FOR IMMEDIATE RELEASE
FERAL VERMIN BRINGS PARANORMAL ENCOUNTERS, OLD-SCHOOL METAL, AND THE DARKER SIDE OF HUMANITY TO “HARVEY IN THE HOUSE”
Texas-Based Heavy Metal Act Delivers a Nostalgic, Theatrical Trip Into the Supernatural With Their New Album
Release Date: September 7, 2026
Feral Vermin invites listeners into a world where old-school heavy metal, paranormal encounters, theatrical imagery, and the darker side of human nature collide with the release of their new album, Harvey in the House , released September 7, 2026.
Described by the band as “old school metal with crazy paranormal encounters,” Harvey in the House draws heavily from the group's appreciation for classic metal while bringing a distinctly modern sense of atmosphere and storytelling to the material. At the center of that story is Harvey, a ghost-like entity connected to a true account from guitarist Gary Watson's home.
Founded by Steven Eddie in 2013 as a largely private musical project, Feral Vermin remained relatively quiet for years with little emphasis on promotion. That changed as the lineup expanded, bringing together Eddie with Gary Watson, Morgan Heck, Cameron Brown, and theatrical performer Rick Kalifa.
The resulting incarnation of Feral Vermin is built around a mixture of experience, contrasting musical backgrounds, and a shared appreciation for heavy music and theatrical presentation.
Eddie handles vocals, lyrics, and guitars, bringing his experience as vocalist for Cryptic Veil, a project formed in 2013 that went on to perform throughout the DFW area and tour through Colorado and Oklahoma. He has also performed with Portals of the Tomb Guard alongside Heck and serves as vocalist and guitarist for Ink'nOrbodica, which has since evolved into Feral Vermin.
Guitarist Gary Watson brings decades of musical history to the project. His career stretches back to the early 1970s, when he joined the band SWEETLEAF. The group spent years performing throughout Texas, Oklahoma, Colorado, and Mississippi before Watson later became involved with the Texas punk band The Mentals in the early 1980s.
That musical history plays an important role in the sound of Feral Vermin. Watson's songwriting and composition help give Harvey in the House its nostalgic character, while Eddie's metal vocals and lyrical approach provide the heavier edge.
Morgan Heck adds another layer of experience to the lineup as a seasoned musician and founder, guitarist, and vocalist for Sign of the Times. Bassist Cameron Brown also brings a wide-ranging musical skill set to the project, including his work on keys. Rick Kalifa completes the lineup by taking on the theatrical side of Feral Vermin, helping bring the band's visual identity and the character of Harvey to life.
But Harvey is only part of the story.
Feral Vermin's music explores what the band describes as “the beast of mankind” , the feral side that exists within all of us. Their subject matter reaches into darkness, wickedness, mental trauma, disorders, bad days, and the struggles that can shape the human experience. At the same time, the band doesn't view its world as being entirely consumed by darkness.
There is balance.
Everything is not gloom and doom.
That contrast between darkness and positivity forms part of the conceptual identity behind Feral Vermin, creating a world where horror, humor, human struggle, theatricality, and heavy metal can exist side by side.
Harvey in the House was produced and recorded by Steven Eddie at Hard Wall Studios and Bee Cave Records, with mixing and mastering handled by Rick Greenwood at Geneva Post Audio.
For listeners drawn to the classic heaviness of Black Sabbath , the darker theatricality of Marilyn Manson , and the straightforward power of AC/DC , Feral Vermin offers a distinctly personal take on heavy metal that reaches backward for inspiration while creating its own strange little corner of the genre.
Welcome to their world.
Welcome to your world.
Welcome to Feral Vermin .
Harvey in the House is out now.
Feral Vermin
Genre: Heavy Metal
Album: Harvey in the House
Release Date: September 7, 2026
Featuring:
Steven Eddie - Vocals, Lyrics, Guitars
Gary Watson - Rhythm & Lead Guitars
Cameron Brown - Bass
Morgan Heck - Drums
Rick Kalifa - Theatrics
Production:
Produced & Recorded by Steven Eddie
Hard Wall Studios / Bee Cave Records
Mixed & Mastered by Rick Greenwood
Geneva Post Audio
Listen to Harvey in the House:
https://feralvermin.bandcamp.com/album/harvey-in-the-house
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Harvey in the House by Feral Vermin
Connect:
https://feralvermin.net/
/>
https://www.facebook.com/zezachs/
/>
https://www.youtube.com/channel/UC_QV0FBYuS0K511r_yZjDWg
/>
https://www.instagram.com/feral_vermin_band/
/>
Contact:
Steven Eddie
crypticveil@gmail.com
https://metaldevastationradio.com/thebeast/blog/29424/feral-vermin-brings-paranormal-encounters-old-school-metal-and-the-darker-side-of-humanity-to-harvey-in-the-house?utm_source=dlvr.it&utm_medium=blogger
Metal Devastation Radio Blog
Monday, September 21, 2026
Symphony of Destiny, Sönus, Nothing Sacred, Machine Cult Ritual, Iron Wings, Eaten By Sharks, Blood of Angels, Archfiend, and Doomherre - Featured In Metalized! - @thebeast
METAL DEVASTATION PR ARTISTS TAKE OVER THE LATEST ISSUE OF METALIZED MAGAZINE
Five Finger Death Punch Lands the Cover as Multiple Metal Devastation PR Artists Receive Reviews and Feature Coverage in the Latest Issue
The latest issue of Denmark's long-running Metalized Magazine has arrived, featuring Five Finger Death Punch on the cover and a substantial showing from artists represented through Metal Devastation PR .
From symphonic power metal and classic speed metal to industrial doom, thrash, technical death metal, and extreme metal, the issue showcases a wide range of artists working across today's international metal underground.
Among the featured Metal Devastation PR artists are Symphony of Destiny, Sönus, Nothing Sacred, Machine Cult Ritual, Iron Wings, Eaten By Sharks, Blood of Angels, Archfiend, and Doomherre , with several receiving dedicated album reviews while others are featured in in-depth interviews.
SYMPHONY OF DESTINY
Heroes of Egypt | 7/10
Metalized describes Symphony of Destiny's debut EP as a dramatic and heavy first chapter that combines symphonic layers, power metal energy, and cinematic gestures with Egyptian mythology.
The review highlights Anne Dueweke's dramatic vocals and Wesley Eldridge's guitar work, specifically praising tracks including "Exile of Horus," "The Riddle," and "Rampage (Bastet)." Metalized calls the release "promising, dramatic, and heavy" , noting that the Virginia band "dares to dream in CinemaScope and play with pharaonic weight."
SÖNUS
Planes of Torment | 7/10
California trio Sönus receives recognition for their blend of classic rock, psychedelic textures, progressive elements, and metal , with Metalized noting the spirit of rock's golden age throughout the seven-track release.
The album was recorded live in the studio in an effort to preserve its raw energy, and the review describes the result as "charming" and "a nostalgic breath from a bygone era."
NOTHING SACRED
4 Tracks | 8/10
Australian speed metal pioneers Nothing Sacred receive one of the issue's strongest review scores, with an 8/10 for the four tracks released from their upcoming EP.
Metalized emphasizes that the band, formed in 1983, sounds "hungrier than many bands with a fraction of their seniority" and makes clear that Nothing Sacred is not simply relying on its history.
"Break" and "Burning From Above" are praised for their classic speed metal, strong riffs, and catchy choruses , while "Your Time Will Come" is singled out as a highlight with a chorus that "sticks after just a few listens."
The review also praises the band's ability to avoid chasing modern trends while continuing to write relevant metal, describing the production as heavy and well-balanced without losing raw energy .
MACHINE CULT RITUAL
Occult Mechanics | 9/10
John R. Mirland's Machine Cult Ritual receives the highest score among the featured reviews with an impressive 9/10 .
Metalized describes Mirland as a longstanding figure in Denmark's industrial underground, with decades of work spanning dark ambient, experimental electronica, and industrial noise.
With Occult Mechanics , those influences are channeled into a combination of industrial, death doom, and folk horror , creating a narrative centered around civilizational decay, cosmic horror, and the cold rituals of machines .
The review highlights mechanical drums, suffocating riffs, and corrosive synth pads , describing the resulting atmosphere as something closer to "a dystopian ceremony than a traditional record."
IRON WINGS
Alpha & Omega | 7/10
Latvian thrash/heavy metal band Iron Wings earns a 7/10 for Alpha & Omega , their third full-length album.
While the review is critical of some of the album's weaker moments, Metalized recognizes the band's strongest material and describes the record as a "nice cross between thrash and heavy metal."
The review specifically highlights the opener's unexpected impact, several tracks on the second half of the record, and closer "Cyanide," while calling Alpha & Omega the band's third and clearly best record .
Iron Wings also receive a full interview in the issue, discussing their history, their transition from Latvian to English lyrics, the evolution of their sound, the inspiration behind "Halo from Hell," their songwriting, and plans to tour in support of Alpha & Omega .
EATEN BY SHARKS
The Undertow of Hate | 6/10
Canadian death metal outfit Eaten By Sharks is featured with a review of their second full-length, The Undertow of Hate .
Metalized describes the record as brutal technical death metal , highlighting the band's ocean-themed approach, extensive use of samples, and vocalist Matt Sheriff's ability to move between deep guttural roars and high-pitched screams .
The review also notes the album's spotless production and the band's clear technical ability.
BLOOD OF ANGELS
Les Angst Ov Thanatous | 7/10
Tampa, Florida's Blood of Angels earns a 7/10 for Les Angst Ov Thanatous , with Metalized describing the band's music as a high-octane combination of death, black, thrash, and power metal .
The nine-track album explores themes surrounding grief, violence, rituals, remembrance, and reflection.
Blood of Angels also receive an extensive interview with guitarist and founder Aaron Robinson, covering the band's origins, international touring, the evolution of their songwriting, the themes behind the new album, Nordic mythology and family roots, and the band's commitment to the live experience.
Robinson also discusses the band's goal of continuing to tour the UK, USA, Mexico, and Europe while helping connect generations of metal musicians.
ARCHFIEND
Lost Forever | 8/10
Midwest metal band Archfiend receives an 8/10 for Lost Forever , a concept album following the harrowing story of 14-year-old Jenna Lee, from an abusive home situation through human trafficking and its consequences.
Metalized praises the album's strong and unsettling narrative , as well as the additional visual dimension provided through animation on the band's YouTube channel.
The review calls the story "well thought out and executed" and praises the band's old-fashioned approach to music and art.
DOOMHERRE
"When the Doom Bullfinch Chirps"
Swedish doom trio Doomherre receives a dedicated feature exploring the band's origins, influences, latest album Plaguelords , and plans for their next record.
The feature highlights the band's classic doom foundation, with references to Black Sabbath and Candlemass , while bassist Max Collin discusses how the project began as a way to combat isolation during the pandemic before growing into something considerably more ambitious.
Doomherre has already begun writing its third album, with Collin revealing that years of accumulated musical ideas have given the band an unusually large amount of material to work with.
The feature also covers their Four Altars of Sin EP collaboration with Kaiser, Hexjakt, and Ordos, as well as the long musical history shared by members of the trio.
ANOTHER STRONG SHOWING FOR METAL DEVASTATION PR
The latest Metalized issue represents another significant round of exposure for the artists working with Metal Devastation PR , spanning multiple countries, generations, and corners of the metal spectrum.
With album reviews, interviews, and dedicated feature coverage appearing throughout an issue carrying Five Finger Death Punch on its cover, the issue provides another example of the international media opportunities available to independent metal artists through Metal Devastation PR.
Metal Devastation PR continues to connect independent and underground metal artists with legitimate media, radio, magazines, and promotional opportunities around the world.
Major Metal Media. Real Coverage. Worldwide Exposure.
For information about Metal Devastation PR campaigns, contact:
Zach Moonshine
Metal Devastation PR
zach@metaldevastationradio.com
Grab a copy here before they sell out:
https://www.metalized.dk/
/>
https://metaldevastationradio.com/thebeast/blog/29423/symphony-of-destiny-sonus-nothing-sacred-machine-cult-ritual-iron-wings-eaten-by-sharks-blood-of-angels-archfiend-and-d?utm_source=dlvr.it&utm_medium=blogger
Five Finger Death Punch Lands the Cover as Multiple Metal Devastation PR Artists Receive Reviews and Feature Coverage in the Latest Issue
The latest issue of Denmark's long-running Metalized Magazine has arrived, featuring Five Finger Death Punch on the cover and a substantial showing from artists represented through Metal Devastation PR .
From symphonic power metal and classic speed metal to industrial doom, thrash, technical death metal, and extreme metal, the issue showcases a wide range of artists working across today's international metal underground.
Among the featured Metal Devastation PR artists are Symphony of Destiny, Sönus, Nothing Sacred, Machine Cult Ritual, Iron Wings, Eaten By Sharks, Blood of Angels, Archfiend, and Doomherre , with several receiving dedicated album reviews while others are featured in in-depth interviews.
SYMPHONY OF DESTINY
Heroes of Egypt | 7/10
Metalized describes Symphony of Destiny's debut EP as a dramatic and heavy first chapter that combines symphonic layers, power metal energy, and cinematic gestures with Egyptian mythology.
The review highlights Anne Dueweke's dramatic vocals and Wesley Eldridge's guitar work, specifically praising tracks including "Exile of Horus," "The Riddle," and "Rampage (Bastet)." Metalized calls the release "promising, dramatic, and heavy" , noting that the Virginia band "dares to dream in CinemaScope and play with pharaonic weight."
SÖNUS
Planes of Torment | 7/10
California trio Sönus receives recognition for their blend of classic rock, psychedelic textures, progressive elements, and metal , with Metalized noting the spirit of rock's golden age throughout the seven-track release.
The album was recorded live in the studio in an effort to preserve its raw energy, and the review describes the result as "charming" and "a nostalgic breath from a bygone era."
NOTHING SACRED
4 Tracks | 8/10
Australian speed metal pioneers Nothing Sacred receive one of the issue's strongest review scores, with an 8/10 for the four tracks released from their upcoming EP.
Metalized emphasizes that the band, formed in 1983, sounds "hungrier than many bands with a fraction of their seniority" and makes clear that Nothing Sacred is not simply relying on its history.
"Break" and "Burning From Above" are praised for their classic speed metal, strong riffs, and catchy choruses , while "Your Time Will Come" is singled out as a highlight with a chorus that "sticks after just a few listens."
The review also praises the band's ability to avoid chasing modern trends while continuing to write relevant metal, describing the production as heavy and well-balanced without losing raw energy .
MACHINE CULT RITUAL
Occult Mechanics | 9/10
John R. Mirland's Machine Cult Ritual receives the highest score among the featured reviews with an impressive 9/10 .
Metalized describes Mirland as a longstanding figure in Denmark's industrial underground, with decades of work spanning dark ambient, experimental electronica, and industrial noise.
With Occult Mechanics , those influences are channeled into a combination of industrial, death doom, and folk horror , creating a narrative centered around civilizational decay, cosmic horror, and the cold rituals of machines .
The review highlights mechanical drums, suffocating riffs, and corrosive synth pads , describing the resulting atmosphere as something closer to "a dystopian ceremony than a traditional record."
IRON WINGS
Alpha & Omega | 7/10
Latvian thrash/heavy metal band Iron Wings earns a 7/10 for Alpha & Omega , their third full-length album.
While the review is critical of some of the album's weaker moments, Metalized recognizes the band's strongest material and describes the record as a "nice cross between thrash and heavy metal."
The review specifically highlights the opener's unexpected impact, several tracks on the second half of the record, and closer "Cyanide," while calling Alpha & Omega the band's third and clearly best record .
Iron Wings also receive a full interview in the issue, discussing their history, their transition from Latvian to English lyrics, the evolution of their sound, the inspiration behind "Halo from Hell," their songwriting, and plans to tour in support of Alpha & Omega .
EATEN BY SHARKS
The Undertow of Hate | 6/10
Canadian death metal outfit Eaten By Sharks is featured with a review of their second full-length, The Undertow of Hate .
Metalized describes the record as brutal technical death metal , highlighting the band's ocean-themed approach, extensive use of samples, and vocalist Matt Sheriff's ability to move between deep guttural roars and high-pitched screams .
The review also notes the album's spotless production and the band's clear technical ability.
BLOOD OF ANGELS
Les Angst Ov Thanatous | 7/10
Tampa, Florida's Blood of Angels earns a 7/10 for Les Angst Ov Thanatous , with Metalized describing the band's music as a high-octane combination of death, black, thrash, and power metal .
The nine-track album explores themes surrounding grief, violence, rituals, remembrance, and reflection.
Blood of Angels also receive an extensive interview with guitarist and founder Aaron Robinson, covering the band's origins, international touring, the evolution of their songwriting, the themes behind the new album, Nordic mythology and family roots, and the band's commitment to the live experience.
Robinson also discusses the band's goal of continuing to tour the UK, USA, Mexico, and Europe while helping connect generations of metal musicians.
ARCHFIEND
Lost Forever | 8/10
Midwest metal band Archfiend receives an 8/10 for Lost Forever , a concept album following the harrowing story of 14-year-old Jenna Lee, from an abusive home situation through human trafficking and its consequences.
Metalized praises the album's strong and unsettling narrative , as well as the additional visual dimension provided through animation on the band's YouTube channel.
The review calls the story "well thought out and executed" and praises the band's old-fashioned approach to music and art.
DOOMHERRE
"When the Doom Bullfinch Chirps"
Swedish doom trio Doomherre receives a dedicated feature exploring the band's origins, influences, latest album Plaguelords , and plans for their next record.
The feature highlights the band's classic doom foundation, with references to Black Sabbath and Candlemass , while bassist Max Collin discusses how the project began as a way to combat isolation during the pandemic before growing into something considerably more ambitious.
Doomherre has already begun writing its third album, with Collin revealing that years of accumulated musical ideas have given the band an unusually large amount of material to work with.
The feature also covers their Four Altars of Sin EP collaboration with Kaiser, Hexjakt, and Ordos, as well as the long musical history shared by members of the trio.
ANOTHER STRONG SHOWING FOR METAL DEVASTATION PR
The latest Metalized issue represents another significant round of exposure for the artists working with Metal Devastation PR , spanning multiple countries, generations, and corners of the metal spectrum.
With album reviews, interviews, and dedicated feature coverage appearing throughout an issue carrying Five Finger Death Punch on its cover, the issue provides another example of the international media opportunities available to independent metal artists through Metal Devastation PR.
Metal Devastation PR continues to connect independent and underground metal artists with legitimate media, radio, magazines, and promotional opportunities around the world.
Major Metal Media. Real Coverage. Worldwide Exposure.
For information about Metal Devastation PR campaigns, contact:
Zach Moonshine
Metal Devastation PR
zach@metaldevastationradio.com
Grab a copy here before they sell out:
https://www.metalized.dk/
/>
https://metaldevastationradio.com/thebeast/blog/29423/symphony-of-destiny-sonus-nothing-sacred-machine-cult-ritual-iron-wings-eaten-by-sharks-blood-of-angels-archfiend-and-d?utm_source=dlvr.it&utm_medium=blogger
Sunday, September 20, 2026
VENOM INC.'s CURRAN MURPHY: "AMERICA IS JUST A SALES PITCH" - @thebeast
VENOM INC. guitarist Curran Murphy has sparked a discussion among his social media followers after sharing a lengthy and outspoken post addressing his experiences with the United States and his views on American society.
Murphy's comments center around what he describes as the difference between the way America is presented to its citizens and what he believes people encounter when they travel outside the country.
"The weirdest thing about leaving America is realizing how much of America is just a sales pitch," Murphy wrote.
He went on to compare aspects of life in the United States with what he says he has encountered overseas, pointing specifically to public transportation, healthcare, worker vacation time, pedestrian-friendly cities and other social infrastructure.
"You spend your whole life hearing 'greatest country on Earth,' then you go overseas and see clean trains, safer streets, affordable medicine, cities where people can walk without playing Frogger with an SUV, and workers who take vacations without acting like they committed treason," he wrote.
Murphy then turned his attention toward issues he believes Americans have become accustomed to tolerating, including infrastructure, healthcare costs, gun violence, homelessness and political polarization.
"And somehow we're all supposed to stand there, hand over heart, and pretend this is normal," he wrote.
Despite the criticism, Murphy made a point of distinguishing his frustration with the country's problems from hatred of America itself.
"I don't hate America. I hate what America has been taught to tolerate," he stated.
Murphy also challenged the idea that policies such as universal healthcare, paid leave, environmental protections and increased protections for children should be considered inherently radical.
"Healthcare? Radical. Paid leave? Radical. Clean air? Radical. Kids not getting shot in math class? Somehow political," he wrote.
The guitarist also took aim at what he described as performative patriotism, arguing that symbols of national pride cannot substitute for addressing problems affecting ordinary Americans.
"A flag doesn't pay rent. A bald eagle doesn't cover insulin. Fireworks don't fix bridges. And chanting 'USA' doesn't make a broken system less broken," Murphy wrote.
Murphy concluded by arguing that criticism of the United States does not necessarily represent a rejection of the country itself, but can instead come from a desire to see conditions improve.
"America has incredible people. That's the tragedy. The people are better than the system they've been forced to defend," he wrote.
He finished the post with a statement that summarizes the central argument behind his comments:
"Real patriotism isn't pretending the country is perfect. Real patriotism is being angry that it isn't."
Murphy's post has generated discussion among followers, with reactions ranging from agreement with his criticisms to disagreement over his characterization of American society and the country's political system.
Regardless of where one stands on the issues Murphy raises, his message is unmistakably direct: he believes loving a country and criticizing its problems are not mutually exclusive.
The post comes from Murphy's personal social media account and represents his own views.
https://metaldevastationradio.com/thebeast/blog/29422/venom-incs-curran-murphy-america-is-just-a-sales-pitch?utm_source=dlvr.it&utm_medium=blogger
Murphy's comments center around what he describes as the difference between the way America is presented to its citizens and what he believes people encounter when they travel outside the country.
"The weirdest thing about leaving America is realizing how much of America is just a sales pitch," Murphy wrote.
He went on to compare aspects of life in the United States with what he says he has encountered overseas, pointing specifically to public transportation, healthcare, worker vacation time, pedestrian-friendly cities and other social infrastructure.
"You spend your whole life hearing 'greatest country on Earth,' then you go overseas and see clean trains, safer streets, affordable medicine, cities where people can walk without playing Frogger with an SUV, and workers who take vacations without acting like they committed treason," he wrote.
Murphy then turned his attention toward issues he believes Americans have become accustomed to tolerating, including infrastructure, healthcare costs, gun violence, homelessness and political polarization.
"And somehow we're all supposed to stand there, hand over heart, and pretend this is normal," he wrote.
Despite the criticism, Murphy made a point of distinguishing his frustration with the country's problems from hatred of America itself.
"I don't hate America. I hate what America has been taught to tolerate," he stated.
Murphy also challenged the idea that policies such as universal healthcare, paid leave, environmental protections and increased protections for children should be considered inherently radical.
"Healthcare? Radical. Paid leave? Radical. Clean air? Radical. Kids not getting shot in math class? Somehow political," he wrote.
The guitarist also took aim at what he described as performative patriotism, arguing that symbols of national pride cannot substitute for addressing problems affecting ordinary Americans.
"A flag doesn't pay rent. A bald eagle doesn't cover insulin. Fireworks don't fix bridges. And chanting 'USA' doesn't make a broken system less broken," Murphy wrote.
Murphy concluded by arguing that criticism of the United States does not necessarily represent a rejection of the country itself, but can instead come from a desire to see conditions improve.
"America has incredible people. That's the tragedy. The people are better than the system they've been forced to defend," he wrote.
He finished the post with a statement that summarizes the central argument behind his comments:
"Real patriotism isn't pretending the country is perfect. Real patriotism is being angry that it isn't."
Murphy's post has generated discussion among followers, with reactions ranging from agreement with his criticisms to disagreement over his characterization of American society and the country's political system.
Regardless of where one stands on the issues Murphy raises, his message is unmistakably direct: he believes loving a country and criticizing its problems are not mutually exclusive.
The post comes from Murphy's personal social media account and represents his own views.
https://metaldevastationradio.com/thebeast/blog/29422/venom-incs-curran-murphy-america-is-just-a-sales-pitch?utm_source=dlvr.it&utm_medium=blogger
SIX STRING REVOLVER’S RAVENHAWK TALKS ‘BE SOMEBODY,’ BREAKING FREE, MUSIC, AI AND THE POWER OF ROCK AND ROLL - @thebeast
SIX STRING REVOLVER’S RAVENHAWK TALKS ‘BE SOMEBODY,’ BREAKING FREE, MUSIC, AI AND THE POWER OF ROCK AND ROLL
By Metal Devastation Radio
There are plenty of bands making noise in the underground, but every once in a while you come across an artist whose music is tied directly to the life they've lived. For “RavenHawk” of Six String Revolver , the songs are more than just riffs, hooks and volume. They are a vehicle for telling stories, confronting darkness and, in his words, being “the voice for the voiceless.”
RavenHawk recently joined The Zach Moonshine Show for a wide-ranging conversation covering the band's history, their latest album Be Somebody , the stories behind several of their songs, growing up in a high-control religious environment, his love of classic rock and metal, the importance of physical music and magazines, the growing presence of AI in music, and what lies ahead for Six String Revolver.
One of the songs discussed during the interview was “Sick Mind,” a track RavenHawk describes as a statement song dealing with online predators and the dangers facing children on the internet.
“You see injustice in the world like that, man. You want to speak out,” RavenHawk explained. “And the way I know how to speak out is through our music.”
That philosophy appears to run throughout Six String Revolver's material. RavenHawk says longtime producer Chris Richardson once told him to “be the voice for the voiceless,” a phrase that has stayed with him.
FROM A LAST-MINUTE GIG TO SIX STRING REVOLVER
Six String Revolver came together in somewhat unconventional fashion.
RavenHawk had previously stepped away from music after a former band dissolved. Then came an opportunity to open for Saving Abel and P.O.D.
There was just one problem.
He didn't actually have a band.
“I got a call to open up for Saving Abel, the band, Saving Abel and P.O.D.,” RavenHawk recalled. “And I was like, ‘Oh, I don't have a band, but OK, I want to do it.’”
So he assembled what he describes as some of the best musicians he could find locally and revived the Six String Revolver name from an earlier project.
The newly assembled lineup went directly onto the stage opening for P.O.D. and Saving Abel, and according to RavenHawk, things took off from there.
One of the key pieces of the Six String Revolver lineup is guitarist Hawkeye Pierce, whom RavenHawk describes as a “living legend” around Southern Utah.
“He really is the sixth string of Six String Revolver,” RavenHawk said. “If I'm the revolver, he's the sixth string.”
MUSIC AS AN ESCAPE
Perhaps the most revealing portion of the conversation came when RavenHawk discussed his childhood.
Born into a doomsday religious cult, he grew up in an environment where music and popular culture were heavily restricted. His parents were members of the group, and RavenHawk says his childhood was dominated by fear, control and the belief that the end of the world could arrive at any moment.
His first major musical obsession came from an unlikely source: a library book about Jim Morrison.
“I ran across the book called No One Gets Out of Here Alive , the Jim Morrison story,” he explained.
He hadn't even heard The Doors at that point.
After reading about Morrison, however, RavenHawk knew exactly what he wanted.
“I was like, ‘I want to be freaking Jim Morrison.’”
A video of The Doors performing at the Hollywood Bowl cemented it.
From there, he began secretly seeking out music and eventually discovered bands including Guns N' Roses.
RavenHawk says music ultimately became his escape from the environment in which he was raised.
“I went out and got in a band and started touring with a band,” he said. “Music was basically my escape from all of this that I had to go through.”
He later wrote an entire book about his experiences and says helping people who have escaped high-control groups has become an important part of his life.
“DEAD JAIL ROCK'N'ROLL” IS PERSONAL
That personal history also finds its way directly into the Six String Revolver catalog.
RavenHawk discussed “Dead Jail Rock'n'Roll,” explaining that the song contains an event from his own life.
“I once threw a knife at my boss's ever-loving head,” he said. “That's an absolute true story.”
The song reflects his deep resistance to being controlled, something he connects directly to his childhood.
“I was taught to be a slave my whole life,” RavenHawk explained. “I just can't do it, man.”
For him, rock and roll represents the opposite of that experience.
“That's what rock'n'roll is about, man. Freedom.”
THE INFLUENCE OF JIM MORRISON, AXL ROSE AND THE CLASSIC ERA
RavenHawk's musical education may have started with The Doors, but his influences eventually expanded into the hard rock and metal world.
Guns N' Roses made a particularly strong impact.
When he heard Axl Rose's vocals on Appetite for Destruction , he heard something raw and unpredictable that connected with him.
RavenHawk also spoke about how reading stories about musicians who had survived difficult childhoods affected him personally. He specifically discussed Axl Rose's background and the way discovering similarities between their experiences gave him inspiration.
“If he can do it from a very similar environment, why can't I?” RavenHawk recalled thinking.
That became part of the reason he chose to tell his own story publicly.
“Maybe it'll be some kid listening and going, ‘Hey, that guy can do it. I can do it too.’”
SIX STRING REVOLVER AND THE HUMAN ELEMENT OF MUSIC
The conversation eventually turned toward the current state of the music industry and the growing presence of artificial intelligence.
RavenHawk isn't completely opposed to AI as a tool. He explained that he can see value in using technology to build out a song idea when presenting material to other musicians.
But when it comes to Six String Revolver, he is clear about one thing.
“No AI on it at all,” he said.
The band's music is performed by the musicians themselves, with the record having been recorded in California with engineer Tom and produced by the band's drummer, known as Monster.
For RavenHawk, the imperfections of human musicianship are part of what makes rock and metal special.
He wants to hear what an artist has experienced, what they have to say and what they bring to the music.
“I want to hear the passion. I want to hear the message,” he said.
He also wants the complete album experience, from the lyrics and artwork to the production choices and the little details hidden inside the recordings.
That human connection is something he doesn't believe can simply be replicated by a machine.
BRING BACK THE MAGAZINES
The discussion also took a nostalgic turn as RavenHawk and Zach Moonshine talked about the golden era of metal magazines.
Titles such as Metal Edge , Hit Parader , Circus , Metal Maniac and RIP were all part of the conversation, along with the posters, advertisements and interviews that introduced an entire generation of fans to new bands.
Before streaming algorithms and social media feeds, the record store and magazine rack were discovery engines.
You bought a cassette. You read the liner notes. You checked out the advertisements. You saw a band you'd never heard of and went looking for their music.
For RavenHawk, that physical connection still matters.
He wants to know who made the music, what the musicians are doing, what they believe in and what their lives look like outside the songs.
It's also one reason he believes the human side of underground music remains so important in the age of AI.
BE SOMEBODY AND WHAT COMES NEXT
Six String Revolver is currently promoting its latest album, Be Somebody , while also working on new videos and continuing to push the band's music forward.
The road ahead, however, has included a major challenge.
Guitarist Hawkeye Pierce is currently battling stage 3 cancer and had recently undergone surgery at the time of the interview.
Despite the difficult circumstances, RavenHawk remains determined to keep the band's music moving.
“He's going to come back better than ever,” he said.
And apparently Hawkeye hasn't lost his sense of humor.
While recovering in the hospital, he has reportedly been attempting to convince hospital staff to ditch their scrubs in favor of Six String Revolver merchandise. He has even tried recruiting nurses for the band's imaginary dance team.
So far, hospital policy has prevented the campaign from succeeding.
But Hawkeye apparently isn't giving up.
A LADDER IN THE SKY
Outside of Six String Revolver, RavenHawk has also released a solo song titled “Ladder in the Sky,” written years ago and recently released by Rage Breed around the 25th anniversary of September 11.
Although the song moves outside the normal Six String Revolver style, RavenHawk says it allowed him to revisit material he'd written long ago.
He also revealed that his experience as a volunteer firefighter influenced the song's focus on the firefighters who rushed into danger during the attacks.
Whatever questions people may have about the events themselves, RavenHawk says the people who risked and lost their lives trying to save others deserve to be remembered.
THE REVOLVER KEEPS SPINNING
What comes through most clearly during the conversation with RavenHawk is that Six String Revolver isn't simply another band releasing another album.
The music is connected to a lifetime of experiences.
From discovering Jim Morrison in a library to secretly listening to rock and metal as a kid, from escaping an abusive environment to building a career in music, RavenHawk has spent decades turning those experiences into songs.
And now, with Be Somebody out in the world and Six String Revolver continuing to release music, that story is still being written.
“I love expressing myself,” RavenHawk said. “I love trying to help other people that are in need of a message and a story that they can grab onto, that can inspire them.”
In an era where an endless stream of new music can disappear almost as quickly as it arrives, that's perhaps the most important thing an underground artist can do.
Have something real to say.
Then turn it up loud.
Full Track List From the Show:
1 - Another Demon - Reduced to Ash
2 - Soul Of Sheol - Paradise Is Not For Us
3 - Sharp n' Loud - Armored sexy girl
4 - ELICERE - Erased I : The dome
5 - Mistress - Terrified eyes
6 - Adam Zar Novafall - Ashes Don't Lie
The Zach Moonshine Intro
7 - Ozzy Osbourne - Suicide Solution - Live From Blizzard Of Ozz Tour
8 - MIDNIGHT - You Can't Stop Steel (Live)
9 - L.A. Guns - Space Truckin'
10 - Peeling Flesh - Murderous Intent (feat. Mike from Missing Link)
11 - 200 Stab Wounds - Pangs of Conscience
Six String Revolver - Interview featuring Sick Mind/Death, Jail, Rock & Roll
12 - NervoChaos - Embrace Chaos
13 - THE BLEEDING - Born in a Casket
14 - Falling In Reverse - "Joseph" (feat. Corey Taylor and Serj Tankian)/God Is A Weapon - Feat Marilyn Manson
15 - Droid Killer - 2030 JiHad
16 - Templum Silva - The Soil Soaked Our Blood
17 - Netherdred - Necrodancer
18 - PS:23 - The Angel They Call Evil
19 - Frequency Overload - Buoyancy
20 - Culak - Crossfire
21 - Estertor - Evil Black Church
22 - Phenomy - Death May Die
23 - Black Hole Zion - I Don't Care if This Thing Crashes
Streaming now on mixcloud:
https://metaldevastationradio.com/thebeast/blog/29421/six-string-revolvers-ravenhawk-talks-be-somebody-breaking-free-music-ai-and-the-power-of-rock-and-roll?utm_source=dlvr.it&utm_medium=blogger
By Metal Devastation Radio
There are plenty of bands making noise in the underground, but every once in a while you come across an artist whose music is tied directly to the life they've lived. For “RavenHawk” of Six String Revolver , the songs are more than just riffs, hooks and volume. They are a vehicle for telling stories, confronting darkness and, in his words, being “the voice for the voiceless.”
RavenHawk recently joined The Zach Moonshine Show for a wide-ranging conversation covering the band's history, their latest album Be Somebody , the stories behind several of their songs, growing up in a high-control religious environment, his love of classic rock and metal, the importance of physical music and magazines, the growing presence of AI in music, and what lies ahead for Six String Revolver.
One of the songs discussed during the interview was “Sick Mind,” a track RavenHawk describes as a statement song dealing with online predators and the dangers facing children on the internet.
“You see injustice in the world like that, man. You want to speak out,” RavenHawk explained. “And the way I know how to speak out is through our music.”
That philosophy appears to run throughout Six String Revolver's material. RavenHawk says longtime producer Chris Richardson once told him to “be the voice for the voiceless,” a phrase that has stayed with him.
FROM A LAST-MINUTE GIG TO SIX STRING REVOLVER
Six String Revolver came together in somewhat unconventional fashion.
RavenHawk had previously stepped away from music after a former band dissolved. Then came an opportunity to open for Saving Abel and P.O.D.
There was just one problem.
He didn't actually have a band.
“I got a call to open up for Saving Abel, the band, Saving Abel and P.O.D.,” RavenHawk recalled. “And I was like, ‘Oh, I don't have a band, but OK, I want to do it.’”
So he assembled what he describes as some of the best musicians he could find locally and revived the Six String Revolver name from an earlier project.
The newly assembled lineup went directly onto the stage opening for P.O.D. and Saving Abel, and according to RavenHawk, things took off from there.
One of the key pieces of the Six String Revolver lineup is guitarist Hawkeye Pierce, whom RavenHawk describes as a “living legend” around Southern Utah.
“He really is the sixth string of Six String Revolver,” RavenHawk said. “If I'm the revolver, he's the sixth string.”
MUSIC AS AN ESCAPE
Perhaps the most revealing portion of the conversation came when RavenHawk discussed his childhood.
Born into a doomsday religious cult, he grew up in an environment where music and popular culture were heavily restricted. His parents were members of the group, and RavenHawk says his childhood was dominated by fear, control and the belief that the end of the world could arrive at any moment.
His first major musical obsession came from an unlikely source: a library book about Jim Morrison.
“I ran across the book called No One Gets Out of Here Alive , the Jim Morrison story,” he explained.
He hadn't even heard The Doors at that point.
After reading about Morrison, however, RavenHawk knew exactly what he wanted.
“I was like, ‘I want to be freaking Jim Morrison.’”
A video of The Doors performing at the Hollywood Bowl cemented it.
From there, he began secretly seeking out music and eventually discovered bands including Guns N' Roses.
RavenHawk says music ultimately became his escape from the environment in which he was raised.
“I went out and got in a band and started touring with a band,” he said. “Music was basically my escape from all of this that I had to go through.”
He later wrote an entire book about his experiences and says helping people who have escaped high-control groups has become an important part of his life.
“DEAD JAIL ROCK'N'ROLL” IS PERSONAL
That personal history also finds its way directly into the Six String Revolver catalog.
RavenHawk discussed “Dead Jail Rock'n'Roll,” explaining that the song contains an event from his own life.
“I once threw a knife at my boss's ever-loving head,” he said. “That's an absolute true story.”
The song reflects his deep resistance to being controlled, something he connects directly to his childhood.
“I was taught to be a slave my whole life,” RavenHawk explained. “I just can't do it, man.”
For him, rock and roll represents the opposite of that experience.
“That's what rock'n'roll is about, man. Freedom.”
THE INFLUENCE OF JIM MORRISON, AXL ROSE AND THE CLASSIC ERA
RavenHawk's musical education may have started with The Doors, but his influences eventually expanded into the hard rock and metal world.
Guns N' Roses made a particularly strong impact.
When he heard Axl Rose's vocals on Appetite for Destruction , he heard something raw and unpredictable that connected with him.
RavenHawk also spoke about how reading stories about musicians who had survived difficult childhoods affected him personally. He specifically discussed Axl Rose's background and the way discovering similarities between their experiences gave him inspiration.
“If he can do it from a very similar environment, why can't I?” RavenHawk recalled thinking.
That became part of the reason he chose to tell his own story publicly.
“Maybe it'll be some kid listening and going, ‘Hey, that guy can do it. I can do it too.’”
SIX STRING REVOLVER AND THE HUMAN ELEMENT OF MUSIC
The conversation eventually turned toward the current state of the music industry and the growing presence of artificial intelligence.
RavenHawk isn't completely opposed to AI as a tool. He explained that he can see value in using technology to build out a song idea when presenting material to other musicians.
But when it comes to Six String Revolver, he is clear about one thing.
“No AI on it at all,” he said.
The band's music is performed by the musicians themselves, with the record having been recorded in California with engineer Tom and produced by the band's drummer, known as Monster.
For RavenHawk, the imperfections of human musicianship are part of what makes rock and metal special.
He wants to hear what an artist has experienced, what they have to say and what they bring to the music.
“I want to hear the passion. I want to hear the message,” he said.
He also wants the complete album experience, from the lyrics and artwork to the production choices and the little details hidden inside the recordings.
That human connection is something he doesn't believe can simply be replicated by a machine.
BRING BACK THE MAGAZINES
The discussion also took a nostalgic turn as RavenHawk and Zach Moonshine talked about the golden era of metal magazines.
Titles such as Metal Edge , Hit Parader , Circus , Metal Maniac and RIP were all part of the conversation, along with the posters, advertisements and interviews that introduced an entire generation of fans to new bands.
Before streaming algorithms and social media feeds, the record store and magazine rack were discovery engines.
You bought a cassette. You read the liner notes. You checked out the advertisements. You saw a band you'd never heard of and went looking for their music.
For RavenHawk, that physical connection still matters.
He wants to know who made the music, what the musicians are doing, what they believe in and what their lives look like outside the songs.
It's also one reason he believes the human side of underground music remains so important in the age of AI.
BE SOMEBODY AND WHAT COMES NEXT
Six String Revolver is currently promoting its latest album, Be Somebody , while also working on new videos and continuing to push the band's music forward.
The road ahead, however, has included a major challenge.
Guitarist Hawkeye Pierce is currently battling stage 3 cancer and had recently undergone surgery at the time of the interview.
Despite the difficult circumstances, RavenHawk remains determined to keep the band's music moving.
“He's going to come back better than ever,” he said.
And apparently Hawkeye hasn't lost his sense of humor.
While recovering in the hospital, he has reportedly been attempting to convince hospital staff to ditch their scrubs in favor of Six String Revolver merchandise. He has even tried recruiting nurses for the band's imaginary dance team.
So far, hospital policy has prevented the campaign from succeeding.
But Hawkeye apparently isn't giving up.
A LADDER IN THE SKY
Outside of Six String Revolver, RavenHawk has also released a solo song titled “Ladder in the Sky,” written years ago and recently released by Rage Breed around the 25th anniversary of September 11.
Although the song moves outside the normal Six String Revolver style, RavenHawk says it allowed him to revisit material he'd written long ago.
He also revealed that his experience as a volunteer firefighter influenced the song's focus on the firefighters who rushed into danger during the attacks.
Whatever questions people may have about the events themselves, RavenHawk says the people who risked and lost their lives trying to save others deserve to be remembered.
THE REVOLVER KEEPS SPINNING
What comes through most clearly during the conversation with RavenHawk is that Six String Revolver isn't simply another band releasing another album.
The music is connected to a lifetime of experiences.
From discovering Jim Morrison in a library to secretly listening to rock and metal as a kid, from escaping an abusive environment to building a career in music, RavenHawk has spent decades turning those experiences into songs.
And now, with Be Somebody out in the world and Six String Revolver continuing to release music, that story is still being written.
“I love expressing myself,” RavenHawk said. “I love trying to help other people that are in need of a message and a story that they can grab onto, that can inspire them.”
In an era where an endless stream of new music can disappear almost as quickly as it arrives, that's perhaps the most important thing an underground artist can do.
Have something real to say.
Then turn it up loud.
Full Track List From the Show:
1 - Another Demon - Reduced to Ash
2 - Soul Of Sheol - Paradise Is Not For Us
3 - Sharp n' Loud - Armored sexy girl
4 - ELICERE - Erased I : The dome
5 - Mistress - Terrified eyes
6 - Adam Zar Novafall - Ashes Don't Lie
The Zach Moonshine Intro
7 - Ozzy Osbourne - Suicide Solution - Live From Blizzard Of Ozz Tour
8 - MIDNIGHT - You Can't Stop Steel (Live)
9 - L.A. Guns - Space Truckin'
10 - Peeling Flesh - Murderous Intent (feat. Mike from Missing Link)
11 - 200 Stab Wounds - Pangs of Conscience
Six String Revolver - Interview featuring Sick Mind/Death, Jail, Rock & Roll
12 - NervoChaos - Embrace Chaos
13 - THE BLEEDING - Born in a Casket
14 - Falling In Reverse - "Joseph" (feat. Corey Taylor and Serj Tankian)/God Is A Weapon - Feat Marilyn Manson
15 - Droid Killer - 2030 JiHad
16 - Templum Silva - The Soil Soaked Our Blood
17 - Netherdred - Necrodancer
18 - PS:23 - The Angel They Call Evil
19 - Frequency Overload - Buoyancy
20 - Culak - Crossfire
21 - Estertor - Evil Black Church
22 - Phenomy - Death May Die
23 - Black Hole Zion - I Don't Care if This Thing Crashes
Streaming now on mixcloud:
https://metaldevastationradio.com/thebeast/blog/29421/six-string-revolvers-ravenhawk-talks-be-somebody-breaking-free-music-ai-and-the-power-of-rock-and-roll?utm_source=dlvr.it&utm_medium=blogger
Friday, September 18, 2026
AYDRA, BLACKENED ROSE, CELTIC HILLS, ENBOR ARNASA, HELLRAZOR, HEXJAKT, JAMES LEGENDFORGE, MACHINE CULT RITUAL, SÖNUS, ELEMENT OF FATE, FIRST WORLD APPETITE, NOTHING SACRED, BLOOD OF ANGELS, BLOOD DESECRATION, JOHN FLY, BLEEDING ANTLERS, BRAINMAZE, PAINDEMIC, UNCLE HAUK, FLIGHT OF ODIN - Featured Metallurg Magazine No. 8 - @thebeast
METAL DEVASTATION PR CLIENTS TAKE OVER METALLURG MAGAZINE No. 8 AND METALLURG MUSIC COMPILATION No. 8
28 Metal Devastation PR Clients Featured Across Nine Interviews and Two Compilation CDs
FOR IMMEDIATE RELEASE
Metal Devastation PR is proud to announce a massive showcase of independent metal talent in Metallurg Magazine No. 8 , with Metal Devastation PR clients featured throughout the issue and across the accompanying Metallurg Music Compilation No. 8 , presented in two parts.
The latest issue features nine Metal Devastation PR clients in interview features , while 19 additional and overlapping MDPR clients appear across the two compilation CDs , giving Metal Devastation PR an impressive presence throughout this edition of Metallurg.
INTERVIEWS IN METALLURG MAGAZINE No. 8
The latest issue of Metallurg Magazine features in-depth interviews with:
AYDRA
BLACKENED ROSE
CELTIC HILLS
ENBOR ARNASA
HELLRAZOR
HEXJAKT
JAMES LEGENDFORGE
MACHINE CULT RITUAL
SÖNUS!
These interviews give readers an opportunity to go deeper into the artists, their music, their backgrounds, and what they are bringing to the international metal scene.
METALLURG MUSIC COMPILATION No. 8 - PART 1
The first part of Metallurg Music Compilation No. 8 features the following Metal Devastation PR clients:
Celtic Hills
Hellrazor
Element of Fate
Aydra
First World Appetite
Nothing Sacred
Blood of Angels
Blood Desecration
John Fly
Bleeding Antlers
Enbor Arnasa
James Legendforge
METALLURG MUSIC COMPILATION No. 8 - PART 2
The second part of Metallurg Music Compilation No. 8 features:
Brainmaze
Hexjakt
Sönus
Machine Cult Ritual
Paindemic
Uncle Hauk
Flight of Odin
With 19 Metal Devastation PR clients represented across the two compilation releases , the Metallurg Music Compilation provides an extensive snapshot of artists currently working with Metal Devastation PR.
Combined with the nine client interview features in Metallurg Magazine No. 8 , this represents an extraordinary amount of exposure for the independent artists represented through the Metal Devastation PR roster.
REAL COVERAGE FOR INDEPENDENT METAL
Metal Devastation PR was built to help independent metal artists reach media outlets, listeners, and industry audiences beyond their immediate circles. Coverage such as the latest Metallurg issue and compilation demonstrates the value of sustained, legitimate promotion and getting music into the hands of actual metal media.
From established underground acts to emerging artists, Metal Devastation PR continues working to put its clients in front of new audiences around the world.
Major Metal Media. Real Coverage. Worldwide Exposure.
For more information about Metal Devastation PR and available promotional packages, visit the Metal Devastation PR store:
https://metal-devastation-radio-store.myshopify.com/collections/metal-devastation-pr-packages
/>
Metal Devastation PR
Powered by Metal Devastation Radio
Independent. Family-Owned. Worldwide.
MEDIA CONTACT:
Zach Moonshine
Metal Devastation PR
zach@metaldevastationradio.com
Go grab the magazine and compilation here:
https://metallurg.bandcamp.com/merch/metallurg-music-magaziene-no8
/>
Metallurg Music Compilation 8.1 + digital Magazine No8 by Metallurg Music
https://metaldevastationradio.com/thebeast/blog/29420/aydra-blackened-rose-celtic-hills-enbor-arnasa-hellrazor-hexjakt-james-legendforge-machine-cult-ritual-sonus-element-o?utm_source=dlvr.it&utm_medium=blogger
28 Metal Devastation PR Clients Featured Across Nine Interviews and Two Compilation CDs
FOR IMMEDIATE RELEASE
Metal Devastation PR is proud to announce a massive showcase of independent metal talent in Metallurg Magazine No. 8 , with Metal Devastation PR clients featured throughout the issue and across the accompanying Metallurg Music Compilation No. 8 , presented in two parts.
The latest issue features nine Metal Devastation PR clients in interview features , while 19 additional and overlapping MDPR clients appear across the two compilation CDs , giving Metal Devastation PR an impressive presence throughout this edition of Metallurg.
INTERVIEWS IN METALLURG MAGAZINE No. 8
The latest issue of Metallurg Magazine features in-depth interviews with:
AYDRA
BLACKENED ROSE
CELTIC HILLS
ENBOR ARNASA
HELLRAZOR
HEXJAKT
JAMES LEGENDFORGE
MACHINE CULT RITUAL
SÖNUS!
These interviews give readers an opportunity to go deeper into the artists, their music, their backgrounds, and what they are bringing to the international metal scene.
METALLURG MUSIC COMPILATION No. 8 - PART 1
The first part of Metallurg Music Compilation No. 8 features the following Metal Devastation PR clients:
Celtic Hills
Hellrazor
Element of Fate
Aydra
First World Appetite
Nothing Sacred
Blood of Angels
Blood Desecration
John Fly
Bleeding Antlers
Enbor Arnasa
James Legendforge
METALLURG MUSIC COMPILATION No. 8 - PART 2
The second part of Metallurg Music Compilation No. 8 features:
Brainmaze
Hexjakt
Sönus
Machine Cult Ritual
Paindemic
Uncle Hauk
Flight of Odin
With 19 Metal Devastation PR clients represented across the two compilation releases , the Metallurg Music Compilation provides an extensive snapshot of artists currently working with Metal Devastation PR.
Combined with the nine client interview features in Metallurg Magazine No. 8 , this represents an extraordinary amount of exposure for the independent artists represented through the Metal Devastation PR roster.
REAL COVERAGE FOR INDEPENDENT METAL
Metal Devastation PR was built to help independent metal artists reach media outlets, listeners, and industry audiences beyond their immediate circles. Coverage such as the latest Metallurg issue and compilation demonstrates the value of sustained, legitimate promotion and getting music into the hands of actual metal media.
From established underground acts to emerging artists, Metal Devastation PR continues working to put its clients in front of new audiences around the world.
Major Metal Media. Real Coverage. Worldwide Exposure.
For more information about Metal Devastation PR and available promotional packages, visit the Metal Devastation PR store:
https://metal-devastation-radio-store.myshopify.com/collections/metal-devastation-pr-packages
/>
Metal Devastation PR
Powered by Metal Devastation Radio
Independent. Family-Owned. Worldwide.
MEDIA CONTACT:
Zach Moonshine
Metal Devastation PR
zach@metaldevastationradio.com
Go grab the magazine and compilation here:
https://metallurg.bandcamp.com/merch/metallurg-music-magaziene-no8
/>
Metallurg Music Compilation 8.1 + digital Magazine No8 by Metallurg Music
https://metaldevastationradio.com/thebeast/blog/29420/aydra-blackened-rose-celtic-hills-enbor-arnasa-hellrazor-hexjakt-james-legendforge-machine-cult-ritual-sonus-element-o?utm_source=dlvr.it&utm_medium=blogger
DROID KILLER ANNOUNCES NEW FULL-LENGTH ALBUM 2030 JIHAD - @thebeast
FOR IMMEDIATE RELEASE
DROID KILLER ANNOUNCES NEW FULL-LENGTH ALBUM 2030 JIHAD
Antarctica-Based Sci-Fi Metal Cult Act Unleashes Title Track Ahead of May 2027 Album Release
FFO: Megadeth, White Zombie, Six Feet Under
Black Halo
The new era of Droid Killer begins.
Antarctica-based Sci-Fi Metal force Droid Killer has officially announced its highly anticipated new full-length album, 2030 JiHad , the epic sequel to the band's 2023 debut album, The Terminator vs. The Preacher . The magnum opus is set for release May 21, 2027 via Black Halo , with the album's explosive title track, "2030 JiHad," available now following its release on September 11, 2026.
"The new era of Droid Killer begins! Droid Killer announces full length album 2030 JiHad, the highly anticipated sequel to The Terminator vs. The Preacher. The Droid Killer magnum opus 2030 Jihad is coming! Welcome to The Apocalypse."
Droid Killer is the definitive Sci-Fi Metal experience, based in Antarctica and chronicling a human/machine war apocalypse in real time. As the glaciers of Antarctica melt, something ancient and imprisoned beneath the subterranean ice is unleashed. Humanity has become enslaved by its own technology, and resistance rises as soulless death machines wage war against organic life.
With 2030 JiHad , Droid Killer takes the saga deeper into its apocalyptic universe.
The story began with the band's debut EP, The Hive , introducing a grim future where demonic machines begin cleansing the world of human life. That story expanded with Droid Killer's 2023 debut full-length, The Terminator vs. The Preacher , which explored the origins of the machine war and followed The Preacher as he travels through time from the Old West into the future to confront the machines.
Now, 2030 JiHad moves the story onto the battlefield of the future.
The remnants of conscious, living humanity fight for their very existence on a death-star planet where mind-controlled zombies wage war against conscious human life and artificial intelligence feeds upon human souls. Each Droid Killer full-length album is accompanied by a companion Sci-Fi novel , expanding the band's mythology beyond the music and further developing its apocalyptic universe.
At its core, Droid Killer chronicles the timeless battle between good and evil, life and death, the synthetic and the organic , while exploring the mythology of creation rising against its creator. The band's music serves as the soundtrack to a world where technology, prophecy, humanity and destruction collide.
Musically, Droid Killer describes its sound as Death Metal / Doom Metal / Life Metal , combining a distinctive "electric voodoo" guitar style with Death Metal that moves like classic rock and the crushing weight of Doom Metal. The result is a future-primitive sound built around molten riffs, subterranean arena anthems and a relentless celebration of the human spirit.
The production team behind 2030 JiHad includes Brian J. Sienkevich on mixing and production, with legendary mastering engineer Ted Jensen handling mastering. The album artwork was created by Zachary Jackson Brown , photography comes from Trevor Bexon , and the Droid Killer logo was created by Ross Sewage .
2030 JiHad arrives May 21, 2027 , with the companion novel and merchandise also slated for May 2027.
The title track "2030 JiHad" is available now.
I AM HUMAN!
Droid Killer is your lifeline during the human/machine war apocalypse as the future unfolds.
2030 JIHAD
Droid Killer
Black Halo
Release Date: May 21, 2027
Title Track: "2030 JiHad" - Out Now
2030 JiHad by Droid Killer
Connect:
https://linktr.ee/droidkiller
/>
Contact: droidkillermilitia@disciples.com
https://metaldevastationradio.com/thebeast/blog/29419/droid-killer-announces-new-full-length-album-2030-jihad?utm_source=dlvr.it&utm_medium=blogger
DROID KILLER ANNOUNCES NEW FULL-LENGTH ALBUM 2030 JIHAD
Antarctica-Based Sci-Fi Metal Cult Act Unleashes Title Track Ahead of May 2027 Album Release
FFO: Megadeth, White Zombie, Six Feet Under
Black Halo
The new era of Droid Killer begins.
Antarctica-based Sci-Fi Metal force Droid Killer has officially announced its highly anticipated new full-length album, 2030 JiHad , the epic sequel to the band's 2023 debut album, The Terminator vs. The Preacher . The magnum opus is set for release May 21, 2027 via Black Halo , with the album's explosive title track, "2030 JiHad," available now following its release on September 11, 2026.
"The new era of Droid Killer begins! Droid Killer announces full length album 2030 JiHad, the highly anticipated sequel to The Terminator vs. The Preacher. The Droid Killer magnum opus 2030 Jihad is coming! Welcome to The Apocalypse."
Droid Killer is the definitive Sci-Fi Metal experience, based in Antarctica and chronicling a human/machine war apocalypse in real time. As the glaciers of Antarctica melt, something ancient and imprisoned beneath the subterranean ice is unleashed. Humanity has become enslaved by its own technology, and resistance rises as soulless death machines wage war against organic life.
With 2030 JiHad , Droid Killer takes the saga deeper into its apocalyptic universe.
The story began with the band's debut EP, The Hive , introducing a grim future where demonic machines begin cleansing the world of human life. That story expanded with Droid Killer's 2023 debut full-length, The Terminator vs. The Preacher , which explored the origins of the machine war and followed The Preacher as he travels through time from the Old West into the future to confront the machines.
Now, 2030 JiHad moves the story onto the battlefield of the future.
The remnants of conscious, living humanity fight for their very existence on a death-star planet where mind-controlled zombies wage war against conscious human life and artificial intelligence feeds upon human souls. Each Droid Killer full-length album is accompanied by a companion Sci-Fi novel , expanding the band's mythology beyond the music and further developing its apocalyptic universe.
At its core, Droid Killer chronicles the timeless battle between good and evil, life and death, the synthetic and the organic , while exploring the mythology of creation rising against its creator. The band's music serves as the soundtrack to a world where technology, prophecy, humanity and destruction collide.
Musically, Droid Killer describes its sound as Death Metal / Doom Metal / Life Metal , combining a distinctive "electric voodoo" guitar style with Death Metal that moves like classic rock and the crushing weight of Doom Metal. The result is a future-primitive sound built around molten riffs, subterranean arena anthems and a relentless celebration of the human spirit.
The production team behind 2030 JiHad includes Brian J. Sienkevich on mixing and production, with legendary mastering engineer Ted Jensen handling mastering. The album artwork was created by Zachary Jackson Brown , photography comes from Trevor Bexon , and the Droid Killer logo was created by Ross Sewage .
2030 JiHad arrives May 21, 2027 , with the companion novel and merchandise also slated for May 2027.
The title track "2030 JiHad" is available now.
I AM HUMAN!
Droid Killer is your lifeline during the human/machine war apocalypse as the future unfolds.
2030 JIHAD
Droid Killer
Black Halo
Release Date: May 21, 2027
Title Track: "2030 JiHad" - Out Now
2030 JiHad by Droid Killer
Connect:
https://linktr.ee/droidkiller
/>
Contact: droidkillermilitia@disciples.com
https://metaldevastationradio.com/thebeast/blog/29419/droid-killer-announces-new-full-length-album-2030-jihad?utm_source=dlvr.it&utm_medium=blogger
Thursday, September 17, 2026
PEELING FLESH ANNOUNCE SELF-TITLED SOPHOMORE ALBUM, UNLEASH “MURDEROUS INTENT” FEATURING MIKE RYAN OF MISSING LINK - @thebeast
PEELING FLESH ANNOUNCE SELF-TITLED SOPHOMORE ALBUM, UNLEASH “MURDEROUS INTENT” FEATURING MIKE RYAN OF MISSING LINK
Oklahoma slam outfit return with their most brutal release yet, featuring collaborations with Sanguisugabogg, Stabbing, Extermination Dismemberment and more
Oklahoma's slam machine Peeling Flesh are back, and they're bringing an absolutely filthy new record with them.
The band has officially announced their sophomore full-length, Peeling Flesh , due November 27, 2026 via Unique Leader Records . Along with the announcement, the band has unleashed the album's first single, “Murderous Intent,” featuring Mike Ryan of Missing Link .
Stream or pre-order Peeling Flesh:
https://orcd.co/PEELINGFLESH
/>
Watch the “Murderous Intent” video:
Built on crushing slam riffs, death metal brutality, hardcore aggression, and the band's unmistakable hip-hop influence, Peeling Flesh promises to push the Oklahoma outfit's already punishing sound even further.
Vocalist Damonteal Harris describes the album as a project the band has poured everything into over the past year.
“This has been our baby for the last year. An insane mixture of drop G and Drop F songs that are some of our favorite and craziest songs we've written to date and we're extremely stoked to get them out finally.”
As for “Murderous Intent,” Harris keeps things appropriately blunt, calling the track “ruthless and vicious” while highlighting the collaboration with Mike Ryan as a way of solidifying the Oklahoma/New York connection.
And if the first single is any indication, Peeling Flesh aren't exactly planning on easing listeners into this thing.
A STACKED LINEUP OF COLLABORATORS
The guest list on Peeling Flesh is loaded with familiar names from across the modern extreme-metal underground.
The album features Devin Swank of Sanguisugabogg , JayWay , Bridget Lynch of Stabbing , and Extermination Dismemberment , alongside Mike Ryan of Missing Link.
Peeling Flesh Track Listing:
Crash Out
Murderous Intent feat. Mike Ryan of Missing Link
Wig Split feat. Devin Swank of Sanguisugabogg
Lethal Interjection feat. JayWay
T.D.C.U.
Crackology
No Alibi feat. Bridget Lynch of Stabbing
Find Around Fuck Out
Full Clip
It's Goin Down Part 2 feat. Extermination Dismemberment
〈Bottom Text〉
FROM THE G CODE TO A NEW ERA OF PEELING FLESH
Formed in 2021, Peeling Flesh quickly established themselves as one of the most recognizable names in the modern slam and death metal underground.
Their 2024 debut full-length, The G Code , helped put the Oklahoma quintet firmly on the radar, earning praise from Blabbermouth , which described the band's approach as a “full-throttle” assault.
The band followed that momentum with last year's PF Radio 2 EP, further expanding their signature collision of slam, death metal, hardcore, and hip-hop.
Their sound has become just as recognizable for its personality as its sheer heaviness. Hip-hop samples, crushing low-tuned guitars, a charismatic frontman, and an increasingly relentless songwriting output have helped Peeling Flesh carve out a lane that is distinctly their own.
That reputation has also translated to the road. The band has shared stages with heavyweights including Lorna Shore, The Black Dahlia Murder, and Sanguisugabogg , while collaborations with artists such as Svdden Death, YVM3, and NIMDA have continued to demonstrate the band's willingness to cross genre lines without sacrificing their brutality.
Now they're taking the next step with Peeling Flesh .
PEELING FLESH HIT THE ROAD THIS OCTOBER
Before the new album arrives in November, Peeling Flesh will embark on a massive U.S. headlining run throughout October.
The tour features Grounds For Assault, Snuffed On Sight, Mongrel, Gridiron, Outta Pocket, Fatal Realm, Final Resting Place, and Two-Piece on select dates.
The trek kicks off October 1 in Los Angeles and runs through October 30 in Jacksonville, with stops across the United States.
PEELING FLESH TOUR DATES
Oct. 1 – Los Angeles, CA @ 1720
Oct. 2 – Sacramento, CA @ Aftershock *
Oct. 3 – San Diego, CA @ House Of Blues
Oct. 4 – Fresno, CA @ Strummers
Oct. 6 – Portland, OR @ Hawthorne Theatre
Oct. 7 – Seattle, WA @ El Corazon
Oct. 9 – Boise, ID @ Treefort Music Hall
Oct. 10 – Salt Lake City, UT @ Soundwell
Oct. 11 – Denver, CO @ Red Rocks *
Oct. 13 – Des Moines, IA @ Wooly's
Oct. 14 – Chicago, IL @ Metro
Oct. 15 – Pittsburgh, PA @ Preserving
Oct. 16 – Worcester, MA @ The Palladium
Oct. 17 – Albany, NY @ Empire Live
Oct. 18 – Brooklyn, NY @ Warsaw
Oct. 20 – Baltimore, MD @ Soundstage
Oct. 21 – Charlotte, NC @ The Underground
Oct. 22 – Atlanta, GA @ The Masquerade (Heaven)
Oct. 23 – New Orleans, LA @ House Of Blues
Oct. 24 – Fort Worth, TX @ Sick New World *
Oct. 25 – Corpus Christi, TX @ House Of Rock
Oct. 27 – Pensacola, FL @ Vinyl Music Hall
Oct. 28 – Tampa, FL @ Orpheum
Oct. 29 – West Palm Beach, FL @ The Banyan Live
Oct. 30 – Jacksonville, FL @ Albatross
* Peeling Flesh only
With Peeling Flesh arriving November 27, the band is setting up a two-month stretch that puts their new material directly in front of audiences across the country before unleashing the full album.
For a band that has built its reputation on relentless live performances and an unapologetically heavy sound, that's a pretty damn effective way to roll into a new record.
The new era of Peeling Flesh officially begins with “Murderous Intent.”
And judging by that title, they aren't exactly here to make friends.
Peeling Flesh is:
Mychal Soto – Guitars
Damonteal Harris – Vocals
Joe Pelletier – Drums
Jason Parrish – Guitars
Chip Smith – Bass
Peeling Flesh Online:
Instagram:
https://www.instagram.com/peelingfleshok
/> Facebook:
https://www.facebook.com/PeelingFleshOK
/> Spotify:
https://open.spotify.com/artist/40DbKvYvADTiks7hZIUPHG
/>
Photo credit: Frances Koehn
https://metaldevastationradio.com/thebeast/blog/29417/peeling-flesh-announce-self-titled-sophomore-album-unleash-murderous-intent-featuring-mike-ryan-of-missing-link?utm_source=dlvr.it&utm_medium=blogger
Oklahoma slam outfit return with their most brutal release yet, featuring collaborations with Sanguisugabogg, Stabbing, Extermination Dismemberment and more
Oklahoma's slam machine Peeling Flesh are back, and they're bringing an absolutely filthy new record with them.
The band has officially announced their sophomore full-length, Peeling Flesh , due November 27, 2026 via Unique Leader Records . Along with the announcement, the band has unleashed the album's first single, “Murderous Intent,” featuring Mike Ryan of Missing Link .
Stream or pre-order Peeling Flesh:
https://orcd.co/PEELINGFLESH
/>
Watch the “Murderous Intent” video:
Built on crushing slam riffs, death metal brutality, hardcore aggression, and the band's unmistakable hip-hop influence, Peeling Flesh promises to push the Oklahoma outfit's already punishing sound even further.
Vocalist Damonteal Harris describes the album as a project the band has poured everything into over the past year.
“This has been our baby for the last year. An insane mixture of drop G and Drop F songs that are some of our favorite and craziest songs we've written to date and we're extremely stoked to get them out finally.”
As for “Murderous Intent,” Harris keeps things appropriately blunt, calling the track “ruthless and vicious” while highlighting the collaboration with Mike Ryan as a way of solidifying the Oklahoma/New York connection.
And if the first single is any indication, Peeling Flesh aren't exactly planning on easing listeners into this thing.
A STACKED LINEUP OF COLLABORATORS
The guest list on Peeling Flesh is loaded with familiar names from across the modern extreme-metal underground.
The album features Devin Swank of Sanguisugabogg , JayWay , Bridget Lynch of Stabbing , and Extermination Dismemberment , alongside Mike Ryan of Missing Link.
Peeling Flesh Track Listing:
Crash Out
Murderous Intent feat. Mike Ryan of Missing Link
Wig Split feat. Devin Swank of Sanguisugabogg
Lethal Interjection feat. JayWay
T.D.C.U.
Crackology
No Alibi feat. Bridget Lynch of Stabbing
Find Around Fuck Out
Full Clip
It's Goin Down Part 2 feat. Extermination Dismemberment
〈Bottom Text〉
FROM THE G CODE TO A NEW ERA OF PEELING FLESH
Formed in 2021, Peeling Flesh quickly established themselves as one of the most recognizable names in the modern slam and death metal underground.
Their 2024 debut full-length, The G Code , helped put the Oklahoma quintet firmly on the radar, earning praise from Blabbermouth , which described the band's approach as a “full-throttle” assault.
The band followed that momentum with last year's PF Radio 2 EP, further expanding their signature collision of slam, death metal, hardcore, and hip-hop.
Their sound has become just as recognizable for its personality as its sheer heaviness. Hip-hop samples, crushing low-tuned guitars, a charismatic frontman, and an increasingly relentless songwriting output have helped Peeling Flesh carve out a lane that is distinctly their own.
That reputation has also translated to the road. The band has shared stages with heavyweights including Lorna Shore, The Black Dahlia Murder, and Sanguisugabogg , while collaborations with artists such as Svdden Death, YVM3, and NIMDA have continued to demonstrate the band's willingness to cross genre lines without sacrificing their brutality.
Now they're taking the next step with Peeling Flesh .
PEELING FLESH HIT THE ROAD THIS OCTOBER
Before the new album arrives in November, Peeling Flesh will embark on a massive U.S. headlining run throughout October.
The tour features Grounds For Assault, Snuffed On Sight, Mongrel, Gridiron, Outta Pocket, Fatal Realm, Final Resting Place, and Two-Piece on select dates.
The trek kicks off October 1 in Los Angeles and runs through October 30 in Jacksonville, with stops across the United States.
PEELING FLESH TOUR DATES
Oct. 1 – Los Angeles, CA @ 1720
Oct. 2 – Sacramento, CA @ Aftershock *
Oct. 3 – San Diego, CA @ House Of Blues
Oct. 4 – Fresno, CA @ Strummers
Oct. 6 – Portland, OR @ Hawthorne Theatre
Oct. 7 – Seattle, WA @ El Corazon
Oct. 9 – Boise, ID @ Treefort Music Hall
Oct. 10 – Salt Lake City, UT @ Soundwell
Oct. 11 – Denver, CO @ Red Rocks *
Oct. 13 – Des Moines, IA @ Wooly's
Oct. 14 – Chicago, IL @ Metro
Oct. 15 – Pittsburgh, PA @ Preserving
Oct. 16 – Worcester, MA @ The Palladium
Oct. 17 – Albany, NY @ Empire Live
Oct. 18 – Brooklyn, NY @ Warsaw
Oct. 20 – Baltimore, MD @ Soundstage
Oct. 21 – Charlotte, NC @ The Underground
Oct. 22 – Atlanta, GA @ The Masquerade (Heaven)
Oct. 23 – New Orleans, LA @ House Of Blues
Oct. 24 – Fort Worth, TX @ Sick New World *
Oct. 25 – Corpus Christi, TX @ House Of Rock
Oct. 27 – Pensacola, FL @ Vinyl Music Hall
Oct. 28 – Tampa, FL @ Orpheum
Oct. 29 – West Palm Beach, FL @ The Banyan Live
Oct. 30 – Jacksonville, FL @ Albatross
* Peeling Flesh only
With Peeling Flesh arriving November 27, the band is setting up a two-month stretch that puts their new material directly in front of audiences across the country before unleashing the full album.
For a band that has built its reputation on relentless live performances and an unapologetically heavy sound, that's a pretty damn effective way to roll into a new record.
The new era of Peeling Flesh officially begins with “Murderous Intent.”
And judging by that title, they aren't exactly here to make friends.
Peeling Flesh is:
Mychal Soto – Guitars
Damonteal Harris – Vocals
Joe Pelletier – Drums
Jason Parrish – Guitars
Chip Smith – Bass
Peeling Flesh Online:
Instagram:
https://www.instagram.com/peelingfleshok
/> Facebook:
https://www.facebook.com/PeelingFleshOK
/> Spotify:
https://open.spotify.com/artist/40DbKvYvADTiks7hZIUPHG
/>
Photo credit: Frances Koehn
https://metaldevastationradio.com/thebeast/blog/29417/peeling-flesh-announce-self-titled-sophomore-album-unleash-murderous-intent-featuring-mike-ryan-of-missing-link?utm_source=dlvr.it&utm_medium=blogger
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