slayer will find plenty to sink their teeth into on Alpha & Omega .

Formed in 2016 in Riga, Iron Wings has built a reputation across Latvia, the Baltic States, and Poland through relentless live performances and a sound fueled by fast, aggressive riffs, harsh vocals, pounding drums, and undeniable stage energy. The band consists of Andris Veinbergs (bass, vocals), Dainis Andersons (guitar), and Dainis Paškēvičs (drums).

Created between 2023 and 2025, Alpha & Omega was carefully crafted without compromise, allowing every detail to be refined for maximum impact.

“The album was not rushed, so every detail has been polished to give listeners the most powerful experience,” the band states.

The 11-track album delivers a wide range of moods while staying firmly rooted in heavy/thrash metal intensity. Opening fire with the explosive “Burning Man,” Iron Wings immediately set the tone with razor-sharp riffs and commanding vocals. Tracks like “Cyanide” and “Warrior (Si Vis Pacem Para Bellum)” dive headfirst into aggressive thrash territory, while songs such as “Snake Eater” and “Halo from Hell” bring groove-driven heaviness without sacrificing momentum.

Lyrically, Alpha & Omega reflects the tension and chaos of the modern world. Rather than staying silent, Iron Wings channels frustration, fury, and resistance into music designed to confront listeners head-on.

“We cannot remain indifferent and silent about what is currently happening in the world,” the band explains. “Fury, energy, not being afraid to speak out and standing up against what is happening in the world in the way we as a band can do best, creating an unambiguous message both musically and thematically.”

Iron Wings’ previous releases include the EP Tumšie miglāji (2017), the album Dzejnieks (2020), and Ritual of Rage (2022). With Alpha & Omega , the band pushes their sound further than ever before, delivering a record built for both old-school metalheads and modern thrash maniacs alike.

Stream / Purchase “Alpha & Omega”:

https://ironwings.bandcamp.com/">
https://ironwings.bandcamp.com/ />
Listen on Spotify:

https://open.spotify.com/album/18yQI7LrPB6GSpaM6zsYr0 />



Follow Iron Wings Online:
Facebook:
https://www.facebook.com/ironwingsband /> Instagram:
https://www.instagram.com/ironwingsband/ /> YouTube:
https://www.youtube.com/channel/UCbyTqeeFVn0moTpAGag3t9g /> Bandcamp:
https://ironwings.bandcamp.com/">
https://ironwings.bandcamp.com/ />
Contact:
ironwingsband@gmail.com


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FROLIC ANNOUNCE NEW ALBUM “LEGACIES OF CYBERNETICA” ON VINYL VIA HECTIC RECORDS Pre-Orders Live Now Ahead of July 3, 2026 Release - @thebeast

FOR IMMEDIATE RELEASE

FROLIC ANNOUNCE NEW ALBUM “LEGACIES OF CYBERNETICA” ON VINYL VIA HECTIC RECORDS
Pre-Orders Live Now Ahead of July 3, 2026 Release

Bay Area thrash unit FROLIC are set to unleash their second full-length album, Legacies of Cybernetica , arriving July 3, 2026 on vinyl through HECTIC Records , with CD, cassette, and digital editions releasing independently the same day.

Pre-orders for the vinyl edition are available now, with all shipments scheduled to go out on or before release day.

Built from the grit of the Bay Area underground and sharpened by years of relentless live shows, Legacies of Cybernetica pushes FROLIC further into technical, melodic, and progressive extremes while still keeping one foot planted firmly in old school thrash tradition. No polish for polish’s sake here. Just impact, speed, and intent.

About the Release


Legacies of Cybernetica continues FROLIC’s evolution beyond their 2022 debut Fusion of Spirits , expanding their sound into more aggressive, technical, and experimental territory while keeping the core thrash identity intact. Expect sharp riff work, high velocity drumming, and arrangements that swing between chaos and control without warning.

Fans of Kreator, Exodus, Death Angel, and Revocation will feel right at home, but not too comfortable.

Lineup


Edgar Sanchez – Guitar, Lead Vocals

Lenny Ramirez – Guitar, Vocals

Zak Kufeld – Bass, Vocals

Elijah Post – Drums

Band Background


FROLIC’s rise through the Bay Area circuit has been hard earned and loud enough to get attention well beyond the underground. Since their debut, the band has shared stages with acts including Suicidal Tendencies, Death Angel, Possessed, Forbidden, Biohazard, Eyehategod, Warbringer, Goatwhore, and more, while carving out their own identity in a crowded modern thrash landscape.

Their reputation is built the old way, through live shows, word of mouth, and records that hit harder every time you spin them.

Album Availability


Legacies of Cybernetica will be available July 3, 2026 on vinyl via HECTIC Records , with additional formats released independently by FROLIC including CD, cassette, digital, and select streaming platforms.

Closing Statement


This is thrash with forward motion. Rooted in tradition, built for now, and loud enough to carry into whatever comes next.

Pre-orders are live now. Shipping begins on or before July 3, 2026.

Check them out on YouTube: 





Connect: 


https://merch.frolic.band/epk />
Contact: edgars336@gmail.com


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Thursday, May 21, 2026

THE PHOENIX WITHIN IGNITE NEW ERA WITH SINGLE “MEAT BAGS” AND ANNOUNCE “REIGN OF THE PHOENIX” TOUR - @thebeast

FOR IMMEDIATE RELEASE

THE PHOENIX WITHIN IGNITE NEW ERA WITH SINGLE “MEAT BAGS” AND ANNOUNCE “REIGN OF THE PHOENIX” TOUR

Pre save and stream:
https://thephoenixwithin.hearnow.com/meat-bags">
https://thephoenixwithin.hearnow.com/meat-bags />
NYC-based alternative progressive rock outfit The Phoenix Within return with a searing new single, “Meat Bags,” out April 16, 2026. The track arrives as a raw, confrontational blast of hardcore energy, sharpening the band’s already volatile blend of metal, punk, and emotionally charged alternative rock.

Fronted by Omar Feliciano , and backed by Nick Narlis (bass), John Narlis (guitar), James Narlis (drums), and Steve Khan (drums) , The Phoenix Within continue building a sound that lives in the tension between aggression and vulnerability. Their work has always carried that underdog spirit, but “Meat Bags” leans harder into confrontation, pulling no punches.

Recorded and mastered by Robert Freeman at Audio Pilot Studio (Byram Township, NJ) , the single channels frustration with power structures and resistance into something unfiltered and urgent.




“Meat Bags is about stripping away illusion. It’s about what happens when you stop pretending systems are built for you and start calling things what they are.” – The Phoenix Within

Check out this video: 






FOR FANS OF:


Rage Against the Machine , Knocked Loose , Deftones

The release sets the stage for their upcoming “Reign of the Phoenix” Tour , a relentless run across the East Coast and Midwest, bringing the band’s volatile live energy directly to the people.



“REIGN OF THE PHOENIX” TOUR DATES


May 15 – The Artemis – Washington, DC
May 16 – Oddfellows Liquor Bar – Cincinnati, OH
May 17 – West Church Social – Newark, OH
May 18 – Hidden Gem – Dayton, OH
May 19 – Cannonball Music Hall – Raleigh, NC
May 20 – Barzarre – Wilmington, NC
May 21 – Club 27 – Asheville, NC
May 22 – Cult Classic Brewing – Stevensville, MD
May 23 – Tompkins Square Park – New York, NY
May 24 – Taffeta Music Hall – Lowell, MA



Produced independently and driven by grassroots momentum, the tour is being coordinated by Distilled Entertainment , continuing the band’s reputation for building their own lane without waiting for permission.

The Phoenix Within have already made their mark on major stages including INKcarceration, Blue Ridge Rock Festival, Summit Fest, Launch Music Conference, and Electric City Music Conference. Now, they push forward with even more intensity, leaning into heavier territory while staying rooted in emotional honesty and resilience.

Their sound sits in that sweet spot where chaos meets control, and “Meat Bags” is the latest proof they are not easing up anytime soon.

ABOUT THE PHOENIX WITHIN


The Phoenix Within is an independent NYC-based alternative progressive rock band blending metal, hardcore, and emotionally driven rock into a sound built on resilience and raw honesty. Led by Omar Feliciano, the band continues to evolve through high-energy releases and relentless touring, carving out a reputation for intensity both on record and on stage.



Connect: 


https://thephoenixwithin.hearnow.com/meat-bags">
https://thephoenixwithin.hearnow.com/meat-bags />
Contact: phoenixwithinrock@gmail.com


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VESSEL OF LIGHT RETURNS WITH EXPANDED, REMASTERED SELF-TITLED DEBUT VIA NoLifeTilMetal RECORDS - @thebeast

FOR IMMEDIATE RELEASE

VESSEL OF LIGHT RETURNS WITH EXPANDED, REMASTERED SELF-TITLED DEBUT VIA NoLifeTilMetal RECORDS


Featuring Dan Lorenzo ( HADES ) and Nathan Opposition ( Ancient VVisdom )
Radio Impact: May 15, 2026 | Worldwide Release: July 3, 2026

NoLifeTilMetal Records is back in the trenches with a serious one, bringing new life to the long-out-of-print debut from Vessel of Light, the collaborative project led by veteran riff master Dan Lorenzo and vocalist Nathan Opposition. What started as a buried European-only release has now been fully remastered, expanded, and rebuilt for a proper global run in 2026.

This isn’t just a reissue. It’s a resurrection.

The self-titled Vessel of Light debut, originally tracked at Brainchild Studios in Cleveland, now returns louder, heavier, and more focused than ever thanks to a fresh remaster from Rob Colwell, whose credits include work with Nevermore , Flotsam and Jetsam , Helstar , King's X , and Hades.

Lorenzo and Opposition’s chemistry still hits the same way it did on day one, equal parts grit, doom, melody, and that unmistakable old-school heaviness that refuses to age out.

Dan Lorenzo reflects on how it all started:
“I decided to write about the band in NU’s Steppin’ Out magazine and I mailed Nathan Opposition a copy and an old Hades CD. We started talking, no real plan, no expectations. I wasn’t even really playing much guitar at the time. Then he asked if I wanted to write together and it just happened.”

Nathan Opposition adds:
“It started casually, almost jokingly. Then suddenly riffs were coming in nonstop and lyrics just started pouring out. It clicked fast, no overthinking it.”

What followed was more than a project. It became a catalog of releases including Woodshed , Thy Serpent Rise , and Last Ride , building a cult following in underground heavy music circles. But the debut album remained a hidden piece of history, only previously available in a limited European run.

Now it gets the treatment it always deserved.

THE NEW EDITION INCLUDES:


Four bonus tracks

A cover of Black Sabbath’s Wasp / Behind The Wall Of Sleep

Heavyweight crystal clear vinyl pressing (limited to 200 copies)

Two-sided insert with lyrics, rare photos, and new liner notes from Dan Lorenzo

Full remaster by Rob Colwell

Expanded CD edition with updated packaging

TRACKLIST


Where My Garden Grows
Dead Flesh And Bone
Meant To Be
Descend Into Death
Living Dead To The World
Vessel Of Light

BONUS TRACKS
Torture King
Meet and Bone
Son of Man
Wasp / Behind The Wall Of Sleep

For fans of Danzig, Corrosion of Conformity, Alice in Chains, Black Sabbath, Ancient Wisdom, and Patriarchs in Black, this release hits that sweet spot between doom-laced heaviness and raw, riff-driven rock truth.

NoLifeTilMetal Records sums it up best. They are not just reissuing an album, they are correcting history.

Vessel of Light (Remastered & Expanded) arrives July 3, 2026 worldwide. Radio impact begins May 15, 2026.

This one’s built for speakers turned up too loud.

Check out the first single: 





Connect:


https://www.facebook.com/vesseloflightband/ />
https://www.instagram.com/vesseloflightmusic/ />
https://roxxrecords.com/collections/nltm-2019-releases/products/vessel-of-light-vessel-of-light-cd-2026-remastered-and-expanded-copy />


Contact: dan@danlorenzo.net


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GODLESS PREMIERE NEW VIDEO “ARCHITECT OF TORMENT” WITH DECIBEL MAGAZINE - @thebeast

FOR IMMEDIATE RELEASE

GODLESS PREMIERE NEW VIDEO “ARCHITECT OF TORMENT” WITH DECIBEL MAGAZINE

Indian death metal force Godless have unleashed their brand new video for “Architect of Torment,” premiering through Decibel Magazine. The track marks a darker and more oppressive evolution in the band’s already devastating sound, pushing deeper into sinister territory while maintaining the precision and brutality fans have come to expect.

Decibel Magazine praised the single for its “tightly controlled aggression, jagged rhythmic turns, and suffocating atmosphere,” describing the song as “violent, focused, and mean enough to leave a mark.”

The accompanying video captures Godless performing “Architect of Torment” live for the very first time during their co-headlining appearance at the Wacken Open Air Pre-Party in Bangalore. Rather than relying on overproduced visuals or cinematic gimmicks, the band chose to present the track in its rawest form: live, loud, and completely unfiltered.

Speaking on the new release, Godless commented:

“‘Architect of Torment’ feels like a progression for us, leaning into a darker, more sinister atmosphere without losing the core of what Godless is. After over a decade of locking into a sound, it felt right to push things further and see where it goes.”

With more than a decade behind them, Godless continue proving why they remain one of India’s most relentless extreme metal exports. “Architect of Torment” showcases a band tightening the screws on their sound while continuing to evolve without compromise.

Watch the premiere now via Decibel Magazine:
https://www.decibelmagazine.com/2026/05/20/video-premiere-godless-architect-of-torment/

For fans of: Decapitated, Vader, Behemoth

Follow Godless for more updates and upcoming announcements.

Press inquiries: zach@metaldevastationradio.com



  Connect with GODLESS:


https://linktr.ee/godlessindia /> www.godless.in

Contact: Abbas Razvi | godlessindia@gmail.co


https://metaldevastationradio.com/thebeast/blog/29014/godless-premiere-new-video-architect-of-torment-with-decibel-magazine?utm_source=dlvr.it&utm_medium=blogger

Wednesday, May 20, 2026

METAL DEVASTATION PR CLIENTS IATT AND EMPIRE OF NONE FEATURED IN LATEST ISSUE OF SWEDEN ROCK MAGAZINE ALONGSIDE IRON MAIDEN COVER STORY - @thebeast

FOR IMMEDIATE RELEASE

METAL DEVASTATION PR CLIENTS IATT AND EMPIRE OF NONE FEATURED IN LATEST ISSUE OF SWEDEN ROCK MAGAZINE ALONGSIDE IRON MAIDEN COVER STORY

The latest issue of Sweden Rock Magazine has landed, and two recent Metal Devastation PR clients are making noise in its pages alongside a cover feature celebrating none other than Iron Maiden .

Both Empire Of None and IATT received detailed reviews highlighting the ambition, musicianship, and creative vision behind their latest releases.

Sweden Rock Magazine praised Empire Of None’s debut album Keepsake for fully realizing the band’s artistic goals, drawing comparisons to major modern acts such as Linkin Park , Bring Me The Horizon , and Dead By April . The review recognized the album’s polished production, emotionally driven songwriting, and strong connection to the modern metalcore and alternative metal scene.

Meanwhile, IATT’s Etheric Realms of the Night earned recognition for its fearless experimentation and genre-defying approach. Sweden Rock Magazine noted the Philadelphia band’s ability to blend progressive black metal with elements of jazz, folk, piano passages, saxophone, and atmospheric soundscapes, placing them in the company of boundary-pushing artists like Cynic , Ihsahn , and Devin Townsend .

The review also highlighted the album’s ambitious thematic focus on dreams and human consciousness, calling it a “fascinating musical journey” packed with creative ideas and adventurous songwriting.

Getting coverage in one of Europe’s most respected rock and metal publications is a major accomplishment for both bands, and sharing pages with an issue fronted by Iron Maiden makes the moment even more legendary. Old-school metalheads know Sweden Rock Magazine has been a cornerstone of the underground and mainstream heavy music scene for decades. Landing coverage there is no small feat.

Congratulations to Empire Of None and IATT on the international recognition. The underground keeps pushing forward, one riff at a time.

Grab a copy here:
https://swedenrockmagazine.com/ />




Check out the bands here at these links:


https://metaldevastationradio.com/thebeast/blog/28118/decibel-magazine-premieres-iatts-new-video-an-ode-to-solace />

https://metaldevastationradio.com/thebeast/blog/28942/empire-of-none-announce-debut-album-keepsake-out-may-15-2026 />

https://metaldevastationradio.com/thebeast/blog/29013/metal-devastation-pr-clients-iatt-and-empire-of-none-featured-in-latest-issue-of-sweden-rock-magazine-alongside-iron-maiden-cove?utm_source=dlvr.it&utm_medium=blogger

Ola Englund, Bernth, Charles Berthoud, and Mike Dawes Announce Escape The Internet II European Tour For 2027 - @thebeast

Four of the most technically insane musicians to ever melt the internet are packing it up and taking it back to the stage in 2027. Ola Englund , Bernth , Charles Berthoud , and Mike Dawes are joining forces again for the “Escape The Internet II” tour hitting Europe in February and March 2027.

And yeah, the name fits. These are four players who basically built careers out of doing the unthinkable online, then proved they could pull it off live without a safety net.

Following the success of their first European run, the crew is leveling up everything. Bigger lineup energy, new material, more collaborative moments, and the kind of live show that makes gear nerds stare at the stage like they just saw a UFO land on a bar gig.

Ola Englund summed it up pretty straight:

“After the incredible response to the first European tour, we’re coming back in 2027 with a bigger lineup, new music, more collabs and an even crazier live show.”

He added that fans can expect something built around both individual showcases and full group chaos, where every musician gets space to flex while also locking into moments you only get if you are in the room that night.

That is really the heart of this thing. Not just shredding for the sake of shredding, but four distinct styles crashing into each other in real time. Guitar, bass, acoustic, technique on top of technique, all of it colliding in a way that never quite repeats itself.

Here is the routing for “Escape The Internet II”:

2/5 Warsaw, PL Proxima
2/6 Prague, CZ Meet Factory
2/7 Nuremberg, DE Hirsch
2/9 Antwerp, BE Zappa
2/16 Paris, FR La Maroquinerie
2/18 Copenhagen, DK Pumpehuset
2/19 Stockholm, SE Debaser Strand
2/20 Gothenburg, SE Pustervik
2/21 Oslo, NO John Dee
2/23 Berlin, DE Columbia Theater
2/24 Frankfurt, DE Batschkapp
2/26 Cologne, DE Kantine
2/27 Hamburg, DE Gruenspan
2/28 Utrecht, NL Tivoli Vredenburg (Ronda)
3/2 Stuttgart, DE Im Wizemann Club
3/3 Esch-sur-Alzette, LU Rockhal
3/4 Solothurn, CH Kulturfabrik Kofmehl
3/5 Munich, DE Technikum
3/6 Vienna, AT Arena

Tickets & VIP upgrades are available now:

https://linktr.ee/escapetheinternet

Bottom line, this is not a nostalgia run and it is not background music for your phone scrolling habit. It is a full throttle display of modern musicianship from four players who helped define what internet-era virtuosity looks like, then decided to drag it into the real world and turn it up loud.

If you care about guitar, bass, or just watching people do things with their hands that should probably require a permit, this is one to circle on the calendar.


https://metaldevastationradio.com/thebeast/blog/29012/ola-englund-bernth-charles-berthoud-and-mike-dawes-announce-escape-the-internet-ii-european-tour-for-2027?utm_source=dlvr.it&utm_medium=blogger

PRIMAL ANNOUNCE MEXICO CD RELEASE, EUROPEAN SHOW TALKS, AND NEW MUSIC IN THE WORKS - @thebeast

FOR IMMEDIATE RELEASE

PRIMAL ANNOUNCE MEXICO CD RELEASE, EUROPEAN SHOW TALKS, AND NEW MUSIC IN THE WORKS


International heavy metal outfit PRIMAL is moving forward with a wave of new activity, including a special Mexico release, developing European tour plans, and the early stages of a new full-length album.

Following a recent band meeting, the group has shared the next steps in their ongoing global push.

First up, PRIMAL will be releasing a CD exclusively for fans in Mexico through Old Skull Records. The release is titled Fin De Los Tiempos (End Times) and serves as a compilation drawn from the band’s catalog, including material from Primal , Humachine , and Iron Age . The band is also actively looking to support the release with live shows in Mexico, and is encouraging promoters and bookers in the region to get in touch.

On the European front, Hightree Booking and Management is currently in discussions to bring PRIMAL to the Netherlands for shows in November 2026, with final dates expected to be confirmed soon.

Looking ahead, the band has already begun work on new material for a forthcoming full-length album. One song is already in development, signaling the start of the next creative chapter for PRIMAL.

More updates will follow soon as plans continue to take shape.

PRIMAL comments:




“Hi guys here is an update. We had a band meeting yesterday to talk about what's next. Here is what's up. First we are releasing a cd for our fans in Mexico on Old Skull Records. The cd is called Fin De Los Tiempos (End Times). This is a comp cd from our albums Primal, Humachine, and Iron Age. We hope to book some shows in Mexico to support the release. Any bookers in Mexico please reach out. Next are booking agency in Europe Hightree Booking and Management is in talks to book us in the Netherlands for November 2026. We hope to finalize the dates. Stay tuned for more on that. As for new music we will start writing music for a new full album. We have one song already working, and It wont take long once we get going. We hope to see you on the road please show your support and spread the word. Thanks again from Primal.”







For interviews, media inquiries, or promotional materials:
📧 zach@metaldevastationradio.com



 Follow Primal at these links:


https://www.primalmetal.com/?art=epk />
https://www.primalmetal.com/ />
https://primalmetal.bandcamp.com/ />
https://www.facebook.com/primalmetalband />
Contact: glennerogers@yahoo.com


https://metaldevastationradio.com/thebeast/blog/29011/primal-announce-mexico-cd-release-european-show-talks-and-new-music-in-the-works?utm_source=dlvr.it&utm_medium=blogger

VOIDMAKER ANNOUNCE DEBUT ALBUM “A COLD, UNYIELDING UNIVERSE” OUT MAY 25, 2026 VIA WITCHES BREW RECORDS - @thebeast

FOR IMMEDIATE RELEASE

VOIDMAKER ANNOUNCE DEBUT ALBUM “A COLD, UNYIELDING UNIVERSE” OUT MAY 25, 2026 VIA WITCHES BREW RECORDS

Boston, MA / Washington, D.C. based sci-fi thrash death metal project VOIDMAKER is set to unleash their full-length debut, A Cold, Unyielding Universe , arriving May 25, 2026 via Witches Brew Records.

Built by veteran musicians Joe McAnaney (guitars, drums, bass) and Tom McRann (vocals), VOIDMAKER delivers a sharp-edged fusion of blackened thrash, death metal precision, and progressive scale. The result is a high-intensity concept record that doesn’t just hit hard, it tells a story while doing it.

A Cold, Unyielding Universe explores humanity’s future under siege from rogue AIs, unstable Jovian scientists, and ancient extraterrestrial entities lurking beyond known space. It’s a cold run through the cosmos where survival is never guaranteed and evolution comes at a cost. Think expansion, extinction, and everything in between.

This is not background music. This is a full-on transmission from a collapsing future.

Across ten tightly constructed tracks, VOIDMAKER build a cinematic arc of cosmic warfare and human fragility, wrapped in razor riffing, brutal vocal delivery, and atmosphere that feels like deep space with the oxygen cut off.

The album features striking cover art by Adam Burke of Nightjar Illustrations, with additional narrative layout design reinforcing the concept-driven experience. Mixing and mastering were handled by Rob Kukla at Obsidian Studios, with the instrumental piece “Starfall” contributed by Sarah McAnaney-Knight.

LINEUP
Joe McAnaney: Guitar, Drums, Bass
Tom McRann: Vocals

CREDITS
Mix and Master: Rob Kukla, Obsidian Studios
Artwork: Adam Burke, Nightjar Illustrations
“Starfall” instrumental: Sarah McAnaney-Knight

VOIDMAKER are not here to soften the edges. They are here to sharpen them. This is extreme metal engineered for listeners who still want their music to feel dangerous, intelligent, and built for something bigger than Earth.

Check them out on YouTube:






Connect: 





BAND LINKS:
Website:
https://voidmakerband.com /> Facebook:
https://www.facebook.com/voidmakerband/ /> Bandcamp:
https://voidmaker.bandcamp.com/ /> Instagram:
https://www.instagram.com/voidmakerband />
LABEL LINKS:
Shop:
https://www.witchesbrew.eu /> Bandcamp: https//witchesbrewthrashes.bandcamp.com
Facebook:
https://www.facebook.com/witchesbrewthrashes /> Instagram:
https://www.instagram.com/witchesbrewthrashes/ />












Contact:  info@voidmakerband.com


https://metaldevastationradio.com/thebeast/blog/29010/voidmaker-announce-debut-album-a-cold-unyielding-universe-out-may-25-2026-via-witches-brew-records?utm_source=dlvr.it&utm_medium=blogger

Swiss Thrash Metal Force Algebra Unleash Explosive New Live Album Live at RKC May 30th - @thebeast

FOR IMMEDIATE RELEASE

Swiss Thrash Metal Force Algebra Unleash Explosive New Live Album Live at RKC May 30th


Presave and stream:
https://distrokid.com/hyperfollow/algebra2/live-at-rkc">
https://distrokid.com/hyperfollow/algebra2/live-at-rkc />
Swiss-based thrash metal wrecking crew Algebra are set to release their crushing new live album Live at RKC on May 30th, 2026 via Metalworld Records on digisleeve CD and Oss Da Mord Records on cassette, alongside a worldwide digital release across all streaming platforms.

Captured at The Rocking Chair (RKC) in Vevey, Switzerland on January 20th, 2024, Live at RKC documents the final performance of the band’s acclaimed Chiroptera cycle. The album delivers a fierce and uncompromising set featuring the majority of the Chiroptera material alongside selections from the band’s back catalogue. Raw, aggressive, and completely unfiltered, the recording showcases the band in their natural habitat: loud stages, blinding lights, and total chaos.

Fans of Sepultura, Slayer, Death, Biohazard, Power Trip, Exodus, Pantera, and Forbidden will find plenty to sink their teeth into as Algebra continue to sharpen their blend of razor-wire thrash riffs, punishing grooves, and relentless energy.

The band states:

“‘Live at RKC’ captures the final show of our Chiroptera cycle. It’s a raw and unfiltered document of that night.

This release marks an important milestone for us, and we’re proud to present it in both audio and full video form on May 30th, 2026. Special thanks to Jon, our bassist, whose precision and dedication shaped the entire video production — his work is an integral part of this release.

Turn it up and experience it as it was meant to be heard: loud, intense, and alive.”

Production credits for Live at RKC include FOH and recording by Jan Saunier, mixing and mastering by Raphaël Bovey at MyRoom Studio, cover art design by Mike Cotton-Russell based on an original artwork by Adam Burke, videography by Jonas Lacôte, video editing by Jon Emery, lighting engineering by Sébastien Baudin, and photography by Alain Jordan and Julien Waroux.

Check out the video: 



Presave and stream:
https://distrokid.com/hyperfollow/algebra2/live-at-rkc">
https://distrokid.com/hyperfollow/algebra2/live-at-rkc />


Connect: 


https://linktr.ee/algebrathrash />
Contact: algebrathrash@gmail.com


https://metaldevastationradio.com/thebeast/blog/29009/swiss-thrash-metal-force-algebra-unleash-explosive-new-live-album-live-at-rkc-may-30th?utm_source=dlvr.it&utm_medium=blogger

Tuesday, May 19, 2026

Wayne Static Guitar Tech Voices Support for Matt Zane Documentary and Shares Personal Perspective on Wayne Static’s Legacy - @thebeast

FOR IMMEDIATE RELEASE

Wayne Static Guitar Tech Voices Support for Matt Zane Documentary and Shares Personal Perspective on Wayne Static’s Legacy

Erik Fincher, who worked as a guitar and bass technician for Static-X from the 2001 Machine tour through the 2009 Cult of Static tour and maintained a longtime professional relationship with the late Wayne Static , has publicly expressed support for filmmaker Matt Zane ’s unauthorized documentary centered on Wayne Static and Tera Wray .

According to Fincher, his experiences working closely with Wayne over the years shaped his views regarding who should help preserve and present Wayne’s personal and creative legacy.

Fincher also disputed public characterizations suggesting a close friendship between Wayne Static and Edsel Dope , who currently performs as Xer0 in the modern incarnation of Static-X.

“From my personal experience working alongside Wayne for many years, I did not witness the kind of close friendship that has been publicly described,” Fincher stated.

Fincher further expressed his belief that individuals who worked directly with Wayne during his solo years and later career are in a stronger position to help document that chapter of his life and artistic vision.

During his time with Wayne Static, Fincher handled stage equipment, instruments, and in-ear monitor systems while accompanying the band throughout multiple touring cycles. He also pointed to Matt Zane’s documented involvement with Wayne’s post-Static-X creative projects, including Pighammer . Zane has previously stated that Wayne and Tera encouraged him to document aspects of their lives and careers beginning in the late 2000s.

“The fans deserve the opportunity to experience Wayne’s work and creative history,” Fincher said. “I believe preserving that legacy matters.”

Fincher additionally stated that he respects the rights of the surviving and former members of Static-X to continue performing the band’s music, while emphasizing the importance of distinguishing personal recollections and opinions from official historical narratives.

About Erik Fincher


Erik Fincher served as a guitar and bass technician and member of the touring support crew for Static-X for more than a decade. He worked closely with Wayne Static during multiple album and touring cycles and was present throughout significant periods of the band’s career.

Stay connected:  
https://www.instagram.com/lordzane/ />

https://metaldevastationradio.com/thebeast/blog/29008/wayne-static-guitar-tech-voices-support-for-matt-zane-documentary-and-shares-personal-perspective-on-wayne-statics-legacy?utm_source=dlvr.it&utm_medium=blogger

GODS & PUNKS ANNOUNCE NEW ALBUM “A SHRINE BY THE SEA” OUT JULY 3RD, 2026 VIA ELECTRIC VALLEY RECORDS - @thebeast

FOR IMMEDIATE RELEASE

GODS & PUNKS ANNOUNCE NEW ALBUM A SHRINE BY THE SEA OUT JULY 3RD, 2026 VIA ELECTRIC VALLEY RECORDS


Brazilian heavy psych quartet Gods & Punks return with their most ambitious release to date, unveiling the sprawling new album A Shrine By The Sea , arriving July 3rd, 2026 through Electric Valley Records on digital platforms and vinyl.

Known for blending crushing stoner riffs, doom-soaked atmosphere, and progressive songwriting into immersive sonic journeys, Gods & Punks continue pushing deeper into uncharted waters with a record designed to be experienced as a complete voyage.

Formed by:

Alexandre C. – Vocals
Pedro C. – Bass
Rodrigo B. – Guitars
Gabriel S. – Drums

the band has steadily built a reputation within the underground heavy scene through six studio albums that fuse psychedelic exploration with thunderous groove and emotional weight.

A TWO-TRACK ODYSSEY


A Shrine By The Sea is structured around two monumental compositions:


“The Lighthouse” (Side A)
“Poseidon” (Side B)

Each track runs exactly 21 minutes and 12 seconds, creating a vinyl experience rooted in classic album-oriented storytelling while embracing modern accessibility.

To make the release streaming-friendly, both compositions were also divided into four individual “waves,” allowing listeners to experience the album in chapters without losing the larger narrative arc.

The first single, “The Lighthouse – Second Wave,” was released alongside the album pre-order on May 1st. The second single, “Poseidon – Third Wave,” arrives June 19th ahead of the full album release.

BAND STATEMENT


“We’ve always wanted to do an album like this and, after releasing 5 full-length albums, the time was right. A Shrine By The Sea features two tracks we worked really hard on, and that reflect different approaches to our sound. This is, perhaps, the record we felt most proud of, after recording.”

FOR FANS OF


Fans of towering riffs, hypnotic atmosphere, and expansive songwriting in the spirit of Black Sabbath , Elder , and Uncle Acid and the Deadbeats will find plenty to sink into throughout A Shrine By The Sea .

PRODUCTION DETAILS
Music by Gods & Punks
Lyrics by Alexandre C.
Mixed and Mastered by André Leal and Kleber Mariano at Estúdio Jukebox
Guitars and drums recorded in Rio de Janeiro, Brazil
Bass recorded in Santos, Brazil
Vocals recorded in Paris, France
Artwork by Alexandre C.
Released by Electric Valley Records

PRE-ORDER, STREAM & FOLLOW

Bandcamp:

https://godsandpunks.bandcamp.com/album/a-shrine-by-the-sea />

Pre-save / HyperFollow:

https://artists.landr.com/991043625117 />
Watch the video: 






Connect: 



https://linktr.ee/gods_and_punks />
Contact: 

Alexandre C.
canhetti@live.com


https://metaldevastationradio.com/thebeast/blog/29007/gods-punks-announce-new-album-a-shrine-by-the-sea-out-july-3rd-2026-via-electric-valley-records?utm_source=dlvr.it&utm_medium=blogger

SWEETLAND REIGNITE ATTENTION ON PARIAH EP — OUT NOW PSYCHEDELIC DOOM RELEASE RETURNS TO THE SPOTLIGHT - @thebeast

FOR IMMEDIATE RELEASE

SWEETLAND REIGNITE ATTENTION ON PARIAH EP — OUT NOW PSYCHEDELIC DOOM RELEASE RETURNS TO THE SPOTLIGHT


Sweetland are circling back to the underground with renewed focus on their 2025 release Pariah EP , a dense slab of Psychedelic Doom Metal that continues to earn attention well beyond its initial drop.

Originally released November 4, 2025, Pariah EP is not a comeback or a reinvention. It’s a reminder. Heavy, slow, and deliberately unpolished, the record sits in that thick space between collapse and clarity, pulling influence from the crushing dynamics of Melvins , the hypnotic weight of Monolord , and the expansive, genre bending scope often associated with Devin Townsend .

Now, with fresh promotion and renewed push through the underground circuit, Sweetland are giving the EP a second life, aiming it at new listeners who may have missed it the first time around.

Recorded, mixed, and mastered by Zach Thomas, the production stays intentionally raw and immersive, letting the riffs breathe, drag, and collapse exactly how they were meant to.

Band Statement


“We never saw Pariah as something that had an expiration date. Doom doesn’t age out. It just waits. This is us pulling it back into the light for the people who weren’t there the first time.”

Release Details


Band: Sweetland
Release: Pariah EP
Status: Out Now (Originally Released November 4, 2025)
Genre: Psychedelic Doom Metal
Production: Recorded, Mixed, Mastered by Zach Thomas
Label: None

Sweetland aren’t chasing hype. They’re letting the record speak louder the second time around. And Pariah EP still hits like it was carved out of stone and left in a storm.



Connect: 

Facebook:
https://www.facebook.com/profile.php?id=61576643562169 /> Instagram:
https://www.instagram.com/sweetlandmusic/ /> Bandcamp:
https://sweetland.bandcamp.com />
Contact: sweetlanddoom@gmail.com


https://metaldevastationradio.com/thebeast/blog/29006/sweetland-reignite-attention-on-pariah-ep-out-now-psychedelic-doom-release-returns-to-the-spotlight?utm_source=dlvr.it&utm_medium=blogger

MEPHISTO ODYSSEY RELEASES 2026 REMASTER OF THE ICONIC “CRUCIFIED DUB” MIX OF STATIC-X’S “PUSH IT” — WAYNE STATIC’S FIRST CREATIVE COLLABORATION WITH MIKAEL JOHNSTON — IN CELEBRATION OF THE TRACK’S RIAA GOLD CERTIFICATION - @thebeast

FOR IMMEDIATE RELEASE

MEPHISTO ODYSSEY RELEASES 2026 REMASTER OF THE ICONIC “CRUCIFIED DUB” MIX OF STATIC-X’S “PUSH IT” — WAYNE STATIC’S FIRST CREATIVE COLLABORATION WITH MIKAEL JOHNSTON — IN CELEBRATION OF THE TRACK’S RIAA GOLD CERTIFICATION

Dark, driving rework of the original 1999 maxi-single returns with renewed sonic force and brand-new visuals as Static-X’s industrial-dance anthem officially reaches Gold status

San Francisco Bay Area / Los Angeles, CA — May 19, 2026 — In celebration of Static-X’s groundbreaking 1999 single “Push It” from the platinum-certified album Wisconsin Death Trip receiving its first-ever RIAA Gold certification on April 21, 2026, Mephisto Odyssey founder Mikael Johnston has released a powerful 2026 remaster of the legendary “Crucified Dub” mix.

Originally featured on the official Push It maxi-single, the dark, hypnotic reinterpretation now returns with fully updated mastering from Johnston’s Pop Twist Studios, alongside a new visual presentation directed by Matt Zane.

This release carries significant artistic and historical weight. The original 1999 “Crucified Dub” marked the first collaboration between Mikael Johnston and late Static-X frontman Wayne Static. At the time, Wayne actively participated in the creative process and expressed strong enthusiasm for the final version. That initial connection sparked a long-running creative partnership that went on to include the co-written track “CRASH,” featured on the Batman Beyond: Return of the Joker soundtrack with a Len Wiseman-directed music video starring both Wayne and Mikael, as well as Mephisto Odyssey’s official remix of Static-X’s “Cold,” among additional collaborations.

“This was the first thing Wayne Static and I ever worked on together,” says Johnston. “He gave input during its creation and really loved the final result. That moment set everything in motion for our later collaborations, including ‘CRASH,’ my remix of ‘Cold,’ and more.”

The 2026 remaster preserves the raw industrial energy and dance-floor pulse of the original while enhancing clarity, depth, and impact for modern systems and audiences. It arrives as part of Mephisto Odyssey’s ongoing 2026 catalog revival, reintroducing pioneering San Francisco industrial-electronic works to a new generation.

Watch the official 2026 music video:



Stream / Info: Available now on YouTube with new visuals by Matt Zane. Additional catalog re-releases and new Mephisto Odyssey vault material will continue rolling out throughout 2026.

Mephisto Odyssey, led by Mikael Johnston, has been a defining force in West Coast electronic and industrial music since 1993. With official remixes for Static-X, Jane’s Addiction, and others, along with soundtrack placements including Hostel and releases on Warner Bros., the project’s deep connection to Wayne Static and the nu-metal/industrial era makes this remaster both a historical milestone and a heartfelt tribute.

Connect:

YouTube:
https://www.youtube.com/@mephistoodysseyofficial /> FaceBook:
https://www.facebook.com/share/g/1DP1xEeGBh/ /> Instagram:
https://www.instagram.com/mephistoodysseyofficial/ />
Photo Credit: Michael Olszewski


https://metaldevastationradio.com/thebeast/blog/29004/mephisto-odyssey-releases-2026-remaster-of-the-iconic-crucified-dub-mix-of-static-xs-push-it-wayne-statics?utm_source=dlvr.it&utm_medium=blogger

INSCRIBED Announce Debut Full-Length Album Upon the Twisted Throne Out June 19, 2026 via Awakening Records | Single “Machinery of War” Out Now - @thebeast

FOR IMMEDIATE RELEASE

INSCRIBED Announce Debut Full-Length Album Upon the Twisted Throne Out June 19, 2026 via Awakening Records | Single “Machinery of War” Out Now

Pre-order:
CD:
https://awakeningrecordscn.bigcartel.com/product/inscribed-upon-the-twisted-throne-cd /> Digital:
https://awakeningrecordscn.bandcamp.com/album/upon-the-twisted-throne />
Miami, Florida death/thrash metal trio INSCRIBED are set to unleash their highly anticipated debut full-length album, Upon the Twisted Throne , on June 19, 2026 via Awakening Records. The album marks a major step forward for the band, expanding their razor sharp, progressive death/thrash attack into even more ambitious and extreme territory.

Drawing influence from legendary acts such as Atheist, Hellwitch, Sadus, Cynic, and Nocturnus, INSCRIBED deliver a blistering fusion of technical precision, chaotic riffing, and progressive songwriting rooted firmly in the spirit of early 90s Florida death metal. Despite the members’ young ages, the band continues to push a sound that feels both classic in spirit and ferociously forward-looking in execution.

Formed in 2021 by bassist Evie Austin and drummer/vocalist Lucas Moore, INSCRIBED quickly carved out a name in the South Florida underground with their 2022 demo and 2024 debut EP In Silent Oblivion . After recruiting guitarist Mario Alvarez, the trio tightened into a relentless live force across Florida, sharpening the material that would become Upon the Twisted Throne .

The new album pushes their progressive death/thrash formula into deeper extremes, balancing intricate musicianship with raw aggression and strong, memorable songwriting. A bass-driven compositional approach gives the record a distinct identity, with Evie Austin’s lightning-fast runs and fingerstyle precision cutting through Mario Alvarez’s razor-edged guitar work and Lucas Moore’s punishing drumming and vocal delivery.

“ Upon the Twisted Throne acts as a bold step forward for Inscribed, continuing the progressive death-thrash style the band debuted with In Silent Oblivion into an even more intense direction,” says the band. “The album sees us expanding our range of influences while pushing technical ability and melodic dynamics further than before.”

The album’s lead single and video, “Machinery of War,” is out now. A longtime live staple, the track opens with a chaotic technical bassline before erupting into a high-velocity assault of progressive death and thrash metal precision. Written collaboratively by all three members, the song explores the disturbing fate of a mecha pilot trapped inside a dying war machine, drawing on themes of war, mortality, and human suffering.

Other standout tracks include “On the Stage of Death,” an ambitious multi-section piece inspired by Kentaro Miura’s Berserk , which examines religious extremism through shifting emotional and sonic landscapes, and “Still Time Passes,” a haunting, mid-paced composition exploring the psychological horror of perceived eternal isolation and the fragility of consciousness.

Upon the Twisted Throne features:
Evie Austin — Bass Guitar
Lucas Moore — Drums & Vocals
Mario Alvarez — Guitar

Additional lead guitar by Fernando Calero.

The album was engineered and mixed by Ferny Coipel at The Shack North, with guitar and bass tracking by John Sample at Sathanas Studios. Mastering was handled by Chris Barcia. Artwork was created by Stephanie D-Sorensen, with additional design contributions from Raphael Sanchez, Deborah Moore, Beatriz Freire, Gabriel Caggiano, and Arioch.

Upon the Twisted Throne will be released June 19, 2026 via Awakening Records.

For fans of Atheist, Hellwitch, Sadus, Cynic, Nocturnus.

Watch the video: 













Follow INSCRIBED online:

Facebook:
https://www.facebook.com/inscribedofficial/ /> Instagram:
https://www.instagram.com/inscribedofficial /> YouTube:
https://www.youtube.com/@inscribedofficial /> Bandcamp:
https://inscribedofficial.bandcamp.com/ /> Spotify:
https://open.spotify.com/artist/3WGErsqyfSzjSUecAY2VPk />

Label Information:

Awakening Records
Website:
https://www.awakeningrecords.cn /> Bandcamp:
https://awakeningrecordscn.bandcamp.com /> Big Cartel:
https://awakeningrecordscn.bigcartel.com /> Facebook:
https://facebook.com/awakeningrecordscn /> Instagram:
https://instagram.com/awakeningrecordscn />

Contact:

Lucas Moore
inscribedofficial@gmail.com


https://metaldevastationradio.com/thebeast/blog/29003/inscribed-announce-debut-full-length-album-upon-the-twisted-throne-out-june-19-2026-via-awakening-records-single-machinery?utm_source=dlvr.it&utm_medium=blogger

Monday, May 18, 2026

MY DARK FATE, NOCTURNAL CEREMONY, HELLRAZOR, KUF, SUGAR VIRUS, EVERYPERSON, MACHINE CULT RITUAL & SELIAS FEATURED IN NEW ISSUE OF ROCK HARD MAGAZINE - @thebeast

METAL DEVASTATION PR CLIENTS DOMINATE NEW ISSUE OF ROCK HARD MAGAZINE


Metal Devastation PR is proud to announce that several of our clients have been featured, interviewed, and reviewed in the latest issue of legendary European publication Rock Hard Magazine, with journalist Michele Martini shining a spotlight on a wide range of underground heavy music from groove metal and death metal to industrial darkness and horror punk madness.

This latest wave of coverage showcases the strength and diversity of the Metal Devastation PR roster, proving once again that underground metal is alive, evolving, and louder than ever.

MY DARK FATE FEATURED IN “SYMPHONY IN BLACK”


Austrian groove metal force My Dark Fate opened up about rebuilding after tragedy, lineup changes, and finding renewed artistic freedom following the loss of their studio and rehearsal space in a devastating fire.

“2024 was a tough year. Our studio and rehearsal space were lost in a fire, and some long-time members left for personal reasons,” said Andreas. “Christian and I restarted the project with Stefan and Marina, focusing on rebuilding My Dark Fate.”

Discussing their recent cover of the Rolling Stones classic Paint It, Black, Andreas explained:

“We wanted to reinterpret the song while keeping its essence intact, adding modern elements and our own dark, groovy touch.”

The band also discussed themes behind recent singles Frightened to the Core and Whiteout, tackling media-driven fear, isolation, and emotional numbness while pushing into new sonic territory without abandoning their groove-metal roots.

NOCTURNAL CEREMONY RETURN FROM THE SHADOWS


Norwegian death metal act Nocturnal Ceremony were featured in a deep interview surrounding their return album Obsidian after decades of silence.

Thomas Madsen reflected on the band’s resurrection:

“We started writing new music in 2022, rebuilding from scratch, logo, graphics, and songs, as if beginning anew.”

On the evolution of the songwriting process, Madsen revealed:

“Now we compose with a clear purpose, structuring tracks almost like complete pieces. We aim for music that leaves a lasting impression.”

Their lyrical themes now focus less on fantasy horror and more on real psychological darkness:

“Back then we wrote about imaginary demons and devils. Now we write about real ones, the darkness and shadows that dwell in everyone’s mind.”

HELLRAZOR DISCUSS THEATRICS, TRANSFORMATION, AND WINGS OF DELIVERANCE


Canadian heavy metal duo Hellrazor discussed the philosophical concepts and cinematic inspiration behind their latest album Wings of Deliverance.

Kasey Haze explained the band’s masked identity:

“The masks help us focus attention on the music and message rather than our faces.”

The album itself was inspired by disturbing real-world events:

“I was watching a documentary about Jim Jones and wrote the album inspired by that tragedy. It’s about manipulation and loss of identity.”

Darrin Evil added:

“We’ve always mixed theatrical elements with metal. Our live shows are immersive, and we draw inspiration from cinema and literature.”

KUF RETURN WITH CHAPTER I


American hard rock and doom-influenced band KUF discussed their rebirth and creative evolution surrounding the release of Chapter I.

Todd Leclaire reflected on the band’s return:

“At one point, external pressures made us lose control of the project. I moved to Virginia and rediscovered a sense of freedom.”

Discussing vocalist Twilly’s role in the band’s rebirth, Todd added:

“Her voice was perfect from the start. She brought emotional intensity and a theatrical dimension that fit our sound naturally.”

Twilly summarized the emotional mission of the band perfectly:

“The goal is to create a space where listeners can connect deeply, not just with melodies but with the feelings behind them.”

ROCK HARD REVIEWS AND SCORES


Sugar Virus – Kill the Messenger


Score: 7.5/10

Rock Hard praised Sugar Virus for delivering a powerful blend of horror punk, doom influence, and dark cinematic atmosphere.

“The result is effective, coherent, and exaggerated, a work rooted in a glorious tradition yet still modern and relevant.”

The review highlighted the band’s “thunderous, twilight-toned sonorities” and compared the spirit of the record to classic Misfits-inspired horror punk infused with heavier doom textures.

Everyperson – Fathoms


Score: 7.5/10

The mysterious solo project Everyperson earned praise for originality and emotional depth.

“Fathoms consists of eight varied tracks blending melodic modern metal tension with rougher, groove-driven elements and a distinct electronic edge.”

Rock Hard called the album “a solid, imaginative work that distinguishes itself from the crowd.”

Machine Cult Ritual – Occult Mechanics


Score: 7/10

Industrial doom project Machine Cult Ritual received recognition for crafting a uniquely oppressive and immersive debut album.

“The album’s layered structure feels original, defining a unique artistic vision.”

The magazine praised the record’s industrial textures, doom rhythms, death metal vocals, and avant-garde atmosphere that “draw the listener into a strange yet captivating sonic universe.”

Selias – Headshot


Score: 5/10

While the review for Selias was more critical, Rock Hard acknowledged the band’s ambition in blending death metal and groove influences, though the publication felt the songwriting needed stronger structure and direction moving forward.

THE UNDERGROUND CONTINUES TO RISE


From Austrian groove metal to Norwegian death metal, industrial experimentation, theatrical heavy metal, doom rock, and horror punk, this month’s Rock Hard coverage proves that independent metal artists continue pushing boundaries worldwide.

Metal Devastation PR congratulates all featured artists for their hard work, dedication, and relentless commitment to underground heavy music.

Stay tuned. More chaos is coming.

#MetalDevastationPR #RockHardMagazine #MyDarkFate #NocturnalCeremony #Hellrazor #KUF #SugarVirus #Everyperson #MachineCultRitual #Selias #HeavyMetal #DeathMetal #GrooveMetal #IndustrialMetal #HorrorPunk #UndergroundMetal #MetalNews #MetalCommunity


https://metaldevastationradio.com/thebeast/blog/29002/my-dark-fate-nocturnal-ceremony-hellrazor-kuf-sugar-virus-everyperson-machine-cult-ritual-selias-featured-in-new-issue-o?utm_source=dlvr.it&utm_medium=blogger

EATEN BY SHARKS DROP NEW SINGLE “CAPSIZED” MAY 30 . PRE-SAVE NOW LIVE . NEW ALBUM THE UNDERTOW OF HATE ARRIVES JULY 17 VIA CDN RECORDS - @thebeast

FOR IMMEDIATE RELEASE

EATEN BY SHARKS DROP NEW SINGLE “CAPSIZED” MAY 30 . PRE-SAVE NOW LIVE . NEW ALBUM THE UNDERTOW OF HATE ARRIVES JULY 17 VIA CDN RECORDS

Pre-save “Capsized” now:

https://distrokid.com/hyperfollow/eatenbysharks1/capsized />
Canada’s rising extreme metal force Eaten By Sharks are preparing to unleash their most ambitious and punishing material to date with the release of their new single “Capsized” on May 30, 2026. The track serves as the first glimpse into the band’s upcoming full-length album The Undertow Of Hate, arriving July 17, 2026 via CDN Records.

Blending progressive death metal, technical precision, crushing groove, and deathcore aggression, Eaten By Sharks continue evolving beyond the sound established on their 2022 release Eradication. With The Undertow Of Hate, the band embraces a more composition-focused and cinematic approach, building a dark conceptual journey rooted in nautical horror and psychological collapse.

“Capsized” marks the beginning of that descent.

The single captures the exact moment where calm waters give way to total chaos, setting the tone for an album built around transformation, destruction, and irreversible change at sea. Musically, the track showcases the band’s signature blend of polyrhythmic riffing, odd time signatures, relentless groove, and controlled aggression, all tied together with a strong sense of flow and atmosphere.

The band comments:

“Eaten By Sharks follow up their 2022 release, Eradication, with a more refined and fully realized record in The Undertow Of Hate. This album reflects a deeper understanding of who we are as artists. We took time to fully immerse ourselves in the writing process and build a cohesive concept rooted in a single cinematic moment of horror.

The record follows a journey that begins in calm, descends into chaos at sea, and ultimately returns to where it started, transformed into something darker and irreversible.

Throughout the album, subtle thematic details and visual elements tie directly into the overarching concept, creating a unified experience between the music and the artwork. Musically, we push further into the sound we’ve become known for, blending polyrhythms, odd time signatures, and crushing grooves while always prioritizing flow and momentum between ideas.

Working again with producer Christian Donaldson helped tighten the performances and bring out the best in the material. The Undertow Of Hate represents some of our most focused and punishing work to date. It is heavy, groovy, and constantly evolving without losing coherence.”

Produced by Eaten By Sharks and Christian Donaldson, and engineered, mixed, and mastered by Donaldson, The Undertow Of Hate delivers a calculated balance of technical brutality and memorable songwriting. Every track feeds into the album’s overarching narrative while pushing the band further into new territory without sacrificing heaviness.

For fans of Fit For An Autopsy, Gojira, and Cattle Decapitation, The Undertow Of Hate is shaping up to be one of 2026’s must-hear extreme metal releases.

Release Details:

Single: “Capsized”
Release Date: May 30, 2026

Album: The Undertow Of Hate
Album Release Date: July 17, 2026

Label: CDN Records

Check out this teaser and get ready!





Connect With Eaten By Sharks:


Website:
https://linktr.ee/eatenbysharks /> Facebook:
https://www.facebook.com/eatenbysharksband/ /> Instagram:
https://www.instagram.com/eatenbysharksmetal/ /> Twitter/X:
https://x.com/EatenbySharks00 /> YouTube:
https://www.youtube.com/@EatenBySharksVideo /> Bandcamp:
https://eatenbysharks.bandcamp.com/album/eradication /> Spotify:
https://open.spotify.com/artist/0y0jhJGgy98Whl3y5PsikD /> Apple Music:
https://music.apple.com/us/artist/eaten-by-sharks/1482997266 /> TikTok:
https://www.tiktok.com/@eatenbysharksband />

https://metaldevastationradio.com/thebeast/blog/29001/eaten-by-sharks-drop-new-single-capsized-may-30-pre-save-now-live-new-album-the-undertow-of-hate-arrives-july-17-via-c?utm_source=dlvr.it&utm_medium=blogger

Who Will Rise as This Week’s Champion on the MDR Battle Of The Bands?? 05/18/26 - 05/22/26 - @thebeast

🔥 Who Will Rise as This Week’s Champion on the MDR Battle Of The Bands? 🔥
And who will dominate next month as Band of the Month on Metal Devastation Radio?

Last month’s winners, ANTIPOPE , crushed the competition with a staggering  721,717 VOTES , claiming the title of Band of the Month on Metal Devastation Radio! You can check them out HERE !

This is the weekly championship edition of the Band Of The Month – Battle Of The Bands that we host every month on MDR!

How does it work?
Every Monday, we launch a new poll featuring bands that submit music each week on metaldevastationradio.com. Voting runs until Friday at 9PM EST .

Each Friday night , at the start of The Zach Moonshine Show , I’ll be spinning the Top Six weekly winners , and announcing the #1 band of the week live on air — getting thousands of listens on Mixcloud !

At the end of the month , all weekly votes are added up, and the band with the highest total votes becomes our Band of the Month !

Winning Band of the Month gets:

A featured post on our Facebook page, reaching thousands of fans

A front-page spotlight on metaldevastationradio.com , which pulls in hundreds of thousands of views every month

A free PR email blast from Metal Devastation PR, hitting 40,000+ contacts including labels, zines, stations, and more

Airplay every hour during general rotation

Tons of social media shares and exposure across our network

If you want the world to know who your band is, this is the easiest way to make it happen!

💥 Want in on the next battle?
Comment below with your band name and we’ll add you to next week’s poll — or email me at zach@metaldevastationradio.com with “Battle Submission” in the subject line.

Bands can compete as many times as they want , and if you enter multiple weeks in the same month, your votes combine toward the Band of the Month title!

👇 Click on the bands below to vote as many times as you like, or add your own! Poll closes Friday, May 22nd at 9PM EST!








Who Will Rise as This Week’s Champion on the MDR Battle Of The Bands?? 05/18/26 - 05/22/26


https://metaldevastationradio.com/thebeast/blog/29000/who-will-rise-as-this-weeks-champion-on-the-mdr-battle-of-the-bands-05-18-26-05-22-26?utm_source=dlvr.it&utm_medium=blogger

Sunday, May 17, 2026

Mephisto Odyssey on The Zach Moonshine Show: Industrial Chaos, Hollywood Horror, and the Art of Staying Real - @thebeast

Mephisto Odyssey on The Zach Moonshine Show: Industrial Chaos, Hollywood Horror, and the Art of Staying Real


The latest episode of The Zach Moonshine Show on Metal Devastation Radio went deep into the underground where electronics, metal, film, and pure chaos all collide. This wasn’t just an interview. It was a full-on time capsule from one of the most important crossover artists in underground music history: Mephisto Odyssey.

From early rave culture to Warner Bros releases and Hollywood horror soundtracks, the conversation with Mikael Johnston traced a career built on breaking rules, ignoring industry expectations, and chasing sound wherever it leads.

From Crash to Cult Status


The discussion opened around the evolution of “Crash,” a track that has lived multiple lives across decades. The artist reflected on revisiting the song years later, reshaping it alongside ideas originally discussed with the late Wayne Static.

The goal was never nostalgia. It was correction. A chance to realign the track with the original vision before label pressure and external forces shaped its first release.

That philosophy carried through the entire conversation: make what feels right, not what fits the machine.

Horror Films, Soundtracks, and a Wild Connection to Hostel


One of the most surprising revelations came from Mephisto Odyssey’s deep ties to film. The artist shared how their music ended up in Eli Roth’s cult horror film Hostel, specifically in the opening nightclub scene in Amsterdam.

The track placement wasn’t just background noise. It helped define the energy of the scene, blending underground club chaos with cinematic violence and tension.

The connection to horror didn’t stop there. The conversation drifted into current scoring work on a slasher film set to appear at the Frightmare convention in Dallas, reinforcing how deeply film and music have always been intertwined in this artist’s career.

Brad Gillis, Alameda Roots, and Rock History in Motion


A major highlight of the interview was the story behind legendary guitarist Brad Gillis joining the “Crash Reborn” project.

Both coming from Alameda, California, the connection between the two musicians goes back decades, long before the collaboration ever happened. A chance demo turned into a lightning-fast response from Gillis, who recorded guitar tracks almost immediately after hearing the material.

The result: a powerful fusion of industrial electronics and classic rock guitar energy delivered by a player who helped define the sound of Ozzy Osbourne’s early 80s era, namely with the iconic Speak of the Devil live recordings.

The story also revisited Gillis stepping into Ozzy Osbourne’s band after Randy Rhoads’ passing, a moment that reshaped rock history and cemented Gillis as one of the most respected guitarists of his generation.

The Philosophy: Make Art for Yourself First


A recurring theme throughout the conversation was creative independence.

The artist pointed to industry pressure across both film and music, comparing modern franchise filmmaking and formula-driven music production to earlier eras where innovation came first.

A reference to Rick Rubin’s philosophy summed it up clearly: if you’re making something for approval, you’ve already lost the point.

That mindset shaped both the original and reborn versions of “Crash,” as well as decades of Mephisto Odyssey’s work across electronic, industrial, and cinematic spaces.

From Raves to Record Deals


The interview also pulled back the curtain on the early rave scene of the 1990s, when underground events were built on word-of-mouth flyers, hidden locations, and warehouse chaos powered by generators and pure instinct.

That era led directly into early production experiments, MIDI setups, and DIY vinyl releases that eventually crossed the 10,000-copy mark independently, a number that immediately put industry attention on the project.

From there, the path led through City of Angels Records, alongside acts like The Crystal Method, and eventually into major label territory with Warner Bros.

Static-X, Ministry, and a Scene That Never Sat Still


The conversation expanded into the evolution of industrial and electronic rock, touching on Ministry, Nine Inch Nails, The Prodigy, Smashing Pumpkins, Korn, and Static-X.

Rather than strict genre lines, the era was defined by collision. Metal, electronics, punk energy, and club culture all bleeding into each other in real time.

Mephisto Odyssey existed right in that overlap, helping define a sound that didn’t fully belong to any one category.

Closing Moments: Still Moving Forward


Before signing off, Mikael Johnston confirmed new work is on the way, including remasters, unreleased material, and future rock-leaning projects that still retain the electronic edge fans expect.

He also acknowledged a long hiatus to focus on family life before returning to music with renewed energy and independence.

And of course, the show ended the only way it could on Metal Devastation Radio: loud, unfiltered, and absolutely unapologetic.

Full Show Track List: 

Battle Of the Bands Top Six Winners:

1 - La Paille - Aeon Dissector - (752,391 votes)
2 - Trivan - Abyss Of Crawling Shadows - (524,844 votes)
3 - Another Demon - Drawn and Quartered feat. James Murphy (Testament, Death, Obituary) - (152,749 votes)
4 - Heidbekka - Völva -  (86,331 votes)
5 - NIKOLA'S CAGE - RASCAL - (66,963 votes)
6 - Severed Sun - Complex -  (51,696 votes)

The Zach Moonshine Intro

7 - Ozzy Osbourne - That I Never Had
8 - Anthrax - It's For the Kids
9 - Ov Ruin - A Throne of Nothing
10 - East Ov Eden - Boundless

Mephisto Odyssey - Interview featuring CRASH Feat. Brad Gillis, Wayne Static/ Static-X- Push It (Mephisto Odyssey Crucified Mix)

11 - Lords Of Acid - Dream Boy
12 - Bitter - Malevolent
13 - Nomadic Narwhal - Call of the Current
14 - Conjurist - Skinwalker
15 - GREG C. BROWN - Phobos
16 - CHEMICAL BURN - Doomscroller
17 - The Word66 - Sky Is Falling
18 - Burnt Witch - Bastard
19 - Black Label Society - Ozzy’s Song/Name In Blood
20 - Zakk Sabbath - Sweet Leaf/The Wizard
21 - Marilyn Manson - As Sick As The Secrets Within

Streaming now on Mixcloud:





The Interview is also available on YouTube, Spotify and Apple:





Super shout out and thanks to the 314,878 metal maniacs from all over the world for tuning in live to the devastation broadcast Friday! 


https://metaldevastationradio.com/thebeast/blog/28999/mephisto-odyssey-on-the-zach-moonshine-show-industrial-chaos-hollywood-horror-and-the-art-of-staying-real?utm_source=dlvr.it&utm_medium=blogger