FOR IMMEDIATE RELEASE
PALE HORSEMAN ANNOUNCE NEW FULL-LENGTH ALBUM RUIN OF SOULS
Chicago sludge metal veterans descend deeper into darkness with a crushing new album of industrial brutality, bleak melody, and existential dread
For Fans Of: Godflesh, Neurosis, Obituary
Chicago sludge metal veterans Pale Horseman are preparing to unleash their latest full-length album, Ruin of Souls , a devastating new chapter from a band that has spent more than fifteen years forging an increasingly massive and unsettling sound.
With the album's official release date currently TBD , Pale Horseman are working toward a physical vinyl release targeted for December 2026 , with further details to be announced.
Speaking about the new album, Pale Horseman describe Ruin of Souls as a deeper descent into the darkness that has defined the band's music for more than fifteen years:
“On Ruin of Souls , Pale Horseman descend even deeper into the darkness they’ve been cultivating for over fifteen years. Crushing sludge riffs collide with bleak melody, industrial brutality, and an overwhelming sense of dread, creating something that is as hypnotic as it is punishing. This is heavy music stripped down to its most primal and unsettling form—music that doesn’t simply soundtrack the end times, but makes you feel like you’re already living through them.”
That description captures the oppressive atmosphere at the heart of Ruin of Souls . Pale Horseman blend crushing sludge riffs with industrial textures, dissonant tension, bleak melody, and cinematic heaviness, creating a sound that feels both brutally physical and psychologically consuming.
For Pale Horseman, heaviness has never been limited to sheer volume or distorted guitars. Their music explores psychological ruin, paranormal mystery, mythic violence, existential dread, and the raw burden of human suffering. The result is a sound capable of moving between crushing brutality and strangely haunting beauty without ever losing its sense of menace.
Formed in 2010 , Pale Horseman have carved out a distinctive place within Chicago's underground metal scene. The band's members bring decades of experience from the city's heavy music community, with roots in acts including Couldron, Maimed, Souls Demise, Doomsday, Making Ghosts, Abortus, Deep Space Pilots, and Johnny Vomit .
That history has helped shape Pale Horseman's massive and meticulously constructed approach to sludge metal, combining punishing riffs with an atmosphere that feels expansive, oppressive, and relentlessly dark.
The band have also earned a reputation for intense and engulfing live performances. Throughout their career, Pale Horseman have shared stages with Acid King, Earthride, Crowbar, Whores., Bongripper, Coroner, Trouble, Vio-Lence, Karma To Burn, Eyehategod, Church of Misery , and many others, appearing at clubs, DIY spaces, and festival stages throughout the Midwest and beyond.
Drawing on the mechanical brutality of Godflesh, the crushing atmospheric weight of Neurosis, and the primal heaviness associated with Obituary, Pale Horseman occupy a space where sludge, industrial metal, and darker strains of extreme metal collide.
Ruin of Souls promises to carry that evolution forward, taking the band's established sound into an even darker and more oppressive territory.
PALE HORSEMAN
Chicago Sludge Metal | Est. 2010
Andre Almaraz - Guitar & Vocals
Eric Ondo - Guitar & Vocals
Rich Cygan - Bass
Jason Schryver - Drums
Album: Ruin of Souls
Format: Full-Length Album
Genre: Sludge Metal
Release Date: TBD
Vinyl: Targeting December 2026
- Recorded and mixed at Bricktop Recording in Chicago, IL by Pete Grossman
- Mastered by Audio Siege Mastering in Portland, OR by Brad Boatright
For Fans Of: Godflesh, Neurosis, Obituary
Connect:
https://www.facebook.com/PaleHorsemanSludge
/>
https://www.instagram.com/pale_horseman/
/>
https://palehorseman.bandcamp.com/
/>
https://open.spotify.com/artist/6BEZtiJJg28KoUkhEveZ7a
/>
https://music.apple.com/us/artist/pale-horseman/886069680
/>
https://metaldevastationradio.com/thebeast/blog/29430/pale-horseman-announce-new-full-length-album-ruin-of-souls?utm_source=dlvr.it&utm_medium=blogger
Wednesday, September 23, 2026
NORCVLT ANNOUNCES SOPHOMORE FULL-LENGTH ALBUM “DI’NA TÀCHÌ” ARRIVING NOVEMBER 2026 - @thebeast
FOR IMMEDIATE RELEASE
NORCVLT ANNOUNCES SOPHOMORE FULL-LENGTH ALBUM “DI’NA TÀCHÌ” ARRIVING NOVEMBER 2026
Indigenous Atmospheric Black Metal Project Begins Unveiling Its Next Chapter With First Album Promo Video
Southern California (Occupied Tongva & Chumash Territories) | Atmospheric black metal project NORCVLT has officially announced the upcoming release of its sophomore full-length album, “Di’na Tàchì,” arriving November 2026 .
Meaning “First Breath,” Di’na Tàchì continues the journey established by NORCVLT's debut full-length Saa Ka’nì , moving beyond darkness and destruction toward creation, awakening, and new life.
NORCVLT describes the album as a journey through “the first breath, the antlered dawn, the returning waters, the awakening of spirits, the spilling of blood, the stirring of flesh, and the birth of new life.”
With the album now ready to emerge, NORCVLT is beginning the unveiling process with a first promotional video and the official album artwork, with the complete tracklist set to be revealed later this week.
“Di’na Tàchì — ‘First Breath’ — continues where Saa Ka’nì left off. From the darkness, destruction and the sacred flame’s inevitable end comes creation.”
The forthcoming album represents another evolution of NORCVLT's atmospheric black metal sound, combining frostbitten aggression, expansive ambience, ritualistic atmosphere, cinematic scale, and a deeply personal Indigenous perspective.
Fans of Uada, Yaotl Mictlan, Grima, and Agalloch may find familiar ground within NORCVLT's expansive and emotionally charged approach, while the project continues to develop its own distinct sonic mythology and spiritual identity.
THE ROAD TO DI’NA TÀCHÌ
The announcement of Di’na Tàchì follows NORCVLT's recent activity surrounding the single “Celestial Tearfall,” released July 9, 2026 through Red Nebula .
The track serves as the second single from the forthcoming album and offers an early glimpse into the expansive world being constructed throughout Di’na Tàchì .
NORCVLT also recently unveiled the official music video for “A Triumphant Warcry,” which premiered through Black Metal Artists . The visual chapter further expands the project's atmospheric world while continuing the progression toward the forthcoming sophomore album.
Together, these releases have begun laying the groundwork for the next chapter of NORCVLT.
The project's philosophy is captured in its own words:
“As blackness fades… ancient splendor pours forth.”
DI’NA TÀCHÌ — NOVEMBER 2026
Album: Di’na Tàchì
Meaning: “First Breath”
Release: November 2026
Project: NORCVLT
Management: NORCVLT / Red Nebula
Album Artwork: G. C. Logan / @oswta.okwali
Branch Border Artwork: @nocturnalwings_
The complete tracklist will be revealed later this week.
More details surrounding Di’na Tàchì will be unveiled as NORCVLT continues its journey toward the album's November release.
LISTEN TO “CELESTIAL TEARFALL”
Stream / Follow / Pre-Save:
https://distrokid.com/hyperfollow/norcvlt/celestial-tearfall/
/>
WATCH “A TRIUMPHANT WARCRY”
NORCVLT – “A Triumphant Warcry” Official Music Video
Premiere via Black Metal Artists
NORCVLT
As blackness fades… ancient splendor pours forth.
Connect with NORCVLT
Linktree:
https://linktr.ee/norcvltofficial
/> Instagram:
https://www.instagram.com/norcvltofficial_bm
/> YouTube:
https://m.youtube.com/@Norcvltofficial_/videos
/> Spotify:
https://open.spotify.com/artist/68tjAo5Ji4Z9MnictYLGlC
/> Apple Music:
https://music.apple.com/us/artist/norcvlt/1760131310
/>
Contact
Tñuu Dau / The Black Rain
norcvltofficial@gmail.com
https://metaldevastationradio.com/thebeast/blog/29429/norcvlt-announces-sophomore-full-length-album-dina-tachi-arriving-november-2026?utm_source=dlvr.it&utm_medium=blogger
NORCVLT ANNOUNCES SOPHOMORE FULL-LENGTH ALBUM “DI’NA TÀCHÌ” ARRIVING NOVEMBER 2026
Indigenous Atmospheric Black Metal Project Begins Unveiling Its Next Chapter With First Album Promo Video
Southern California (Occupied Tongva & Chumash Territories) | Atmospheric black metal project NORCVLT has officially announced the upcoming release of its sophomore full-length album, “Di’na Tàchì,” arriving November 2026 .
Meaning “First Breath,” Di’na Tàchì continues the journey established by NORCVLT's debut full-length Saa Ka’nì , moving beyond darkness and destruction toward creation, awakening, and new life.
NORCVLT describes the album as a journey through “the first breath, the antlered dawn, the returning waters, the awakening of spirits, the spilling of blood, the stirring of flesh, and the birth of new life.”
With the album now ready to emerge, NORCVLT is beginning the unveiling process with a first promotional video and the official album artwork, with the complete tracklist set to be revealed later this week.
“Di’na Tàchì — ‘First Breath’ — continues where Saa Ka’nì left off. From the darkness, destruction and the sacred flame’s inevitable end comes creation.”
The forthcoming album represents another evolution of NORCVLT's atmospheric black metal sound, combining frostbitten aggression, expansive ambience, ritualistic atmosphere, cinematic scale, and a deeply personal Indigenous perspective.
Fans of Uada, Yaotl Mictlan, Grima, and Agalloch may find familiar ground within NORCVLT's expansive and emotionally charged approach, while the project continues to develop its own distinct sonic mythology and spiritual identity.
THE ROAD TO DI’NA TÀCHÌ
The announcement of Di’na Tàchì follows NORCVLT's recent activity surrounding the single “Celestial Tearfall,” released July 9, 2026 through Red Nebula .
The track serves as the second single from the forthcoming album and offers an early glimpse into the expansive world being constructed throughout Di’na Tàchì .
NORCVLT also recently unveiled the official music video for “A Triumphant Warcry,” which premiered through Black Metal Artists . The visual chapter further expands the project's atmospheric world while continuing the progression toward the forthcoming sophomore album.
Together, these releases have begun laying the groundwork for the next chapter of NORCVLT.
The project's philosophy is captured in its own words:
“As blackness fades… ancient splendor pours forth.”
DI’NA TÀCHÌ — NOVEMBER 2026
Album: Di’na Tàchì
Meaning: “First Breath”
Release: November 2026
Project: NORCVLT
Management: NORCVLT / Red Nebula
Album Artwork: G. C. Logan / @oswta.okwali
Branch Border Artwork: @nocturnalwings_
The complete tracklist will be revealed later this week.
More details surrounding Di’na Tàchì will be unveiled as NORCVLT continues its journey toward the album's November release.
LISTEN TO “CELESTIAL TEARFALL”
Stream / Follow / Pre-Save:
https://distrokid.com/hyperfollow/norcvlt/celestial-tearfall/
/>
WATCH “A TRIUMPHANT WARCRY”
NORCVLT – “A Triumphant Warcry” Official Music Video
Premiere via Black Metal Artists
NORCVLT
As blackness fades… ancient splendor pours forth.
Connect with NORCVLT
Linktree:
https://linktr.ee/norcvltofficial
/> Instagram:
https://www.instagram.com/norcvltofficial_bm
/> YouTube:
https://m.youtube.com/@Norcvltofficial_/videos
/> Spotify:
https://open.spotify.com/artist/68tjAo5Ji4Z9MnictYLGlC
/> Apple Music:
https://music.apple.com/us/artist/norcvlt/1760131310
/>
Contact
Tñuu Dau / The Black Rain
norcvltofficial@gmail.com
https://metaldevastationradio.com/thebeast/blog/29429/norcvlt-announces-sophomore-full-length-album-dina-tachi-arriving-november-2026?utm_source=dlvr.it&utm_medium=blogger
Tuesday, September 22, 2026
NoCleanSinging: Bokkerijders Premiere New Track “Calcination Pyre” Ahead of Debut Album Crush Kill Destroy - @thebeast
NoCleanSinging: Bokkerijders Premiere New Track “Calcination Pyre” Ahead of Debut Album Crush Kill Destroy
Belgian black metal outfit Bokkerijders have unleashed their latest track “Calcination Pyre,” the second song revealed from their highly anticipated debut full-length, Crush Kill Destroy .
Hailing from Belgium’s rich but often overlooked black metal scene, Bokkerijders formed in 2021 and quickly established their identity with the release of their debut demo in 2022. The band followed it with the Silver Dust and Swords of Gold EP in 2023, further developing their raw, riff-driven approach to metal.
Now, Bokkerijders are preparing to unleash Crush Kill Destroy , which is scheduled for international release on October 23, 2026, via Personal Records .
The band has premiered “Calcination Pyre” through NoCleanSinging.com , giving listeners another glimpse into what the Belgian trio have been forging on their debut album.
Listen to “Calcination Pyre” in its entirety via NoCleanSinging:
https://www.nocleansinging.com/2026/09/22/an-ncs-premiere-bokkerijders-calcination-pyre/
/>
While Bokkerijders are rooted in black metal, the band takes a far broader view of what constitutes heavy metal. Their influences span the likes of Aura Noir, Slayer, and Turbonegro, with the group approaching the music without being overly concerned with rigid subgenre boundaries.
That attitude carries directly into Crush Kill Destroy .
The album delivers exactly what its title promises: aggressive, direct, riff-heavy metal that balances a ripping, raw production with enough clarity to let the layers of guitar work come through. The songwriting is concise and energetic, with pounding rhythms, memorable riffs, strategically placed solos, and a sense of urgency running throughout.
Beneath the straightforward attack, however, there is considerably more going on. The record draws from the crusty, archaic edges of extreme metal while maintaining the band's commitment to simple, powerful songwriting.
Crush Kill Destroy also carries a particularly significant weight for Bokkerijders. The album serves as a final musical statement featuring lead guitarist Wouter Lemmens , who passed away in September 2025.
Following Lemmens' death, Bokkerijders will continue forward as a power trio, with Crush Kill Destroy serving as both a debut statement and a lasting piece of the band's history.
The previously released title track, “Crush Kill Destroy,” is also available through Personal Records' Bandcamp, while preorders for the album are now underway.
https://metaldevastationradio.com/thebeast/blog/29428/nocleansinging-bokkerijders-premiere-new-track-calcination-pyre-ahead-of-debut-album-crush-kill-destroy?utm_source=dlvr.it&utm_medium=blogger
Belgian black metal outfit Bokkerijders have unleashed their latest track “Calcination Pyre,” the second song revealed from their highly anticipated debut full-length, Crush Kill Destroy .
Hailing from Belgium’s rich but often overlooked black metal scene, Bokkerijders formed in 2021 and quickly established their identity with the release of their debut demo in 2022. The band followed it with the Silver Dust and Swords of Gold EP in 2023, further developing their raw, riff-driven approach to metal.
Now, Bokkerijders are preparing to unleash Crush Kill Destroy , which is scheduled for international release on October 23, 2026, via Personal Records .
The band has premiered “Calcination Pyre” through NoCleanSinging.com , giving listeners another glimpse into what the Belgian trio have been forging on their debut album.
Listen to “Calcination Pyre” in its entirety via NoCleanSinging:
https://www.nocleansinging.com/2026/09/22/an-ncs-premiere-bokkerijders-calcination-pyre/
/>
While Bokkerijders are rooted in black metal, the band takes a far broader view of what constitutes heavy metal. Their influences span the likes of Aura Noir, Slayer, and Turbonegro, with the group approaching the music without being overly concerned with rigid subgenre boundaries.
That attitude carries directly into Crush Kill Destroy .
The album delivers exactly what its title promises: aggressive, direct, riff-heavy metal that balances a ripping, raw production with enough clarity to let the layers of guitar work come through. The songwriting is concise and energetic, with pounding rhythms, memorable riffs, strategically placed solos, and a sense of urgency running throughout.
Beneath the straightforward attack, however, there is considerably more going on. The record draws from the crusty, archaic edges of extreme metal while maintaining the band's commitment to simple, powerful songwriting.
Crush Kill Destroy also carries a particularly significant weight for Bokkerijders. The album serves as a final musical statement featuring lead guitarist Wouter Lemmens , who passed away in September 2025.
Following Lemmens' death, Bokkerijders will continue forward as a power trio, with Crush Kill Destroy serving as both a debut statement and a lasting piece of the band's history.
The previously released title track, “Crush Kill Destroy,” is also available through Personal Records' Bandcamp, while preorders for the album are now underway.
https://metaldevastationradio.com/thebeast/blog/29428/nocleansinging-bokkerijders-premiere-new-track-calcination-pyre-ahead-of-debut-album-crush-kill-destroy?utm_source=dlvr.it&utm_medium=blogger
Who Will Rise as This Week’s Champion on the MDR Battle Of The Bands? 09/22/26 - 09/25/26 - @thebeast
🔥 Who Will Rise as This Week’s Champion on the MDR Battle Of The Bands? 🔥
And who will dominate next month as Band of the Month on Metal Devastation Radio?
Last month’s winners, OKL'S FRUITLOOPS, crushed the competition with a staggering 5,083,542 VOTES , claiming the title of Band of the Month on Metal Devastation Radio! You can check them out HERE !
This is the weekly championship edition of the Band Of The Month – Battle Of The Bands that we host every month on MDR!
How does it work?
Every Monday, we launch a new poll featuring bands that submit music each week on metaldevastationradio.com. Voting runs until Friday at 9PM EST .
Each Friday night , at the start of The Zach Moonshine Show , I’ll be spinning the Top Six weekly winners , and announcing the #1 band of the week live on air — getting thousands of listens on Mixcloud !
At the end of the month , all weekly votes are added up, and the band with the highest total votes becomes our Band of the Month !
Winning Band of the Month gets:
A featured post on our Facebook page, reaching thousands of fans
A front-page spotlight on metaldevastationradio.com , which pulls in hundreds of thousands of views every month
A free PR email blast from Metal Devastation PR, hitting 40,000+ contacts including labels, zines, stations, and more
Airplay every hour during general rotation
Tons of social media shares and exposure across our network
If you want the world to know who your band is, this is the easiest way to make it happen!
💥 Want in on the next battle?
Comment below with your band name and we’ll add you to next week’s poll — or email me at zach@metaldevastationradio.com with “Battle Submission” in the subject line.
Bands can compete as many times as they want , and if you enter multiple weeks in the same month, your votes combine toward the Band of the Month title!
👇 Click on the bands below to vote as many times as you like, or add your own! Poll closes Friday, September 25th at 9PM EST!
Who Will Rise as This Week’s Champion on the MDR Battle Of The Bands? 09/22/26 - 09/25/26
https://metaldevastationradio.com/thebeast/blog/29426/who-will-rise-as-this-weeks-champion-on-the-mdr-battle-of-the-bands-09-22-26-09-25-26?utm_source=dlvr.it&utm_medium=blogger
And who will dominate next month as Band of the Month on Metal Devastation Radio?
Last month’s winners, OKL'S FRUITLOOPS, crushed the competition with a staggering 5,083,542 VOTES , claiming the title of Band of the Month on Metal Devastation Radio! You can check them out HERE !
This is the weekly championship edition of the Band Of The Month – Battle Of The Bands that we host every month on MDR!
How does it work?
Every Monday, we launch a new poll featuring bands that submit music each week on metaldevastationradio.com. Voting runs until Friday at 9PM EST .
Each Friday night , at the start of The Zach Moonshine Show , I’ll be spinning the Top Six weekly winners , and announcing the #1 band of the week live on air — getting thousands of listens on Mixcloud !
At the end of the month , all weekly votes are added up, and the band with the highest total votes becomes our Band of the Month !
Winning Band of the Month gets:
A featured post on our Facebook page, reaching thousands of fans
A front-page spotlight on metaldevastationradio.com , which pulls in hundreds of thousands of views every month
A free PR email blast from Metal Devastation PR, hitting 40,000+ contacts including labels, zines, stations, and more
Airplay every hour during general rotation
Tons of social media shares and exposure across our network
If you want the world to know who your band is, this is the easiest way to make it happen!
💥 Want in on the next battle?
Comment below with your band name and we’ll add you to next week’s poll — or email me at zach@metaldevastationradio.com with “Battle Submission” in the subject line.
Bands can compete as many times as they want , and if you enter multiple weeks in the same month, your votes combine toward the Band of the Month title!
👇 Click on the bands below to vote as many times as you like, or add your own! Poll closes Friday, September 25th at 9PM EST!
Who Will Rise as This Week’s Champion on the MDR Battle Of The Bands? 09/22/26 - 09/25/26
https://metaldevastationradio.com/thebeast/blog/29426/who-will-rise-as-this-weeks-champion-on-the-mdr-battle-of-the-bands-09-22-26-09-25-26?utm_source=dlvr.it&utm_medium=blogger
Helldrifter Begin Preparing New Material Following Busy Touring Cycle - @thebeast
Helldrifter Begin Preparing New Material Following Busy Touring Cycle
German melodic death metal outfit Helldrifter are already looking toward their next chapter, with the band confirming that work on new material will officially begin after the summer.
German melodic death metal band Helldrifter are gearing up for the next phase of their career.
Following an extensive period of touring and live activity, the southern German outfit has announced that they will begin working on new material after the summer. While the songwriting process remains in its early stages, the band has revealed that a substantial amount of new music is already beginning to take shape behind the scenes.
The announcement comes as Helldrifter approach the end of a particularly active touring cycle supporting their latest release, Shell of Inexistence .
Over the past year, the band has taken their melodic death metal attack across Germany, including an extensive support run with Dutch death metal veterans Sinister . Helldrifter subsequently continued their campaign with a series of club shows throughout Germany, building on the momentum generated by the release.
The band are now preparing for their final festival appearances of the summer before turning their attention toward songwriting and the creation of what will become their next release.
Although Helldrifter aren't revealing many details about the new material just yet, their latest announcement suggests that the band isn't short on ideas.
Lead vocalist Billy Kolins comments:
"Something new is brewing, and we're incredibly excited about what's coming. It will take some time, but one thing is for sure: there will be a lot of new material."
That last part should certainly get the attention of anyone who has been following the band.
With the Shell of Inexistence touring cycle winding down, Helldrifter are entering a different phase. Rather than immediately rushing another release into production, the band will have time to develop the material and determine where they want to take their sound next.
For a band operating in the melodic death metal territory occupied by acts such as Carcass, At The Gates, Benediction, and Death , expectations will naturally be high. For now, however, the details remain firmly under wraps.
What is known is that Helldrifter have new music brewing, the writing process is set to begin in earnest after the summer, and according to Kolins, there will be a lot of new material coming out of the process.
For fans who have been following the band through their recent touring run, the next chapter is already beginning to take shape.
Listen To Shell of Inexistence
For Fans Of
Carcass • At The Gates • Benediction • Death
Follow Helldrifter
Facebook:
https://www.facebook.com/Helldrifter/
/> Instagram:
https://www.instagram.com/helldrifter_/
/> Spotify:
https://open.spotify.com/intl-de/artist/16Zbu9rjTiX5AVQBjfTOUa
/>
https://metaldevastationradio.com/thebeast/blog/29425/helldrifter-begin-preparing-new-material-following-busy-touring-cycle?utm_source=dlvr.it&utm_medium=blogger
German melodic death metal outfit Helldrifter are already looking toward their next chapter, with the band confirming that work on new material will officially begin after the summer.
German melodic death metal band Helldrifter are gearing up for the next phase of their career.
Following an extensive period of touring and live activity, the southern German outfit has announced that they will begin working on new material after the summer. While the songwriting process remains in its early stages, the band has revealed that a substantial amount of new music is already beginning to take shape behind the scenes.
The announcement comes as Helldrifter approach the end of a particularly active touring cycle supporting their latest release, Shell of Inexistence .
Over the past year, the band has taken their melodic death metal attack across Germany, including an extensive support run with Dutch death metal veterans Sinister . Helldrifter subsequently continued their campaign with a series of club shows throughout Germany, building on the momentum generated by the release.
The band are now preparing for their final festival appearances of the summer before turning their attention toward songwriting and the creation of what will become their next release.
Although Helldrifter aren't revealing many details about the new material just yet, their latest announcement suggests that the band isn't short on ideas.
Lead vocalist Billy Kolins comments:
"Something new is brewing, and we're incredibly excited about what's coming. It will take some time, but one thing is for sure: there will be a lot of new material."
That last part should certainly get the attention of anyone who has been following the band.
With the Shell of Inexistence touring cycle winding down, Helldrifter are entering a different phase. Rather than immediately rushing another release into production, the band will have time to develop the material and determine where they want to take their sound next.
For a band operating in the melodic death metal territory occupied by acts such as Carcass, At The Gates, Benediction, and Death , expectations will naturally be high. For now, however, the details remain firmly under wraps.
What is known is that Helldrifter have new music brewing, the writing process is set to begin in earnest after the summer, and according to Kolins, there will be a lot of new material coming out of the process.
For fans who have been following the band through their recent touring run, the next chapter is already beginning to take shape.
Listen To Shell of Inexistence
For Fans Of
Carcass • At The Gates • Benediction • Death
Follow Helldrifter
Facebook:
https://www.facebook.com/Helldrifter/
/> Instagram:
https://www.instagram.com/helldrifter_/
/> Spotify:
https://open.spotify.com/intl-de/artist/16Zbu9rjTiX5AVQBjfTOUa
/>
https://metaldevastationradio.com/thebeast/blog/29425/helldrifter-begin-preparing-new-material-following-busy-touring-cycle?utm_source=dlvr.it&utm_medium=blogger
Monday, September 21, 2026
FERAL VERMIN BRINGS PARANORMAL ENCOUNTERS, OLD-SCHOOL METAL, AND THE DARKER SIDE OF HUMANITY TO “HARVEY IN THE HOUSE” - @thebeast
FOR IMMEDIATE RELEASE
FERAL VERMIN BRINGS PARANORMAL ENCOUNTERS, OLD-SCHOOL METAL, AND THE DARKER SIDE OF HUMANITY TO “HARVEY IN THE HOUSE”
Texas-Based Heavy Metal Act Delivers a Nostalgic, Theatrical Trip Into the Supernatural With Their New Album
Release Date: September 7, 2026
Feral Vermin invites listeners into a world where old-school heavy metal, paranormal encounters, theatrical imagery, and the darker side of human nature collide with the release of their new album, Harvey in the House , released September 7, 2026.
Described by the band as “old school metal with crazy paranormal encounters,” Harvey in the House draws heavily from the group's appreciation for classic metal while bringing a distinctly modern sense of atmosphere and storytelling to the material. At the center of that story is Harvey, a ghost-like entity connected to a true account from guitarist Gary Watson's home.
Founded by Steven Eddie in 2013 as a largely private musical project, Feral Vermin remained relatively quiet for years with little emphasis on promotion. That changed as the lineup expanded, bringing together Eddie with Gary Watson, Morgan Heck, Cameron Brown, and theatrical performer Rick Kalifa.
The resulting incarnation of Feral Vermin is built around a mixture of experience, contrasting musical backgrounds, and a shared appreciation for heavy music and theatrical presentation.
Eddie handles vocals, lyrics, and guitars, bringing his experience as vocalist for Cryptic Veil, a project formed in 2013 that went on to perform throughout the DFW area and tour through Colorado and Oklahoma. He has also performed with Portals of the Tomb Guard alongside Heck and serves as vocalist and guitarist for Ink'nOrbodica, which has since evolved into Feral Vermin.
Guitarist Gary Watson brings decades of musical history to the project. His career stretches back to the early 1970s, when he joined the band SWEETLEAF. The group spent years performing throughout Texas, Oklahoma, Colorado, and Mississippi before Watson later became involved with the Texas punk band The Mentals in the early 1980s.
That musical history plays an important role in the sound of Feral Vermin. Watson's songwriting and composition help give Harvey in the House its nostalgic character, while Eddie's metal vocals and lyrical approach provide the heavier edge.
Morgan Heck adds another layer of experience to the lineup as a seasoned musician and founder, guitarist, and vocalist for Sign of the Times. Bassist Cameron Brown also brings a wide-ranging musical skill set to the project, including his work on keys. Rick Kalifa completes the lineup by taking on the theatrical side of Feral Vermin, helping bring the band's visual identity and the character of Harvey to life.
But Harvey is only part of the story.
Feral Vermin's music explores what the band describes as “the beast of mankind” , the feral side that exists within all of us. Their subject matter reaches into darkness, wickedness, mental trauma, disorders, bad days, and the struggles that can shape the human experience. At the same time, the band doesn't view its world as being entirely consumed by darkness.
There is balance.
Everything is not gloom and doom.
That contrast between darkness and positivity forms part of the conceptual identity behind Feral Vermin, creating a world where horror, humor, human struggle, theatricality, and heavy metal can exist side by side.
Harvey in the House was produced and recorded by Steven Eddie at Hard Wall Studios and Bee Cave Records, with mixing and mastering handled by Rick Greenwood at Geneva Post Audio.
For listeners drawn to the classic heaviness of Black Sabbath , the darker theatricality of Marilyn Manson , and the straightforward power of AC/DC , Feral Vermin offers a distinctly personal take on heavy metal that reaches backward for inspiration while creating its own strange little corner of the genre.
Welcome to their world.
Welcome to your world.
Welcome to Feral Vermin .
Harvey in the House is out now.
Feral Vermin
Genre: Heavy Metal
Album: Harvey in the House
Release Date: September 7, 2026
Featuring:
Steven Eddie - Vocals, Lyrics, Guitars
Gary Watson - Rhythm & Lead Guitars
Cameron Brown - Bass
Morgan Heck - Drums
Rick Kalifa - Theatrics
Production:
Produced & Recorded by Steven Eddie
Hard Wall Studios / Bee Cave Records
Mixed & Mastered by Rick Greenwood
Geneva Post Audio
Listen to Harvey in the House:
https://feralvermin.bandcamp.com/album/harvey-in-the-house
/>
Harvey in the House by Feral Vermin
Connect:
https://feralvermin.net/
/>
https://www.facebook.com/zezachs/
/>
https://www.youtube.com/channel/UC_QV0FBYuS0K511r_yZjDWg
/>
https://www.instagram.com/feral_vermin_band/
/>
Contact:
Steven Eddie
crypticveil@gmail.com
https://metaldevastationradio.com/thebeast/blog/29424/feral-vermin-brings-paranormal-encounters-old-school-metal-and-the-darker-side-of-humanity-to-harvey-in-the-house?utm_source=dlvr.it&utm_medium=blogger
FERAL VERMIN BRINGS PARANORMAL ENCOUNTERS, OLD-SCHOOL METAL, AND THE DARKER SIDE OF HUMANITY TO “HARVEY IN THE HOUSE”
Texas-Based Heavy Metal Act Delivers a Nostalgic, Theatrical Trip Into the Supernatural With Their New Album
Release Date: September 7, 2026
Feral Vermin invites listeners into a world where old-school heavy metal, paranormal encounters, theatrical imagery, and the darker side of human nature collide with the release of their new album, Harvey in the House , released September 7, 2026.
Described by the band as “old school metal with crazy paranormal encounters,” Harvey in the House draws heavily from the group's appreciation for classic metal while bringing a distinctly modern sense of atmosphere and storytelling to the material. At the center of that story is Harvey, a ghost-like entity connected to a true account from guitarist Gary Watson's home.
Founded by Steven Eddie in 2013 as a largely private musical project, Feral Vermin remained relatively quiet for years with little emphasis on promotion. That changed as the lineup expanded, bringing together Eddie with Gary Watson, Morgan Heck, Cameron Brown, and theatrical performer Rick Kalifa.
The resulting incarnation of Feral Vermin is built around a mixture of experience, contrasting musical backgrounds, and a shared appreciation for heavy music and theatrical presentation.
Eddie handles vocals, lyrics, and guitars, bringing his experience as vocalist for Cryptic Veil, a project formed in 2013 that went on to perform throughout the DFW area and tour through Colorado and Oklahoma. He has also performed with Portals of the Tomb Guard alongside Heck and serves as vocalist and guitarist for Ink'nOrbodica, which has since evolved into Feral Vermin.
Guitarist Gary Watson brings decades of musical history to the project. His career stretches back to the early 1970s, when he joined the band SWEETLEAF. The group spent years performing throughout Texas, Oklahoma, Colorado, and Mississippi before Watson later became involved with the Texas punk band The Mentals in the early 1980s.
That musical history plays an important role in the sound of Feral Vermin. Watson's songwriting and composition help give Harvey in the House its nostalgic character, while Eddie's metal vocals and lyrical approach provide the heavier edge.
Morgan Heck adds another layer of experience to the lineup as a seasoned musician and founder, guitarist, and vocalist for Sign of the Times. Bassist Cameron Brown also brings a wide-ranging musical skill set to the project, including his work on keys. Rick Kalifa completes the lineup by taking on the theatrical side of Feral Vermin, helping bring the band's visual identity and the character of Harvey to life.
But Harvey is only part of the story.
Feral Vermin's music explores what the band describes as “the beast of mankind” , the feral side that exists within all of us. Their subject matter reaches into darkness, wickedness, mental trauma, disorders, bad days, and the struggles that can shape the human experience. At the same time, the band doesn't view its world as being entirely consumed by darkness.
There is balance.
Everything is not gloom and doom.
That contrast between darkness and positivity forms part of the conceptual identity behind Feral Vermin, creating a world where horror, humor, human struggle, theatricality, and heavy metal can exist side by side.
Harvey in the House was produced and recorded by Steven Eddie at Hard Wall Studios and Bee Cave Records, with mixing and mastering handled by Rick Greenwood at Geneva Post Audio.
For listeners drawn to the classic heaviness of Black Sabbath , the darker theatricality of Marilyn Manson , and the straightforward power of AC/DC , Feral Vermin offers a distinctly personal take on heavy metal that reaches backward for inspiration while creating its own strange little corner of the genre.
Welcome to their world.
Welcome to your world.
Welcome to Feral Vermin .
Harvey in the House is out now.
Feral Vermin
Genre: Heavy Metal
Album: Harvey in the House
Release Date: September 7, 2026
Featuring:
Steven Eddie - Vocals, Lyrics, Guitars
Gary Watson - Rhythm & Lead Guitars
Cameron Brown - Bass
Morgan Heck - Drums
Rick Kalifa - Theatrics
Production:
Produced & Recorded by Steven Eddie
Hard Wall Studios / Bee Cave Records
Mixed & Mastered by Rick Greenwood
Geneva Post Audio
Listen to Harvey in the House:
https://feralvermin.bandcamp.com/album/harvey-in-the-house
/>
Harvey in the House by Feral Vermin
Connect:
https://feralvermin.net/
/>
https://www.facebook.com/zezachs/
/>
https://www.youtube.com/channel/UC_QV0FBYuS0K511r_yZjDWg
/>
https://www.instagram.com/feral_vermin_band/
/>
Contact:
Steven Eddie
crypticveil@gmail.com
https://metaldevastationradio.com/thebeast/blog/29424/feral-vermin-brings-paranormal-encounters-old-school-metal-and-the-darker-side-of-humanity-to-harvey-in-the-house?utm_source=dlvr.it&utm_medium=blogger
Symphony of Destiny, Sönus, Nothing Sacred, Machine Cult Ritual, Iron Wings, Eaten By Sharks, Blood of Angels, Archfiend, and Doomherre - Featured In Metalized! - @thebeast
METAL DEVASTATION PR ARTISTS TAKE OVER THE LATEST ISSUE OF METALIZED MAGAZINE
Five Finger Death Punch Lands the Cover as Multiple Metal Devastation PR Artists Receive Reviews and Feature Coverage in the Latest Issue
The latest issue of Denmark's long-running Metalized Magazine has arrived, featuring Five Finger Death Punch on the cover and a substantial showing from artists represented through Metal Devastation PR .
From symphonic power metal and classic speed metal to industrial doom, thrash, technical death metal, and extreme metal, the issue showcases a wide range of artists working across today's international metal underground.
Among the featured Metal Devastation PR artists are Symphony of Destiny, Sönus, Nothing Sacred, Machine Cult Ritual, Iron Wings, Eaten By Sharks, Blood of Angels, Archfiend, and Doomherre , with several receiving dedicated album reviews while others are featured in in-depth interviews.
SYMPHONY OF DESTINY
Heroes of Egypt | 7/10
Metalized describes Symphony of Destiny's debut EP as a dramatic and heavy first chapter that combines symphonic layers, power metal energy, and cinematic gestures with Egyptian mythology.
The review highlights Anne Dueweke's dramatic vocals and Wesley Eldridge's guitar work, specifically praising tracks including "Exile of Horus," "The Riddle," and "Rampage (Bastet)." Metalized calls the release "promising, dramatic, and heavy" , noting that the Virginia band "dares to dream in CinemaScope and play with pharaonic weight."
SÖNUS
Planes of Torment | 7/10
California trio Sönus receives recognition for their blend of classic rock, psychedelic textures, progressive elements, and metal , with Metalized noting the spirit of rock's golden age throughout the seven-track release.
The album was recorded live in the studio in an effort to preserve its raw energy, and the review describes the result as "charming" and "a nostalgic breath from a bygone era."
NOTHING SACRED
4 Tracks | 8/10
Australian speed metal pioneers Nothing Sacred receive one of the issue's strongest review scores, with an 8/10 for the four tracks released from their upcoming EP.
Metalized emphasizes that the band, formed in 1983, sounds "hungrier than many bands with a fraction of their seniority" and makes clear that Nothing Sacred is not simply relying on its history.
"Break" and "Burning From Above" are praised for their classic speed metal, strong riffs, and catchy choruses , while "Your Time Will Come" is singled out as a highlight with a chorus that "sticks after just a few listens."
The review also praises the band's ability to avoid chasing modern trends while continuing to write relevant metal, describing the production as heavy and well-balanced without losing raw energy .
MACHINE CULT RITUAL
Occult Mechanics | 9/10
John R. Mirland's Machine Cult Ritual receives the highest score among the featured reviews with an impressive 9/10 .
Metalized describes Mirland as a longstanding figure in Denmark's industrial underground, with decades of work spanning dark ambient, experimental electronica, and industrial noise.
With Occult Mechanics , those influences are channeled into a combination of industrial, death doom, and folk horror , creating a narrative centered around civilizational decay, cosmic horror, and the cold rituals of machines .
The review highlights mechanical drums, suffocating riffs, and corrosive synth pads , describing the resulting atmosphere as something closer to "a dystopian ceremony than a traditional record."
IRON WINGS
Alpha & Omega | 7/10
Latvian thrash/heavy metal band Iron Wings earns a 7/10 for Alpha & Omega , their third full-length album.
While the review is critical of some of the album's weaker moments, Metalized recognizes the band's strongest material and describes the record as a "nice cross between thrash and heavy metal."
The review specifically highlights the opener's unexpected impact, several tracks on the second half of the record, and closer "Cyanide," while calling Alpha & Omega the band's third and clearly best record .
Iron Wings also receive a full interview in the issue, discussing their history, their transition from Latvian to English lyrics, the evolution of their sound, the inspiration behind "Halo from Hell," their songwriting, and plans to tour in support of Alpha & Omega .
EATEN BY SHARKS
The Undertow of Hate | 6/10
Canadian death metal outfit Eaten By Sharks is featured with a review of their second full-length, The Undertow of Hate .
Metalized describes the record as brutal technical death metal , highlighting the band's ocean-themed approach, extensive use of samples, and vocalist Matt Sheriff's ability to move between deep guttural roars and high-pitched screams .
The review also notes the album's spotless production and the band's clear technical ability.
BLOOD OF ANGELS
Les Angst Ov Thanatous | 7/10
Tampa, Florida's Blood of Angels earns a 7/10 for Les Angst Ov Thanatous , with Metalized describing the band's music as a high-octane combination of death, black, thrash, and power metal .
The nine-track album explores themes surrounding grief, violence, rituals, remembrance, and reflection.
Blood of Angels also receive an extensive interview with guitarist and founder Aaron Robinson, covering the band's origins, international touring, the evolution of their songwriting, the themes behind the new album, Nordic mythology and family roots, and the band's commitment to the live experience.
Robinson also discusses the band's goal of continuing to tour the UK, USA, Mexico, and Europe while helping connect generations of metal musicians.
ARCHFIEND
Lost Forever | 8/10
Midwest metal band Archfiend receives an 8/10 for Lost Forever , a concept album following the harrowing story of 14-year-old Jenna Lee, from an abusive home situation through human trafficking and its consequences.
Metalized praises the album's strong and unsettling narrative , as well as the additional visual dimension provided through animation on the band's YouTube channel.
The review calls the story "well thought out and executed" and praises the band's old-fashioned approach to music and art.
DOOMHERRE
"When the Doom Bullfinch Chirps"
Swedish doom trio Doomherre receives a dedicated feature exploring the band's origins, influences, latest album Plaguelords , and plans for their next record.
The feature highlights the band's classic doom foundation, with references to Black Sabbath and Candlemass , while bassist Max Collin discusses how the project began as a way to combat isolation during the pandemic before growing into something considerably more ambitious.
Doomherre has already begun writing its third album, with Collin revealing that years of accumulated musical ideas have given the band an unusually large amount of material to work with.
The feature also covers their Four Altars of Sin EP collaboration with Kaiser, Hexjakt, and Ordos, as well as the long musical history shared by members of the trio.
ANOTHER STRONG SHOWING FOR METAL DEVASTATION PR
The latest Metalized issue represents another significant round of exposure for the artists working with Metal Devastation PR , spanning multiple countries, generations, and corners of the metal spectrum.
With album reviews, interviews, and dedicated feature coverage appearing throughout an issue carrying Five Finger Death Punch on its cover, the issue provides another example of the international media opportunities available to independent metal artists through Metal Devastation PR.
Metal Devastation PR continues to connect independent and underground metal artists with legitimate media, radio, magazines, and promotional opportunities around the world.
Major Metal Media. Real Coverage. Worldwide Exposure.
For information about Metal Devastation PR campaigns, contact:
Zach Moonshine
Metal Devastation PR
zach@metaldevastationradio.com
Grab a copy here before they sell out:
https://www.metalized.dk/
/>
https://metaldevastationradio.com/thebeast/blog/29423/symphony-of-destiny-sonus-nothing-sacred-machine-cult-ritual-iron-wings-eaten-by-sharks-blood-of-angels-archfiend-and-d?utm_source=dlvr.it&utm_medium=blogger
Five Finger Death Punch Lands the Cover as Multiple Metal Devastation PR Artists Receive Reviews and Feature Coverage in the Latest Issue
The latest issue of Denmark's long-running Metalized Magazine has arrived, featuring Five Finger Death Punch on the cover and a substantial showing from artists represented through Metal Devastation PR .
From symphonic power metal and classic speed metal to industrial doom, thrash, technical death metal, and extreme metal, the issue showcases a wide range of artists working across today's international metal underground.
Among the featured Metal Devastation PR artists are Symphony of Destiny, Sönus, Nothing Sacred, Machine Cult Ritual, Iron Wings, Eaten By Sharks, Blood of Angels, Archfiend, and Doomherre , with several receiving dedicated album reviews while others are featured in in-depth interviews.
SYMPHONY OF DESTINY
Heroes of Egypt | 7/10
Metalized describes Symphony of Destiny's debut EP as a dramatic and heavy first chapter that combines symphonic layers, power metal energy, and cinematic gestures with Egyptian mythology.
The review highlights Anne Dueweke's dramatic vocals and Wesley Eldridge's guitar work, specifically praising tracks including "Exile of Horus," "The Riddle," and "Rampage (Bastet)." Metalized calls the release "promising, dramatic, and heavy" , noting that the Virginia band "dares to dream in CinemaScope and play with pharaonic weight."
SÖNUS
Planes of Torment | 7/10
California trio Sönus receives recognition for their blend of classic rock, psychedelic textures, progressive elements, and metal , with Metalized noting the spirit of rock's golden age throughout the seven-track release.
The album was recorded live in the studio in an effort to preserve its raw energy, and the review describes the result as "charming" and "a nostalgic breath from a bygone era."
NOTHING SACRED
4 Tracks | 8/10
Australian speed metal pioneers Nothing Sacred receive one of the issue's strongest review scores, with an 8/10 for the four tracks released from their upcoming EP.
Metalized emphasizes that the band, formed in 1983, sounds "hungrier than many bands with a fraction of their seniority" and makes clear that Nothing Sacred is not simply relying on its history.
"Break" and "Burning From Above" are praised for their classic speed metal, strong riffs, and catchy choruses , while "Your Time Will Come" is singled out as a highlight with a chorus that "sticks after just a few listens."
The review also praises the band's ability to avoid chasing modern trends while continuing to write relevant metal, describing the production as heavy and well-balanced without losing raw energy .
MACHINE CULT RITUAL
Occult Mechanics | 9/10
John R. Mirland's Machine Cult Ritual receives the highest score among the featured reviews with an impressive 9/10 .
Metalized describes Mirland as a longstanding figure in Denmark's industrial underground, with decades of work spanning dark ambient, experimental electronica, and industrial noise.
With Occult Mechanics , those influences are channeled into a combination of industrial, death doom, and folk horror , creating a narrative centered around civilizational decay, cosmic horror, and the cold rituals of machines .
The review highlights mechanical drums, suffocating riffs, and corrosive synth pads , describing the resulting atmosphere as something closer to "a dystopian ceremony than a traditional record."
IRON WINGS
Alpha & Omega | 7/10
Latvian thrash/heavy metal band Iron Wings earns a 7/10 for Alpha & Omega , their third full-length album.
While the review is critical of some of the album's weaker moments, Metalized recognizes the band's strongest material and describes the record as a "nice cross between thrash and heavy metal."
The review specifically highlights the opener's unexpected impact, several tracks on the second half of the record, and closer "Cyanide," while calling Alpha & Omega the band's third and clearly best record .
Iron Wings also receive a full interview in the issue, discussing their history, their transition from Latvian to English lyrics, the evolution of their sound, the inspiration behind "Halo from Hell," their songwriting, and plans to tour in support of Alpha & Omega .
EATEN BY SHARKS
The Undertow of Hate | 6/10
Canadian death metal outfit Eaten By Sharks is featured with a review of their second full-length, The Undertow of Hate .
Metalized describes the record as brutal technical death metal , highlighting the band's ocean-themed approach, extensive use of samples, and vocalist Matt Sheriff's ability to move between deep guttural roars and high-pitched screams .
The review also notes the album's spotless production and the band's clear technical ability.
BLOOD OF ANGELS
Les Angst Ov Thanatous | 7/10
Tampa, Florida's Blood of Angels earns a 7/10 for Les Angst Ov Thanatous , with Metalized describing the band's music as a high-octane combination of death, black, thrash, and power metal .
The nine-track album explores themes surrounding grief, violence, rituals, remembrance, and reflection.
Blood of Angels also receive an extensive interview with guitarist and founder Aaron Robinson, covering the band's origins, international touring, the evolution of their songwriting, the themes behind the new album, Nordic mythology and family roots, and the band's commitment to the live experience.
Robinson also discusses the band's goal of continuing to tour the UK, USA, Mexico, and Europe while helping connect generations of metal musicians.
ARCHFIEND
Lost Forever | 8/10
Midwest metal band Archfiend receives an 8/10 for Lost Forever , a concept album following the harrowing story of 14-year-old Jenna Lee, from an abusive home situation through human trafficking and its consequences.
Metalized praises the album's strong and unsettling narrative , as well as the additional visual dimension provided through animation on the band's YouTube channel.
The review calls the story "well thought out and executed" and praises the band's old-fashioned approach to music and art.
DOOMHERRE
"When the Doom Bullfinch Chirps"
Swedish doom trio Doomherre receives a dedicated feature exploring the band's origins, influences, latest album Plaguelords , and plans for their next record.
The feature highlights the band's classic doom foundation, with references to Black Sabbath and Candlemass , while bassist Max Collin discusses how the project began as a way to combat isolation during the pandemic before growing into something considerably more ambitious.
Doomherre has already begun writing its third album, with Collin revealing that years of accumulated musical ideas have given the band an unusually large amount of material to work with.
The feature also covers their Four Altars of Sin EP collaboration with Kaiser, Hexjakt, and Ordos, as well as the long musical history shared by members of the trio.
ANOTHER STRONG SHOWING FOR METAL DEVASTATION PR
The latest Metalized issue represents another significant round of exposure for the artists working with Metal Devastation PR , spanning multiple countries, generations, and corners of the metal spectrum.
With album reviews, interviews, and dedicated feature coverage appearing throughout an issue carrying Five Finger Death Punch on its cover, the issue provides another example of the international media opportunities available to independent metal artists through Metal Devastation PR.
Metal Devastation PR continues to connect independent and underground metal artists with legitimate media, radio, magazines, and promotional opportunities around the world.
Major Metal Media. Real Coverage. Worldwide Exposure.
For information about Metal Devastation PR campaigns, contact:
Zach Moonshine
Metal Devastation PR
zach@metaldevastationradio.com
Grab a copy here before they sell out:
https://www.metalized.dk/
/>
https://metaldevastationradio.com/thebeast/blog/29423/symphony-of-destiny-sonus-nothing-sacred-machine-cult-ritual-iron-wings-eaten-by-sharks-blood-of-angels-archfiend-and-d?utm_source=dlvr.it&utm_medium=blogger
Sunday, September 20, 2026
VENOM INC.'s CURRAN MURPHY: "AMERICA IS JUST A SALES PITCH" - @thebeast
VENOM INC. guitarist Curran Murphy has sparked a discussion among his social media followers after sharing a lengthy and outspoken post addressing his experiences with the United States and his views on American society.
Murphy's comments center around what he describes as the difference between the way America is presented to its citizens and what he believes people encounter when they travel outside the country.
"The weirdest thing about leaving America is realizing how much of America is just a sales pitch," Murphy wrote.
He went on to compare aspects of life in the United States with what he says he has encountered overseas, pointing specifically to public transportation, healthcare, worker vacation time, pedestrian-friendly cities and other social infrastructure.
"You spend your whole life hearing 'greatest country on Earth,' then you go overseas and see clean trains, safer streets, affordable medicine, cities where people can walk without playing Frogger with an SUV, and workers who take vacations without acting like they committed treason," he wrote.
Murphy then turned his attention toward issues he believes Americans have become accustomed to tolerating, including infrastructure, healthcare costs, gun violence, homelessness and political polarization.
"And somehow we're all supposed to stand there, hand over heart, and pretend this is normal," he wrote.
Despite the criticism, Murphy made a point of distinguishing his frustration with the country's problems from hatred of America itself.
"I don't hate America. I hate what America has been taught to tolerate," he stated.
Murphy also challenged the idea that policies such as universal healthcare, paid leave, environmental protections and increased protections for children should be considered inherently radical.
"Healthcare? Radical. Paid leave? Radical. Clean air? Radical. Kids not getting shot in math class? Somehow political," he wrote.
The guitarist also took aim at what he described as performative patriotism, arguing that symbols of national pride cannot substitute for addressing problems affecting ordinary Americans.
"A flag doesn't pay rent. A bald eagle doesn't cover insulin. Fireworks don't fix bridges. And chanting 'USA' doesn't make a broken system less broken," Murphy wrote.
Murphy concluded by arguing that criticism of the United States does not necessarily represent a rejection of the country itself, but can instead come from a desire to see conditions improve.
"America has incredible people. That's the tragedy. The people are better than the system they've been forced to defend," he wrote.
He finished the post with a statement that summarizes the central argument behind his comments:
"Real patriotism isn't pretending the country is perfect. Real patriotism is being angry that it isn't."
Murphy's post has generated discussion among followers, with reactions ranging from agreement with his criticisms to disagreement over his characterization of American society and the country's political system.
Regardless of where one stands on the issues Murphy raises, his message is unmistakably direct: he believes loving a country and criticizing its problems are not mutually exclusive.
The post comes from Murphy's personal social media account and represents his own views.
https://metaldevastationradio.com/thebeast/blog/29422/venom-incs-curran-murphy-america-is-just-a-sales-pitch?utm_source=dlvr.it&utm_medium=blogger
Murphy's comments center around what he describes as the difference between the way America is presented to its citizens and what he believes people encounter when they travel outside the country.
"The weirdest thing about leaving America is realizing how much of America is just a sales pitch," Murphy wrote.
He went on to compare aspects of life in the United States with what he says he has encountered overseas, pointing specifically to public transportation, healthcare, worker vacation time, pedestrian-friendly cities and other social infrastructure.
"You spend your whole life hearing 'greatest country on Earth,' then you go overseas and see clean trains, safer streets, affordable medicine, cities where people can walk without playing Frogger with an SUV, and workers who take vacations without acting like they committed treason," he wrote.
Murphy then turned his attention toward issues he believes Americans have become accustomed to tolerating, including infrastructure, healthcare costs, gun violence, homelessness and political polarization.
"And somehow we're all supposed to stand there, hand over heart, and pretend this is normal," he wrote.
Despite the criticism, Murphy made a point of distinguishing his frustration with the country's problems from hatred of America itself.
"I don't hate America. I hate what America has been taught to tolerate," he stated.
Murphy also challenged the idea that policies such as universal healthcare, paid leave, environmental protections and increased protections for children should be considered inherently radical.
"Healthcare? Radical. Paid leave? Radical. Clean air? Radical. Kids not getting shot in math class? Somehow political," he wrote.
The guitarist also took aim at what he described as performative patriotism, arguing that symbols of national pride cannot substitute for addressing problems affecting ordinary Americans.
"A flag doesn't pay rent. A bald eagle doesn't cover insulin. Fireworks don't fix bridges. And chanting 'USA' doesn't make a broken system less broken," Murphy wrote.
Murphy concluded by arguing that criticism of the United States does not necessarily represent a rejection of the country itself, but can instead come from a desire to see conditions improve.
"America has incredible people. That's the tragedy. The people are better than the system they've been forced to defend," he wrote.
He finished the post with a statement that summarizes the central argument behind his comments:
"Real patriotism isn't pretending the country is perfect. Real patriotism is being angry that it isn't."
Murphy's post has generated discussion among followers, with reactions ranging from agreement with his criticisms to disagreement over his characterization of American society and the country's political system.
Regardless of where one stands on the issues Murphy raises, his message is unmistakably direct: he believes loving a country and criticizing its problems are not mutually exclusive.
The post comes from Murphy's personal social media account and represents his own views.
https://metaldevastationradio.com/thebeast/blog/29422/venom-incs-curran-murphy-america-is-just-a-sales-pitch?utm_source=dlvr.it&utm_medium=blogger
SIX STRING REVOLVER’S RAVENHAWK TALKS ‘BE SOMEBODY,’ BREAKING FREE, MUSIC, AI AND THE POWER OF ROCK AND ROLL - @thebeast
SIX STRING REVOLVER’S RAVENHAWK TALKS ‘BE SOMEBODY,’ BREAKING FREE, MUSIC, AI AND THE POWER OF ROCK AND ROLL
By Metal Devastation Radio
There are plenty of bands making noise in the underground, but every once in a while you come across an artist whose music is tied directly to the life they've lived. For “RavenHawk” of Six String Revolver , the songs are more than just riffs, hooks and volume. They are a vehicle for telling stories, confronting darkness and, in his words, being “the voice for the voiceless.”
RavenHawk recently joined The Zach Moonshine Show for a wide-ranging conversation covering the band's history, their latest album Be Somebody , the stories behind several of their songs, growing up in a high-control religious environment, his love of classic rock and metal, the importance of physical music and magazines, the growing presence of AI in music, and what lies ahead for Six String Revolver.
One of the songs discussed during the interview was “Sick Mind,” a track RavenHawk describes as a statement song dealing with online predators and the dangers facing children on the internet.
“You see injustice in the world like that, man. You want to speak out,” RavenHawk explained. “And the way I know how to speak out is through our music.”
That philosophy appears to run throughout Six String Revolver's material. RavenHawk says longtime producer Chris Richardson once told him to “be the voice for the voiceless,” a phrase that has stayed with him.
FROM A LAST-MINUTE GIG TO SIX STRING REVOLVER
Six String Revolver came together in somewhat unconventional fashion.
RavenHawk had previously stepped away from music after a former band dissolved. Then came an opportunity to open for Saving Abel and P.O.D.
There was just one problem.
He didn't actually have a band.
“I got a call to open up for Saving Abel, the band, Saving Abel and P.O.D.,” RavenHawk recalled. “And I was like, ‘Oh, I don't have a band, but OK, I want to do it.’”
So he assembled what he describes as some of the best musicians he could find locally and revived the Six String Revolver name from an earlier project.
The newly assembled lineup went directly onto the stage opening for P.O.D. and Saving Abel, and according to RavenHawk, things took off from there.
One of the key pieces of the Six String Revolver lineup is guitarist Hawkeye Pierce, whom RavenHawk describes as a “living legend” around Southern Utah.
“He really is the sixth string of Six String Revolver,” RavenHawk said. “If I'm the revolver, he's the sixth string.”
MUSIC AS AN ESCAPE
Perhaps the most revealing portion of the conversation came when RavenHawk discussed his childhood.
Born into a doomsday religious cult, he grew up in an environment where music and popular culture were heavily restricted. His parents were members of the group, and RavenHawk says his childhood was dominated by fear, control and the belief that the end of the world could arrive at any moment.
His first major musical obsession came from an unlikely source: a library book about Jim Morrison.
“I ran across the book called No One Gets Out of Here Alive , the Jim Morrison story,” he explained.
He hadn't even heard The Doors at that point.
After reading about Morrison, however, RavenHawk knew exactly what he wanted.
“I was like, ‘I want to be freaking Jim Morrison.’”
A video of The Doors performing at the Hollywood Bowl cemented it.
From there, he began secretly seeking out music and eventually discovered bands including Guns N' Roses.
RavenHawk says music ultimately became his escape from the environment in which he was raised.
“I went out and got in a band and started touring with a band,” he said. “Music was basically my escape from all of this that I had to go through.”
He later wrote an entire book about his experiences and says helping people who have escaped high-control groups has become an important part of his life.
“DEAD JAIL ROCK'N'ROLL” IS PERSONAL
That personal history also finds its way directly into the Six String Revolver catalog.
RavenHawk discussed “Dead Jail Rock'n'Roll,” explaining that the song contains an event from his own life.
“I once threw a knife at my boss's ever-loving head,” he said. “That's an absolute true story.”
The song reflects his deep resistance to being controlled, something he connects directly to his childhood.
“I was taught to be a slave my whole life,” RavenHawk explained. “I just can't do it, man.”
For him, rock and roll represents the opposite of that experience.
“That's what rock'n'roll is about, man. Freedom.”
THE INFLUENCE OF JIM MORRISON, AXL ROSE AND THE CLASSIC ERA
RavenHawk's musical education may have started with The Doors, but his influences eventually expanded into the hard rock and metal world.
Guns N' Roses made a particularly strong impact.
When he heard Axl Rose's vocals on Appetite for Destruction , he heard something raw and unpredictable that connected with him.
RavenHawk also spoke about how reading stories about musicians who had survived difficult childhoods affected him personally. He specifically discussed Axl Rose's background and the way discovering similarities between their experiences gave him inspiration.
“If he can do it from a very similar environment, why can't I?” RavenHawk recalled thinking.
That became part of the reason he chose to tell his own story publicly.
“Maybe it'll be some kid listening and going, ‘Hey, that guy can do it. I can do it too.’”
SIX STRING REVOLVER AND THE HUMAN ELEMENT OF MUSIC
The conversation eventually turned toward the current state of the music industry and the growing presence of artificial intelligence.
RavenHawk isn't completely opposed to AI as a tool. He explained that he can see value in using technology to build out a song idea when presenting material to other musicians.
But when it comes to Six String Revolver, he is clear about one thing.
“No AI on it at all,” he said.
The band's music is performed by the musicians themselves, with the record having been recorded in California with engineer Tom and produced by the band's drummer, known as Monster.
For RavenHawk, the imperfections of human musicianship are part of what makes rock and metal special.
He wants to hear what an artist has experienced, what they have to say and what they bring to the music.
“I want to hear the passion. I want to hear the message,” he said.
He also wants the complete album experience, from the lyrics and artwork to the production choices and the little details hidden inside the recordings.
That human connection is something he doesn't believe can simply be replicated by a machine.
BRING BACK THE MAGAZINES
The discussion also took a nostalgic turn as RavenHawk and Zach Moonshine talked about the golden era of metal magazines.
Titles such as Metal Edge , Hit Parader , Circus , Metal Maniac and RIP were all part of the conversation, along with the posters, advertisements and interviews that introduced an entire generation of fans to new bands.
Before streaming algorithms and social media feeds, the record store and magazine rack were discovery engines.
You bought a cassette. You read the liner notes. You checked out the advertisements. You saw a band you'd never heard of and went looking for their music.
For RavenHawk, that physical connection still matters.
He wants to know who made the music, what the musicians are doing, what they believe in and what their lives look like outside the songs.
It's also one reason he believes the human side of underground music remains so important in the age of AI.
BE SOMEBODY AND WHAT COMES NEXT
Six String Revolver is currently promoting its latest album, Be Somebody , while also working on new videos and continuing to push the band's music forward.
The road ahead, however, has included a major challenge.
Guitarist Hawkeye Pierce is currently battling stage 3 cancer and had recently undergone surgery at the time of the interview.
Despite the difficult circumstances, RavenHawk remains determined to keep the band's music moving.
“He's going to come back better than ever,” he said.
And apparently Hawkeye hasn't lost his sense of humor.
While recovering in the hospital, he has reportedly been attempting to convince hospital staff to ditch their scrubs in favor of Six String Revolver merchandise. He has even tried recruiting nurses for the band's imaginary dance team.
So far, hospital policy has prevented the campaign from succeeding.
But Hawkeye apparently isn't giving up.
A LADDER IN THE SKY
Outside of Six String Revolver, RavenHawk has also released a solo song titled “Ladder in the Sky,” written years ago and recently released by Rage Breed around the 25th anniversary of September 11.
Although the song moves outside the normal Six String Revolver style, RavenHawk says it allowed him to revisit material he'd written long ago.
He also revealed that his experience as a volunteer firefighter influenced the song's focus on the firefighters who rushed into danger during the attacks.
Whatever questions people may have about the events themselves, RavenHawk says the people who risked and lost their lives trying to save others deserve to be remembered.
THE REVOLVER KEEPS SPINNING
What comes through most clearly during the conversation with RavenHawk is that Six String Revolver isn't simply another band releasing another album.
The music is connected to a lifetime of experiences.
From discovering Jim Morrison in a library to secretly listening to rock and metal as a kid, from escaping an abusive environment to building a career in music, RavenHawk has spent decades turning those experiences into songs.
And now, with Be Somebody out in the world and Six String Revolver continuing to release music, that story is still being written.
“I love expressing myself,” RavenHawk said. “I love trying to help other people that are in need of a message and a story that they can grab onto, that can inspire them.”
In an era where an endless stream of new music can disappear almost as quickly as it arrives, that's perhaps the most important thing an underground artist can do.
Have something real to say.
Then turn it up loud.
Full Track List From the Show:
1 - Another Demon - Reduced to Ash
2 - Soul Of Sheol - Paradise Is Not For Us
3 - Sharp n' Loud - Armored sexy girl
4 - ELICERE - Erased I : The dome
5 - Mistress - Terrified eyes
6 - Adam Zar Novafall - Ashes Don't Lie
The Zach Moonshine Intro
7 - Ozzy Osbourne - Suicide Solution - Live From Blizzard Of Ozz Tour
8 - MIDNIGHT - You Can't Stop Steel (Live)
9 - L.A. Guns - Space Truckin'
10 - Peeling Flesh - Murderous Intent (feat. Mike from Missing Link)
11 - 200 Stab Wounds - Pangs of Conscience
Six String Revolver - Interview featuring Sick Mind/Death, Jail, Rock & Roll
12 - NervoChaos - Embrace Chaos
13 - THE BLEEDING - Born in a Casket
14 - Falling In Reverse - "Joseph" (feat. Corey Taylor and Serj Tankian)/God Is A Weapon - Feat Marilyn Manson
15 - Droid Killer - 2030 JiHad
16 - Templum Silva - The Soil Soaked Our Blood
17 - Netherdred - Necrodancer
18 - PS:23 - The Angel They Call Evil
19 - Frequency Overload - Buoyancy
20 - Culak - Crossfire
21 - Estertor - Evil Black Church
22 - Phenomy - Death May Die
23 - Black Hole Zion - I Don't Care if This Thing Crashes
Streaming now on mixcloud:
https://metaldevastationradio.com/thebeast/blog/29421/six-string-revolvers-ravenhawk-talks-be-somebody-breaking-free-music-ai-and-the-power-of-rock-and-roll?utm_source=dlvr.it&utm_medium=blogger
By Metal Devastation Radio
There are plenty of bands making noise in the underground, but every once in a while you come across an artist whose music is tied directly to the life they've lived. For “RavenHawk” of Six String Revolver , the songs are more than just riffs, hooks and volume. They are a vehicle for telling stories, confronting darkness and, in his words, being “the voice for the voiceless.”
RavenHawk recently joined The Zach Moonshine Show for a wide-ranging conversation covering the band's history, their latest album Be Somebody , the stories behind several of their songs, growing up in a high-control religious environment, his love of classic rock and metal, the importance of physical music and magazines, the growing presence of AI in music, and what lies ahead for Six String Revolver.
One of the songs discussed during the interview was “Sick Mind,” a track RavenHawk describes as a statement song dealing with online predators and the dangers facing children on the internet.
“You see injustice in the world like that, man. You want to speak out,” RavenHawk explained. “And the way I know how to speak out is through our music.”
That philosophy appears to run throughout Six String Revolver's material. RavenHawk says longtime producer Chris Richardson once told him to “be the voice for the voiceless,” a phrase that has stayed with him.
FROM A LAST-MINUTE GIG TO SIX STRING REVOLVER
Six String Revolver came together in somewhat unconventional fashion.
RavenHawk had previously stepped away from music after a former band dissolved. Then came an opportunity to open for Saving Abel and P.O.D.
There was just one problem.
He didn't actually have a band.
“I got a call to open up for Saving Abel, the band, Saving Abel and P.O.D.,” RavenHawk recalled. “And I was like, ‘Oh, I don't have a band, but OK, I want to do it.’”
So he assembled what he describes as some of the best musicians he could find locally and revived the Six String Revolver name from an earlier project.
The newly assembled lineup went directly onto the stage opening for P.O.D. and Saving Abel, and according to RavenHawk, things took off from there.
One of the key pieces of the Six String Revolver lineup is guitarist Hawkeye Pierce, whom RavenHawk describes as a “living legend” around Southern Utah.
“He really is the sixth string of Six String Revolver,” RavenHawk said. “If I'm the revolver, he's the sixth string.”
MUSIC AS AN ESCAPE
Perhaps the most revealing portion of the conversation came when RavenHawk discussed his childhood.
Born into a doomsday religious cult, he grew up in an environment where music and popular culture were heavily restricted. His parents were members of the group, and RavenHawk says his childhood was dominated by fear, control and the belief that the end of the world could arrive at any moment.
His first major musical obsession came from an unlikely source: a library book about Jim Morrison.
“I ran across the book called No One Gets Out of Here Alive , the Jim Morrison story,” he explained.
He hadn't even heard The Doors at that point.
After reading about Morrison, however, RavenHawk knew exactly what he wanted.
“I was like, ‘I want to be freaking Jim Morrison.’”
A video of The Doors performing at the Hollywood Bowl cemented it.
From there, he began secretly seeking out music and eventually discovered bands including Guns N' Roses.
RavenHawk says music ultimately became his escape from the environment in which he was raised.
“I went out and got in a band and started touring with a band,” he said. “Music was basically my escape from all of this that I had to go through.”
He later wrote an entire book about his experiences and says helping people who have escaped high-control groups has become an important part of his life.
“DEAD JAIL ROCK'N'ROLL” IS PERSONAL
That personal history also finds its way directly into the Six String Revolver catalog.
RavenHawk discussed “Dead Jail Rock'n'Roll,” explaining that the song contains an event from his own life.
“I once threw a knife at my boss's ever-loving head,” he said. “That's an absolute true story.”
The song reflects his deep resistance to being controlled, something he connects directly to his childhood.
“I was taught to be a slave my whole life,” RavenHawk explained. “I just can't do it, man.”
For him, rock and roll represents the opposite of that experience.
“That's what rock'n'roll is about, man. Freedom.”
THE INFLUENCE OF JIM MORRISON, AXL ROSE AND THE CLASSIC ERA
RavenHawk's musical education may have started with The Doors, but his influences eventually expanded into the hard rock and metal world.
Guns N' Roses made a particularly strong impact.
When he heard Axl Rose's vocals on Appetite for Destruction , he heard something raw and unpredictable that connected with him.
RavenHawk also spoke about how reading stories about musicians who had survived difficult childhoods affected him personally. He specifically discussed Axl Rose's background and the way discovering similarities between their experiences gave him inspiration.
“If he can do it from a very similar environment, why can't I?” RavenHawk recalled thinking.
That became part of the reason he chose to tell his own story publicly.
“Maybe it'll be some kid listening and going, ‘Hey, that guy can do it. I can do it too.’”
SIX STRING REVOLVER AND THE HUMAN ELEMENT OF MUSIC
The conversation eventually turned toward the current state of the music industry and the growing presence of artificial intelligence.
RavenHawk isn't completely opposed to AI as a tool. He explained that he can see value in using technology to build out a song idea when presenting material to other musicians.
But when it comes to Six String Revolver, he is clear about one thing.
“No AI on it at all,” he said.
The band's music is performed by the musicians themselves, with the record having been recorded in California with engineer Tom and produced by the band's drummer, known as Monster.
For RavenHawk, the imperfections of human musicianship are part of what makes rock and metal special.
He wants to hear what an artist has experienced, what they have to say and what they bring to the music.
“I want to hear the passion. I want to hear the message,” he said.
He also wants the complete album experience, from the lyrics and artwork to the production choices and the little details hidden inside the recordings.
That human connection is something he doesn't believe can simply be replicated by a machine.
BRING BACK THE MAGAZINES
The discussion also took a nostalgic turn as RavenHawk and Zach Moonshine talked about the golden era of metal magazines.
Titles such as Metal Edge , Hit Parader , Circus , Metal Maniac and RIP were all part of the conversation, along with the posters, advertisements and interviews that introduced an entire generation of fans to new bands.
Before streaming algorithms and social media feeds, the record store and magazine rack were discovery engines.
You bought a cassette. You read the liner notes. You checked out the advertisements. You saw a band you'd never heard of and went looking for their music.
For RavenHawk, that physical connection still matters.
He wants to know who made the music, what the musicians are doing, what they believe in and what their lives look like outside the songs.
It's also one reason he believes the human side of underground music remains so important in the age of AI.
BE SOMEBODY AND WHAT COMES NEXT
Six String Revolver is currently promoting its latest album, Be Somebody , while also working on new videos and continuing to push the band's music forward.
The road ahead, however, has included a major challenge.
Guitarist Hawkeye Pierce is currently battling stage 3 cancer and had recently undergone surgery at the time of the interview.
Despite the difficult circumstances, RavenHawk remains determined to keep the band's music moving.
“He's going to come back better than ever,” he said.
And apparently Hawkeye hasn't lost his sense of humor.
While recovering in the hospital, he has reportedly been attempting to convince hospital staff to ditch their scrubs in favor of Six String Revolver merchandise. He has even tried recruiting nurses for the band's imaginary dance team.
So far, hospital policy has prevented the campaign from succeeding.
But Hawkeye apparently isn't giving up.
A LADDER IN THE SKY
Outside of Six String Revolver, RavenHawk has also released a solo song titled “Ladder in the Sky,” written years ago and recently released by Rage Breed around the 25th anniversary of September 11.
Although the song moves outside the normal Six String Revolver style, RavenHawk says it allowed him to revisit material he'd written long ago.
He also revealed that his experience as a volunteer firefighter influenced the song's focus on the firefighters who rushed into danger during the attacks.
Whatever questions people may have about the events themselves, RavenHawk says the people who risked and lost their lives trying to save others deserve to be remembered.
THE REVOLVER KEEPS SPINNING
What comes through most clearly during the conversation with RavenHawk is that Six String Revolver isn't simply another band releasing another album.
The music is connected to a lifetime of experiences.
From discovering Jim Morrison in a library to secretly listening to rock and metal as a kid, from escaping an abusive environment to building a career in music, RavenHawk has spent decades turning those experiences into songs.
And now, with Be Somebody out in the world and Six String Revolver continuing to release music, that story is still being written.
“I love expressing myself,” RavenHawk said. “I love trying to help other people that are in need of a message and a story that they can grab onto, that can inspire them.”
In an era where an endless stream of new music can disappear almost as quickly as it arrives, that's perhaps the most important thing an underground artist can do.
Have something real to say.
Then turn it up loud.
Full Track List From the Show:
1 - Another Demon - Reduced to Ash
2 - Soul Of Sheol - Paradise Is Not For Us
3 - Sharp n' Loud - Armored sexy girl
4 - ELICERE - Erased I : The dome
5 - Mistress - Terrified eyes
6 - Adam Zar Novafall - Ashes Don't Lie
The Zach Moonshine Intro
7 - Ozzy Osbourne - Suicide Solution - Live From Blizzard Of Ozz Tour
8 - MIDNIGHT - You Can't Stop Steel (Live)
9 - L.A. Guns - Space Truckin'
10 - Peeling Flesh - Murderous Intent (feat. Mike from Missing Link)
11 - 200 Stab Wounds - Pangs of Conscience
Six String Revolver - Interview featuring Sick Mind/Death, Jail, Rock & Roll
12 - NervoChaos - Embrace Chaos
13 - THE BLEEDING - Born in a Casket
14 - Falling In Reverse - "Joseph" (feat. Corey Taylor and Serj Tankian)/God Is A Weapon - Feat Marilyn Manson
15 - Droid Killer - 2030 JiHad
16 - Templum Silva - The Soil Soaked Our Blood
17 - Netherdred - Necrodancer
18 - PS:23 - The Angel They Call Evil
19 - Frequency Overload - Buoyancy
20 - Culak - Crossfire
21 - Estertor - Evil Black Church
22 - Phenomy - Death May Die
23 - Black Hole Zion - I Don't Care if This Thing Crashes
Streaming now on mixcloud:
https://metaldevastationradio.com/thebeast/blog/29421/six-string-revolvers-ravenhawk-talks-be-somebody-breaking-free-music-ai-and-the-power-of-rock-and-roll?utm_source=dlvr.it&utm_medium=blogger
Friday, September 18, 2026
AYDRA, BLACKENED ROSE, CELTIC HILLS, ENBOR ARNASA, HELLRAZOR, HEXJAKT, JAMES LEGENDFORGE, MACHINE CULT RITUAL, SÖNUS, ELEMENT OF FATE, FIRST WORLD APPETITE, NOTHING SACRED, BLOOD OF ANGELS, BLOOD DESECRATION, JOHN FLY, BLEEDING ANTLERS, BRAINMAZE, PAINDEMIC, UNCLE HAUK, FLIGHT OF ODIN - Featured Metallurg Magazine No. 8 - @thebeast
METAL DEVASTATION PR CLIENTS TAKE OVER METALLURG MAGAZINE No. 8 AND METALLURG MUSIC COMPILATION No. 8
28 Metal Devastation PR Clients Featured Across Nine Interviews and Two Compilation CDs
FOR IMMEDIATE RELEASE
Metal Devastation PR is proud to announce a massive showcase of independent metal talent in Metallurg Magazine No. 8 , with Metal Devastation PR clients featured throughout the issue and across the accompanying Metallurg Music Compilation No. 8 , presented in two parts.
The latest issue features nine Metal Devastation PR clients in interview features , while 19 additional and overlapping MDPR clients appear across the two compilation CDs , giving Metal Devastation PR an impressive presence throughout this edition of Metallurg.
INTERVIEWS IN METALLURG MAGAZINE No. 8
The latest issue of Metallurg Magazine features in-depth interviews with:
AYDRA
BLACKENED ROSE
CELTIC HILLS
ENBOR ARNASA
HELLRAZOR
HEXJAKT
JAMES LEGENDFORGE
MACHINE CULT RITUAL
SÖNUS!
These interviews give readers an opportunity to go deeper into the artists, their music, their backgrounds, and what they are bringing to the international metal scene.
METALLURG MUSIC COMPILATION No. 8 - PART 1
The first part of Metallurg Music Compilation No. 8 features the following Metal Devastation PR clients:
Celtic Hills
Hellrazor
Element of Fate
Aydra
First World Appetite
Nothing Sacred
Blood of Angels
Blood Desecration
John Fly
Bleeding Antlers
Enbor Arnasa
James Legendforge
METALLURG MUSIC COMPILATION No. 8 - PART 2
The second part of Metallurg Music Compilation No. 8 features:
Brainmaze
Hexjakt
Sönus
Machine Cult Ritual
Paindemic
Uncle Hauk
Flight of Odin
With 19 Metal Devastation PR clients represented across the two compilation releases , the Metallurg Music Compilation provides an extensive snapshot of artists currently working with Metal Devastation PR.
Combined with the nine client interview features in Metallurg Magazine No. 8 , this represents an extraordinary amount of exposure for the independent artists represented through the Metal Devastation PR roster.
REAL COVERAGE FOR INDEPENDENT METAL
Metal Devastation PR was built to help independent metal artists reach media outlets, listeners, and industry audiences beyond their immediate circles. Coverage such as the latest Metallurg issue and compilation demonstrates the value of sustained, legitimate promotion and getting music into the hands of actual metal media.
From established underground acts to emerging artists, Metal Devastation PR continues working to put its clients in front of new audiences around the world.
Major Metal Media. Real Coverage. Worldwide Exposure.
For more information about Metal Devastation PR and available promotional packages, visit the Metal Devastation PR store:
https://metal-devastation-radio-store.myshopify.com/collections/metal-devastation-pr-packages
/>
Metal Devastation PR
Powered by Metal Devastation Radio
Independent. Family-Owned. Worldwide.
MEDIA CONTACT:
Zach Moonshine
Metal Devastation PR
zach@metaldevastationradio.com
Go grab the magazine and compilation here:
https://metallurg.bandcamp.com/merch/metallurg-music-magaziene-no8
/>
Metallurg Music Compilation 8.1 + digital Magazine No8 by Metallurg Music
https://metaldevastationradio.com/thebeast/blog/29420/aydra-blackened-rose-celtic-hills-enbor-arnasa-hellrazor-hexjakt-james-legendforge-machine-cult-ritual-sonus-element-o?utm_source=dlvr.it&utm_medium=blogger
28 Metal Devastation PR Clients Featured Across Nine Interviews and Two Compilation CDs
FOR IMMEDIATE RELEASE
Metal Devastation PR is proud to announce a massive showcase of independent metal talent in Metallurg Magazine No. 8 , with Metal Devastation PR clients featured throughout the issue and across the accompanying Metallurg Music Compilation No. 8 , presented in two parts.
The latest issue features nine Metal Devastation PR clients in interview features , while 19 additional and overlapping MDPR clients appear across the two compilation CDs , giving Metal Devastation PR an impressive presence throughout this edition of Metallurg.
INTERVIEWS IN METALLURG MAGAZINE No. 8
The latest issue of Metallurg Magazine features in-depth interviews with:
AYDRA
BLACKENED ROSE
CELTIC HILLS
ENBOR ARNASA
HELLRAZOR
HEXJAKT
JAMES LEGENDFORGE
MACHINE CULT RITUAL
SÖNUS!
These interviews give readers an opportunity to go deeper into the artists, their music, their backgrounds, and what they are bringing to the international metal scene.
METALLURG MUSIC COMPILATION No. 8 - PART 1
The first part of Metallurg Music Compilation No. 8 features the following Metal Devastation PR clients:
Celtic Hills
Hellrazor
Element of Fate
Aydra
First World Appetite
Nothing Sacred
Blood of Angels
Blood Desecration
John Fly
Bleeding Antlers
Enbor Arnasa
James Legendforge
METALLURG MUSIC COMPILATION No. 8 - PART 2
The second part of Metallurg Music Compilation No. 8 features:
Brainmaze
Hexjakt
Sönus
Machine Cult Ritual
Paindemic
Uncle Hauk
Flight of Odin
With 19 Metal Devastation PR clients represented across the two compilation releases , the Metallurg Music Compilation provides an extensive snapshot of artists currently working with Metal Devastation PR.
Combined with the nine client interview features in Metallurg Magazine No. 8 , this represents an extraordinary amount of exposure for the independent artists represented through the Metal Devastation PR roster.
REAL COVERAGE FOR INDEPENDENT METAL
Metal Devastation PR was built to help independent metal artists reach media outlets, listeners, and industry audiences beyond their immediate circles. Coverage such as the latest Metallurg issue and compilation demonstrates the value of sustained, legitimate promotion and getting music into the hands of actual metal media.
From established underground acts to emerging artists, Metal Devastation PR continues working to put its clients in front of new audiences around the world.
Major Metal Media. Real Coverage. Worldwide Exposure.
For more information about Metal Devastation PR and available promotional packages, visit the Metal Devastation PR store:
https://metal-devastation-radio-store.myshopify.com/collections/metal-devastation-pr-packages
/>
Metal Devastation PR
Powered by Metal Devastation Radio
Independent. Family-Owned. Worldwide.
MEDIA CONTACT:
Zach Moonshine
Metal Devastation PR
zach@metaldevastationradio.com
Go grab the magazine and compilation here:
https://metallurg.bandcamp.com/merch/metallurg-music-magaziene-no8
/>
Metallurg Music Compilation 8.1 + digital Magazine No8 by Metallurg Music
https://metaldevastationradio.com/thebeast/blog/29420/aydra-blackened-rose-celtic-hills-enbor-arnasa-hellrazor-hexjakt-james-legendforge-machine-cult-ritual-sonus-element-o?utm_source=dlvr.it&utm_medium=blogger
DROID KILLER ANNOUNCES NEW FULL-LENGTH ALBUM 2030 JIHAD - @thebeast
FOR IMMEDIATE RELEASE
DROID KILLER ANNOUNCES NEW FULL-LENGTH ALBUM 2030 JIHAD
Antarctica-Based Sci-Fi Metal Cult Act Unleashes Title Track Ahead of May 2027 Album Release
FFO: Megadeth, White Zombie, Six Feet Under
Black Halo
The new era of Droid Killer begins.
Antarctica-based Sci-Fi Metal force Droid Killer has officially announced its highly anticipated new full-length album, 2030 JiHad , the epic sequel to the band's 2023 debut album, The Terminator vs. The Preacher . The magnum opus is set for release May 21, 2027 via Black Halo , with the album's explosive title track, "2030 JiHad," available now following its release on September 11, 2026.
"The new era of Droid Killer begins! Droid Killer announces full length album 2030 JiHad, the highly anticipated sequel to The Terminator vs. The Preacher. The Droid Killer magnum opus 2030 Jihad is coming! Welcome to The Apocalypse."
Droid Killer is the definitive Sci-Fi Metal experience, based in Antarctica and chronicling a human/machine war apocalypse in real time. As the glaciers of Antarctica melt, something ancient and imprisoned beneath the subterranean ice is unleashed. Humanity has become enslaved by its own technology, and resistance rises as soulless death machines wage war against organic life.
With 2030 JiHad , Droid Killer takes the saga deeper into its apocalyptic universe.
The story began with the band's debut EP, The Hive , introducing a grim future where demonic machines begin cleansing the world of human life. That story expanded with Droid Killer's 2023 debut full-length, The Terminator vs. The Preacher , which explored the origins of the machine war and followed The Preacher as he travels through time from the Old West into the future to confront the machines.
Now, 2030 JiHad moves the story onto the battlefield of the future.
The remnants of conscious, living humanity fight for their very existence on a death-star planet where mind-controlled zombies wage war against conscious human life and artificial intelligence feeds upon human souls. Each Droid Killer full-length album is accompanied by a companion Sci-Fi novel , expanding the band's mythology beyond the music and further developing its apocalyptic universe.
At its core, Droid Killer chronicles the timeless battle between good and evil, life and death, the synthetic and the organic , while exploring the mythology of creation rising against its creator. The band's music serves as the soundtrack to a world where technology, prophecy, humanity and destruction collide.
Musically, Droid Killer describes its sound as Death Metal / Doom Metal / Life Metal , combining a distinctive "electric voodoo" guitar style with Death Metal that moves like classic rock and the crushing weight of Doom Metal. The result is a future-primitive sound built around molten riffs, subterranean arena anthems and a relentless celebration of the human spirit.
The production team behind 2030 JiHad includes Brian J. Sienkevich on mixing and production, with legendary mastering engineer Ted Jensen handling mastering. The album artwork was created by Zachary Jackson Brown , photography comes from Trevor Bexon , and the Droid Killer logo was created by Ross Sewage .
2030 JiHad arrives May 21, 2027 , with the companion novel and merchandise also slated for May 2027.
The title track "2030 JiHad" is available now.
I AM HUMAN!
Droid Killer is your lifeline during the human/machine war apocalypse as the future unfolds.
2030 JIHAD
Droid Killer
Black Halo
Release Date: May 21, 2027
Title Track: "2030 JiHad" - Out Now
2030 JiHad by Droid Killer
Connect:
https://linktr.ee/droidkiller
/>
Contact: droidkillermilitia@disciples.com
https://metaldevastationradio.com/thebeast/blog/29419/droid-killer-announces-new-full-length-album-2030-jihad?utm_source=dlvr.it&utm_medium=blogger
DROID KILLER ANNOUNCES NEW FULL-LENGTH ALBUM 2030 JIHAD
Antarctica-Based Sci-Fi Metal Cult Act Unleashes Title Track Ahead of May 2027 Album Release
FFO: Megadeth, White Zombie, Six Feet Under
Black Halo
The new era of Droid Killer begins.
Antarctica-based Sci-Fi Metal force Droid Killer has officially announced its highly anticipated new full-length album, 2030 JiHad , the epic sequel to the band's 2023 debut album, The Terminator vs. The Preacher . The magnum opus is set for release May 21, 2027 via Black Halo , with the album's explosive title track, "2030 JiHad," available now following its release on September 11, 2026.
"The new era of Droid Killer begins! Droid Killer announces full length album 2030 JiHad, the highly anticipated sequel to The Terminator vs. The Preacher. The Droid Killer magnum opus 2030 Jihad is coming! Welcome to The Apocalypse."
Droid Killer is the definitive Sci-Fi Metal experience, based in Antarctica and chronicling a human/machine war apocalypse in real time. As the glaciers of Antarctica melt, something ancient and imprisoned beneath the subterranean ice is unleashed. Humanity has become enslaved by its own technology, and resistance rises as soulless death machines wage war against organic life.
With 2030 JiHad , Droid Killer takes the saga deeper into its apocalyptic universe.
The story began with the band's debut EP, The Hive , introducing a grim future where demonic machines begin cleansing the world of human life. That story expanded with Droid Killer's 2023 debut full-length, The Terminator vs. The Preacher , which explored the origins of the machine war and followed The Preacher as he travels through time from the Old West into the future to confront the machines.
Now, 2030 JiHad moves the story onto the battlefield of the future.
The remnants of conscious, living humanity fight for their very existence on a death-star planet where mind-controlled zombies wage war against conscious human life and artificial intelligence feeds upon human souls. Each Droid Killer full-length album is accompanied by a companion Sci-Fi novel , expanding the band's mythology beyond the music and further developing its apocalyptic universe.
At its core, Droid Killer chronicles the timeless battle between good and evil, life and death, the synthetic and the organic , while exploring the mythology of creation rising against its creator. The band's music serves as the soundtrack to a world where technology, prophecy, humanity and destruction collide.
Musically, Droid Killer describes its sound as Death Metal / Doom Metal / Life Metal , combining a distinctive "electric voodoo" guitar style with Death Metal that moves like classic rock and the crushing weight of Doom Metal. The result is a future-primitive sound built around molten riffs, subterranean arena anthems and a relentless celebration of the human spirit.
The production team behind 2030 JiHad includes Brian J. Sienkevich on mixing and production, with legendary mastering engineer Ted Jensen handling mastering. The album artwork was created by Zachary Jackson Brown , photography comes from Trevor Bexon , and the Droid Killer logo was created by Ross Sewage .
2030 JiHad arrives May 21, 2027 , with the companion novel and merchandise also slated for May 2027.
The title track "2030 JiHad" is available now.
I AM HUMAN!
Droid Killer is your lifeline during the human/machine war apocalypse as the future unfolds.
2030 JIHAD
Droid Killer
Black Halo
Release Date: May 21, 2027
Title Track: "2030 JiHad" - Out Now
2030 JiHad by Droid Killer
Connect:
https://linktr.ee/droidkiller
/>
Contact: droidkillermilitia@disciples.com
https://metaldevastationradio.com/thebeast/blog/29419/droid-killer-announces-new-full-length-album-2030-jihad?utm_source=dlvr.it&utm_medium=blogger
Thursday, September 17, 2026
PEELING FLESH ANNOUNCE SELF-TITLED SOPHOMORE ALBUM, UNLEASH “MURDEROUS INTENT” FEATURING MIKE RYAN OF MISSING LINK - @thebeast
PEELING FLESH ANNOUNCE SELF-TITLED SOPHOMORE ALBUM, UNLEASH “MURDEROUS INTENT” FEATURING MIKE RYAN OF MISSING LINK
Oklahoma slam outfit return with their most brutal release yet, featuring collaborations with Sanguisugabogg, Stabbing, Extermination Dismemberment and more
Oklahoma's slam machine Peeling Flesh are back, and they're bringing an absolutely filthy new record with them.
The band has officially announced their sophomore full-length, Peeling Flesh , due November 27, 2026 via Unique Leader Records . Along with the announcement, the band has unleashed the album's first single, “Murderous Intent,” featuring Mike Ryan of Missing Link .
Stream or pre-order Peeling Flesh:
https://orcd.co/PEELINGFLESH
/>
Watch the “Murderous Intent” video:
Built on crushing slam riffs, death metal brutality, hardcore aggression, and the band's unmistakable hip-hop influence, Peeling Flesh promises to push the Oklahoma outfit's already punishing sound even further.
Vocalist Damonteal Harris describes the album as a project the band has poured everything into over the past year.
“This has been our baby for the last year. An insane mixture of drop G and Drop F songs that are some of our favorite and craziest songs we've written to date and we're extremely stoked to get them out finally.”
As for “Murderous Intent,” Harris keeps things appropriately blunt, calling the track “ruthless and vicious” while highlighting the collaboration with Mike Ryan as a way of solidifying the Oklahoma/New York connection.
And if the first single is any indication, Peeling Flesh aren't exactly planning on easing listeners into this thing.
A STACKED LINEUP OF COLLABORATORS
The guest list on Peeling Flesh is loaded with familiar names from across the modern extreme-metal underground.
The album features Devin Swank of Sanguisugabogg , JayWay , Bridget Lynch of Stabbing , and Extermination Dismemberment , alongside Mike Ryan of Missing Link.
Peeling Flesh Track Listing:
Crash Out
Murderous Intent feat. Mike Ryan of Missing Link
Wig Split feat. Devin Swank of Sanguisugabogg
Lethal Interjection feat. JayWay
T.D.C.U.
Crackology
No Alibi feat. Bridget Lynch of Stabbing
Find Around Fuck Out
Full Clip
It's Goin Down Part 2 feat. Extermination Dismemberment
〈Bottom Text〉
FROM THE G CODE TO A NEW ERA OF PEELING FLESH
Formed in 2021, Peeling Flesh quickly established themselves as one of the most recognizable names in the modern slam and death metal underground.
Their 2024 debut full-length, The G Code , helped put the Oklahoma quintet firmly on the radar, earning praise from Blabbermouth , which described the band's approach as a “full-throttle” assault.
The band followed that momentum with last year's PF Radio 2 EP, further expanding their signature collision of slam, death metal, hardcore, and hip-hop.
Their sound has become just as recognizable for its personality as its sheer heaviness. Hip-hop samples, crushing low-tuned guitars, a charismatic frontman, and an increasingly relentless songwriting output have helped Peeling Flesh carve out a lane that is distinctly their own.
That reputation has also translated to the road. The band has shared stages with heavyweights including Lorna Shore, The Black Dahlia Murder, and Sanguisugabogg , while collaborations with artists such as Svdden Death, YVM3, and NIMDA have continued to demonstrate the band's willingness to cross genre lines without sacrificing their brutality.
Now they're taking the next step with Peeling Flesh .
PEELING FLESH HIT THE ROAD THIS OCTOBER
Before the new album arrives in November, Peeling Flesh will embark on a massive U.S. headlining run throughout October.
The tour features Grounds For Assault, Snuffed On Sight, Mongrel, Gridiron, Outta Pocket, Fatal Realm, Final Resting Place, and Two-Piece on select dates.
The trek kicks off October 1 in Los Angeles and runs through October 30 in Jacksonville, with stops across the United States.
PEELING FLESH TOUR DATES
Oct. 1 – Los Angeles, CA @ 1720
Oct. 2 – Sacramento, CA @ Aftershock *
Oct. 3 – San Diego, CA @ House Of Blues
Oct. 4 – Fresno, CA @ Strummers
Oct. 6 – Portland, OR @ Hawthorne Theatre
Oct. 7 – Seattle, WA @ El Corazon
Oct. 9 – Boise, ID @ Treefort Music Hall
Oct. 10 – Salt Lake City, UT @ Soundwell
Oct. 11 – Denver, CO @ Red Rocks *
Oct. 13 – Des Moines, IA @ Wooly's
Oct. 14 – Chicago, IL @ Metro
Oct. 15 – Pittsburgh, PA @ Preserving
Oct. 16 – Worcester, MA @ The Palladium
Oct. 17 – Albany, NY @ Empire Live
Oct. 18 – Brooklyn, NY @ Warsaw
Oct. 20 – Baltimore, MD @ Soundstage
Oct. 21 – Charlotte, NC @ The Underground
Oct. 22 – Atlanta, GA @ The Masquerade (Heaven)
Oct. 23 – New Orleans, LA @ House Of Blues
Oct. 24 – Fort Worth, TX @ Sick New World *
Oct. 25 – Corpus Christi, TX @ House Of Rock
Oct. 27 – Pensacola, FL @ Vinyl Music Hall
Oct. 28 – Tampa, FL @ Orpheum
Oct. 29 – West Palm Beach, FL @ The Banyan Live
Oct. 30 – Jacksonville, FL @ Albatross
* Peeling Flesh only
With Peeling Flesh arriving November 27, the band is setting up a two-month stretch that puts their new material directly in front of audiences across the country before unleashing the full album.
For a band that has built its reputation on relentless live performances and an unapologetically heavy sound, that's a pretty damn effective way to roll into a new record.
The new era of Peeling Flesh officially begins with “Murderous Intent.”
And judging by that title, they aren't exactly here to make friends.
Peeling Flesh is:
Mychal Soto – Guitars
Damonteal Harris – Vocals
Joe Pelletier – Drums
Jason Parrish – Guitars
Chip Smith – Bass
Peeling Flesh Online:
Instagram:
https://www.instagram.com/peelingfleshok
/> Facebook:
https://www.facebook.com/PeelingFleshOK
/> Spotify:
https://open.spotify.com/artist/40DbKvYvADTiks7hZIUPHG
/>
Photo credit: Frances Koehn
https://metaldevastationradio.com/thebeast/blog/29417/peeling-flesh-announce-self-titled-sophomore-album-unleash-murderous-intent-featuring-mike-ryan-of-missing-link?utm_source=dlvr.it&utm_medium=blogger
Oklahoma slam outfit return with their most brutal release yet, featuring collaborations with Sanguisugabogg, Stabbing, Extermination Dismemberment and more
Oklahoma's slam machine Peeling Flesh are back, and they're bringing an absolutely filthy new record with them.
The band has officially announced their sophomore full-length, Peeling Flesh , due November 27, 2026 via Unique Leader Records . Along with the announcement, the band has unleashed the album's first single, “Murderous Intent,” featuring Mike Ryan of Missing Link .
Stream or pre-order Peeling Flesh:
https://orcd.co/PEELINGFLESH
/>
Watch the “Murderous Intent” video:
Built on crushing slam riffs, death metal brutality, hardcore aggression, and the band's unmistakable hip-hop influence, Peeling Flesh promises to push the Oklahoma outfit's already punishing sound even further.
Vocalist Damonteal Harris describes the album as a project the band has poured everything into over the past year.
“This has been our baby for the last year. An insane mixture of drop G and Drop F songs that are some of our favorite and craziest songs we've written to date and we're extremely stoked to get them out finally.”
As for “Murderous Intent,” Harris keeps things appropriately blunt, calling the track “ruthless and vicious” while highlighting the collaboration with Mike Ryan as a way of solidifying the Oklahoma/New York connection.
And if the first single is any indication, Peeling Flesh aren't exactly planning on easing listeners into this thing.
A STACKED LINEUP OF COLLABORATORS
The guest list on Peeling Flesh is loaded with familiar names from across the modern extreme-metal underground.
The album features Devin Swank of Sanguisugabogg , JayWay , Bridget Lynch of Stabbing , and Extermination Dismemberment , alongside Mike Ryan of Missing Link.
Peeling Flesh Track Listing:
Crash Out
Murderous Intent feat. Mike Ryan of Missing Link
Wig Split feat. Devin Swank of Sanguisugabogg
Lethal Interjection feat. JayWay
T.D.C.U.
Crackology
No Alibi feat. Bridget Lynch of Stabbing
Find Around Fuck Out
Full Clip
It's Goin Down Part 2 feat. Extermination Dismemberment
〈Bottom Text〉
FROM THE G CODE TO A NEW ERA OF PEELING FLESH
Formed in 2021, Peeling Flesh quickly established themselves as one of the most recognizable names in the modern slam and death metal underground.
Their 2024 debut full-length, The G Code , helped put the Oklahoma quintet firmly on the radar, earning praise from Blabbermouth , which described the band's approach as a “full-throttle” assault.
The band followed that momentum with last year's PF Radio 2 EP, further expanding their signature collision of slam, death metal, hardcore, and hip-hop.
Their sound has become just as recognizable for its personality as its sheer heaviness. Hip-hop samples, crushing low-tuned guitars, a charismatic frontman, and an increasingly relentless songwriting output have helped Peeling Flesh carve out a lane that is distinctly their own.
That reputation has also translated to the road. The band has shared stages with heavyweights including Lorna Shore, The Black Dahlia Murder, and Sanguisugabogg , while collaborations with artists such as Svdden Death, YVM3, and NIMDA have continued to demonstrate the band's willingness to cross genre lines without sacrificing their brutality.
Now they're taking the next step with Peeling Flesh .
PEELING FLESH HIT THE ROAD THIS OCTOBER
Before the new album arrives in November, Peeling Flesh will embark on a massive U.S. headlining run throughout October.
The tour features Grounds For Assault, Snuffed On Sight, Mongrel, Gridiron, Outta Pocket, Fatal Realm, Final Resting Place, and Two-Piece on select dates.
The trek kicks off October 1 in Los Angeles and runs through October 30 in Jacksonville, with stops across the United States.
PEELING FLESH TOUR DATES
Oct. 1 – Los Angeles, CA @ 1720
Oct. 2 – Sacramento, CA @ Aftershock *
Oct. 3 – San Diego, CA @ House Of Blues
Oct. 4 – Fresno, CA @ Strummers
Oct. 6 – Portland, OR @ Hawthorne Theatre
Oct. 7 – Seattle, WA @ El Corazon
Oct. 9 – Boise, ID @ Treefort Music Hall
Oct. 10 – Salt Lake City, UT @ Soundwell
Oct. 11 – Denver, CO @ Red Rocks *
Oct. 13 – Des Moines, IA @ Wooly's
Oct. 14 – Chicago, IL @ Metro
Oct. 15 – Pittsburgh, PA @ Preserving
Oct. 16 – Worcester, MA @ The Palladium
Oct. 17 – Albany, NY @ Empire Live
Oct. 18 – Brooklyn, NY @ Warsaw
Oct. 20 – Baltimore, MD @ Soundstage
Oct. 21 – Charlotte, NC @ The Underground
Oct. 22 – Atlanta, GA @ The Masquerade (Heaven)
Oct. 23 – New Orleans, LA @ House Of Blues
Oct. 24 – Fort Worth, TX @ Sick New World *
Oct. 25 – Corpus Christi, TX @ House Of Rock
Oct. 27 – Pensacola, FL @ Vinyl Music Hall
Oct. 28 – Tampa, FL @ Orpheum
Oct. 29 – West Palm Beach, FL @ The Banyan Live
Oct. 30 – Jacksonville, FL @ Albatross
* Peeling Flesh only
With Peeling Flesh arriving November 27, the band is setting up a two-month stretch that puts their new material directly in front of audiences across the country before unleashing the full album.
For a band that has built its reputation on relentless live performances and an unapologetically heavy sound, that's a pretty damn effective way to roll into a new record.
The new era of Peeling Flesh officially begins with “Murderous Intent.”
And judging by that title, they aren't exactly here to make friends.
Peeling Flesh is:
Mychal Soto – Guitars
Damonteal Harris – Vocals
Joe Pelletier – Drums
Jason Parrish – Guitars
Chip Smith – Bass
Peeling Flesh Online:
Instagram:
https://www.instagram.com/peelingfleshok
/> Facebook:
https://www.facebook.com/PeelingFleshOK
/> Spotify:
https://open.spotify.com/artist/40DbKvYvADTiks7hZIUPHG
/>
Photo credit: Frances Koehn
https://metaldevastationradio.com/thebeast/blog/29417/peeling-flesh-announce-self-titled-sophomore-album-unleash-murderous-intent-featuring-mike-ryan-of-missing-link?utm_source=dlvr.it&utm_medium=blogger
THY LEGACY Unleash Debut Album The Call Through Nameless Graves Records - @thebeast
THY LEGACY Unleash Debut Album The Call Through Nameless Graves Records
Greek Heavy Metal Newcomers Draw From Manowar, Omen, Eternal Champion, Battleroar and the Ancient Spirit of True Metal
There is something about the Greek metal underground that continues to produce bands with a deep respect for the foundations of the genre. From epic heavy metal to traditional and extreme metal, Greece has developed a reputation for keeping the old flame burning while adding its own distinctive character.
Now, a new name has entered the ranks.
Hailing from Crete, Greece, THY LEGACY have officially unleashed their debut album, The Call , through independent label Nameless Graves Records . Released September 11, 2026, the eight-track album is a full-throttle celebration of traditional heavy metal, drawing heavily from the classic Greek and Italian epic metal traditions alongside the high-energy attack of US Power Metal.
For listeners who believe heavy metal should still sound like heavy metal, The Call arrives with plenty of ammunition.
The band's influences include legendary acts such as Manowar, Omen, Eternal Champion, Battleroar, Wrathblade and other champions of epic and traditional metal. Rather than chasing modern trends, THY LEGACY have devoted themselves to what they describe as the preservation of True Metal , building their sound around driving riffs, majestic guitar harmonies, powerful vocals and the kind of larger-than-life atmosphere that has defined epic heavy metal for generations.
From the opening attack of "Heavy Metal Rising" to the charging riffs of "Metal Legion," The Call is built around momentum. The songwriting favors strong melodies, commanding vocals and guitar work designed to sound equally at home on a battle standard or blasting through a pair of battered speakers in a metalhead's garage.
The album's title track, "The Call," serves as a brief atmospheric centerpiece before the band launches back into the heavy metal charge. Tracks such as "Holy Storm," "Chasing Glory" and "Seven Witches" continue the album's epic journey, while the closing "The Road to Helheim" brings the record to its conclusion with its longest track.
At just over 32 minutes, The Call doesn't overstay its welcome. Instead, THY LEGACY deliver a compact dose of steel that gets in, makes its presence known and leaves the listener ready to hit play again.
The album's visual identity also fits perfectly with its musical mission. The cover artwork was created by Mars Triumph , known for his work with the Greek epic metal band Triumpher , further connecting THY LEGACY's debut to the modern Greek traditional metal scene.
Behind the recording are Giannis Pratikakis , who handled recording of guitars, bass and drums, Nikos Trialonis , who recorded vocals and handled mixing, and Bart Gabriel , who handled mastering.
The Call Tracklisting
Heavy Metal Rising - 05:47
The Call - 01:57
Metal Legion - 04:20
Holy Storm - 03:42
Chasing Glory - 04:26
The Amulet - 01:51
Seven Witches - 03:34
The Road to Helheim - 06:41
Total Running Time: 32:18
THY LEGACY
Nikos Frantzeskakis - Bass
Babis Antaloudakis - Drums
A.D. Guillotine - Rhythm Guitars
Jim Ritsopoulos - Vocals, Guitars
With The Call , THY LEGACY are planting their flag firmly in the territory of epic and traditional heavy metal. There are no shortage of bands looking backward for inspiration, but the real challenge is turning those influences into something that feels alive rather than simply nostalgic.
THY LEGACY clearly understand the assignment.
The result is an unapologetically metal debut built around riffs, melodies, soaring vocals and the timeless spirit of epic steel. For anyone who still believes in leather, denim, big riffs and songs that sound like they were written for battle rather than algorithms, The Call deserves a place on the listening list.
THY LEGACY's journey has only just begun.
The Call is available now through Nameless Graves Records and is streaming across major platforms.
The Call by Thy Legacy
https://metaldevastationradio.com/thebeast/blog/29416/thy-legacy-unleash-debut-album-the-call-through-nameless-graves-records?utm_source=dlvr.it&utm_medium=blogger
Greek Heavy Metal Newcomers Draw From Manowar, Omen, Eternal Champion, Battleroar and the Ancient Spirit of True Metal
There is something about the Greek metal underground that continues to produce bands with a deep respect for the foundations of the genre. From epic heavy metal to traditional and extreme metal, Greece has developed a reputation for keeping the old flame burning while adding its own distinctive character.
Now, a new name has entered the ranks.
Hailing from Crete, Greece, THY LEGACY have officially unleashed their debut album, The Call , through independent label Nameless Graves Records . Released September 11, 2026, the eight-track album is a full-throttle celebration of traditional heavy metal, drawing heavily from the classic Greek and Italian epic metal traditions alongside the high-energy attack of US Power Metal.
For listeners who believe heavy metal should still sound like heavy metal, The Call arrives with plenty of ammunition.
The band's influences include legendary acts such as Manowar, Omen, Eternal Champion, Battleroar, Wrathblade and other champions of epic and traditional metal. Rather than chasing modern trends, THY LEGACY have devoted themselves to what they describe as the preservation of True Metal , building their sound around driving riffs, majestic guitar harmonies, powerful vocals and the kind of larger-than-life atmosphere that has defined epic heavy metal for generations.
From the opening attack of "Heavy Metal Rising" to the charging riffs of "Metal Legion," The Call is built around momentum. The songwriting favors strong melodies, commanding vocals and guitar work designed to sound equally at home on a battle standard or blasting through a pair of battered speakers in a metalhead's garage.
The album's title track, "The Call," serves as a brief atmospheric centerpiece before the band launches back into the heavy metal charge. Tracks such as "Holy Storm," "Chasing Glory" and "Seven Witches" continue the album's epic journey, while the closing "The Road to Helheim" brings the record to its conclusion with its longest track.
At just over 32 minutes, The Call doesn't overstay its welcome. Instead, THY LEGACY deliver a compact dose of steel that gets in, makes its presence known and leaves the listener ready to hit play again.
The album's visual identity also fits perfectly with its musical mission. The cover artwork was created by Mars Triumph , known for his work with the Greek epic metal band Triumpher , further connecting THY LEGACY's debut to the modern Greek traditional metal scene.
Behind the recording are Giannis Pratikakis , who handled recording of guitars, bass and drums, Nikos Trialonis , who recorded vocals and handled mixing, and Bart Gabriel , who handled mastering.
The Call Tracklisting
Heavy Metal Rising - 05:47
The Call - 01:57
Metal Legion - 04:20
Holy Storm - 03:42
Chasing Glory - 04:26
The Amulet - 01:51
Seven Witches - 03:34
The Road to Helheim - 06:41
Total Running Time: 32:18
THY LEGACY
Nikos Frantzeskakis - Bass
Babis Antaloudakis - Drums
A.D. Guillotine - Rhythm Guitars
Jim Ritsopoulos - Vocals, Guitars
With The Call , THY LEGACY are planting their flag firmly in the territory of epic and traditional heavy metal. There are no shortage of bands looking backward for inspiration, but the real challenge is turning those influences into something that feels alive rather than simply nostalgic.
THY LEGACY clearly understand the assignment.
The result is an unapologetically metal debut built around riffs, melodies, soaring vocals and the timeless spirit of epic steel. For anyone who still believes in leather, denim, big riffs and songs that sound like they were written for battle rather than algorithms, The Call deserves a place on the listening list.
THY LEGACY's journey has only just begun.
The Call is available now through Nameless Graves Records and is streaming across major platforms.
The Call by Thy Legacy
https://metaldevastationradio.com/thebeast/blog/29416/thy-legacy-unleash-debut-album-the-call-through-nameless-graves-records?utm_source=dlvr.it&utm_medium=blogger
WHAT WEAPONS BRING WAR UNLEASH “CROWN OF BLOOD” FEATURING DEVIN SWANK OF SANGUISUGABOGG - @thebeast
WHAT WEAPONS BRING WAR UNLEASH “CROWN OF BLOOD” FEATURING DEVIN SWANK OF SANGUISUGABOGG
Connecticut Death Metal Outfit Builds Toward October Release of Crown of Blood / Noose Rot
FOR IMMEDIATE RELEASE
Connecticut death metal outfit What Weapons Bring War have unleashed their latest single, “Crown of Blood,” featuring Devin Swank of Sanguisugabogg , delivering a brutal and psychologically charged descent into nihilism, human agency, and the consequences of choice.
Released September 10, 2026, “Crown of Blood” serves as the first chapter of What Weapons Bring War's upcoming two-song digi-pack EP, Crown of Blood / Noose Rot , now scheduled for release October 5, 2026 .
“Crown of Blood” presents a reimagining of the death of God at the hands of one man, then turns its attention toward the aftermath. Having confronted his choices and discovered the immense power and agency he possesses, the protagonist is left to reckon with what that realization means.
Rather than offering easy answers, What Weapons Bring War plunge directly into the existential fallout.
The song paints a bleak and nihilistic portrait of humanity while challenging listeners to consider some of existence's deepest questions: What gives life meaning? What happens when passion becomes obsession? How much agency does an individual truly possess, and what are the consequences of discovering that power?
Caught somewhere between revelation and destruction, “Crown of Blood” exists within a “bloodlust surreal,” where violence, existence, and meaning become increasingly difficult to separate.
The track features Devin Swank of Sanguisugabogg , bringing additional death metal firepower to What Weapons Bring War's latest assault.
The accompanying music video premiered through Slam Worldwide on September 10 , coinciding with the single's release and providing a visual counterpart to the track's dark conceptual foundation.
Now, What Weapons Bring War are using the weeks ahead to build momentum toward the full release of Crown of Blood / Noose Rot . The two-song digi-pack EP will arrive October 5, 2026 , giving the band and label additional time to expand the campaign and complete new visual material, including an upcoming visualizer.
With “Crown of Blood,” What Weapons Bring War aren't interested in offering comfortable answers. They leave the listener standing in the wreckage, staring directly into the consequences of choice, power, mortality, and existence.
The bloodlust has only begun.
“Crown of Blood” featuring Devin Swank of Sanguisugabogg is out now.
Crown of Blood / Noose Rot
Two-song digi-pack EP
October 5, 2026
WHAT WEAPONS BRING WAR
Death Metal | Connecticut, USA
“Crown of Blood” featuring Devin Swank of Sanguisugabogg
Released September 10, 2026
Music Video: Premiered via Slam Worldwide, September 10, 2026
Listen / Follow:
https://www.facebook.com/whatweaponsbringwar
/>
https://www.instagram.com/whatweaponsbringwar
/>
https://whatweaponsbringwar.bandcamp.com
/>
Contact: whatweaponsbringwar@gmail.com
https://metaldevastationradio.com/thebeast/blog/29412/what-weapons-bring-war-unleash-crown-of-blood-featuring-devin-swank-of-sanguisugabogg?utm_source=dlvr.it&utm_medium=blogger
Connecticut Death Metal Outfit Builds Toward October Release of Crown of Blood / Noose Rot
FOR IMMEDIATE RELEASE
Connecticut death metal outfit What Weapons Bring War have unleashed their latest single, “Crown of Blood,” featuring Devin Swank of Sanguisugabogg , delivering a brutal and psychologically charged descent into nihilism, human agency, and the consequences of choice.
Released September 10, 2026, “Crown of Blood” serves as the first chapter of What Weapons Bring War's upcoming two-song digi-pack EP, Crown of Blood / Noose Rot , now scheduled for release October 5, 2026 .
“Crown of Blood” presents a reimagining of the death of God at the hands of one man, then turns its attention toward the aftermath. Having confronted his choices and discovered the immense power and agency he possesses, the protagonist is left to reckon with what that realization means.
Rather than offering easy answers, What Weapons Bring War plunge directly into the existential fallout.
The song paints a bleak and nihilistic portrait of humanity while challenging listeners to consider some of existence's deepest questions: What gives life meaning? What happens when passion becomes obsession? How much agency does an individual truly possess, and what are the consequences of discovering that power?
Caught somewhere between revelation and destruction, “Crown of Blood” exists within a “bloodlust surreal,” where violence, existence, and meaning become increasingly difficult to separate.
The track features Devin Swank of Sanguisugabogg , bringing additional death metal firepower to What Weapons Bring War's latest assault.
The accompanying music video premiered through Slam Worldwide on September 10 , coinciding with the single's release and providing a visual counterpart to the track's dark conceptual foundation.
Now, What Weapons Bring War are using the weeks ahead to build momentum toward the full release of Crown of Blood / Noose Rot . The two-song digi-pack EP will arrive October 5, 2026 , giving the band and label additional time to expand the campaign and complete new visual material, including an upcoming visualizer.
With “Crown of Blood,” What Weapons Bring War aren't interested in offering comfortable answers. They leave the listener standing in the wreckage, staring directly into the consequences of choice, power, mortality, and existence.
The bloodlust has only begun.
“Crown of Blood” featuring Devin Swank of Sanguisugabogg is out now.
Crown of Blood / Noose Rot
Two-song digi-pack EP
October 5, 2026
WHAT WEAPONS BRING WAR
Death Metal | Connecticut, USA
“Crown of Blood” featuring Devin Swank of Sanguisugabogg
Released September 10, 2026
Music Video: Premiered via Slam Worldwide, September 10, 2026
Listen / Follow:
https://www.facebook.com/whatweaponsbringwar
/>
https://www.instagram.com/whatweaponsbringwar
/>
https://whatweaponsbringwar.bandcamp.com
/>
Contact: whatweaponsbringwar@gmail.com
https://metaldevastationradio.com/thebeast/blog/29412/what-weapons-bring-war-unleash-crown-of-blood-featuring-devin-swank-of-sanguisugabogg?utm_source=dlvr.it&utm_medium=blogger
RED VINTER SINK THE SUMMER WITH FESTIVAL SPECTACLES, RADIO SUPPORT, AND LIVE CRUSHING - @thebeast
RED VINTER SINK THE SUMMER WITH FESTIVAL SPECTACLES, RADIO SUPPORT, AND LIVE CRUSHING
Minnesota Doom/Death Metal Force Continues Momentum Behind Ghost In The Fog
St. Paul, Minnesota – Minnesota doom/death metal force Red Vinter are keeping the underground burning with a summer run of festival appearances, international radio support, and growing attention surrounding their latest full-length album, Ghost In The Fog .
Following the release of Ghost In The Fog , Red Vinter have been taking the album's crushing combination of doom, death metal, and industrial darkness to stages across the Midwest. The band recently delivered a set at Northern Wisconsin Metalfest , and now a live video clip from the performance captures Red Vinter bringing the full weight of their sound to the festival stage.
The live footage arrives on the heels of another standout festival appearance at Sparta Metal Fest on August 22nd , where Red Vinter's set was described as "massively crushing." The performance made such an impression that the band was immediately invited back for the 5th Annual Sparta Metal Fest .
While the band's live presence continues to grow, Ghost In The Fog is also finding its way into metal radio programming on both sides of the Atlantic.
The track "Swampflesh" has been spotlighted by High Speed Hangover , a metal radio show based in London, bringing Red Vinter's swampy, crushing brand of doom/death to an international audience.
Listen to the High Speed Hangover episode featuring "Swampflesh":
https://podomatic.com/podcasts/high-speed-hangover/episodes/2026-08-30T10_27_20-07_00
/>
Meanwhile, "Kill The Sun" , also from Ghost In The Fog , has received spotlight treatment from Here There Be Dragons , the metal radio show on KMSU .
With multiple tracks from the new album now receiving radio attention and the band continuing to land festival appearances, Red Vinter are steadily expanding the reach of Ghost In The Fog while building their reputation onstage.
Recorded at the legendary 14:59 Studios in Minneapolis , Ghost In The Fog was co-produced by vocalist/bassist Mike Bullock and engineer Will Maravelas , continuing the creative partnership established on Red Vinter's debut release, Lumbering Menace .
Across eight tracks, Ghost In The Fog delivers massive riffs, bleak atmosphere, death metal brutality, and industrial influence, creating a sound that is as punishing as it is immersive.
The album has also received praise from Frank Rini of Teeth of the Divine , who highlighted Red Vinter's doom/death foundation alongside influences from Winter, Skin Chamber, and Godflesh , ultimately describing Ghost In The Fog as the band's "best release" and praising its memorable, heavy songwriting.
Now, with live festival footage surfacing and tracks from Ghost In The Fog continuing to receive airplay, Red Vinter are proving that the record was built for more than headphones. It was built to be played loud.
LISTEN TO GHOST IN THE FOG
https://redvinter.bandcamp.com/album/ghost-in-the-fog
">
https://redvinter.bandcamp.com/album/ghost-in-the-fog
/>
READ THE TEETH OF THE DIVINE REVIEW
https://www.teethofthedivine.com/reviews/red-vinter-ghost-in-the-fog/
/>
RED VINTER
Doom / Death Metal
St. Paul, Minnesota
Ghost In The Fog is available now.
https://redvinter.bandcamp.com/album/ghost-in-the-fog
">
https://redvinter.bandcamp.com/album/ghost-in-the-fog
/>
For more information, music, and updates, visit:
https://redvinter.com
/>
https://metaldevastationradio.com/thebeast/blog/29411/red-vinter-sink-the-summer-with-festival-spectacles-radio-support-and-live-crushing?utm_source=dlvr.it&utm_medium=blogger
Minnesota Doom/Death Metal Force Continues Momentum Behind Ghost In The Fog
St. Paul, Minnesota – Minnesota doom/death metal force Red Vinter are keeping the underground burning with a summer run of festival appearances, international radio support, and growing attention surrounding their latest full-length album, Ghost In The Fog .
Following the release of Ghost In The Fog , Red Vinter have been taking the album's crushing combination of doom, death metal, and industrial darkness to stages across the Midwest. The band recently delivered a set at Northern Wisconsin Metalfest , and now a live video clip from the performance captures Red Vinter bringing the full weight of their sound to the festival stage.
The live footage arrives on the heels of another standout festival appearance at Sparta Metal Fest on August 22nd , where Red Vinter's set was described as "massively crushing." The performance made such an impression that the band was immediately invited back for the 5th Annual Sparta Metal Fest .
While the band's live presence continues to grow, Ghost In The Fog is also finding its way into metal radio programming on both sides of the Atlantic.
The track "Swampflesh" has been spotlighted by High Speed Hangover , a metal radio show based in London, bringing Red Vinter's swampy, crushing brand of doom/death to an international audience.
Listen to the High Speed Hangover episode featuring "Swampflesh":
https://podomatic.com/podcasts/high-speed-hangover/episodes/2026-08-30T10_27_20-07_00
/>
Meanwhile, "Kill The Sun" , also from Ghost In The Fog , has received spotlight treatment from Here There Be Dragons , the metal radio show on KMSU .
With multiple tracks from the new album now receiving radio attention and the band continuing to land festival appearances, Red Vinter are steadily expanding the reach of Ghost In The Fog while building their reputation onstage.
Recorded at the legendary 14:59 Studios in Minneapolis , Ghost In The Fog was co-produced by vocalist/bassist Mike Bullock and engineer Will Maravelas , continuing the creative partnership established on Red Vinter's debut release, Lumbering Menace .
Across eight tracks, Ghost In The Fog delivers massive riffs, bleak atmosphere, death metal brutality, and industrial influence, creating a sound that is as punishing as it is immersive.
The album has also received praise from Frank Rini of Teeth of the Divine , who highlighted Red Vinter's doom/death foundation alongside influences from Winter, Skin Chamber, and Godflesh , ultimately describing Ghost In The Fog as the band's "best release" and praising its memorable, heavy songwriting.
Now, with live festival footage surfacing and tracks from Ghost In The Fog continuing to receive airplay, Red Vinter are proving that the record was built for more than headphones. It was built to be played loud.
LISTEN TO GHOST IN THE FOG
https://redvinter.bandcamp.com/album/ghost-in-the-fog
">
https://redvinter.bandcamp.com/album/ghost-in-the-fog
/>
READ THE TEETH OF THE DIVINE REVIEW
https://www.teethofthedivine.com/reviews/red-vinter-ghost-in-the-fog/
/>
RED VINTER
Doom / Death Metal
St. Paul, Minnesota
Ghost In The Fog is available now.
https://redvinter.bandcamp.com/album/ghost-in-the-fog
">
https://redvinter.bandcamp.com/album/ghost-in-the-fog
/>
For more information, music, and updates, visit:
https://redvinter.com
/>
https://metaldevastationradio.com/thebeast/blog/29411/red-vinter-sink-the-summer-with-festival-spectacles-radio-support-and-live-crushing?utm_source=dlvr.it&utm_medium=blogger
TEMPLUM SILVA CHALLENGE THE ACCEPTANCE OF SUFFERING ON NEW ALBUM TO LEAVE BEHIND THE GIVEN - @thebeast
FOR IMMEDIATE RELEASE
TEMPLUM SILVA CHALLENGE THE ACCEPTANCE OF SUFFERING ON NEW ALBUM TO LEAVE BEHIND THE GIVEN
Bulgarian Metal Project Delivers a Philosophical Collision of Melodic Death, Progressive, and Post-Metal
Templum Silva invite listeners to question the realities they have been taught to simply accept with the release of their new album, To Leave Behind the Given , released August 20, 2026. Blending melodic death metal, progressive metal, and post-metal , the album presents a dark and introspective exploration of suffering, despair, existence, and the human tendency to rationalize the circumstances of life.
Written and recorded entirely by Yovan Parlikov , To Leave Behind the Given is built around a conceptual framework and additional lyrics contributed by Denislav Nedyalkov . Rather than treating suffering and misery as unavoidable components of some predetermined universal order, Templum Silva challenge the idea that human beings should simply accept the uglier aspects of existence because they are considered necessary or inevitable.
The album's central philosophy confronts a familiar human tendency: to explain difficult events by convincing ourselves that they happened for a reason, or that things unfolded exactly as they were supposed to. While such thinking can provide a sense of order, To Leave Behind the Given questions whether accepting that supposed order actually allows us to overcome suffering, or simply teaches us to swallow it.
"Reality is not a shared totality and is not predetermined by it."
That concept sits at the heart of Templum Silva's latest work. To Leave Behind the Given asks listeners to reconsider the assumptions placed upon existence and to recognize that suffering does not necessarily need to be justified simply because it exists.
Musically, the album's combination of melodic death metal, progressive elements, and post-metal atmosphere provides a fitting foundation for those themes, moving between heaviness, complexity, and darker expansive passages. The result is an album that approaches extreme metal not simply as an outlet for aggression, but as a vehicle for confronting difficult questions about existence and the ways people make peace with things they perhaps should not accept.
The album was mastered at Silent Observer Studio by Tomáš Svoboda , with artwork created by Nini Taneva .
To Leave Behind the Given Credits
Artist: Templum Silva
Album: To Leave Behind the Given
Release Date: August 20, 2026
Genre: Melodic Death / Progressive / Post-Metal
Music & Recording: Yovan Parlikov
Conceptual Framework & Additional Lyrics: Denislav Nedyalkov
Mastering: Tomáš Svoboda, Silent Observer Studio
Artwork: Nini Taneva
Listen Now
YouTube:
For listeners drawn to metal that combines crushing heaviness with progressive structures, atmospheric weight, and deeper philosophical themes, To Leave Behind the Given offers an opportunity to step outside the assumptions that define existence and question what we have simply been told to accept.
To Leave Behind the Given by Templum Silva
Connect:
Linktree:
https://linktr.ee/TemplumSilva
/>
Contact: templumsilva@gmail.com
https://metaldevastationradio.com/thebeast/blog/29410/templum-silva-challenge-the-acceptance-of-suffering-on-new-album-to-leave-behind-the-given?utm_source=dlvr.it&utm_medium=blogger
TEMPLUM SILVA CHALLENGE THE ACCEPTANCE OF SUFFERING ON NEW ALBUM TO LEAVE BEHIND THE GIVEN
Bulgarian Metal Project Delivers a Philosophical Collision of Melodic Death, Progressive, and Post-Metal
Templum Silva invite listeners to question the realities they have been taught to simply accept with the release of their new album, To Leave Behind the Given , released August 20, 2026. Blending melodic death metal, progressive metal, and post-metal , the album presents a dark and introspective exploration of suffering, despair, existence, and the human tendency to rationalize the circumstances of life.
Written and recorded entirely by Yovan Parlikov , To Leave Behind the Given is built around a conceptual framework and additional lyrics contributed by Denislav Nedyalkov . Rather than treating suffering and misery as unavoidable components of some predetermined universal order, Templum Silva challenge the idea that human beings should simply accept the uglier aspects of existence because they are considered necessary or inevitable.
The album's central philosophy confronts a familiar human tendency: to explain difficult events by convincing ourselves that they happened for a reason, or that things unfolded exactly as they were supposed to. While such thinking can provide a sense of order, To Leave Behind the Given questions whether accepting that supposed order actually allows us to overcome suffering, or simply teaches us to swallow it.
"Reality is not a shared totality and is not predetermined by it."
That concept sits at the heart of Templum Silva's latest work. To Leave Behind the Given asks listeners to reconsider the assumptions placed upon existence and to recognize that suffering does not necessarily need to be justified simply because it exists.
Musically, the album's combination of melodic death metal, progressive elements, and post-metal atmosphere provides a fitting foundation for those themes, moving between heaviness, complexity, and darker expansive passages. The result is an album that approaches extreme metal not simply as an outlet for aggression, but as a vehicle for confronting difficult questions about existence and the ways people make peace with things they perhaps should not accept.
The album was mastered at Silent Observer Studio by Tomáš Svoboda , with artwork created by Nini Taneva .
To Leave Behind the Given Credits
Artist: Templum Silva
Album: To Leave Behind the Given
Release Date: August 20, 2026
Genre: Melodic Death / Progressive / Post-Metal
Music & Recording: Yovan Parlikov
Conceptual Framework & Additional Lyrics: Denislav Nedyalkov
Mastering: Tomáš Svoboda, Silent Observer Studio
Artwork: Nini Taneva
Listen Now
YouTube:
For listeners drawn to metal that combines crushing heaviness with progressive structures, atmospheric weight, and deeper philosophical themes, To Leave Behind the Given offers an opportunity to step outside the assumptions that define existence and question what we have simply been told to accept.
To Leave Behind the Given by Templum Silva
Connect:
Linktree:
https://linktr.ee/TemplumSilva
/>
Contact: templumsilva@gmail.com
https://metaldevastationradio.com/thebeast/blog/29410/templum-silva-challenge-the-acceptance-of-suffering-on-new-album-to-leave-behind-the-given?utm_source=dlvr.it&utm_medium=blogger
Wednesday, September 16, 2026
CHRIS MARAGOTH REVISITS HIS MUSICAL BEGINNINGS WITH CINEMATIC NEW SINGLE “THE ENTRANCE (RENASCENTIA)” - @thebeast
FOR IMMEDIATE RELEASE
CHRIS MARAGOTH REVISITS HIS MUSICAL BEGINNINGS WITH CINEMATIC NEW SINGLE “THE ENTRANCE (RENASCENTIA)”
German Solo Artist Unveils First Chapter From Upcoming Album Bonds of Grief on September 25
Presave:
https://distrokid.com/hyperfollow/chrismaragoth/the-entrance-renascentia-feat-sanya-smileska?ref=release
/>
Release Date: September 25, 2026
Genre: Cinematic Gothic / Symphonic Metal
For Fans Of: Apocalyptica, Dark Sanctuary, Nightwish
Location: Dessau, Germany
DESSAU, GERMANY — German solo artist Chris Maragoth is set to release The Entrance (Renascentia) on September 25, 2026, introducing the first chapter of his forthcoming album Bonds of Grief . Blending cinematic gothic and symphonic metal with baroque-inspired classical elements, the instrumental single revisits one of Maragoth’s earliest compositions and transforms it through a dramatically expanded musical vision.
Originally composed in 2019 as an instrumental piece, The Entrance (Renascentia) represents both a return to Maragoth’s musical roots and a reflection of how far his artistic approach has evolved. Rather than simply reproducing the original composition, the new version reinterprets its foundation through richer orchestration, heavier guitars, refined production and a broader dynamic range.
The track begins with the delicate interplay of harpsichord and string quartet , establishing an atmosphere steeped in classical elegance before gradually giving way to heavy guitars, sweeping orchestral arrangements and expressive live strings. Entirely instrumental, the composition allows its cinematic arrangement to carry the emotional narrative, creating a dark and immersive soundscape where gothic melancholy meets symphonic grandeur.
Adding an unmistakably human dimension to the production are returning collaborators Sanya Smileska of North Macedonia on viola and Polina Faustova of Ukraine on cello . Both musicians have previously contributed to Maragoth’s work, and their performances continue an international musical collaboration that brings warmth, depth and organic character to the orchestral arrangements.
The title itself, The Entrance (Renascentia) , reflects the song’s role within the larger project. It serves as the gateway into Bonds of Grief , an upcoming album centered around instrumental storytelling, cinematic atmosphere and emotionally driven compositions.
“Revisiting one of my earliest instrumental compositions from 2019, the new version transforms the original into a cinematic blend of gothic and symphonic metal enriched by baroque-inspired elements,” says Chris Maragoth. “It is the first single from my upcoming album Bonds of Grief .”
The single also reflects Maragoth’s deliberate commitment to traditional, human-driven artistry. The Entrance (Renascentia) was created entirely without generative AI. From composition and orchestration to recording, artwork and visual promotion, every creative decision was made by human artists, emphasizing craftsmanship, collaboration and authenticity.
Mixed and mastered by Joker Tone Studio in Minden, Germany , the new production gives the composition the clarity and scale necessary to bridge its classical foundation with the weight and atmosphere of modern gothic and symphonic metal.
With The Entrance (Renascentia) , Chris Maragoth opens the door to Bonds of Grief , offering listeners the first glimpse into a larger musical journey built on emotion, orchestration, collaboration and cinematic storytelling.
The Entrance (Renascentia) will be available September 25, 2026.
Listen / Follow Chris Maragoth
Single Landing Page:
https://song.link/CM-TheEntrance
/>
Official Website:
https://www.maragoth.info/
/>
Instagram:
https://www.instagram.com/chris_maragoth/
/>
Media Contact:
Chris Maragoth
chris@maragoth.net
https://metaldevastationradio.com/thebeast/blog/29408/chris-maragoth-revisits-his-musical-beginnings-with-cinematic-new-single-the-entrance-renascentia?utm_source=dlvr.it&utm_medium=blogger
CHRIS MARAGOTH REVISITS HIS MUSICAL BEGINNINGS WITH CINEMATIC NEW SINGLE “THE ENTRANCE (RENASCENTIA)”
German Solo Artist Unveils First Chapter From Upcoming Album Bonds of Grief on September 25
Presave:
https://distrokid.com/hyperfollow/chrismaragoth/the-entrance-renascentia-feat-sanya-smileska?ref=release
/>
Release Date: September 25, 2026
Genre: Cinematic Gothic / Symphonic Metal
For Fans Of: Apocalyptica, Dark Sanctuary, Nightwish
Location: Dessau, Germany
DESSAU, GERMANY — German solo artist Chris Maragoth is set to release The Entrance (Renascentia) on September 25, 2026, introducing the first chapter of his forthcoming album Bonds of Grief . Blending cinematic gothic and symphonic metal with baroque-inspired classical elements, the instrumental single revisits one of Maragoth’s earliest compositions and transforms it through a dramatically expanded musical vision.
Originally composed in 2019 as an instrumental piece, The Entrance (Renascentia) represents both a return to Maragoth’s musical roots and a reflection of how far his artistic approach has evolved. Rather than simply reproducing the original composition, the new version reinterprets its foundation through richer orchestration, heavier guitars, refined production and a broader dynamic range.
The track begins with the delicate interplay of harpsichord and string quartet , establishing an atmosphere steeped in classical elegance before gradually giving way to heavy guitars, sweeping orchestral arrangements and expressive live strings. Entirely instrumental, the composition allows its cinematic arrangement to carry the emotional narrative, creating a dark and immersive soundscape where gothic melancholy meets symphonic grandeur.
Adding an unmistakably human dimension to the production are returning collaborators Sanya Smileska of North Macedonia on viola and Polina Faustova of Ukraine on cello . Both musicians have previously contributed to Maragoth’s work, and their performances continue an international musical collaboration that brings warmth, depth and organic character to the orchestral arrangements.
The title itself, The Entrance (Renascentia) , reflects the song’s role within the larger project. It serves as the gateway into Bonds of Grief , an upcoming album centered around instrumental storytelling, cinematic atmosphere and emotionally driven compositions.
“Revisiting one of my earliest instrumental compositions from 2019, the new version transforms the original into a cinematic blend of gothic and symphonic metal enriched by baroque-inspired elements,” says Chris Maragoth. “It is the first single from my upcoming album Bonds of Grief .”
The single also reflects Maragoth’s deliberate commitment to traditional, human-driven artistry. The Entrance (Renascentia) was created entirely without generative AI. From composition and orchestration to recording, artwork and visual promotion, every creative decision was made by human artists, emphasizing craftsmanship, collaboration and authenticity.
Mixed and mastered by Joker Tone Studio in Minden, Germany , the new production gives the composition the clarity and scale necessary to bridge its classical foundation with the weight and atmosphere of modern gothic and symphonic metal.
With The Entrance (Renascentia) , Chris Maragoth opens the door to Bonds of Grief , offering listeners the first glimpse into a larger musical journey built on emotion, orchestration, collaboration and cinematic storytelling.
The Entrance (Renascentia) will be available September 25, 2026.
Listen / Follow Chris Maragoth
Single Landing Page:
https://song.link/CM-TheEntrance
/>
Official Website:
https://www.maragoth.info/
/>
Instagram:
https://www.instagram.com/chris_maragoth/
/>
Media Contact:
Chris Maragoth
chris@maragoth.net
https://metaldevastationradio.com/thebeast/blog/29408/chris-maragoth-revisits-his-musical-beginnings-with-cinematic-new-single-the-entrance-renascentia?utm_source=dlvr.it&utm_medium=blogger
BLACK HOLE ZION UNVEILS NEW EP 21ST CENTURY NERVOUS BREAKDOWN | OUT NOW - @thebeast
FOR IMMEDIATE RELEASE
BLACK HOLE ZION UNVEILS NEW EP 21ST CENTURY NERVOUS BREAKDOWN | OUT NOW
For Fans Of: Rob Zombie, 3TEETH, Ministry, Nine Inch Nails, Devin Townsend
Prepare for a sonic descent into a fractured reality as Black Hole Zion , the ever-evolving musical project created by Mark Benincosa , officially unleashes its latest EP, 21st Century Nervous Breakdown .
Now available worldwide, the new EP delivers a collision of crushing metal riffs, industrial electronics, cinematic atmosphere, and moments of unexpected melody. 21st Century Nervous Breakdown expands the immersive universe Black Hole Zion has been building through concept albums, soundtracks, meditation music, and heavy music, resulting in an experience that feels intensely personal, metaphysical, and eerily futuristic.
Driven by Mark's fascination with science fiction, psychology, metaphysics, altered states of consciousness, and the transformative power of surviving life's darkest moments, Black Hole Zion exists as more than just a band. It is an interconnected artistic world where every release contributes another chapter to a larger mythology.
With 21st Century Nervous Breakdown , Black Hole Zion delivers an ambitious collection of songs that seamlessly fuses heavy guitars with jagged industrial textures, pulsing electronics, and memorable hooks. The EP balances raw emotional weight with fictional storytelling, creating an experience that reflects the anxieties, isolation, and resilience of modern existence.
The EP is further brought to life through its visual component, including the music video for "The War" and the upcoming video for "I'm Carrying Poison," offering listeners an even deeper glimpse into the project's visually rich and psychologically charged universe.
Whether performing with a full band or crafting music as a solo visionary, Mark Benincosa and Black Hole Zion continue to blur the boundaries between heavy music, electronic experimentation, and cinematic storytelling, inviting listeners to lose themselves inside a world that feels unsettlingly familiar.
21st Century Nervous Breakdown is out now via self-release .
Production Credits
Produced by: Mark Benincosa
Recording & Mixing:
Mark Benincosa: All tracks except I'm Carrying Poison and I Don't Care if This Thing Crashes
Mark Poole: I'm Carrying Poison and I Don't Care if This Thing Crashes
Mastered by: Mark Benincosa
Co-Produced by: Mark Poole ( I'm Carrying Poison and I Don't Care if This Thing Crashes )
Release Date: August 3, 2026
Genre: Metal / Industrial Metal
FFO: Rob Zombie, 3TEETH, Ministry, Nine Inch Nails, Devin Townsend
Follow and stream:
https://open.spotify.com/track/2GzsGMhyztdqyfLjEnj6ih
/>
https://blackholezion.com
/>
https://www.facebook.com/blackholezion
/>
https://www.instagram.com/blackholezion/
/>
https://www.youtube.com/channel/UC7lDG_o4UZ8GXAgC6RbUwdQ
/>
https://blackholezion.bandcamp.com/
/>
https://open.spotify.com/artist/7qF4OB2vH1TdQcWd3Pm0WJ
/>
https://music.apple.com/us/artist/black-hole-zion/892614682
/>
https://bsky.app/profile/blackholezion.bsky.social
/>
https://metaldevastationradio.com/thebeast/blog/29407/black-hole-zion-unveils-new-ep-21st-century-nervous-breakdown-out-now?utm_source=dlvr.it&utm_medium=blogger
BLACK HOLE ZION UNVEILS NEW EP 21ST CENTURY NERVOUS BREAKDOWN | OUT NOW
For Fans Of: Rob Zombie, 3TEETH, Ministry, Nine Inch Nails, Devin Townsend
Prepare for a sonic descent into a fractured reality as Black Hole Zion , the ever-evolving musical project created by Mark Benincosa , officially unleashes its latest EP, 21st Century Nervous Breakdown .
Now available worldwide, the new EP delivers a collision of crushing metal riffs, industrial electronics, cinematic atmosphere, and moments of unexpected melody. 21st Century Nervous Breakdown expands the immersive universe Black Hole Zion has been building through concept albums, soundtracks, meditation music, and heavy music, resulting in an experience that feels intensely personal, metaphysical, and eerily futuristic.
Driven by Mark's fascination with science fiction, psychology, metaphysics, altered states of consciousness, and the transformative power of surviving life's darkest moments, Black Hole Zion exists as more than just a band. It is an interconnected artistic world where every release contributes another chapter to a larger mythology.
With 21st Century Nervous Breakdown , Black Hole Zion delivers an ambitious collection of songs that seamlessly fuses heavy guitars with jagged industrial textures, pulsing electronics, and memorable hooks. The EP balances raw emotional weight with fictional storytelling, creating an experience that reflects the anxieties, isolation, and resilience of modern existence.
The EP is further brought to life through its visual component, including the music video for "The War" and the upcoming video for "I'm Carrying Poison," offering listeners an even deeper glimpse into the project's visually rich and psychologically charged universe.
Whether performing with a full band or crafting music as a solo visionary, Mark Benincosa and Black Hole Zion continue to blur the boundaries between heavy music, electronic experimentation, and cinematic storytelling, inviting listeners to lose themselves inside a world that feels unsettlingly familiar.
21st Century Nervous Breakdown is out now via self-release .
Production Credits
Produced by: Mark Benincosa
Recording & Mixing:
Mark Benincosa: All tracks except I'm Carrying Poison and I Don't Care if This Thing Crashes
Mark Poole: I'm Carrying Poison and I Don't Care if This Thing Crashes
Mastered by: Mark Benincosa
Co-Produced by: Mark Poole ( I'm Carrying Poison and I Don't Care if This Thing Crashes )
Release Date: August 3, 2026
Genre: Metal / Industrial Metal
FFO: Rob Zombie, 3TEETH, Ministry, Nine Inch Nails, Devin Townsend
Follow and stream:
https://open.spotify.com/track/2GzsGMhyztdqyfLjEnj6ih
/>
https://blackholezion.com
/>
https://www.facebook.com/blackholezion
/>
https://www.instagram.com/blackholezion/
/>
https://www.youtube.com/channel/UC7lDG_o4UZ8GXAgC6RbUwdQ
/>
https://blackholezion.bandcamp.com/
/>
https://open.spotify.com/artist/7qF4OB2vH1TdQcWd3Pm0WJ
/>
https://music.apple.com/us/artist/black-hole-zion/892614682
/>
https://bsky.app/profile/blackholezion.bsky.social
/>
https://metaldevastationradio.com/thebeast/blog/29407/black-hole-zion-unveils-new-ep-21st-century-nervous-breakdown-out-now?utm_source=dlvr.it&utm_medium=blogger
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