Monday, September 21, 2020

Pale Horseman - Transcribed Interview - The Zach Moonshine Show - @thebeast

The Zach Moonshine Show – Pale Horseman - Transcribed by Guilherme Lage Zach: What the fuck, man? Pale Horseman, you guys are live right now on The Zach Moonshine Show with Metal Devastation Radio. Flesh: Fuck yeah! Jason: Very cool! Thanks for having us! Zach: Welcome, dude, anytime, man, anytime! So, tell us what’s going on in the world of Pale Horseman? Flesh: Well, covid kept it damper on a few things over here in the area, right now we’re just kind of writing new songs. We got two new songs right now with at least 75% done musically and the album just officially was released a couple of weeks ago and we can’t really do any shows or anything, so we’re writing again. Zach: Holy fuck! So, this record just dropped and you’ve already got new songs getting ready for the next one! Flesh: Yes, that’s correct. Zach: Holy shit, man! Well, at least you’re staying busy, you know? Flesh: Yeah, we have a pretty high output, we write a lot of music and I guess it comes a little quicker for us than some other people but not everything gets kept either, so these two songs we have are sounding pretty good so far. I was actually just at out bass player house a few minutes ago and that’s where I’m coming home from and recording a demo of updates of my song. I wrote one and then the other guitarist, Eric, wrote one, so...I’m working on it, we were just doing a little demoing a few minutes ago. Zach: Cool, man, cool! So, tell us how long have you guys been doing this and exactly how did you get started? Flesh: You wanna handle this one, Jason? Jason: Uh, yeah, I can take it! So, I mean, I think the band has been around since 2012. They had a different drummer when they started. The other three members, Andre, Eric and Rich are the same. What did you guys do? Two, three records in a split EP without me? Is that right? I think three records. Flesh: Uh, three full lengths in the splits. Jason: Three full length in a split without me. I joined in 2016. I met these guys...obviously, we all have been in the same local scene kind of in and around Chicago. But I've played in a couple other bands and kind of met these guys, you know, through some mutual friends. And they were, they were looking for a new drummer and it was a pretty, pretty natural fit for my style. And we all obviously get along quite well and just just kind of work. So I was it was 2016. It's been four years since then and we've done kind of two records in four years and played a lot of shows in the pre covid era, if you will, hopefully hoping to get back, hoping to get back to that in the not too distant future here, but so far so good. I can't believe it's been four years already. So it's eight years, eight years as a band, which is a pretty pretty long time in this day and age. Zach: Yeah, man! And so, so as far as this record is concerned, can you tell us a little bit about, like, lyrical themes and stuff like that? Jason: That’s all on you, Andre! Flesh: All right, well, my stuff kind of deals more with, like, paranormal type stuff. I'm into paranormal and I was raised Catholic, you know, so I have a lot of, you know, like the Book of Revelations type stuff. And I watch a lot of ancient aliens. So I get a lot of ideas from that kind of stuff. And Eric, the other guy who writes the lyrics, the other guitarist, vocalist and I do most of the political writing. He... he likes a lot of kind of ancient history type of stuff, you know, Templar's and whatnot, things of that nature. So, yeah, we're into like ancient paranormal and creepy stuff. Jason: We try to keep it pretty dramatic. I mean, that's kind of all there's a certain kind of aesthetic that we're going for, I think. And we try to try to stick to that to some some form or fashion. Zach: That's cool, man. I love ancient aliens and paranormal shit. Fuck yeah, dude, that's right up my alley. Yeah. Flesh: I mean, besides that, besides the few wackos they have that are always say things like aliens from Bigfoot to the tooth fairy, that the history that they give and the geography that they give on that show is, you know, I learn stuff every show I watch. And it's it's very interesting to me. Zach: Hell yeah, man. Hell yeah! So so for all the gearheads out there, I know they're wondering how the fuck you guys get such a heavy tone, man, in your recording process, what kind of gear did you guys use recording this record? Jason: I think this one I mean, I think Andre jump in obviously to a specific of the gear stuff. But I think from my perspective, the big difference on this one relative to some of the others is just sort of where we did it. So we did this record in Electrical Audio in Chicago, which, you know, I don't know if you're familiar, but it's a pretty, you know, pretty well-known studio. It's actually Steve Albini’s Place. So we did not record with Steve, but we we ran into Steve a couple of times, which was pretty cool. But we recorded with Sandford Parker, who's a big you know, he's a very well known producer, kind of in our in our circles and kind of local to Chicago. And he's done some pretty, pretty big name stuff. So I think just the combination of really spending a lot more time with the material kind of, you know, going into the studio, kind of demoing it just really, you know, sort of taking our time and kind of getting in there and back at the not that what we did before was not professional by any stretch. But I think this was, you know, from my perspective, this was a huge, huge step up just in terms of the process and obviously the quality that kind of came out of it. Flesh: Yeah, the live room there for drums especially is is pretty amazing. Pretty much second second to none around here at least. And I think that had a lot to do with it as far as the drums and then, you know, with the guitar and the bass and the rest of the instruments besides the drums, we went into it really wanting it to be a really hefty sounding mix. You know, we have been told of going into we want not really like bass heavy and bottom and heavy and with Sanford during the recording and mixing process. And then again, when we had it mastered the same thing, you know, we wanted extra extra heavy, extra beefy, extra heft. So, yeah, this one definitely came out a little a little more about than than our other recordings. And we were pretty happy with it. Zach: Hell yeah, man, yeah. I was blasting it this morning in the car fucking on the way to work, dude. Just fucking jamming the fuck out , I was loving it, man fucking. But that's one of the things that I noticed was just how heavy it sounds, you know. And then, yeah. Like you said, the bass, the bottom end of it is really like the drums and the bass, the guitar is just crushing, man. Flesh: Thank you, yeah! And the bass guitar itself, I feel like this record more than any of our previous records that maybe the split in 2016, you can really hear the bass guitar as well on this one, I think more than most of our other material. So we're really happy about that too. Zach: Nice! Zach: So, I got some questions for you guys coming in from the listeners in the chat room. Let me see here. Bad Wizard wants to know: what is your favorite place to play locally? Jason: Well, that's a good one. I mean, probably probably Reggies in Chicago is one of our favorites. I mean, that's that's the place that we probably played the most. And that's that's kind of the go to sort of metal... metal venue in the area. I mean, obviously, you know, the Metro Up, I really feel is an awesome venue. That's a that's a great place to play, but it's a little a little tougher to get on shows there. You know, I'm used to used to love playing at the Double Door. Unfortunately, it's no longer no longer around. But that was that was another kind of personal favorite of mine as well. Zach: Hell yeah! Well, Thunderous wants to know... Flesh: I guess we love we love playing... Zach: I’m sorry, go ahead! Flesh: So I would just say that we we have a lot of local breweries that we like playing as well, but as far as a more professional venue setting, it will definitely be Reggies. Zach: Hell yeah, man! Breweries. That'll bring me to another question here in a minute. But already Thunderous wants to know, how are you guys practicing now with the covid situation. Jason: Really the same way we did before. . I mean, I think we're you know, we're all pretty we're all pretty judicious about the whole, you know, the whole situation. I mean, I think, you know, we're not we're not being reckless. I think we're all keeping our keeping our circles pretty small and, you know, mask wearing and all that kind of good stuff. But we've got you know, we've got our own practice room. It's pretty you know, it's pretty nice. It works for us. And so it's, you know, kind of control, controlled access in and out. So it's not you know, it's like we're sharing it with a bunch of other people or anything like that. So it makes it a little bit easier. Flesh: Now, coincidentally, when we when we just finished the record, that was pretty much right when when covid started happening after we you know, we're pretty much done with the recording, mixing, mastering. So we actually didn't practice for about three or four months and we happened to be in the studio at that time. So and then and then it happened. So, you know, a couple of guys in the band have young children and some of us have elderly family as well. And so we took three or four months off, but now we just started getting together again. And the building we practice in is this pretty good, you know, the hand sanitizer and it's gloves and masks and everything else and, you know, restricted access so well. But, yeah, we just kind of started getting back into it. And then, like I said, just starting to write a couple of new songs, you know. Zach: Right on, man. Another question, JMC t wants to know, where was the best place that you woke up drunk? Flesh: Jason’s basement! Jason: Yeah, that is that's a good that's a good one to be back in the back of the college days, I woke up in a bathtub one time. I was pretty, I was pretty, pretty outstanding. And that's probably my personal, my personal best, waking up in a bath. I'm a little bit disoriented and not really knowing what the heck happened was pretty, pretty outstanding. Zach: Well, speaking of brews, man, what are some of your favorite what's what's some of your favorite beers to drink? Flesh: Oh, my God. How much time do you have? Flesh: Our number one beer to drink is Gnashing of Teeth, gnashing of teeth at the brewery. Jason: We did we did a collaboration with...we brew the beer with them when our last it was kind of after our last record came out and that was they've done it several times since it actually won a gold medal while one of the big beer festivals, um, I don't I don't remember which one, but it was one of the big ones. Flesh: I think it was the US Open with Delaware. Jason: It was one of them. It was really hot, actually. It's like their only gold medal winning beer. So they're they're a great brewery. They're good friends of ours. They've been probably probably the most supportive of our band of anyone. So, really good guys. But we actually we're all we actually all are big, big fans of beer. I myself am I collect beer, kind of. I have a basically a climate controlled room in my basement like a walk-in cellar. And I collect a lot of, you know, strange, rare beers and big burly shots and things of that nature. So I'm probably a little bit more adventurous on that front than the rest of these guys, who kind of stick to their iPads and, you know, go with it. But I'm actually I'm actually drinking a Phase three brewing company, Adara IPA right now as we talk. I like them as well! Zach: Uow, that’s insane! Flesh: And you guys, if anybody listening ever is in the area and hasn't checked out,. Part check it out. You know, tell them to make more matching teeth because it's a really good beer. Flesh: We also give a shout out to some of the some of the other local breweries that we play at and have a treat us real good. Blue Island Beer Company in Blue Island, Illinois, and also Metal Monkey Brewing in Romeoville, Illinois. Jason: Yeah, it's a bit of a it's a bit of an embarrassment of riches. It kind of the beer in the brewery scene in and around Chicago. It's pretty it's pretty unbelievable. There's everywhere you go, there's like great stuff being done. Zach: That's fucking insane, man. So you guys have your own beer. Jason: We do, we do. Flesh: We do. It's not available year round. But they've made it. They made, what, three batches now, probably since they first came out. And what was that. 2018. Jason: Yeah, three or four. Yeah. Hit them up on anyone who's listening, get them up on social media and tell them to keep making it. Because we do and they don't, they don't listen to us, dudes. It's a double draft IPA. Etc.. So it's kind of one of the it's a it's a very, very good, but it's actually pretty drinkable. It's not to like, what's The AVV, like six something I think it's not it's not anything crazy. Flesh: Yeah, have five and a half, six somewhere in there. Yeah. So, yeah, it's definitely very drinkable and very refreshing. I could go for one right now. As a matter of fact. Jason: Yeah, I wish I had one. Zach: Do they do they ship them out or is it only available locally? Jason: Yeah, it's only available locally, they're not a huge, they're not a huge brewery so they don't I think most of their stuff is on site and kind of take away. But, you know, they'll do they'll do a decent sized batches of it. They can do it and everything. Flesh: We can ship some to you. You get you get their ship, don't you, Jason? Jason: I get shipped all the time, I don't think it's a little it's technically not not legal, but I I just incriminated myself now so. Flesh: OK, well shit. Yeah. We'll ship some. You're in the States, aren't you? Zach: Yeah, man, I’m in Tennessee. Flesh: Oh, nice. I love I love Memphis. Are you anywhere near Memphis? Love that city! Zach: Yeah, yeah, I’m about an hour away from Memphis. Flesh: Oh fuck man. Some good breweries in town too, man! Zach: Hell yeah, dude! Jason: Yeah I, I warned you that we could talk about beer for hours on end. You found the wrong story. Flesh: We're all brewery buffs. Jason: I'm actually, I'm actually I'd be I'd be remiss without a little plug as well. But I'm, I'm actually the part owner of a which is which is like flavored honey wine. I'm not sure if you're familiar with it, but it's kind of one of the up and coming things, what's called standard mood in Villa Park, Illinois. We actually just had our soft opening yesterday for the tap room. And so it's going so far so good and doing, what we can and kind of the era of covid. So I have to get the to get...the shameless plug in for that as well. Zach: That’s cool, man! Me and my wife were actually watching videos on YouTube not too long ago about how to make that shit, because I've never actually tried it myself and I've always wondered that hard to make. Flesh: It’s not that hard to make, my wife and I just made a couple of batches ourselves. Zach: It doesn’t look that hard. Jason: It’s pretty easy! Flesh: Basically just make some honey and water and let it sit for a while. Zach: Hell yeah, man! And let me see here. We got another question coming in from the listeners, I guess going back to waking up in the bathtub. Lady Red Lady Red wants to know what do you prefer better bubble baths or hot tubs. Jason: Oh, hot tubs all the way. I love hot tubs. Flesh:Yeah, I’m a hot tub guy too, lady. Lady red hot. Yeah, all the way. I don't even remember the last time I had a bubble bath. That's... that's a woman thing. I think it's more it's more of a woman thing I think what with the bath bombs and all that. Jason: Yeah. I'm like I'm old and broken down and bad knees and everything else. The are out of the way to go. Zach: Yeah. It's pretty hard to get in and out of those fucking little things. Flesh: And he's the youngest one in the band so that just tells you where the rest are. Jason: Yeah, that’s true. Flesh: I’d like to get a hot tub, actually. I’m thinking about putting one in my garage. Zach: Another question. Thunderous wants to know what do you what do you guys wear, boxers or briefs. Flesh: Thunderous! Aw, you know what? This is a good question because I personally wear boxer briefs. Jason: I do too! Boxer briefs are the way to go! Zach: Me too, man! Flesh: You need a little bit of support there, you know what I mean? It couldn’t just be slinging on wangling bambling from tree to tree. Jason: Boxer... boxer briefs are optimal on the comfort ratio. So I think I've done extensive, extensive research and extensive study on this topic. And I think that's the way to go as depth. Zach: Yeah, that’s definitely the way to go, man! Flesh: Thunderous! I want to know what Thunderous wears, with a name like Thunderous! I’m thinking he’s a boxer man! Jason: Thunderous...Thunderous, probably commando I think! It’d be the best answer! Flesh: Ooh, man! It’s rough in the summer time though, man! Zach: Probably like, like steel, steel, fucking armor, some shit, man. Another question. Lady Red wants to know, who would you guys love to, to tour with if you if you had the option to play with anybody. Flesh: I know I can answer this question for both of us. Jason: Yes, I know Andre's answer. I bet he does mine. I will answer for Andre. Andre, his answer is Godflesh. Flesh: And Jason's answer would be Neurosis. Jason: Nailed it! Zach: Fuck yeah! Another question, how many instruments can you guys play? Jason: Point five! Flesh: Yeah, define play, you know what I mean? Jason: I, yeah, I, I actually just got a really nice guitar and a family thing. I got a nice Les Paul, but I have no idea how to play it. Flesh: I mainly do guitar and bass, but I mess around. I'm not, I'm not a real musician. I'm just a noise maker, I like noise. Zach: So, When you guys are jamming out, you don't you don't jump on each other's equipment and shit and fuck around or... Flesh: No, usually no! and I'm not the type of guy that could sit down and crank out Zeppelin tunes and Beatles tunes and to pick up an acoustic and do all that. Our bassist actually, Richie, he can though, he's he's probably a better guitarist than I am. As far as that kind of thing, you know. Jason: Yeah, he's probably the best pure musician in the band. I mean I've been playing drums since, like seventh grade and been in pretty actively bands almost the entire time. You would think, you know, just by being around it, like you would pick up some guitar or some bass or something just by being around all those years. And I like literally doing the nothing to the guitar. It's pretty ridiculous. Flesh: But yeah, I can I can keep a beat on drums. I could probably I could possibly play like some Ramones songs or something like that. But other than that, I can't play, you know, I can't do any High on Fire or anything like that, you know. Jason: Yeah. Well, I don't know about Andre and the rest of the guys. I mean, I'm I'm totally self-taught, so I never took any lessons or anything on drums. So it's all just, you know, listening to stuff and bashing away in the garage over the years and trying to slowly get a little bit better. Flesh: Yeah, I think that's pretty much where all at, you know, I mean, naturally, you get some pointers here and there over the years just from friends and things like that. But none of us have really ever taken lessons or have any degrees or anything like that. We're basically all self- taught by ear. I don't think any of us knows how to read music or anything like that, you know. Zach: That kind of it reminds me of, I don't know, here recently, you know, Metallica was putting out all these videos on YouTube of like old shows. They showed one from I can't remember what it was, but they was where they I was watching it and during Am I Evil, they all switched up places and James Hetfield got on the drums, Kirk go on the bass, Jason Newsted got on the guitar and Lars Ulrich got on the vocals and it was and they did Am I Evil and it was actually fucking badass, like it was fucking hilarious, man! Lars was fucking jumping off the fucking drum riser and fucking going all across the stage. I was like, holy fuck, dude, this is like a totally different version of Metallica that I never, never imagined. But it was it was actually pretty fucking entertaining, man. Flesh: Wow, I’ll look for that, I didn't know there was anything like that around. It'd be nice to do something different. Jason: They posted one that was really cool of the like the Kill Em’ All era tour, it was like them playing in The Metro in Chicago, which is a venue that I mentioned earlier, is just a great place. But that was I mean, it was probably like late 80s or something. Yeah. That was that was a really that was a pretty cool one to see. Flesh: I will definitely seek that up because that sounds very interesting. Yeah. And Lars on vocals especially. Zach: Yeah, I think it was I think I know it was a Justice tour for sure, but I don't know, I'll have to I'll have to try to look around to see if I can find it, man, I’ll send it to you guys! Jason: Well, for as long as they didn't have short hair and weren't wearing eyeliner, it's probably a pretty good. Zach: It’s before all that shit! So, coming up next, like, what's coming up next for you guys? What do you guys have planned? Coming up next, do you have anything planned or is it just sort of just see what happens? Flesh: I was just going to say we had a couple of shows planned. Our last show we played was actually on Leap Day, February 29th of this year at Metal Monkey Brewery. And then that's when all the shit hit the fan shortly thereafter. And we had a couple of shows scheduled, I think, in May and July, and they both got canceled. And that's it. Like I said, just because of the pandemic that's going on right now, we really can't do anything but put right and maybe record. I don't even know if recording studios are open now. I would assume they are, but we are not at that stage anyway, you know. Jason: Yeah. I think it’s interesting because I think from my perspective. So I've been in the band for four years. This is this is you know, it's kind of refreshing in a sense. It sounds a little bit weird, but this is sort of the first time that, like, we just don't have, you know, fifteen things going on. So we've always, you know, I don't think we overdo it on the show front, but we're pretty we're pretty active. And, you know, you find yourself trying to write new music and then you've got a show, you know, six weeks out. And the next thing you know, it's four weeks out and it's two weeks out. And then you're, you know, sort of putting the writing process on hold, you know, freshen up the set list and kind of get reacquainted, you know, some of that stuff. And so not having that is, you know, for a short period of time, like, it's not the worst thing in the world, because I think it sort of allows you to, you know, really focus on the writing in the creative, creative process. But I think you ultimately I mean, speaking for myself, I think I'm speaking for the other guys, too. I think we all obviously really miss, you know, playing live. And, you know, there's some friends of ours have done some live streams, Olympic venues and things like that. I mean, maybe, you know, maybe there's something kind of in that vein that we can do between now and the end of the year. But I think, you know, being able to just really focus on the writing part is pretty nice without some of the other stuff. Zach: Hell yeah! Flesh: But is nice definitely having time and not being under the gun to try and get a set down and practice for a show and everything like that. But it's just a damn shame we weren't able to do an album release show because that would have been really cool. Zach: Yeah, I can imagine it, man! Jason: We'll probably have the next album done by the time we can do it on the show, so we’ll have a two album release show. Zach: So there you go, fucking double album show. Flesh: Right! Will be, you know, almost celebrating our 10 year anniversary coming up pretty soon. So we'll do a 10 year anniversary of album release times two or something. Zach: I got another question from Lady Red. I guess this is sort of with Halloween coming around the corner, she wants to know what's the creepiest venue that you ever played at or did anything creepy ever happen to you guys while on the road? Jason: That's a good one. Flesh: That is a good one...Jason? Jason: No, take it... I'm a little bit stumped there. I don’t think uh... Zach: Any haunted fucking venues or anything? Jason: I don’t think so...I mean , so, there's a place in Chicago. I actually don't think we played there since I've been in Pale Horseman, it’s called Liar's Club. Yeah. Yeah. That's like it's a place, you know, a bunch of our friends own it, work there, great spot. It's actually on... I think was like the Travel Channel. They had one of those like Paranormal Ghost Hunter type shows and they actually did they did a thing at Liar's Club on that show and that building's been there forever. I suppose there was like some murders upstairs and things like that. And one of my one of my good friends has worked there for a long period of time. And he's talked about, you know, some weird some weird stuff that sort of happened in the basement with you have stuff moving around and, you know, lights kind of going on and off on their own and just weird stuff like that. I personally have never witnessed any of it, but that's, you know, the urban lore is such that, you know, Liars are supposedly supposed to be on it. Flesh: Yeah, we’ve never really had a paranormal experience with the show that I'm aware of, but, man, I sure wish we would. Jason: Yeah, I’m all for it. Flesh: We should start bringing Ouija boards or something when when we play do something. Zach: There you go. That might, that might conjure up something. Jason: Apparently we're just not evil enough to some of the summon the... Flesh: Yeah, with the amount of satanic and demonic shit we got in the house, I mean I got books of demons and satanic bibles and Anton Lavey books. My wife's get all kinds of serial killer shit paranormal stuff. I mean, you think it would be an open door for these guys to come in and say hello, but nothing so far, nothing. Zach: They're probably just chilling and enjoying the music, man. Shit's pretty fucking heavy, dude, I gotta say. Flesh: Thanks, man! I appreciate it, such a nice compliment. Zach: Well, I'm about out of questions for you guys. Is there anything else you want to let your fans know? Flesh: Just check us out. We got Bandcamp, Instagram, Facebook, Pale Horseman with an A, not Pale Horsemen. as people often mistake us for our vinyl on Bandcamp, it's only twenty bucks. And help us help us get some money up so we can make another one. Zach: Yeah! And this is Bandcamp's first friday of the month too, so you guys get one hundred percent, right? Flesh: Perfect time to buy, yeah! Zach: Fuck yeah! Flesh: And thanks so much for having us on the show. And thanks to Lady Red and Thunderous and everybody else for the questions, we appreciate you listening and taking an interest in what we have to say. Zach: Hell yeah, man! Before I let you guys go, I got to get you to make us the station tag, alright? Flesh: You got it! Zach: All right. Whenever you're ready, say something like this is Pale Horseman and you're listening to Metal Devastation Radio. Flesh: Together in unison or one at a time? Zach: Whatever you want, man. Jason: How about Andre? How about you say this is Pale Horseman and I'll say you're listening to Metal Devastation Radio. Flesh: Ok! Hey, this is Andre and Jason from Pale Horseman! Jason: And you’re listening to Metal Devastation Radio! Zach: Fuck yeah, man! Jason: How about that? That was a good radio voice! I got a face for radio, boys! Flesh: Let's let's try it again. I think we can do better. I'll say radio with you at the end. Zach: Alright, alright! Take two! Jason: That’s getting tricky! Flesh: Take two, ready? Flesh: Hello, this is Andre and Jason from Pale Horseman. Jason: And you are listening to Metal Devastation Radio! Zach: Fuck yeah, man! You guys want a job? Flesh: Let's see which one sounds better. Radio, radio, radio. Jason: Yeah, little effect there. Zach: Oh, yeah, man. Well, what I'm going to do now is I'm going to blast some more Pale Horseman for these motherfuckers so they can lose their minds, alright? Flesh: Fuck, yeah. Thank you so much for having us. Jason: Yeah, we appreciate it. It's a good time. Zach: There you have it, folks. Pale Horseman live on the Zach Moonshine Show with Metal Devastation motherfucking Radio. Like I said earlier, put your speakers in your fucking windows, put them on your front lawns, put them wherever the fuck you can, make your neighbors fucking hate you. This is Pale Horseman on the Zach Moonshine Show. FOR DUST THOU ART (2020) by PALE HORSEMAN
http://dlvr.it/Rh4g9Z

HEXECUTOR stream new DYING VICTIMS album at "Decibel" magazine's website - @thebeast

[photo credit: The Road Crew] Today, black/speed/epic metal magickians   Hexecutor  stream the entirety of their highly anticipated second album,   Beyond Any Human Conception of Knowledge , at   Decibel   magazine's website . Set for international release on September 25th via  Dying Victims Productions , hear  Hexecutor ’s   Beyond Any Human Conception of Knowledge  in its entirety exclusively  HERE . It’s been four long years since   Hexecutor   released their shockingly masterful debut album,   Poison, Lust and Damnation . The “shock” wasn’t so much that the French quartet came out of nowhere – indeed, they’d made waves in the underground with their debut demo in 2012 and especially the   Hangmen of Roazhon   EP two years later (which   Dying Victims  reissued on 12” vinyl in 2018, to meet demand) – but rather that there existed a band putting an undeniably authentic yet also   unique   twist on classic mid-‘80s speed metal and thrash.   Hexecutor   weren’t trying to reinvent language; they were simply trying to expand the lexicon a bit, and they did so with astonishing aplomb on   Poison, Lust and Damnation . But, now rested (and wild!),   Hexecutor   return with an even bolder record in their long-awaited second album,   Beyond Any Human Conception of Knowledge . If its no-less-considerable predecessor pushed traditional tropes,   Beyond Any Human Conception of Knowledge   topples them altogether! It’s all recognizably   Hexecutor   – and immediately, charismatically so – but swirling in their cantankerous cauldron of old Slayer, Razor, Destruction, Sepultura, and Merciless is a passion for classic hard rock and heavy metal and coated in the feeling of Bathory's   Blood Fire Death   and Manowar's   Into Glory Ride . Thus, this second strike is a much more EPIC one, all without striving to be “epic” in the pejorative sense. It’s all twisted with grace and gnarliness, in equal measure, as one will find filtered traces of Thin Lizzy, Uriah Heep, Blue Öyster Cult, UFO, and even the Eagles as prominently as those of Deströyer 666, Absu, Gospel of the Horns, and Vomitor.   Hexecutor   even touch upon just-as-classic black metal and death metal mainstays as Morbid Angel, Sweden’s Dawn, and early Necrophobic, Darkthrone, Gorgoroth, and Satyricon…but again, simply hearing   Beyond Any Human Conception of Knowledge   is witnessing the band’s widescreen yet still-wild ways. Slowing down doesn’t mean wimping out, and diversity can be a wondrous thing when handled with care and class. In a word,   magickal ! Then again, a recording as momentous   Beyond Any Human Conception of Knowledge   is underpinned by a deep and thoughtful thematic, relating directly to   Hexecutor 's   homeland. Brittany is a peninsula located in the western part of France surrounded by the English Channel and the Atlantic Ocean. Its particularities come from its geographic characteristics and from a mix of different cultural influences throughout its history (Armorican, Celtic, French, etc.). Having been an independent kingdom and then ruled as a Duchy apart from France for centuries, Brittany has its own traditions and its own languages: Breton (finding its origins in Welsh and Cornish) and Gallo. The progressive evangelization of Brittany affixed Christianity onto the oldest pagan customs, leading to the development of a rich folklore in which magical powers of nature, spirits, sorcerers, korrigans, and the personification of entities such as death (well known under the name of Ankou) met with common religious figures and its popular antagonists: Satan, demons, and a countless amount of devils and malignant forces. As heavy metal is a great medium to relate legends and epic stories,   Hexecutor   chose to glorify the beauty of their folklore with a concept album based exclusively on myths, factual history and fantastic tales kept alive by the oral tradition and collected by authors, folklorists, and poets such as Anatole Le Braz, Paul Sébillot, or François Cadic. Each of the eight tracks on   Beyond Any Human Conception of Knowledge   (one being sung in French) is based on a specific local thematic: the White Lady of Trecesson, the ghost of a young lady buried alive in a wedding dress by her brothers for a reason that remained mysterious; the lost City of Ys, magically engulfed, and the unholy figure of Dahut, daughter of King Gradlon, banished under the waters of Douarnenez's bay and turned into a siren for her carnal sins; a glorification of the heroism of the Saint-Malo privateer Robert Surcouf; an insight into the legend of the Agrippa/Ar Vif/Egremont/An Negromans, a book of spells signed by thousands of devils and marked by the hoof of Belzebuth himself, acting as a living entity with its own will, illustrated on the cover artworks (among other themes related to this album and to their past releases); the curse upon the two calvaries of Kerguh, called   Cross of the undead , where, each night, a legion of damned spirits rise out of Hell and dance under the command of Satan; the tale of the plague personified in the form of an old woman travelling to the village of Camors to spread death.... “Brechelian” is an instrumental ode to the magnificent Paimpont forest. No words are needed since most legends attributed to this place depend on the historicity of King Arthur or came from marketing campaigns to attract tourists. Anyone that would spend a night here would feel its indescribable force and understand why this had to be instrumental. It bears repeating that   Beyond   Any Human Conception of Knowledge   is a momentous event, and it’s suitably graced with amazing artwork courtesy of Skelethal’s Jon Whiplash.   Hexecutor   here have delivered a modern classic! Hear all of it for yourself exclusively   HERE , courtesy of   Decibel , North America's only monthly metal magazine.  Aforementioned c over art and tracklisting are as follows: Tracklisting for Hexecutor's  Beyond Any Human Conception of Knowledge 1. Buried Alive With Her White Silk Dress [4:54] 3. Ker Ys [4:38] 4. Eternal Impenitence [7:40] 5. Tiger Of The Seven Seas [7:19] 6. Belzebuth's Apocryphal Mark [7:04] 7. Brecheliant [5:55] 8. Danse Macabre [5:38] 9. Kroez Er Vossen [7:13] MORE INFO: www.facebook.com/hexecutor www.dying-victims.de   www.facebook.com/ dyingvictimsproductions  
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Sunday, September 20, 2020

Killing Time - Thrashed From The Vault - featured At Pete's Rock News And Views - @thebeast

Killing Time - Thrashed From The Vault - featured At Pete's Rock News And Views! Check it out at this link: http://petesrocknewsandviews.com/killing-timethrashed-from-the-vault-compilation/ On October 2, 2020 THRASHBACK RECORDS will be releasing the CD/DVD Deluxe Edition reissue “ Killing Time: Thrashed From The Vault ”. This is not a mere compilation, but an aural and visual document of when Thrash and Death Metal ruled the South Florida music scene. Originally released in 1992 as " Unsigned 3: Killing Time " ( Stryder Records/Conquest Music Group ), this was the final release in the labels " Unsigned " series that was dedicated to South Florida acts. This was the only volume dedicated exclusively to South Florida 's thrash/speed/death metal scene. The series was the brainchild of local studio owner Gary Stryder , who’s GLED Recording Studios was at the time the “go to” facility for many local acts to commit their music to tape.  This volume was no exception, as all of the albums original tracks were recorded “ live ” to 2-track DAT (Digital Audio Tape). On the tracks where vocals could not be properly isolated, the stereo recording was then dumped to 1 inch analog tape and the vocals were then recorded and mixed to the music. This revamped and remastered edition of " Killing Time " features nine of the twelve original tracks. The fat has bee trimmed, (so to speak) and three bonus tracks (marked by an *) keep the albums theme in tact. " Killing Time " features such notables as Miami’s Solstice (who would sign to Germany’s Steamhammer Records a year later), West Palm Beach’s Raped Ape (later Paingod , who released an album for Century Media Records , and featured guitarist J.P. Soars who later played with Malevolent Creation & Divine Empire , and drummer J.C. Dwyer who would later join Pro-Pain ). Ft. Lauderdale’s Amboog-A-Lard (who’s original guitarist and cofounder Jeordie White (would later join Marilyn Manson as Twiggie Ramierez ), Boca Raton’s Fatal Sin, Ft. Lauderdale’s Malicious Damage , Boca Raton’s Royal Anguish , Miami’s Kryptic Kurse , and Boca Raton’s Sinful Lust (who’s guitarist Adam Dearborn would later form the band Deadstar Assembly ). This special release also includes a bonus DVD, an 120 minute time capsule featuring live footage from Amboog-A-Lard, Elysium, Fatal Sin, Final Prophecy, Raped Ape, Royal Anguish, Sinful Lust, and Solstice. This 2020 reissue has been wonderfully remastered by Rob Colwell at Bombworks Sound from the original master tapes, features all new cover art by Sidjimbe Art Studios , and includes a 12-page booklet with band photo’s, archival show fliers, and “Thrash Facts” on each of the bands. This special 28th anniversary release is limited to a pressing of 300 units world wide and is the 4th release in our “ Florida Metal Archives Series ”. Here's the link to the Raped Ape segment that is on the DVD: Here are some singles from the compilation!  AMBOOG-A-LARD "The Wounded": RAPED APE "Hypothermia": TECHNICAL INFO: - All original album tracks Recorded at GLED Recording Studios; Davie, FL by Gary Stryder & Marc Portnoy throughout 1991. - AMBOOG-A-LARD “The Wounded” was Recorded at GLED Recording Studios; Davie, FL by Gary Stryder & Eric Hoffman in December 1994 (24-Track Analog). Originally recorded for a 7” EP for Conquest Music Group. Released in 1997 on the compilation “Power From The Vault” (CMG). An alternate version was featured on “ Metal Massacre XII ” (1995 - Metal Blade Records ) - ROYAL ANGUISH “Retrospect” was recorded at Hid-A-Way Studios; Davie, FL by Eric Hoffman in July 1993 (8-Track Digital). Originally recorded for a split 7” EP with Baltimore, Maryland’s The Risen for A.R.T. Records . This is the tracks first release. - FINAL PROPHECY “Through Eyes Of Fire” was recorded at Hide-A-Way Studios; Davie, FL by Jimmy Starr in May 1992 (8-Track Analog). Originally recorded for a 7” EP for A.R.T. Records. Released in 2018 on CD and Vinyl by Roxx Records (licensed from ThrashBack Records) on Final Prophecy “Re-Awakening: The Demos 1990-1992”. TRACK LISTING 1. “The Wounded” * (AMBOOG-A-LARD - Ft. Lauderdale) 2. “Hypothermia” (RAPED APE - West Palm Beach) 3. “Sadistic Pleasure” (KRYPTIC KURSE - Miami) 4. “Whatever” (F.O.S. - West Palm Beach) 5. “Crystal Blisters” (ELYSIUM - Ft. Lauderdale) 6. “Netherworld” (SOLSTICE - Miami) 7. “Kick The Wind” (TEMPUS FUGIT - Miami) 8. “Episode” (FATAL SIN - Boca Raton) 9. “Dead Cells” (MALICIOUS DAMAGE - Ft. Lauderdale) 10. “Retrospect” * (ROYAL ANGUISH - Boca Raton) 11. “Through Eyes Of Fire” * (FINAL PROPHECY - Ft. Lauderdale) 12. “Chemical To Chemical” (SINFUL LUST - Boca Raton) Order a copy here at this link: https://thrashbackrecords.bigcartel.com/product/killing-time-thrashed-from-the-vault Follow the label on social media! https://www.facebook.com/ThrashBackRecords/ Check out more releases at the label store here! https://thrashbackrecords.bigcartel.com/
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METAL HALL OF FAME REACTS TO OZZY DRUMMER / INDUCTEE LEE KERSLAKE'S DEATH - @thebeast

Lee Kerslake accepts platinum discs & reads Ozzy Letter at Metal Hall of Fame 2019 R.I.P.     Clifton N.J. (October 19, 2020) - Iconic former Ozzy Osbourne and Uriah Heep drummer Lee Kerslake passed away early this morning from cancer. He was 73 years old. Sharon and Ozzy Osbourne recently joined with the Metal Hall of Fame to give Kerslake his dying wish of receiving his platinum record awards for his contribution on the “Blizzard of Ozz,” and “Diary of A Madman,” albums, after 39 years of legendary lawsuits, ongoing legal battles, and constant controversary between the two camps. Both Osbourne records are widely considered by critics and fans alike to be amongst the best albums ever written. The Osbournes recently agreed to grant Kerslake his dying wish of receiving his platinum albums, after being contacted by Metal Hall of Fame President/CEO Pat Gesualdo. Gesualdo informed the Osbournes that Kerslake had terminal cancer, and that he wanted to help mend the legendary 3 decade old, ongoing, headline grabbing feud, which was levied over financial payments and song royalties between the Osbournes and Kerslake. After conversations and much strategizing, the Osbournes and Gesualdo arranged to have the Platinum record awards presented as a surprise to Kerslake for his Induction into the Metal Hall of Fame, at the Annual Metal Hall of Fame Celebrity Gala. “It was a great honor to help grant Lee his dying wish of receiving his platinum records awards for his brilliant drumming and song writing abilities on the “Blizzard of Ozz,” and  “Diary of A Madman” records, after 39 years. It was also a true honor to join with Sharon and Ozzy Osbourne to make that possible for Lee. I am extremely grateful for them doing so. Lee is a drumming icon and our hero. We can never forget his friendship, and the great songs and talent he gave the world, both as a drummer for Uriah Heep, and Ozzy Osbourne.” Kerslake had been working on a solo album entitled “Eleventeen.” A much anticipated documentary on Lee Kerslake featuring Kiss, Uriah Heep, Ozzy Osbourne band members, and other rockstars has been in production by film maker Tayla Goodman, and is waiting to be finalized. For more information, please contact Pat Gesualdo at 973-725-5150 About The Metal Hall of Fame: The Metal Hall of Fame holds the Annual Metal Hall of Fame Charity Gala. It is dedicated to forever enshrining the iconic musicians and music industry executives responsible for making hard rock and heavy metal music what it is today. Past Metal Hall of Fame Galas have featured Metallica Inducting Megaforce Records founders Jon and Marsha Zazula. Sharon and Ozzy Osbourne also joined with the Metal Hall of Fame by providing their former drummer Lee Kerslake with his Platinum Record Awards for his participation on both "Blizzard of Ozz" and "Diary of A Madman" albums after 39 years. An epic all-star jam took place at the 2020 Gala, which featured Geoff Tate, Steve Vai, Joe Satriani, Chris Poland, Bjorn Englen, and Pat Gesualdo. Numerous legendary events and Inductions take place on a Global basis as part of the Annual Metal Hall of Fame Gala, the most important night in Hard Rock and Heavy Metal.   The Metal Hall of Fame is part of the 501 (C) (3) non-profit organization D.A.D. (Drums and Disabilities), which provides free therapy services for disabled children and their families in hospitals and community centers in over 15 Countries. To include your Metal Hall of Fame vote, or for more information, please visit: www.themetalhalloffame.org. Official Websites: www.themetalhalloffame.org www.dadprogram.org
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Highfront - Psychotic Bliss - Featured On Mayhem Radio! - @thebeast

Here is the Mayhem Radio Playlist for this week Show: Mayhem Radio Fully Loaded 20/9/20 Presenter: Gari Link: https://www.mixcloud.com/Mayhemradio/mayhem-radio-fully-loaded-20920/ Playlist Amaranthe - Archangel The Waymaker - Kingdom of Heaven Netherblade -Reborn Heathen - Sun In My Hand Carcass - The Long And Winding Bier Road Benediction - Stormcrow Pallbearer - The Quicksand of Existing Mos Generator - I Spoke To Death Highfront - Psychotic Bliss Monsterworks - Harness The Engine Liquid Therapy - Scars Armoured Saint - Standing On The Shoulders of Giants Draconian - Moon Over Sabaoth Lord of the Lost vs Swiss & Die Andern - Schwarz Tot Gold Stone Sour - zzyxz Road Avenged Sevenfold - Dear God Black Stone Cherry - Ringin' In My Head Burning Witches - Circle Of Five Ward XVI - Mister Babadook Serum 114 - Meine Band Metallica - No Leaf Clover (live) Machine Head - Halo (live) Alter Bridge - My Champion (live) Slipknot - Before I Forget (live) Behemoth - Blow Your Trumpets Gabriel (live) Everclear - All F**ked Up HIGHFRONT is a Heavy Hard Rock band from Ottawa, Canada! The sound of the band is rooted in a heavy hard rock sound and the four members of HIGHFRONT bring a wide range of influences and many years of experience that the band hopes will help them branch out while remaining true to a straight up, heavy rock n roll sound. Formed Septemer 2019 and in January 2020 the band welcomed Cameron Farrell as a new member. • Adam Loback Guitar / Vocals (ex Hellbound and A Darker Day) • Corey Zadorozny Drums ( ex Sam Roberts Band and Wicked Mercy) • JC Croizet Bass ( ex Antix and Anthem ) • Cameron Farrell Guitar ( His first band! ) Psychotic Bliss by HIGHFRONT Reviews: • Dr.Bones of New Music Saturday on the song 'Vicious' "Man, right f-ing on! What a bad ass tune and I tell you when I first listened, 30 seconds and I was in ... a good solid influence by Slipknot and then they nail it! This is a great tune, hands down!" • Sleeping Village Metal Reviews on the song 'Vicious' "If that ain't a throat-grabbin' riff right outta the gate, I dunno what is." • The Sound Chick on the song 'Through Pain We Dine' "What is enjoyable to hear in "Through Pain We Dine," is how raw it sounds. This particular sound fuels the emotions of the lyrics for this song. It brings back the roots of hard rock music, and it works perfectly."   • DTF MEDIA on the song 'Through Pain We Dine' "Through Pain We Dine’ is a rifftastic, no holds barred, vein popper of a track. If you’re in the market for a cathartic shout-along this might just be what you’re looking for." And we say, Thank You!!! With catchy riffs and beat that makes you move your body, we're enjoying the HIGHFRONT track 'Through Pain We Dine'. Adams' vocals are so impassioned + raw when he lets loose on the chorus." Follow the band at these links: • YouTube: https://www.youtube.com/channel/UCTAz5LeUbKCtLEiZ_o46FCQ • FaceBook: https://www.facebook.com/highfrontcanada • Twitter: https://twitter.com/highfront1 • Band Camp: https://highfront.bandcamp.com/ The EP is available for purchase here: http://kunaki.com/sales.asp?PID=PX00ZREM1I
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Supergroup ACT OF DENIAL Unleash Second Single 'Controlled', Ft. By Special Guest DEATH's Bobby Koelble! - @thebeast

Supergroup ACT OF DENIAL Unleash Second Single 'Controlled', Ft. By Special Guest DEATH's Bobby Koelble! New All-Stars melodic death metal band/project ACT OF DENIAL - feat. by lead guitarist and songwriter Voi Cox (Koziak, Victim), guitarist and lyricist Luger (Benighted, Koziak), vocalist Bjorn Speed Strid (Soilwork), bassist Steve Di Giorgio (Death, Testament), drummer Krimh (Septicflesh) and keyboardist John Lönnmyr (The Night Flight Orchestra) - have premiered today, September 20th, their second single  'Controlled', featured by Special Guest DEATH's Bobby Koelble. The song is taken from the band's upcoming album "NEGATIVE". Stream 'Controlled' here: Watch the teaser video for 'Controlled', presented by Bobby Koelble himself, here: 🔈 DOWNLOAD "CONTROLLED": https://actofdenial.bandcamp.com/track/controlled 🎧Credits: Voi Cox - Lead guitar, programming Luger - Rhythm guitar Bjorn Speed Strid - Vocals, backing vocals Steve Di Giorgio - Fretless bass Krimh - Drums John Lönnmyr - Keyboards Bobby Koelble - Guitar solo 🎼All music and lyrics  - Cox & Luger Video - PILOT studio Artwork - Voi Cox Artwork for album cover - Carlos Del Olmo Holmberg Producer - Voi Cox Mix and master - Fredrik Nordström / Studio Fredman Also watch “Puzzle Heart” video, the band's first single, here: 🔈 DOWNLOAD "PUZZLE HEART": https://actofdenial.hearnow.com ACT OF DENIAL are currently in the studio, finishing their debut album 'Negative', including 10 songs. Guitarist/lyricist Luger: "The finished songs are already in the process of mixing in Fredman studio. Me and Voi decided not to focus on one genre so there will be tunes for every metal fan. We're doing this mostly for ourselves and the songs we write are the songs we love to listen at home, hoping they will reach also to other people, as to ourselves."  Lead guitarist/songwriter Voi Cox adds: "We were always influenced by swedish style and sound when we were kids that's why it is a big honor to us to have Bjorn from Soilwork on this album, also Fredrik Nordström from Fredman Studio who basically invented that sound. We grew up listening to Soilwork, At The Gates, Dark Tranquillity, In Flames and ofc Death, and that's why we're so excited that Steve is in this project, too. So we are very much influenced by those bands but that doesn't mean that our songs will sound like that and you will hear all that in our debut album." More details on the upcoming debut album, and else, will be revealed soon, stay tuned! ACT OF DENIAL line-up: Voi Cox - Lead guitar, programming Luger - Rhythm guitar Bjorn Speed Strid - Vocals, backing vocals Steve Di Giorgio - Fretless bass Krimh - Drums Also watch the teasers below: by vocalist Mr. Speed Strid - by great drummer Krimh - by fretless guru Steve Di Giorgio - FOLLOW ACT OF DENIAL: Facebook https://www.facebook.com/ActOfDenialOfficial/ Instagram https://www.instagram.com/ActOfDenial/ SUBSCRIBE: https://www.youtube.com/ActOfDenial
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Bondbreakr - Featured Interview & The Zach Moonshine Show - @thebeast

Bondbreakr joins the show to talk about the new album, Covid-19, the state of the world, #blacklivesmatter and much more! We take some questions from our live audience and play new music from Bondreakr! We also played new releases from Behemoth, Thou, Howling Giant, Acherontia Styx, Journey Into Darkness, Amboog-A-Lard, Raped Ape, Six Feet Under, Alcoholica, SKELETHAL, (Battle of the bands winners) Vocaldrop, Kublai Kapsalis, BENEDICTION, Every Mother's Nightmare, Anaal Nathrakh, Furnace, Godsend, Angelic Desolation, Marche Funebre, Carnation, Infiltration, Dark Quarterer, Highfront, EPICA, GLACIER, Carcass, Isolert, Invincible Force, BURNING WITCHES, TYGERS OF PAN TANG, Omegavortex, YMIR (Finland), VokodloK, Witchwood, WITCHTRAP (Colombia), White Magician, and Vox Mortis! Track List: 1 - Moonspell Rites/Pure Evil and Hate/Transylvanian Forest - Behemoth 2 - The Zach Moonshine Intro 3 - Them Bones - Thou 4 - Rooster - Howling Giant 5 - Blackened Serenade/Scorned (feat. Linn Liv) - Acherontia Styx 6 - Programmed to Die - Journey Into Darkness 7 - BÖNDBREAKR Interview featuring COP ROCK/ANGRY TOOTH/KILL YOUR GODS 8 - The Wounded - Amboog-A-Lard 9 - Hypothermia - Raped Ape 10 - The Rotting/Migraine/Blood of the Zombie - Six Feet Under 11 - F.E.A.R. - Alcoholica 12 - Antropomorphia - SKELETHAL 13 - Yesterday - Vocaldrop 14 - Hollow - Kublai Kapsalis 15 - Stormcrow - BENEDICTION 16 - Breathe - Every Mother's Nightmare 17 - Feeding the Death Machine/The Age of Starlight Ends - Anaal Nathrakh 18 - Yog-Sothoth (The Key and the Gateway) - Furnace 19 - With The Wind Comes The Rain - Godsend 20 - Cyborg Vampire - Angelic Desolation 21 - Deformed - Marche Funebre 22 - Where Death Lies - Carnation 23 - Missiles over the minefields - Infiltration 24 - WELCOME TO THE DAY OF DEATH - Dark Quarterer 25 - Call the kettle black - Highfront 26 - Memento - EPICA 27 - Sands of Time - GLACIER 28 - The Long And Winding Bier Road - Carcass 29 - Staring At A Path Towards Nowhere 30 - Perpetual Black Mass - Invincible Force 31 - The Circle Of Five - BURNING WITCHES 32 - Rock'n'Roll Dream - TYGERS OF PAN TANG 33 - Void Possessor - Omegavortex 34 - Silvery Howling - YMIR (Finland) 35 - The Weak - VokodloK 36 - A Crimson Moon - Witchwood 37 - Dealing with Satan - WITCHTRAP (Colombia) 38 - Power of the Stone - White Magician 39 - Forever No To Dog Meat - Vox Mortis Listen to the full show below on Mixcloud! Check out the interview by itself on YouTube! Austin (TX) - BÖNDBREAKR is a hardcore punk / metal quartet from Austin,Texas featuring members from local punk/metal luminaries dating back several decades (Suburban Terror Project, The Blood Royale, Vex, In Oblivion, Transfixr). Formed in September 2018, the band intersects grimy, noisy, strange music with street grit sensibilities. Since their formation, BÖNDBREAKR has played several gigs with heavy-hitting acts such as Cancer Slug, Voice of Addiction, Gregg Turner (ex-Angry Samoans), Hellfury, Dead Register, and The American Psycho Band. After a year of gigging extensively in Austin and the surrounding cities with their intense performances, BÖNDBREAKR entered AMP Studios in Austin,TX to record their debut self-titled EP under the helm of engineer Michael Day. Recorded live over the course of a single weekend, the EP uses several sonic motifs to curate a soundtrack to the disorder, strife and general chaos of life in 2020 America. Pre-order:  https://bondbreakr.bandcamp.com/album/b-ndbreakr https://distrokid.com/hyperfollow/bondbreakr/bondbreakr Album Credits: Engineered by Michael Day at AMP Studios. Mastered by Jerry Tubb at Terra Nova Mastering. Backing vocals on "Cop Rock" by Jake Roussel. All songs written by BÖNDBREAKR. Line-up: Vocals, cowbell – Hurricane G. Guitar, backing vocals – Red Death Bass, backing vocals – The Shaman Drums, backing vocals – Uncle Patrick https://www.facebook.com/bondbreakratx https://www.instagram.com/bondbreakratx/ https://twitter.com/BONDBREAKR_ATX https://www.bondbreakr.band/
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