FOR IMMEDIATE RELEASE
THRENODY RETURNS TO THE FILTH WITH NEW SINGLE “FLASHLIGHT OVER FILTH”
Old-School Death Metal Veterans Unleash the First Taste of Upcoming EP They Looked Better Dead
Release Date: August 19, 2026
Genre: Old-School Death Metal / Grindcore
For Fans Of: Bolt Thrower, Carcass, Death
READING, PA — Some bands form. Some bands disappear. And some refuse to stay dead.
Old-school death metal veterans Threnody have unleashed “Flashlight over Filth,” the first single from their forthcoming EP They Looked Better Dead . Released August 19, 2026, the track marks the latest chapter in a story that began nearly four decades ago in the underground of Reading, Pennsylvania.
In 1988 , five young musicians from Berks County, Pennsylvania, joined forces with a singular purpose: to create music capable of devastating everything in its path. Todd handled the microphone, Rich took command of the drums, Bill and Sean wielded guitars, and Dave held down the bass. Together, they became Threnody .
Initially influenced by underground gods including Carcass, Entombed, and Obituary , the band quickly moved beyond imitation, developing its own identity and establishing itself as a formidable force in the Reading metal scene.
For nearly two years, Threnody sharpened its attack from the top of the local underground, eventually unleashing the six-song EP Internal Infestation in late 1990. The release ignited a demand for live performances, sending the band into a relentless campaign of shows and further honing its lethal sound.
Their proving ground was Unisound , Reading's only all-ages club at the time, where Threnody continued building its reputation among the underground faithful.
The band began writing more material and recorded another EP, but before that next chapter could be released, fate intervened. The record remained unreleased, and the original members eventually went their separate ways.
Then came 2020.
During the global pandemic, guitarist Bill set out to reignite the torch and reunite Threnody's original members. Founding members Sean and Dave returned, while vocalist Todd and drummer Rich were unable to participate. With the world locked down and distance becoming little more than a technical obstacle, Harry from the UK and David from Ecuador joined the resurrected lineup on vocals and drums.
Rather than simply dusting off the past, Threnody took eight songs originally written more than 30 years earlier and re-visioned them for a new era. The result was the band's first full-length album, Rid of Flesh .
Now Threnody is moving forward once again.
“Flashlight over Filth” serves as the first single from the upcoming EP They Looked Better Dead , delivering another dose of the band's old-school death metal and grindcore attack. The track was produced by Threnody , with mixing and mastering handled by Steve Perrino .
This isn't nostalgia dressed up as death metal.
This is a band that was there when the underground was being built, disappeared, came back decades later, and decided it still wasn't finished.
The riffs are still loaded.
The filth is still there.
And the torch is still burning.
Let it rip.
STREAM “FLASHLIGHT OVER FILTH”
https://linktr.ee/threnody
">
https://linktr.ee/threnody
/>
ABOUT THRENODY
Formed in 1988 in Reading, Pennsylvania, Threnody emerged from the formative underground death metal scene of the late 1980s. Influenced initially by Carcass, Entombed, and Obituary, the band quickly forged its own identity and became a force in the local scene.
In 1990, Threnody released the six-song EP Internal Infestation and built a reputation through relentless live performances, including shows at Reading's legendary all-ages venue Unisound. A second EP was recorded but never released before the original members eventually went their separate ways.
Three decades later, guitarist Bill began the process of resurrecting the band. With Sean and Dave returning and Harry from the UK and David from Ecuador joining on vocals and drums, Threnody transformed eight songs originally written in the early 1990s into the 2020 full-length Rid of Flesh .
Now the band continues that resurrection with its forthcoming EP They Looked Better Dead and its first single, “Flashlight over Filth.”
Threnody isn't looking to recreate the past. They're bringing it back to life.
Flashlight over Filth by Threnody
Connect:
https://linktr.ee/threnody
">
https://linktr.ee/threnody
/>
Contact: threnodyusgrindgore@gmail.com
https://metaldevastationradio.com/thebeast/blog/29446/threnody-returns-to-the-filth-with-new-single-flashlight-over-filth?utm_source=dlvr.it&utm_medium=blogger
Metal Devastation Radio Blog
Wednesday, September 30, 2026
The Prodigal Son, Darkwave, Carceral, AntiMozdeBeast, Flight Of Odin, PainDemic, Nothing Sacred & Symphony Of Destiny Featured in Rock Hard 111 - @thebeast
METAL DEVASTATION PR BANDS FEATURED THROUGHOUT THE NEW ISSUE OF ROCK HARD MAGAZINE
ACCEPT GRACES THE COVER OF ROCK HARD 111 AS MULTIPLE METAL DEVASTATION PR ARTISTS Earn Reviews, Features, and In-Depth Interviews
The new issue of Rock Hard Magazine is officially out now, and it is packed with coverage for artists represented by Metal Devastation PR .
With Accept commanding the cover of Rock Hard 111 , the latest issue delivers a strong showing for independent and underground metal, with multiple Metal Devastation PR clients appearing throughout the magazine in reviews, feature interviews, and artist profiles.
From progressive metal and extreme industrial experimentation to classic heavy metal, symphonic metal, doom, thrash, and death metal, this issue showcases just how wide-ranging the Metal Devastation PR roster has become.
Here is a look at the coverage.
THE PRODIGAL SON
RUMOR | Rating: 7.5/10
Los Angeles progressive metal veterans The Prodigal Son receive a strong 7.5/10 rating for Rumor , with Rock Hard highlighting the band's long history and continued evolution since their beginnings in 1994.
The review praises the band's "complex, evolved progressive metal," intricate arrangements, technical ability, and ambitious songwriting, while drawing comparisons to the early work of Nevermore.
Rock Hard describes the track as a "successful and remarkably well-packaged mix" and points to the release as another major step forward for the veteran Los Angeles act.
THEPRODIGALSONBAND.COM
Silence Of Kaos by TPS
DARKWAVE
EVANESCENT HORIZONS | Rating: 8/10
Hungarian progressive death metal project Darkwave , created by Zsolt Némethy, earns an impressive 8/10 for Evanescent Horizons .
Rock Hard notes that the new release pushes the project beyond the already acclaimed Horror Sacri , expanding its dark and decadent atmosphere while introducing new layers of experimentation.
The review specifically highlights tracks such as Gaslight Elegy , The Parchment Night , and Farewell To The Angel Of Sardis , praising Némethy's compositional and performance abilities and his commitment to highly personal musical ideas.
FACEBOOK.COM/DARKWAVEMETAL
Evanescent Horizons by Darkwave
CARCERAL
DESCENDING REPRISAL | Rating: 7.5/10
Brazilian instrumental death/thrash act Carceral earns a 7.5/10 for their debut release Descending Reprisal .
Rock Hard calls attention to the unusual structure of the album, which contains 24 tracks , most of which clock in at under two minutes.
The review praises the band's complex structures, guitar and bass work, virtuosity, and willingness to experiment across a wide range of musical ideas. Despite being a debut, the record demonstrates what Rock Hard describes as a level of maturity and preparation that immediately stands out.
CARCERALOFFICIAL.COM
Descending Reprisal by CARCERAL
ANTIMoZDEBEAST
PROPHECY | Rating: 7.5/10
Gabriel Palacio's AntiMozdeBeast project returns to the pages of Rock Hard with Prophecy , earning a 7.5/10 rating.
The review describes an increasingly unsettling musical world built from avant-garde soundscapes, industrial passages, black metal elements, noise, and chaotic rhythmic structures.
Rock Hard highlights tracks including Leap Of Fate and End Of Faith , emphasizing the project's uncompromising approach and its ability to challenge the listener through abrasive and experimental compositions.
The review ultimately describes the release as "the new frontier of an anarchic and iconoclastic devastation."
LINKTR.EE/ANTIMOZDEBEAST
Prophecy by AntiMozdeBeast
FLIGHT OF ODIN
I TRAVELED THE CROOKED PATH | Rating: 9/10
SELF-PRODUCTION OF THE MONTH
One of the biggest highlights for Metal Devastation PR in the issue belongs to Flight Of Odin , whose I Traveled The Crooked Path earns an outstanding 9/10 and the distinction of Self-Production Of The Month .
Rock Hard describes surrendering to Flight Of Odin's doom soundscapes as entering "fog-drenched moors" populated by ethereal and elusive entities.
The review praises the band's syncopated pacing, dreamlike and psychedelic atmosphere, melodic sensibility, experimental passages, and especially the near-constant presence of piano within their sound.
At the center of it all is Xyra's warm and magnetic vocal performance, which Rock Hard says provides a faint sense of comfort within the band's otherwise shadowy musical world.
The magazine describes Flight Of Odin's music as captivating, enchanting, visionary, ecstatic, and ritualistic.
FLIGHTOFODIN.NET
I Traveled the Crooked Path by Flight of Odin
PAINDEMIC
REWRITING HISTORY
California heavy metal outfit PainDemic are featured in an in-depth interview with bassist Gary Monardo and vocalist Rob Perkins , discussing the band's origins, musical direction, lineup, songwriting, and debut single FWF , short for Fuck With Fate .
Gary explains that the band was formed around a desire to bring back a heavy metal sound built around powerful riffs while retaining memorable melodies. The band's influences reach back to the era when Metallica, Anthrax, and Slayer were exploding onto the scene.
The interview also explores the chemistry between veteran members and guitarist Cheyenne Scott , whose energy, work ethic, and different approach helped shape the band's current lineup.
Gary explains that while his earlier work with Hirax focused heavily on speed, PainDemic is taking a different approach, emphasizing heavier riffs, tempo changes, transitions, and carefully constructed arrangements.
Rob discusses the personal experiences behind FWF , while also explaining the band's commitment to authenticity and creating music that translates naturally to the live stage.
FACEBOOK.COM/PAINDEMIC
FWF by Paindemic
NOTHING SACRED
THE ROAR OF OLD LIONS
Australian heavy metal veterans Nothing Sacred are featured in an extensive interview discussing their decades-long history, the current resurgence of classic heavy metal, their latest single Your Time Will Come , and their decision to revisit Black Sabbath's Am I Going Insane .
The band makes it clear that despite more than four decades of history, their motivation remains essentially unchanged: writing and playing the kind of heavy music they genuinely love.
Sham discusses the importance of avoiding becoming a shadow of the band's former self, while Karl reflects on how the group's approach to the music industry has changed over the years.
The interview also explores the inspiration behind Your Time Will Come , a song centered around someone refusing to compromise what they believe is right.
And when it comes to their Black Sabbath cover, Sham explains why Am I Going Insane was one of the rare Sabbath classics they felt could be transformed without sacrificing the original song's character.
The band also reflects on touring abroad and the financial realities that have shaped their career.
NOTHING SACRED. THE ROAR OF OLD LIONS STILL HAS TEETH.
NOTHING SACRED.COM.AU
Leviathan by Nothing Sacred
SYMPHONY OF DESTINY
ON THE BANKS OF THE NILE
American symphonic metal act Symphony Of Destiny are featured in an interview centered around their debut release Heroes Of Egypt and the band's unique combination of heavy metal, classical composition, cinematic orchestration, and ancient Egyptian mythology.
Composer and guitarist Wesley Eldridge discusses how the members' classical training has been translated into the band's metal sound, combining cinematic orchestration, dynamic songwriting, seven-string guitars, and instrumental technique.
The interview explores the band's carefully planned artistic direction, which was built around mythology and ancient civilizations from the project's earliest stages.
Eldridge also discusses his fascination with ancient Egypt, including the musical atmospheres associated with film soundtracks, and explains how he and vocalist Anne Dueweke researched the original myths behind figures including Ra, Bastet, and Horus .
Rather than simply retelling ancient stories, the band approaches each song from a different perspective, connecting mythology with modern emotions and experiences.
SYMPHONYOFDESTINY.COM
Heroes of Egypt by Symphony of Destiny
ANTANIA
THE UNHOLY 33 | Rating: 7/10
California electronic extreme metal duo Antania round out the Metal Devastation PR coverage with a 7/10 review for The Unholy 33 .
Rock Hard highlights the project's unconventional approach, built entirely from synths, distortion, programmed drum machines, and vocals, with no guitars or bass.
The album combines extreme metal with industrial electronics, oppressive atmospheres, blast beats, mid-tempo passages, and excursions into electronic styles including drum 'n' bass.
Rock Hard notes that traditional songwriting structures are deliberately avoided, creating a challenging listening experience that demands patience while offering plenty for listeners interested in the intersection of extreme metal and industrial electronics.
https://linktr.ee/antaniaofficial
METAL DEVASTATION PR CONTINUES TO BREAK THROUGH
From a 9/10 Self-Production Of The Month for Flight Of Odin to strong reviews for The Prodigal Son, Darkwave, Carceral, AntiMozdeBeast, and Antania, plus major interview features for PainDemic, Nothing Sacred, and Symphony Of Destiny, the new issue of Rock Hard Magazine represents another major round of international exposure for Metal Devastation PR artists.
This is exactly the kind of coverage we work to secure for independent metal artists: legitimate editorial coverage from established metal media, covering the music itself while giving the artists a platform to tell their stories in their own words.
A huge congratulations to all of the artists featured in Rock Hard 111 .
Metal Devastation PR
Major Metal Media. Real Coverage. Worldwide Exposure.
Grab a copy here:
https://www.rockharditaly.com/shop/it/arretrati/328-rock-hard-settembre-2026.html
/>
https://metaldevastationradio.com/thebeast/blog/29445/the-prodigal-son-darkwave-carceral-antimozdebeast-flight-of-odin-paindemic-nothing-sacred-symphony-of-destiny-featured-i?utm_source=dlvr.it&utm_medium=blogger
ACCEPT GRACES THE COVER OF ROCK HARD 111 AS MULTIPLE METAL DEVASTATION PR ARTISTS Earn Reviews, Features, and In-Depth Interviews
The new issue of Rock Hard Magazine is officially out now, and it is packed with coverage for artists represented by Metal Devastation PR .
With Accept commanding the cover of Rock Hard 111 , the latest issue delivers a strong showing for independent and underground metal, with multiple Metal Devastation PR clients appearing throughout the magazine in reviews, feature interviews, and artist profiles.
From progressive metal and extreme industrial experimentation to classic heavy metal, symphonic metal, doom, thrash, and death metal, this issue showcases just how wide-ranging the Metal Devastation PR roster has become.
Here is a look at the coverage.
THE PRODIGAL SON
RUMOR | Rating: 7.5/10
Los Angeles progressive metal veterans The Prodigal Son receive a strong 7.5/10 rating for Rumor , with Rock Hard highlighting the band's long history and continued evolution since their beginnings in 1994.
The review praises the band's "complex, evolved progressive metal," intricate arrangements, technical ability, and ambitious songwriting, while drawing comparisons to the early work of Nevermore.
Rock Hard describes the track as a "successful and remarkably well-packaged mix" and points to the release as another major step forward for the veteran Los Angeles act.
THEPRODIGALSONBAND.COM
Silence Of Kaos by TPS
DARKWAVE
EVANESCENT HORIZONS | Rating: 8/10
Hungarian progressive death metal project Darkwave , created by Zsolt Némethy, earns an impressive 8/10 for Evanescent Horizons .
Rock Hard notes that the new release pushes the project beyond the already acclaimed Horror Sacri , expanding its dark and decadent atmosphere while introducing new layers of experimentation.
The review specifically highlights tracks such as Gaslight Elegy , The Parchment Night , and Farewell To The Angel Of Sardis , praising Némethy's compositional and performance abilities and his commitment to highly personal musical ideas.
FACEBOOK.COM/DARKWAVEMETAL
Evanescent Horizons by Darkwave
CARCERAL
DESCENDING REPRISAL | Rating: 7.5/10
Brazilian instrumental death/thrash act Carceral earns a 7.5/10 for their debut release Descending Reprisal .
Rock Hard calls attention to the unusual structure of the album, which contains 24 tracks , most of which clock in at under two minutes.
The review praises the band's complex structures, guitar and bass work, virtuosity, and willingness to experiment across a wide range of musical ideas. Despite being a debut, the record demonstrates what Rock Hard describes as a level of maturity and preparation that immediately stands out.
CARCERALOFFICIAL.COM
Descending Reprisal by CARCERAL
ANTIMoZDEBEAST
PROPHECY | Rating: 7.5/10
Gabriel Palacio's AntiMozdeBeast project returns to the pages of Rock Hard with Prophecy , earning a 7.5/10 rating.
The review describes an increasingly unsettling musical world built from avant-garde soundscapes, industrial passages, black metal elements, noise, and chaotic rhythmic structures.
Rock Hard highlights tracks including Leap Of Fate and End Of Faith , emphasizing the project's uncompromising approach and its ability to challenge the listener through abrasive and experimental compositions.
The review ultimately describes the release as "the new frontier of an anarchic and iconoclastic devastation."
LINKTR.EE/ANTIMOZDEBEAST
Prophecy by AntiMozdeBeast
FLIGHT OF ODIN
I TRAVELED THE CROOKED PATH | Rating: 9/10
SELF-PRODUCTION OF THE MONTH
One of the biggest highlights for Metal Devastation PR in the issue belongs to Flight Of Odin , whose I Traveled The Crooked Path earns an outstanding 9/10 and the distinction of Self-Production Of The Month .
Rock Hard describes surrendering to Flight Of Odin's doom soundscapes as entering "fog-drenched moors" populated by ethereal and elusive entities.
The review praises the band's syncopated pacing, dreamlike and psychedelic atmosphere, melodic sensibility, experimental passages, and especially the near-constant presence of piano within their sound.
At the center of it all is Xyra's warm and magnetic vocal performance, which Rock Hard says provides a faint sense of comfort within the band's otherwise shadowy musical world.
The magazine describes Flight Of Odin's music as captivating, enchanting, visionary, ecstatic, and ritualistic.
FLIGHTOFODIN.NET
I Traveled the Crooked Path by Flight of Odin
PAINDEMIC
REWRITING HISTORY
California heavy metal outfit PainDemic are featured in an in-depth interview with bassist Gary Monardo and vocalist Rob Perkins , discussing the band's origins, musical direction, lineup, songwriting, and debut single FWF , short for Fuck With Fate .
Gary explains that the band was formed around a desire to bring back a heavy metal sound built around powerful riffs while retaining memorable melodies. The band's influences reach back to the era when Metallica, Anthrax, and Slayer were exploding onto the scene.
The interview also explores the chemistry between veteran members and guitarist Cheyenne Scott , whose energy, work ethic, and different approach helped shape the band's current lineup.
Gary explains that while his earlier work with Hirax focused heavily on speed, PainDemic is taking a different approach, emphasizing heavier riffs, tempo changes, transitions, and carefully constructed arrangements.
Rob discusses the personal experiences behind FWF , while also explaining the band's commitment to authenticity and creating music that translates naturally to the live stage.
FACEBOOK.COM/PAINDEMIC
FWF by Paindemic
NOTHING SACRED
THE ROAR OF OLD LIONS
Australian heavy metal veterans Nothing Sacred are featured in an extensive interview discussing their decades-long history, the current resurgence of classic heavy metal, their latest single Your Time Will Come , and their decision to revisit Black Sabbath's Am I Going Insane .
The band makes it clear that despite more than four decades of history, their motivation remains essentially unchanged: writing and playing the kind of heavy music they genuinely love.
Sham discusses the importance of avoiding becoming a shadow of the band's former self, while Karl reflects on how the group's approach to the music industry has changed over the years.
The interview also explores the inspiration behind Your Time Will Come , a song centered around someone refusing to compromise what they believe is right.
And when it comes to their Black Sabbath cover, Sham explains why Am I Going Insane was one of the rare Sabbath classics they felt could be transformed without sacrificing the original song's character.
The band also reflects on touring abroad and the financial realities that have shaped their career.
NOTHING SACRED. THE ROAR OF OLD LIONS STILL HAS TEETH.
NOTHING SACRED.COM.AU
Leviathan by Nothing Sacred
SYMPHONY OF DESTINY
ON THE BANKS OF THE NILE
American symphonic metal act Symphony Of Destiny are featured in an interview centered around their debut release Heroes Of Egypt and the band's unique combination of heavy metal, classical composition, cinematic orchestration, and ancient Egyptian mythology.
Composer and guitarist Wesley Eldridge discusses how the members' classical training has been translated into the band's metal sound, combining cinematic orchestration, dynamic songwriting, seven-string guitars, and instrumental technique.
The interview explores the band's carefully planned artistic direction, which was built around mythology and ancient civilizations from the project's earliest stages.
Eldridge also discusses his fascination with ancient Egypt, including the musical atmospheres associated with film soundtracks, and explains how he and vocalist Anne Dueweke researched the original myths behind figures including Ra, Bastet, and Horus .
Rather than simply retelling ancient stories, the band approaches each song from a different perspective, connecting mythology with modern emotions and experiences.
SYMPHONYOFDESTINY.COM
Heroes of Egypt by Symphony of Destiny
ANTANIA
THE UNHOLY 33 | Rating: 7/10
California electronic extreme metal duo Antania round out the Metal Devastation PR coverage with a 7/10 review for The Unholy 33 .
Rock Hard highlights the project's unconventional approach, built entirely from synths, distortion, programmed drum machines, and vocals, with no guitars or bass.
The album combines extreme metal with industrial electronics, oppressive atmospheres, blast beats, mid-tempo passages, and excursions into electronic styles including drum 'n' bass.
Rock Hard notes that traditional songwriting structures are deliberately avoided, creating a challenging listening experience that demands patience while offering plenty for listeners interested in the intersection of extreme metal and industrial electronics.
https://linktr.ee/antaniaofficial
METAL DEVASTATION PR CONTINUES TO BREAK THROUGH
From a 9/10 Self-Production Of The Month for Flight Of Odin to strong reviews for The Prodigal Son, Darkwave, Carceral, AntiMozdeBeast, and Antania, plus major interview features for PainDemic, Nothing Sacred, and Symphony Of Destiny, the new issue of Rock Hard Magazine represents another major round of international exposure for Metal Devastation PR artists.
This is exactly the kind of coverage we work to secure for independent metal artists: legitimate editorial coverage from established metal media, covering the music itself while giving the artists a platform to tell their stories in their own words.
A huge congratulations to all of the artists featured in Rock Hard 111 .
Metal Devastation PR
Major Metal Media. Real Coverage. Worldwide Exposure.
Grab a copy here:
https://www.rockharditaly.com/shop/it/arretrati/328-rock-hard-settembre-2026.html
/>
https://metaldevastationradio.com/thebeast/blog/29445/the-prodigal-son-darkwave-carceral-antimozdebeast-flight-of-odin-paindemic-nothing-sacred-symphony-of-destiny-featured-i?utm_source=dlvr.it&utm_medium=blogger
Tuesday, September 29, 2026
LOST RELICS RELEASE NEW EP MONUMENTS TO THE USELESS VIA GOLDEN ROBOT RECORDS - @thebeast
FOR IMMEDIATE RELEASE
LOST RELICS RELEASE NEW EP MONUMENTS TO THE USELESS VIA GOLDEN ROBOT RECORDS
Denver sludge and dirt rock trio unleash five tracks of crushing riffs, abrasive noise, and bleak atmosphere
Denver, Colorado sludge and dirt rock heavyweights Lost Relics have officially released their new EP, Monuments to the Useless , worldwide via Golden Robot Records .
Originally previewed by the singles “Saint Catharines” and “False Idols,” the five-track EP is now available in full on all major streaming platforms.
Built from weight, tension, noise, and raw emotional pressure, Monuments to the Useless finds Lost Relics pushing their sound deeper into the darkness. The band combines abrasive sludge, noise, post-hardcore aggression, and dirt-soaked rock into something chaotic, punishing, and hypnotic all at once.
Formed in 2018, Lost Relics have developed a distinctive three-vocalist attack that gives their music an unpredictable and confrontational edge. Their sound carries the crushing density of the underground while leaving plenty of room for hypnotic passages, atmosphere, and carefully constructed tension.
Across Monuments to the Useless , the band moves between hypnotic desert rock passages and punishing sludge-driven intensity. Riffs, vocals, noise, and atmosphere constantly collide, creating a sense of pressure that builds throughout the release rather than simply relying on sheer volume.
The EP draws inspiration from the bleak expansiveness of Neurosis , the raw experimental force of Melvins , and the abrasive urgency of KEN mode , while Lost Relics shape those influences into their own distinct sound.
Lyrically, Monuments to the Useless explores disillusionment, aggression, pressure, and the quiet collapse of modern life. There is no attempt to polish away the ugliness or provide an easy escape. Instead, the band embraces the discomfort and lets the songs sit in the tension.
“Saint Catharines” opens the door, while “False Idols” and the remaining tracks expand the EP's bleak and uncompromising atmosphere into a complete statement.
Monuments to the Useless was recorded and mixed by Felipe Patino at Green Door Studios in Denver, Colorado, and mastered by Jason Livermore at The Blasting Room in Fort Collins, Colorado.
The EP is available worldwide now through Golden Robot Records .
Listen to Monuments to the Useless Now:
https://orcd.co/monuments-to-the-useless
/>
Lost Relics
Monuments to the Useless
OUT NOW
Golden Robot Records
Connect:
https://www.gigaboogie.com/lost-relics/electronic-press-kit
/>
https://www.facebook.com/LostRelicsDenver
/>
https://www.instagram.com/lostrelicsband/
/>
http://www.youtube.com/@lostrelics8355
/>
https://lostrelics.bandcamp.com/
/>
https://open.spotify.com/artist/72LrIzEDjX4Nz2ZwTaDTFC
/>
Contact: lostrelics303@gmail.com
https://metaldevastationradio.com/thebeast/blog/29444/lost-relics-release-new-ep-monuments-to-the-useless-via-golden-robot-records?utm_source=dlvr.it&utm_medium=blogger
LOST RELICS RELEASE NEW EP MONUMENTS TO THE USELESS VIA GOLDEN ROBOT RECORDS
Denver sludge and dirt rock trio unleash five tracks of crushing riffs, abrasive noise, and bleak atmosphere
Denver, Colorado sludge and dirt rock heavyweights Lost Relics have officially released their new EP, Monuments to the Useless , worldwide via Golden Robot Records .
Originally previewed by the singles “Saint Catharines” and “False Idols,” the five-track EP is now available in full on all major streaming platforms.
Built from weight, tension, noise, and raw emotional pressure, Monuments to the Useless finds Lost Relics pushing their sound deeper into the darkness. The band combines abrasive sludge, noise, post-hardcore aggression, and dirt-soaked rock into something chaotic, punishing, and hypnotic all at once.
Formed in 2018, Lost Relics have developed a distinctive three-vocalist attack that gives their music an unpredictable and confrontational edge. Their sound carries the crushing density of the underground while leaving plenty of room for hypnotic passages, atmosphere, and carefully constructed tension.
Across Monuments to the Useless , the band moves between hypnotic desert rock passages and punishing sludge-driven intensity. Riffs, vocals, noise, and atmosphere constantly collide, creating a sense of pressure that builds throughout the release rather than simply relying on sheer volume.
The EP draws inspiration from the bleak expansiveness of Neurosis , the raw experimental force of Melvins , and the abrasive urgency of KEN mode , while Lost Relics shape those influences into their own distinct sound.
Lyrically, Monuments to the Useless explores disillusionment, aggression, pressure, and the quiet collapse of modern life. There is no attempt to polish away the ugliness or provide an easy escape. Instead, the band embraces the discomfort and lets the songs sit in the tension.
“Saint Catharines” opens the door, while “False Idols” and the remaining tracks expand the EP's bleak and uncompromising atmosphere into a complete statement.
Monuments to the Useless was recorded and mixed by Felipe Patino at Green Door Studios in Denver, Colorado, and mastered by Jason Livermore at The Blasting Room in Fort Collins, Colorado.
The EP is available worldwide now through Golden Robot Records .
Listen to Monuments to the Useless Now:
https://orcd.co/monuments-to-the-useless
/>
Lost Relics
Monuments to the Useless
OUT NOW
Golden Robot Records
Connect:
https://www.gigaboogie.com/lost-relics/electronic-press-kit
/>
https://www.facebook.com/LostRelicsDenver
/>
https://www.instagram.com/lostrelicsband/
/>
http://www.youtube.com/@lostrelics8355
/>
https://lostrelics.bandcamp.com/
/>
https://open.spotify.com/artist/72LrIzEDjX4Nz2ZwTaDTFC
/>
Contact: lostrelics303@gmail.com
https://metaldevastationradio.com/thebeast/blog/29444/lost-relics-release-new-ep-monuments-to-the-useless-via-golden-robot-records?utm_source=dlvr.it&utm_medium=blogger
CATHARIA TO UNLEASH NEW SINGLE “WINTER SOLSTICE” AHEAD OF NOVEMBER 2026 ALBUM PORTRAIT OF ANTIQUITY - @thebeast
FOR IMMEDIATE RELEASE
CATHARIA TO UNLEASH NEW SINGLE “WINTER SOLSTICE” AHEAD OF NOVEMBER 2026 ALBUM PORTRAIT OF ANTIQUITY
Melodic black metal force returns with a darker, more expansive sound featuring new permanent vocalist John Harrah and guest vocalist Kassandra Chandler of Divine Martyr
For Fans Of: Dissection, Immortal, Satyricon
CATHARIA is preparing to unleash its new single “Winter Solstice” next Friday, offering the first taste of the band's upcoming full-length album, Portrait of Antiquity , due for release in November 2026.
The new single features John Harrah , Catharia's new permanent vocalist, alongside special guest vocalist Kassandra Chandler of Divine Martyr , adding another dimension to the band's evolving sound.
Formed in 2018, Catharia has spent the years since its inception developing a sound rooted in the cold atmosphere and ferocity of black metal while incorporating the crushing weight of death metal and a strong emphasis on melody. With Portrait of Antiquity , the band expands that foundation into a darker, more melodic and symphonic direction.
According to the band:
“More melodic and symphonic then previous releases.”
“Winter Solstice” serves as the first preview of that expanded musical approach, combining Catharia's established aggression and darkness with a greater emphasis on atmosphere, melody and symphonic elements.
The upcoming album Portrait of Antiquity continues to push the band's melodic black metal and blackened death metal foundation into broader and more expansive territory. Drawing influence from the atmospheric intensity of classic melodic black metal and the relentless force of blackened death metal, Catharia aims to balance sweeping musical passages with uncompromising heaviness.
Portrait of Antiquity is scheduled for release in November 2026 . While Catharia is currently signed with Rockshots , the album will be released independently.
The album was produced and recorded with Jackson Ward at Strata Recording Studio , bringing a focused production approach to Catharia's evolving sound.
With the arrival of “Winter Solstice,” Catharia begins the next chapter of its evolution, introducing a new permanent vocalist, welcoming a guest vocalist for the first single, and unveiling the darker and more expansive direction of Portrait of Antiquity .
Portrait of Antiquity
Artist: Catharia
Album: Portrait of Antiquity
First Single: “Winter Solstice”
Format: Full-Length Album
Genre: Melodic Black Metal / Blackened Death Metal
Single Release: October 2026
Album Release: November 2026
Release: Independent
Label: Rockshots
Production: Jackson Ward, Strata Recording Studio
Permanent Vocals: John Harrah
Guest Vocals on “Winter Solstice”: Kassandra Chandler, Divine Martyr
For Fans Of: Dissection, Immortal, Satyricon
Connect:
https://catharia.com/
/>
Contact:
Matt Powell
powellmatt52@yahoo.com
https://metaldevastationradio.com/thebeast/blog/29443/catharia-to-unleash-new-single-winter-solstice-ahead-of-november-2026-album-portrait-of-antiquity?utm_source=dlvr.it&utm_medium=blogger
CATHARIA TO UNLEASH NEW SINGLE “WINTER SOLSTICE” AHEAD OF NOVEMBER 2026 ALBUM PORTRAIT OF ANTIQUITY
Melodic black metal force returns with a darker, more expansive sound featuring new permanent vocalist John Harrah and guest vocalist Kassandra Chandler of Divine Martyr
For Fans Of: Dissection, Immortal, Satyricon
CATHARIA is preparing to unleash its new single “Winter Solstice” next Friday, offering the first taste of the band's upcoming full-length album, Portrait of Antiquity , due for release in November 2026.
The new single features John Harrah , Catharia's new permanent vocalist, alongside special guest vocalist Kassandra Chandler of Divine Martyr , adding another dimension to the band's evolving sound.
Formed in 2018, Catharia has spent the years since its inception developing a sound rooted in the cold atmosphere and ferocity of black metal while incorporating the crushing weight of death metal and a strong emphasis on melody. With Portrait of Antiquity , the band expands that foundation into a darker, more melodic and symphonic direction.
According to the band:
“More melodic and symphonic then previous releases.”
“Winter Solstice” serves as the first preview of that expanded musical approach, combining Catharia's established aggression and darkness with a greater emphasis on atmosphere, melody and symphonic elements.
The upcoming album Portrait of Antiquity continues to push the band's melodic black metal and blackened death metal foundation into broader and more expansive territory. Drawing influence from the atmospheric intensity of classic melodic black metal and the relentless force of blackened death metal, Catharia aims to balance sweeping musical passages with uncompromising heaviness.
Portrait of Antiquity is scheduled for release in November 2026 . While Catharia is currently signed with Rockshots , the album will be released independently.
The album was produced and recorded with Jackson Ward at Strata Recording Studio , bringing a focused production approach to Catharia's evolving sound.
With the arrival of “Winter Solstice,” Catharia begins the next chapter of its evolution, introducing a new permanent vocalist, welcoming a guest vocalist for the first single, and unveiling the darker and more expansive direction of Portrait of Antiquity .
Portrait of Antiquity
Artist: Catharia
Album: Portrait of Antiquity
First Single: “Winter Solstice”
Format: Full-Length Album
Genre: Melodic Black Metal / Blackened Death Metal
Single Release: October 2026
Album Release: November 2026
Release: Independent
Label: Rockshots
Production: Jackson Ward, Strata Recording Studio
Permanent Vocals: John Harrah
Guest Vocals on “Winter Solstice”: Kassandra Chandler, Divine Martyr
For Fans Of: Dissection, Immortal, Satyricon
Connect:
https://catharia.com/
/>
Contact:
Matt Powell
powellmatt52@yahoo.com
https://metaldevastationradio.com/thebeast/blog/29443/catharia-to-unleash-new-single-winter-solstice-ahead-of-november-2026-album-portrait-of-antiquity?utm_source=dlvr.it&utm_medium=blogger
Sunday, September 27, 2026
Gammacide Interview: Texas Thrash Legends Talk Toxic Mercenaries, Victims of Science and Their Return - @thebeast
Gammacide Interview: Texas Thrash Legends Talk Toxic Mercenaries, Victims of Science and Their Return
Gammacide are back. On the latest episode of The Zach Moonshine Show, Joey, Rick, and Scott sit down with Zach to talk about the band's history, their return to the stage, the new album Toxic Mercenaries, and the renewed interest in their music from a younger generation of thrash metal fans.
Gammacide formed in Texas in 1986 and released their debut album, Victims of Science , in the late 1980s/early 1990s era. More than three decades later, the band has returned with Toxic Mercenaries , their first new full-length album in more than 35 years. The album was released September 11, 2026 through No Life 'Til Metal Records, with a vinyl edition scheduled for October 30.
During the interview, the band looked back at the road that brought them back together, talked about the reaction to their return, and explained how new material that was initially approached as rough demo recordings eventually became their new album.
From Hell's Heroes to a Full Gammacide Return
One of the major subjects of the conversation was Gammacide's reunion appearance at Hell's Heroes in Houston, Texas .
What started as a return to the stage developed into something much bigger after the band experienced the reaction from the crowd.
That response helped convince them to continue moving forward with Gammacide rather than treating the appearance as a one-time event.
Rick summed up the band's long dormant period with one of the most memorable lines of the interview:
"It just goes to show you that the effects of a nuclear meltdown sometimes last for years and years and years... the half-life on this shit is extreme."
The band has since continued performing and has been met by audiences that include both longtime fans and younger listeners discovering Gammacide for the first time.
A New Generation Is Discovering Gammacide
One of the more surprising parts of the band's return has been the number of younger fans showing up to their shows.
During the interview, Gammacide discussed meeting fans as young as 15 who discovered the band online while digging deeper into the history of thrash metal.
For a band whose debut dates back more than three decades, that renewed interest from younger listeners has become an important part of the current Gammacide story.
Rick described the experience this way:
"When they find Gammacide, it's like, 'Well, this is the real hardcore, uncut, super-thrash for underground people.' They feel like they found a hidden gem of thrashtastic riffs and explosions."
The band also talked about recent shows in Texas, Connecticut, and Mexico City and the response they have received from audiences along the way.
The Story Behind Toxic Mercenaries
The new Gammacide album Toxic Mercenaries is the band's first full-length release of new material in more than 35 years. The album was recorded, mixed, and mastered through DDTstudio Productions and features Joey Gonzalez on drums, Rick Perry and Scott Shelby on guitars, Varnam Ponville on vocals, and Chance Lehman on bass.
But according to the story told during the interview, the recording process wasn't originally designed around making a polished new Gammacide album.
The band recorded the material at singer Varnam Palm Bill's house with David Treadway of DDT Studios. What began as a rough songwriting demo developed into something the band felt was strong enough to release.
Scott explained why they decided not to try to recreate the recordings a second time:
"It came out so good. Why do it twice? We may not catch that magic that we did when we did it the first time."
That decision ultimately led to the material becoming Toxic Mercenaries .
The album contains eight tracks, including "Overload," "Soldier of Fear," "Sinkhole," "Expiration Date," "Predator or Prey," "These Eyes," "Toxic Mercenaries," and "Meet Your Maker."
Learning the Gammacide Catalog in Two Weeks
The interview also touched on the band's current lineup and the challenge of getting a new member ready for live performances.
Bass player Chance Lehman stepped in and had approximately two weeks to learn the Gammacide catalog ahead of the band's Mexico shows.
The band also gave credit to booking agent Zach Oler of Extremity Retain Booking while discussing their recent live activity.
It's another part of the practical side of bringing a classic underground band back into an active touring schedule.
Victims of Science Gets a New Physical Release
While Gammacide are looking forward with Toxic Mercenaries , their classic debut Victims of Science is also receiving renewed attention.
No Life 'Til Metal Records has been involved with new physical editions of the band's catalog, including a remastered vinyl edition of Victims of Science released in July 2026. The edition was limited to 300 copies.
The label is also handling the upcoming vinyl edition of Toxic Mercenaries , scheduled for October 30, 2026. The listed pressing is limited to 300 copies, with 100 "blood moon" red/black swirl copies and 200 "toxic" neon green copies.
"You Thawed Out the Caveman"
Gammacide's return after such a long period away naturally became one of the central themes of the conversation.
Rick had another memorable way of describing it:
"It's kind of like I always say... you thawed out the caveman. He'd been frozen for 40,000 years, they thaw him out, and Neanderthal man walks again."
The band isn't simply looking backward, either.
The conversation covered future plans, including prospective West Coast dates and Gammacide's scheduled appearance at Headbangers Open Air in Germany , which would mark the band's first European tour appearance.
"The Kids Want a Circle Pit"
For Gammacide, the connection between the band's music and the live environment remains central.
Joey summed up what he sees happening with the band's younger audience:
"The kids want a circle pit, and Gammacide is the quintessential circle-pit fucking band."
Rick also compared today's crowds with those from the band's earlier years:
"When you go to the shows today, you can't tell the difference between a crowd from 1989 and a crowd from today because they're dressed the exact same."
It's a fitting observation for a band whose music has traveled from the tape-trading era into the digital age without losing its connection to the underground.
Gamma-Mania
And then there was Scott's Hulk Hogan-inspired message to the younger generation:
"Let me tell you something, brother, about Gamma-Mania... You young kids, keep taking your vitamins and say your prayers, and listen to Gammacide if you want to make yourself a life."
We'll let Scott take that one home.
Listen To The Full Gammacide Interview
The full conversation with Joey, Rick, and Scott of Gammacide is now available on The Zach Moonshine Show via Mixcloud, Spotify, Apple, Youtube.
The band discusses the origins of Gammacide, Victims of Science , their return to the stage, the Hell's Heroes appearance, the creation of Toxic Mercenaries , the response from younger fans, touring, the band's current lineup, No Life 'Til Metal Records, and what comes next.
Listen to the full interview and hear the story directly from Gammacide.
Gammacide's Toxic Mercenaries is available now through No Life 'Til Metal Records, with the vinyl edition scheduled for October 30, 2026.
Full Show Track List:
Battle Of The Bands Top Six Winners:
1 - Another Demon - Reduced to Ash - (4,608,339 votes)
2 - Soul Of Sheol - Paradise Is Not For Us - (52,943 votes)
3 - Sharp n' Loud - Armored sexy girl - (21,074 votes)
4 - Voidmaker - The Post-Human Emergence - (20,563 votes)
5 - Unspeakable Tales - Reanimator - (7,705 votes)
6 - Mistress - Terrified eyes - (5,120 votes)
The Zach Moonshine Show Intro
7 - Ozzy Osbourne - Rock 'n' Roll Rebel
8 - Illusion Of Fate - Exsanguination
9 - BEHEMOTH - In League with Satan
10 - Locust Pointe - Handmaidens of the apocalypse
11 - Iron Jaw - Tonight We Raid
Gammacide - Interview featuring Sinkhole/Soldier Of Fear/Crackdown (Demo 1991)
12 - Warbeast - Scorched Earth Policy
13 - Pantera - Rock The World/Over And Out
14 - Art Of Shock - You Are The Plague
15 - What Weapons Bring War - Crown of Blood (feat. Sanguisugabogg)
16 - Trivan - CROWNED WITH DREAD AND POWER
17 - Ashes Reign - Start Of The End
18 - Deth Provider - Feral Vermin
19 - Rhino Proof - Play by the Rules
20 - PS:23 - The Angel They Call Evil
Streaming now in full on Mixcloud:
Interview segment on YouTube, Spotify, Apple:
https://metaldevastationradio.com/thebeast/blog/29442/gammacide-interview-texas-thrash-legends-talk-toxic-mercenaries-victims-of-science-and-their-return?utm_source=dlvr.it&utm_medium=blogger
Gammacide are back. On the latest episode of The Zach Moonshine Show, Joey, Rick, and Scott sit down with Zach to talk about the band's history, their return to the stage, the new album Toxic Mercenaries, and the renewed interest in their music from a younger generation of thrash metal fans.
Gammacide formed in Texas in 1986 and released their debut album, Victims of Science , in the late 1980s/early 1990s era. More than three decades later, the band has returned with Toxic Mercenaries , their first new full-length album in more than 35 years. The album was released September 11, 2026 through No Life 'Til Metal Records, with a vinyl edition scheduled for October 30.
During the interview, the band looked back at the road that brought them back together, talked about the reaction to their return, and explained how new material that was initially approached as rough demo recordings eventually became their new album.
From Hell's Heroes to a Full Gammacide Return
One of the major subjects of the conversation was Gammacide's reunion appearance at Hell's Heroes in Houston, Texas .
What started as a return to the stage developed into something much bigger after the band experienced the reaction from the crowd.
That response helped convince them to continue moving forward with Gammacide rather than treating the appearance as a one-time event.
Rick summed up the band's long dormant period with one of the most memorable lines of the interview:
"It just goes to show you that the effects of a nuclear meltdown sometimes last for years and years and years... the half-life on this shit is extreme."
The band has since continued performing and has been met by audiences that include both longtime fans and younger listeners discovering Gammacide for the first time.
A New Generation Is Discovering Gammacide
One of the more surprising parts of the band's return has been the number of younger fans showing up to their shows.
During the interview, Gammacide discussed meeting fans as young as 15 who discovered the band online while digging deeper into the history of thrash metal.
For a band whose debut dates back more than three decades, that renewed interest from younger listeners has become an important part of the current Gammacide story.
Rick described the experience this way:
"When they find Gammacide, it's like, 'Well, this is the real hardcore, uncut, super-thrash for underground people.' They feel like they found a hidden gem of thrashtastic riffs and explosions."
The band also talked about recent shows in Texas, Connecticut, and Mexico City and the response they have received from audiences along the way.
The Story Behind Toxic Mercenaries
The new Gammacide album Toxic Mercenaries is the band's first full-length release of new material in more than 35 years. The album was recorded, mixed, and mastered through DDTstudio Productions and features Joey Gonzalez on drums, Rick Perry and Scott Shelby on guitars, Varnam Ponville on vocals, and Chance Lehman on bass.
But according to the story told during the interview, the recording process wasn't originally designed around making a polished new Gammacide album.
The band recorded the material at singer Varnam Palm Bill's house with David Treadway of DDT Studios. What began as a rough songwriting demo developed into something the band felt was strong enough to release.
Scott explained why they decided not to try to recreate the recordings a second time:
"It came out so good. Why do it twice? We may not catch that magic that we did when we did it the first time."
That decision ultimately led to the material becoming Toxic Mercenaries .
The album contains eight tracks, including "Overload," "Soldier of Fear," "Sinkhole," "Expiration Date," "Predator or Prey," "These Eyes," "Toxic Mercenaries," and "Meet Your Maker."
Learning the Gammacide Catalog in Two Weeks
The interview also touched on the band's current lineup and the challenge of getting a new member ready for live performances.
Bass player Chance Lehman stepped in and had approximately two weeks to learn the Gammacide catalog ahead of the band's Mexico shows.
The band also gave credit to booking agent Zach Oler of Extremity Retain Booking while discussing their recent live activity.
It's another part of the practical side of bringing a classic underground band back into an active touring schedule.
Victims of Science Gets a New Physical Release
While Gammacide are looking forward with Toxic Mercenaries , their classic debut Victims of Science is also receiving renewed attention.
No Life 'Til Metal Records has been involved with new physical editions of the band's catalog, including a remastered vinyl edition of Victims of Science released in July 2026. The edition was limited to 300 copies.
The label is also handling the upcoming vinyl edition of Toxic Mercenaries , scheduled for October 30, 2026. The listed pressing is limited to 300 copies, with 100 "blood moon" red/black swirl copies and 200 "toxic" neon green copies.
"You Thawed Out the Caveman"
Gammacide's return after such a long period away naturally became one of the central themes of the conversation.
Rick had another memorable way of describing it:
"It's kind of like I always say... you thawed out the caveman. He'd been frozen for 40,000 years, they thaw him out, and Neanderthal man walks again."
The band isn't simply looking backward, either.
The conversation covered future plans, including prospective West Coast dates and Gammacide's scheduled appearance at Headbangers Open Air in Germany , which would mark the band's first European tour appearance.
"The Kids Want a Circle Pit"
For Gammacide, the connection between the band's music and the live environment remains central.
Joey summed up what he sees happening with the band's younger audience:
"The kids want a circle pit, and Gammacide is the quintessential circle-pit fucking band."
Rick also compared today's crowds with those from the band's earlier years:
"When you go to the shows today, you can't tell the difference between a crowd from 1989 and a crowd from today because they're dressed the exact same."
It's a fitting observation for a band whose music has traveled from the tape-trading era into the digital age without losing its connection to the underground.
Gamma-Mania
And then there was Scott's Hulk Hogan-inspired message to the younger generation:
"Let me tell you something, brother, about Gamma-Mania... You young kids, keep taking your vitamins and say your prayers, and listen to Gammacide if you want to make yourself a life."
We'll let Scott take that one home.
Listen To The Full Gammacide Interview
The full conversation with Joey, Rick, and Scott of Gammacide is now available on The Zach Moonshine Show via Mixcloud, Spotify, Apple, Youtube.
The band discusses the origins of Gammacide, Victims of Science , their return to the stage, the Hell's Heroes appearance, the creation of Toxic Mercenaries , the response from younger fans, touring, the band's current lineup, No Life 'Til Metal Records, and what comes next.
Listen to the full interview and hear the story directly from Gammacide.
Gammacide's Toxic Mercenaries is available now through No Life 'Til Metal Records, with the vinyl edition scheduled for October 30, 2026.
Full Show Track List:
Battle Of The Bands Top Six Winners:
1 - Another Demon - Reduced to Ash - (4,608,339 votes)
2 - Soul Of Sheol - Paradise Is Not For Us - (52,943 votes)
3 - Sharp n' Loud - Armored sexy girl - (21,074 votes)
4 - Voidmaker - The Post-Human Emergence - (20,563 votes)
5 - Unspeakable Tales - Reanimator - (7,705 votes)
6 - Mistress - Terrified eyes - (5,120 votes)
The Zach Moonshine Show Intro
7 - Ozzy Osbourne - Rock 'n' Roll Rebel
8 - Illusion Of Fate - Exsanguination
9 - BEHEMOTH - In League with Satan
10 - Locust Pointe - Handmaidens of the apocalypse
11 - Iron Jaw - Tonight We Raid
Gammacide - Interview featuring Sinkhole/Soldier Of Fear/Crackdown (Demo 1991)
12 - Warbeast - Scorched Earth Policy
13 - Pantera - Rock The World/Over And Out
14 - Art Of Shock - You Are The Plague
15 - What Weapons Bring War - Crown of Blood (feat. Sanguisugabogg)
16 - Trivan - CROWNED WITH DREAD AND POWER
17 - Ashes Reign - Start Of The End
18 - Deth Provider - Feral Vermin
19 - Rhino Proof - Play by the Rules
20 - PS:23 - The Angel They Call Evil
Streaming now in full on Mixcloud:
Interview segment on YouTube, Spotify, Apple:
https://metaldevastationradio.com/thebeast/blog/29442/gammacide-interview-texas-thrash-legends-talk-toxic-mercenaries-victims-of-science-and-their-return?utm_source=dlvr.it&utm_medium=blogger
Saturday, September 26, 2026
FEARPARK ANNOUNCE NEW SINGLE “KILLING MATCH” AHEAD OF DEBUT ALBUM THIS IS HOW YOU DIE - @thebeast
FOR IMMEDIATE RELEASE
FEARPARK ANNOUNCE NEW SINGLE “KILLING MATCH” AHEAD OF DEBUT ALBUM THIS IS HOW YOU DIE
German True and Melodic Speed Metal outfit FearPark set October 16 release date for first single from upcoming debut album
For Fans Of: Blind Guardian, Helloween, Judas Priest, Defender
Balingen, Germany | September 2026
The next generation of traditional heavy metal is coming out swinging from Balingen, Germany. FearPark have announced the October 16, 2026 release of “Killing Match,” the first single from their upcoming debut album, This Is How You Die , due later this year.
Formed in 2022, FearPark have built their identity around True Metal, melodic speed metal, and old-school power metal , drawing heavily from the classic sound and spirit of the 1980s while bringing their own youthful energy to the formula. With influences ranging from Helloween, Blind Guardian, and Judas Priest to Iron Maiden and early Metallica, the five-piece delivers a combination of twin-guitar attack, driving riffs, melodic leads, soaring vocals, and classic heavy metal songwriting.
And FearPark have wasted little time making their presence known.
Just three shows into their existence, the band won a local band contest, earning them the opportunity to open the Wolfweez Open Air 2023 . The performance generated strong feedback from the attending crowd and helped establish FearPark as a band to watch within the local metal scene.
“Powerful True Metal without unnecessary frills, but with clear influences from Iron Maiden and Blind Guardian, flows from the instruments of the five musicians from Balingen. Highly motivated and with astonishing dexterity, the guys fired up the first nearly 100 guests. Add to that a vocalist who plays to his strengths wonderfully.”
- Tribe-Online Magazine
FearPark continued building their live résumé with appearances alongside established acts including Vicious Rumors, Absolva, and Traitor , while also performing at Metal Night Tübingen and the Balingen Garden Show. In July 2024, the band opened the inaugural RVBang Festival in Balingen , once again earning positive reactions from the local metal community.
Their first demo was recorded in fall 2023 and released on January 20, 2024, with the material mixed by Luke Appleton , formerly of Iced Earth.
Metal Factory Magazine later described the band's sound as a blend of True Metal and strong '80s influences, highlighting FearPark's twin-guitar approach, Iron Maiden-inspired riffs, occasional early Metallica flavor, and touches of Power Metal.
Since spring 2025, FearPark have been focused on writing and preparing the material that would become their first full-length album.
Now, that work is ready to emerge.
“Killing Match” will be released on Friday, October 16, 2026 at 12:00 AM CEST , marking the first step toward the band's debut full-length, This Is How You Die . A second single, “The Eagles Crest,” will follow at a later date, with the full album currently planned for release in late November or early December 2026.
The album represents the culmination of several years of development for the young German band, combining their devotion to traditional heavy metal with the speed, melody, and epic songwriting associated with the classic European metal tradition.
Production on This Is How You Die was handled entirely by FearPark alongside Heiko Irmscher of Noplies . Mixing and mastering were completed by a collaborator who has chosen to remain anonymous for the time being, with the band planning to credit him under a yet-to-be-revealed anagram.
FearPark remain independent and self-managed, continuing to build their career on their own terms.
With “Killing Match,” the band are ready to take the next step.
FearPark are from Balingen. They play True Metal. And they're here to rule them all.
Killing Match
FearPark
Single Release: October 16, 2026
Release Time: 12:00 AM CEST
Genre: Heavy Metal / Melodic Speed Metal / Old-School Power Metal
Label: Independent
Connect With FearPark
https://www.facebook.com/people/FearPark/61589674333602/
/>
https://www.instagram.com/fearparkband/
/>
https://www.youtube.com/channel/UCoLILp-kBR5MyG_DpV6qxyQ
/>
https://fearpark.bandcamp.com/album/grave-lantern-demo-2023
/>
https://open.spotify.com/artist/6IaTrS4hil8mun4ShjebZb
/>
https://music.apple.com/de/artist/fearpark/1721938082
/>
Email: fearparkband@gmail.com
https://metaldevastationradio.com/thebeast/blog/29441/fearpark-announce-new-single-killing-match-ahead-of-debut-album-this-is-how-you-die?utm_source=dlvr.it&utm_medium=blogger
FEARPARK ANNOUNCE NEW SINGLE “KILLING MATCH” AHEAD OF DEBUT ALBUM THIS IS HOW YOU DIE
German True and Melodic Speed Metal outfit FearPark set October 16 release date for first single from upcoming debut album
For Fans Of: Blind Guardian, Helloween, Judas Priest, Defender
Balingen, Germany | September 2026
The next generation of traditional heavy metal is coming out swinging from Balingen, Germany. FearPark have announced the October 16, 2026 release of “Killing Match,” the first single from their upcoming debut album, This Is How You Die , due later this year.
Formed in 2022, FearPark have built their identity around True Metal, melodic speed metal, and old-school power metal , drawing heavily from the classic sound and spirit of the 1980s while bringing their own youthful energy to the formula. With influences ranging from Helloween, Blind Guardian, and Judas Priest to Iron Maiden and early Metallica, the five-piece delivers a combination of twin-guitar attack, driving riffs, melodic leads, soaring vocals, and classic heavy metal songwriting.
And FearPark have wasted little time making their presence known.
Just three shows into their existence, the band won a local band contest, earning them the opportunity to open the Wolfweez Open Air 2023 . The performance generated strong feedback from the attending crowd and helped establish FearPark as a band to watch within the local metal scene.
“Powerful True Metal without unnecessary frills, but with clear influences from Iron Maiden and Blind Guardian, flows from the instruments of the five musicians from Balingen. Highly motivated and with astonishing dexterity, the guys fired up the first nearly 100 guests. Add to that a vocalist who plays to his strengths wonderfully.”
- Tribe-Online Magazine
FearPark continued building their live résumé with appearances alongside established acts including Vicious Rumors, Absolva, and Traitor , while also performing at Metal Night Tübingen and the Balingen Garden Show. In July 2024, the band opened the inaugural RVBang Festival in Balingen , once again earning positive reactions from the local metal community.
Their first demo was recorded in fall 2023 and released on January 20, 2024, with the material mixed by Luke Appleton , formerly of Iced Earth.
Metal Factory Magazine later described the band's sound as a blend of True Metal and strong '80s influences, highlighting FearPark's twin-guitar approach, Iron Maiden-inspired riffs, occasional early Metallica flavor, and touches of Power Metal.
Since spring 2025, FearPark have been focused on writing and preparing the material that would become their first full-length album.
Now, that work is ready to emerge.
“Killing Match” will be released on Friday, October 16, 2026 at 12:00 AM CEST , marking the first step toward the band's debut full-length, This Is How You Die . A second single, “The Eagles Crest,” will follow at a later date, with the full album currently planned for release in late November or early December 2026.
The album represents the culmination of several years of development for the young German band, combining their devotion to traditional heavy metal with the speed, melody, and epic songwriting associated with the classic European metal tradition.
Production on This Is How You Die was handled entirely by FearPark alongside Heiko Irmscher of Noplies . Mixing and mastering were completed by a collaborator who has chosen to remain anonymous for the time being, with the band planning to credit him under a yet-to-be-revealed anagram.
FearPark remain independent and self-managed, continuing to build their career on their own terms.
With “Killing Match,” the band are ready to take the next step.
FearPark are from Balingen. They play True Metal. And they're here to rule them all.
Killing Match
FearPark
Single Release: October 16, 2026
Release Time: 12:00 AM CEST
Genre: Heavy Metal / Melodic Speed Metal / Old-School Power Metal
Label: Independent
Connect With FearPark
https://www.facebook.com/people/FearPark/61589674333602/
/>
https://www.instagram.com/fearparkband/
/>
https://www.youtube.com/channel/UCoLILp-kBR5MyG_DpV6qxyQ
/>
https://fearpark.bandcamp.com/album/grave-lantern-demo-2023
/>
https://open.spotify.com/artist/6IaTrS4hil8mun4ShjebZb
/>
https://music.apple.com/de/artist/fearpark/1721938082
/>
Email: fearparkband@gmail.com
https://metaldevastationradio.com/thebeast/blog/29441/fearpark-announce-new-single-killing-match-ahead-of-debut-album-this-is-how-you-die?utm_source=dlvr.it&utm_medium=blogger
Narcotic Wasteland announces 2026 Morbidfest European tour dates as Fentanyl Zombie Apocalypse arrives worldwide. Detroit Death Metal Force joins I Am Morbid, Atheist, and Cancer for major European run. - @thebeast
FOR IMMEDIATE RELEASE
Narcotic Wasteland announces 2026 Morbidfest European tour dates as Fentanyl Zombie Apocalypse arrives worldwide. Detroit Death Metal Force joins I Am Morbid , Atheist , and Cancer for major European run.
Narcotic Wasteland is heading back across the Atlantic.
The uncompromising death metal project led by former Nile guitarist and vocalist Dallas Toler-Wade has officially been announced as part of the 2026 Morbidfest European tour , joining a powerhouse lineup featuring I Am Morbid , Atheist , and Cancer .
Narcotic Wasteland will appear on eight dates spanning the Netherlands, Belgium, Germany, Denmark, Slovakia, the Czech Republic, and Switzerland, bringing their brand of brutal, technically precise death metal to European audiences this November and December.
The tour dates with Narcotic Wasteland include:
November 21 | Iduna | Drachten, Netherlands
November 22 | Bibelot | Dordrecht, Netherlands
November 23 | DVG | Kortrijk, Belgium
November 24 | Musikbrauerei | Berlin, Germany
November 25 | Pumpehuset | Copenhagen, Denmark
November 28 | Collosseum | Kosice, Slovakia
November 29 | Barrák | Ostrava, Czech Republic
December 1 | Dynamo | Zürich, Switzerland
The Morbidfest announcement arrives as Narcotic Wasteland continues promoting its latest single, “Fentanyl Zombie Apocalypse,” which is out now worldwide .
Driven by punishing riffs, razor-sharp musicianship, and unflinching social commentary, “Fentanyl Zombie Apocalypse” confronts the devastating impact of the synthetic opioid crisis. The track continues Narcotic Wasteland 's tradition of tackling addiction, corruption, and societal decay through uncompromising death metal.
The single was released alongside the band's Fentanyl Zombie Apocalypse Tour , which brought Narcotic Wasteland to stages across the United States throughout August, with support from acts including Visitant , Monochromatic Black , Yotuma , and IATT on select dates.
Now, with the new single out and the Morbidfest European dates officially announced, Narcotic Wasteland is carrying its attack overseas.
“Fentanyl Zombie Apocalypse” is available now.
Listen / Download:
https://orcd.co/fentanylzombieapocalypse
/>
Artist: Narcotic Wasteland
Genre: Death Metal
Featuring: Dallas Toler-Wade
For press inquiries, interviews, coverage, or promotional opportunities, contact: zach@metaldevastationradio.com
Connect with Narcotic Wasteland:
https://linktr.ee/narcoticwasteland
/>
https://metaldevastationradio.com/thebeast/blog/29440/narcotic-wasteland-announces-2026-morbidfest-european-tour-dates-as-fentanyl-zombie-apocalypse-arrives-worldwide-detroit-death?utm_source=dlvr.it&utm_medium=blogger
Narcotic Wasteland announces 2026 Morbidfest European tour dates as Fentanyl Zombie Apocalypse arrives worldwide. Detroit Death Metal Force joins I Am Morbid , Atheist , and Cancer for major European run.
Narcotic Wasteland is heading back across the Atlantic.
The uncompromising death metal project led by former Nile guitarist and vocalist Dallas Toler-Wade has officially been announced as part of the 2026 Morbidfest European tour , joining a powerhouse lineup featuring I Am Morbid , Atheist , and Cancer .
Narcotic Wasteland will appear on eight dates spanning the Netherlands, Belgium, Germany, Denmark, Slovakia, the Czech Republic, and Switzerland, bringing their brand of brutal, technically precise death metal to European audiences this November and December.
The tour dates with Narcotic Wasteland include:
November 21 | Iduna | Drachten, Netherlands
November 22 | Bibelot | Dordrecht, Netherlands
November 23 | DVG | Kortrijk, Belgium
November 24 | Musikbrauerei | Berlin, Germany
November 25 | Pumpehuset | Copenhagen, Denmark
November 28 | Collosseum | Kosice, Slovakia
November 29 | Barrák | Ostrava, Czech Republic
December 1 | Dynamo | Zürich, Switzerland
The Morbidfest announcement arrives as Narcotic Wasteland continues promoting its latest single, “Fentanyl Zombie Apocalypse,” which is out now worldwide .
Driven by punishing riffs, razor-sharp musicianship, and unflinching social commentary, “Fentanyl Zombie Apocalypse” confronts the devastating impact of the synthetic opioid crisis. The track continues Narcotic Wasteland 's tradition of tackling addiction, corruption, and societal decay through uncompromising death metal.
The single was released alongside the band's Fentanyl Zombie Apocalypse Tour , which brought Narcotic Wasteland to stages across the United States throughout August, with support from acts including Visitant , Monochromatic Black , Yotuma , and IATT on select dates.
Now, with the new single out and the Morbidfest European dates officially announced, Narcotic Wasteland is carrying its attack overseas.
“Fentanyl Zombie Apocalypse” is available now.
Listen / Download:
https://orcd.co/fentanylzombieapocalypse
/>
Artist: Narcotic Wasteland
Genre: Death Metal
Featuring: Dallas Toler-Wade
For press inquiries, interviews, coverage, or promotional opportunities, contact: zach@metaldevastationradio.com
Connect with Narcotic Wasteland:
https://linktr.ee/narcoticwasteland
/>
https://metaldevastationradio.com/thebeast/blog/29440/narcotic-wasteland-announces-2026-morbidfest-european-tour-dates-as-fentanyl-zombie-apocalypse-arrives-worldwide-detroit-death?utm_source=dlvr.it&utm_medium=blogger
Subscribe to:
Posts (Atom)